Diggers & Mining. The Digging - The Diggers. Slide depicts Forest Creek, Mount Alexander, 1852. Timber buildings and diggers. Markings: 14 994.LIF:6hanimounteducation, tertiary, diggers & mining. the digging forest creek, mount alexander, 1852. timber buildings diggers

Photograph Copy, E.W.Hands, Butcher & Poulterer, Refrigerating Chambers on the Premises, Corner of Forest & Barnard Sts., Bendigo.This is a two story building. Seven Men dressed in butcher's aprons at front of building and some children in background.photograph, streetscape, bendigo

The Monster Meeting Book, how Eureka began with the 1851 Forest Creek monster meeting of diggers, written by Jan'Yarn' Wositzky edited by Patricia Healy published by Chewton Domain Society 2014, in a spring bound binder with 171 pages containing coloured illustrations, photographs and maps.Jan Wositzkyvictoria, history, monster meeting chewton

Diggers & Mining: The Digging - The Diggers. Slide: An article from 'Land Labour, and Gold'. By William Howitt. Little more than a year ago the whole of this valley on the Bendigo Creek, seven miles and long by one and a half wide, was an un broken wood. It is now perfectly bare of trees, and the whole of it is riddled of hole 10 to 80 feet deep, on one hugh chaos of clay, gravel, stones and pipe clay. So much has been done on this forest in just one year; and not only one year . . . . . . Markings: 28 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. Stores at Forest Creek, Mount Alexander, 1852. Note the office of the Melbourne Morning Herald. Slide show the busy area of Forest Creek stores. From left to right the signs that can be read: ? Argus Office, Gold bought and sold here, Bryce Ross's Newspaper and General Agency Office, STG '52 marked at bottom left corner of picture. Markings: 7 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. Store at the digging for sale: 18 Feet Square - A Commodious Slab Store, with a Chimney; good canvas roof, lined throughout with stout sacking: a counter, two stretchers, a table, and some other fixtures, for 60 Pounds; suitable for a store or any other business, being centrally situated among other stores, near the Old Post Office, Forest Creek. For particulars, apply, in Melbourne, to Messrs Hird, Greenhill, and Co. Elizabeth street: of Mr Smedley, Adelaide Store, Forest Creek, Mount Alexander. 2804. This advertisement from the Argus, July 3, 1852, indicates the typical furnishings of a diggings store. Markings: 5 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A3 size promotional page - Bendigo Symphony Orchestra conducted by Daniel Herbert - Palm Sunday Concert 2006. Forest scene with brown forefront and blue green sky.bendigo symphony orchestra, st pauls cathedral, palm sunday

BHS CollectionEighty-seven pages book titled: The Flora of the Far North-west of Victoria. Its distribution in relation to soil types, and its value in the prevention of soil erosion. Written by W. J. Zimmer, dip. For. F.L.S. Divisional Inspector of Forests. Aileen and John Ellison Collection.On front cover in black pen: John Ellisonflora, northwest victoria

Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of 159 Forest St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron

31-page spiral bound booklet by Pat Healy June 2023 'From Forest Creek to Eureka' How the Diggers of the 1850s Gold Rushes drove the developments of Democracy in Victoria. Includes colour images. Chapters include the Monster Meeting, Red Ribbon Movement in Bendigo, Eureka Stockade in Ballarat Published by Chewton Domain Society 2023gold rush, red ribbon agitation, eureka stockade

Two black and white photographs by Alan Doney of the shop at the corner of Barnard St and Forest St, Bendigo. The first photograph shows the front of the building. The other photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron

Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon. Three black and white photographs by Alan Doney of the residence 'Illira' at 57 Forest St, Bendigo. The first photo shows the front of the residence. The other two photos show detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, illira bendigo

Royal Historical Society State Conference - 12 October 1986 A & B Ravenswood Estate C & D Whipstick Forest

Original building was established by Whyke's family Grocery, built in 1860s. Stripped to apricot brickwork. Verandah removed. Situated East Side of Warrenheip St between Eyre St and Forest St, Buninyong. Building much altered and used as a restaurant in 1970s. Fell into disrepair. Revival took place but not restoration. 1990s under threat of demolition if not conforming to council safety requirements. Building has since been renovated as a pizza restaurant (2023). Vacant lots have since been built on.Established by a prominent local family, an example of a mid 19th century shop. Black and white photo of former Whykes Grocer, 1860's. Streetscape photo of former Whykes Grocer brick building. Power pole with Warrenheip St sign. 3 other shopfronts visible, street trees and vacant land between shops.buninyong, whykes, grocery, building, street scape, warrenheip st

Record of central Buninyong 1993B/W photo, Warrenheip St Buninyong, east side, between Forest and Learmonth, former Eagle Hotel at centre, Former National Bank far right, Town Hall Tower visible in background. buninyong, warrenheip st., eagle hotel, national bank

“The Keeper of Pathways is a simple, secular office. Her job involves the maintaining of routes through and within the forests, and the lighting of night paths. She keeps a team of designers, workers and artificers, who must constantly strive to keep the wayrights free from invading undergrowth, so that they may admit safe and well-lit passage