Showing 1925 items
matching chat-musical
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Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Chris Wurr, late 1960's early 1970's
Demonstrates an aspect of the way trammies communicated with each other - chatting while passing at loops.Black and White photograph of two Ballarat trammies, both on single truckers, having a conversation, possibly at crossing loop.Stamped on rear in black ink "Donated to BTPS by and Photo By" / "Chris Wurr 12 Truscott Street, Ararat 3377 (053) 52 3403.tramways, trams, crews, trammies, motormen -
The Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
The Mrs Aeneas Gunn Memorial Library
Book, T. Fisher Unwin, Chats on old furniture : a practical guide for collectors, 1906
A guide collectors of old furnitureIll, bib, p.283.non-fictionA guide collectors of old furniturefurniture - history, furniture - collectors and collecting -
The Mrs Aeneas Gunn Memorial Library
Book, Robertson and Mullens, Adriatic adventure : Italian barbed wire and beyond, 1945
Here in brief compass is the thrilling tale of air crew adventure told by its navigator, who was one of three Australian in a crew of six manning a Marauder aircraft operating from Africa over the Mediterranean. The aircraft becomes involved in combat, in which two enemy fighters are drive off, one emitting clouds of smoke; but the Marauder, too, is crippled, and comes down in the Mediterranean near the Italian Island of Ustica. Rescue from the sea is followed by the rigours of captivity in Fascist barracks and compounds, of travel through Italy, of sharing British air raids with their captors, assuming careless ease while their musical comedy soldier captors cannot conceal their unease. An ingeniously planned escape is successful; five prisoners break from the compound, and this party, with intrepidity and endurance, gain a liberty which is also a life of great hardship. Italian peasant life provides great interest, and friendly folk protect the adventurous band from the Fascists, while they meet at the coast a mysterious English Captain, who later proves to be a Commando officer on a mission; when this mission is accomplished, and not before, he helps the several groups of escapees to liberty. A motor torpedo boat calls at midnight and, within six months, home in AustraliaIll, p.87non-fictionHere in brief compass is the thrilling tale of air crew adventure told by its navigator, who was one of three Australian in a crew of six manning a Marauder aircraft operating from Africa over the Mediterranean. The aircraft becomes involved in combat, in which two enemy fighters are drive off, one emitting clouds of smoke; but the Marauder, too, is crippled, and comes down in the Mediterranean near the Italian Island of Ustica. Rescue from the sea is followed by the rigours of captivity in Fascist barracks and compounds, of travel through Italy, of sharing British air raids with their captors, assuming careless ease while their musical comedy soldier captors cannot conceal their unease. An ingeniously planned escape is successful; five prisoners break from the compound, and this party, with intrepidity and endurance, gain a liberty which is also a life of great hardship. Italian peasant life provides great interest, and friendly folk protect the adventurous band from the Fascists, while they meet at the coast a mysterious English Captain, who later proves to be a Commando officer on a mission; when this mission is accomplished, and not before, he helps the several groups of escapees to liberty. A motor torpedo boat calls at midnight and, within six months, home in Australiaworld war 1939-1945 - aerial operations - australia, world war 1939-1945 - prisoners of war -
Mont De Lancey
Tenor Horn, Bohland & Fuchs, Circa 1898 - 1904
Played by Harry Henderson, a member of the Wandin Brass Band. Harry Henderson was the Grandson of Henry and Martha Sebire.Brass Euphonium or Tenor Hornbrass musical instruments -
Mont De Lancey
Case, Besson and Sons Ltd, Circa 1900
Owned by Thomas SebireBlack leather clarinet case with accessories."Thos Sebire Wandin" "SUBB Sheppartonmusical instrument cases -
Ballarat Heritage Services
Newspaper article, The Mikado, 2011
2 pages from Magazine. Coloured photographs of The Mikado, with large red writing "The Mikado"THE MIKADO Nanki-Poo - Kanen Breen Katisha - Jacqueline Darkthe mikado, musical theatre, jacqueline dark, opera australia, oa, mezzo soprano, singing, opera -
Ballarat Heritage Services
Program, A Concert to Remember
A program on A4 white paper with black text of 8 pages with a sketch of a grand piano on coverALL ABOUT MUSIC Presents A CONCERT TO REMEMBER Directed by John Dingle An afternoon of exceptional entertainment featuring vocal music from Don Giovanni, Carmen, Rent, Porgy & Bess, West Side Story, Jekyll & Hyde and more!concert, musical, jacqueline dark, andrew dark, singers, singing, music, opera -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection Child's Metal Recorder
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This recorder belonged to Alfred Haeusler (b.1922) and was played during his childhood in Wodonga in the 1920s-1930s. The recorder is one of several objects in the Haeusler Collection concerning early childhood that provides insight into family and home life in early twentieth century Wodonga. Recorders belong to the family of woodwind instruments and were first produced in the early eighteenth century. The instrument was popularly revived in 1919 by English instrument maker Arnold Dolmetsch. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Plated iron alloy recorder with visible rust, roughly 20cm long. "MADE IN JAPAN"/"SK"music, musical instrument, recorder, wind instrument, school, child, childrens, haeusler collection, music lesson, woodwind instrument -
Southern Sherbrooke Historical Society Inc.
Information folder Selby Spring Arts Festival
Ephemera pertaining to the All Saints Anglican (Carlotta Tye Memorial) Church's annual Selby Spring Arts Festival:/- 65th anniversary service, 2 Nov, 2003/- catalogue and program, 2003/- recital program, 2003/- recital ticket/- catalogue and program, 2004/- recital program, 2004/- festival flyer, 2004/- catalogue and program, 2005/See also: Display folder - Churches - Carlotta Tye Memorial, Selby, VSSH047all saints anglican (carlotta tye memorial) church, art displays, musical recitals, floral displays -
Mont De Lancey
Cow bell
Brass cow bell.cow bell, animal bells, musical bells -
Mont De Lancey
Mouth organ
Small brass mouth organ in shape of boomerang in working condition. Albert system. Complete with box.mouth organs, wind instruments, musical instruments -
Carlton Football Club
Pewter Mug, TOM ALVIN PERPETUAL TROPHY Presented Latrobe Valley Hyundai, 1997
Yarra Valley Hyundai presentation to Carlton B&F winner 1997A perpetual Trophy presented by a major sponsor Hyundai in the guise of "TOM ALVIN PERPETUAL TROPHY". In 1997 it was presented to Craig Bradley Carlton Best & Fairest winner 1997. Career : 1986 - 2002 Debut : Round 1, 1986 vs Hawthorn, aged 22 years, 159 days Carlton Player No. 931 Games : 375 Goals : 247 Last Game : Round 19, 2002 vs Port Adelaide, aged 38 years, 291 days Guernsey No. 21 Height : 182 cm (5 ft. 11 in.) Weight : 81 kg (12 stone, 11 lbs.) DOB : 23 October, 1963 Premiership Player 1987, 1995 Carlton Legend Carlton Hall of Fame (1995) Best and Fairest 1986, 1988, 1993 All Australian 1986, 1993, 1994, 1995, 1997 Captain 1998-2002 Team of the Century: Wing International Rules Series vs Ireland : 2000, 2001 (captain), 2002 Off the field, Craig Bradley was a somewhat quiet, unassuming character who never hungered for the spotlight. But when the umpire’s whistle blew for a game of Australian football, he became a consummate professional whose outstanding ball-winning ability, accurate disposal, punishing non-stop running and longevity in the game made him one of the all-time greats. “Braddles” captained the Blues for three years, won two AFL Premierships, and picked up almost every possible honour in a stellar career that spanned 17 seasons and a record 375 games for the Carlton Football Club. He began his football journey at Pooraka in outer-suburban Adelaide, where his father was coach of the Under-19 team. Craig was a stand-out junior footballer, and in 1981 he was recruited by SANFL club Port Adelaide. At the same time, Essendon also made a big pitch for his signature. The Bombers were very intent on getting him to Windy Hill, but Bradley wasn’t then ready to make the big move interstate. Essendon redoubled their efforts after Bradley’s sensational debut year for Port Adelaide, which culminated in the Magpies’ 51-point demolition of Glenelg in the Grand Final. Playing on a wing, but roaming the length of the ground, 17 year-old Bradley was one of his team’s best. He followed up by winning Port’s Best and Fairest in 1982, before departing for England later that year, as a member of the Australian Under-19 cricket team. Cricket was Braddles’ other great sporting passion, and he would eventually play two Sheffield Shield games each for South Australia and Victoria, before giving the game away to further his football ambitions. Because of his cricketing commitments, Bradley missed most of the 1983 pre-season with Port, but it made little difference, because he had another dominant season for the Magpies and was named All Australian for the first time. Two more Port Adelaide Best and Fairests followed in 1984 and '85 – with the latter complemented by All Australian honours again. In that year of 1985, four South Australians were named as All Australians; Bradley, Stephen Kernahan, Peter Motley and John Platten – and to the chagrin and envy of every other VFL club (especially Essendon) the first three all signed to play with Carlton. In the following year that trio of stars took to VFL football like they were born to it, and a time of bubbling confidence began for the Old Dark Navy Blues. Braddles wasted little time in announcing his arrival into the upper echelons of our national game by playing in the 1986 Grand Final in his debut season at Princes Park; the same year he won his first Carlton Best and Fairest award in a tie with Wayne Johnston. The Blues lost heavily to Hawthorn on Grand Final day, but twelve months later bounced back to snatch the 1987 flag from the Hawks in Bradley’s 47th senior match. By then, he was already a budding champion whose amazing stamina was too much for almost every opponent. He simply ran his taggers into the ground, and he was as effective in the last minutes of a game as he was at the start. He won two more Carlton Best and Fairest awards in 1988 and 1993, and by the end of his superb career had been an All Australian six times. Aged 32, he picked up his second Premiership winner’s medallion in 1995 when the unstoppable Kernahan-led Blues demolished Geelong in a one-sided Grand Final, but those who thought he might retire after that triumph were right off the mark. He still had his zip, his footy smarts and his brilliant foot skills, and he had transformed himself from a purely attacking weapon into an equally-effective sweeper across half-back. And to cap off a memorable season, he became one of only a handful of players to be inducted into the Carlton Hall of Fame while still playing out their career. In 1997, at the age of 34, Bradley won the Sunday Age Footballer of the Year award. ”It’s not the end of the world when you reach 30,” he said in a blunt response to those who kept asking how long he intended going on – to his considerable annoyance. After being named All Australian yet again that year, he answered all those sorts of questions when he was appointed captain of his beloved Blues in 1998 – after the retirement of his great mate ‘Sticks’ Kernahan. Braddles led the Blues into another Grand Final in 1999, but the Wayne Carey-inspired Kangaroos proved just too good. Further indication of Craig Bradley’s enduring ability was his record in the often controversial and passionately-contested International Rules Series against Ireland. He first played for his country in 1984, and was recalled again in 2000. He was appointed captain of Australia in 2001, and played a fourth round of matches in 2002 at the age of 38 – a truly amazing achievement. In the millennium year of 2000, the honours kept rolling in for Braddles when he was included in both Carlton and Port Adelaide’s Team of the Century. In turn this raised the usual debate over why he had never won the game’s most prestigious individual award, the Brownlow Medal. The answer was apparently found when former field umpire Peter Cameron was interviewed, and he revealed that during most games, Bradley regularly back-chatted the men with the whistle. “He’s in the umpire’s ear all the time,’ said Cameron. By circumstance, Braddles wore his iconic number 21 guernsey for the last time against Port Adelaide at Princes Park in round 19, 2002. Carlton lost the match by 9 points, and Bradley suffered broken ribs and a punctured lung in a heavy collision. Even so, he was an almost unanimous choice as Best on Ground and was given three Brownlow Medal votes by the umpires. A few weeks later, Bradley’s farewell was typical of his nature. There was no big press conference, no stage-managed extravaganza. Instead, he issued a written statement through the AFL that caught everyone – including the Carlton Football Club by complete surprise. It read (in part); I have many people to thank and will do so in the coming weeks. I would however like to thank the Carlton Football Club and the Port Adelaide Football Club for many wonderful times and for their influence in helping to shape my life. To leave the game with a bit left in the tank and in good personal form makes me feel good. Since the foundation of the VFL in 1897, only three men (Michael Tuck, Kevin Bartlett and Simon Madden) have played more senior games than Craig Edwin Bradley of Carlton. A true Blue champion, he is one of only ten official Carlton Legends, and in 2006 was Carlton’s 17th inductee into the AFL Hall of Fame. In October 2006, it was announced that Bradley would return to the club for season 2007 as an assistant to senior coach Brett Ratten – a role he filled with the same intensity as he showed on the field. Bradley holds the club record for most career disposals, kicks, handballs, & Brownlow votes with totals of 8776, 5876, 2900 & 144 respectively.Pewter MugTOM ALVIN PERPETUAL TROPHY Presented Latrobe Valley Hyundai Best & Donated 1997 Craig Bradley -
Ringwood RSL Sub-Branch
Musical Instrument - Bugle
Brass military bugle, mouth piece attached by chain. Slight damage after mouth piece. -
Ringwood RSL Sub-Branch
Musical Instrument - Bugle, Brodey and Hawkes
Brass Bugle chromedRAN 5568 -
Whitehorse Historical Society Inc.
Audio - Record
Collection of Margaret ScarlettFlat, round Bakelite with hole in centre, red sticker in middle. /other side 'Glad Doll' / 'Smiles' or red sticker. Vinyl disc imprinted in 'tracks' for music to be played on gramophone.. 'His Master's Voice'. 78 speed.Polydor - Allan's - 'Smiles' - Crazy Otto.musical instruments, accessories -
Whitehorse Historical Society Inc.
Instrument - Record
Collection of Margaret ScarlettFlat, round Bakelite record. Hole in centre. Red sticker in middle - 'His Master's Voice'. 'Dinah' / reverse side 'Love to Whistle' - Fats Waller and his Rhythm . Speed 78Polydor - Allan's (see above)musical instruments, accessories -
Whitehorse Historical Society Inc.
Audio - Record
Collection of Margaret ScarlettFlat, round Bakelite record with hole in centre - purple sticker in the middle. 'Parlophone' - 'When your'e smiling'. Studies in swing.Trade $ Mark A6462musical instruments, accessories -
Whitehorse Historical Society Inc.
Audio - Record
Collection of Margaret ScarlettFlat, round Bakelite record with hole in centre - red and green sticker in the middle -|'Regal' 'Zonophone' record|'Honey Hush', 'You meet the nicest people in your dreams''Allens' C 24220musical instruments, accessories -
Whitehorse Historical Society Inc.
Audio - 45 R.P.M. Record, c 1950's
Owned - purchased and played by Barbara Gardiner 1950'sCircular record 45 R.P.M. Frank Sinatra. Four songs with orchestral accompaniment.|Stormy weather|September Song|My Blue Heaven|Ol' man RiverColumbiamusical instruments, accessories -
Whitehorse Historical Society Inc.
Container - Gramophone needle tin, not known
Tin box for pick up record player gramophone needlesMarschell Pick- up needlesmusical instruments, accessories -
Whitehorse Historical Society Inc.
Phonograph Record, 1965
Seven Inch Vinyl 45 R.P.M. recording of Nunawading State School Choir in 1965.audio-visual technology, audio accessories, musical instruments, accessories -
Whitehorse Historical Society Inc.
Leisure object - Pianola Roll and Box
Purchased from Turriff Antiques BendigoBrown paper roll with imprinted with with holes associated with music that is to be played. Black bakelite circular ends. Contained in a black and white cardboard box.MasterTouch Word Roll A.D.4309|Sweet Rosie O'Grady from Sweet Rosie O'Grady Waltzmusical instruments, accessories -
Whitehorse Historical Society Inc.
Audio - Accordion
Middle section - bellows made of paper. Leather handle and stoppers on one end and mother of pearl press buttons, which operate keys on the other end.Mezon manufactured for Accordion Lyons Melbourne Bourke Street Lyons Sole agent Bourke St.musical instruments, wind -
Whitehorse Historical Society Inc.
Audio - Vinyl Record 12'LP, Mitcham Choral Society - Methodist Hymns, late 1960s to early 1970s
1. Mitcham Choral Society formed in 1932 - later became 'The Melbourne Singers'|2. The record came from an estate parcel of goods donated to Eastern Relief and was presented to the Whitehorse Historical Society because of other items held in the collection.Methodist Hymns. Mitcham Choral Society conducted by Fred Watcford, under supervision of Willia, Flynn W&G Selected release.|*Now Known as 'The Melbourne Singer'musical instruments, accessories, audio-visual technology, audio appliances -
Whitehorse Historical Society Inc.
Article, Doyen of Arts Scene Steps Into The Wings, 1988
Retirement of Max Grant, foundation member of the Nunawading Arts Council and pioneer of amateur theatre in Nunawading. With photo.drama, nunawading arts council, mitcham repertory group, mitcham memorial hall, grant, max, nunawading arts centre, the avenue church players, maroondah musical society, blackburn players -
Whitehorse Historical Society Inc.
Photograph - Phonogram
Phonogram belonging to the Pearce Family. The larger model being over 100 years old. The stand was needed to hold the trumpet in place.phonogram, pearce family, musical instruments -
Bialik College
Photograph (Item) - Oliver cast, 1993
Cast of Oliver, 1993. Please contact [email protected] to request access to this record.1990s, visual and performing arts, musical -
Bialik College
Photograph (item) - 'Annie' Cast and Crew, 1996
'Annie' cast and crew, 1996. Please contact [email protected] to request access to this record.visual and performing arts, music, hawthorn east campus, musical, 1990s -
Whitehorse Historical Society Inc.
Audio - Phonograph cylinders, 1/08/1904 12:00:00 AM
Six round containers which contain phonograph cylinders. Edison Gold Moulded --- Immediately terminates.musical instruments, accessories, audio-visual technology, audio accessories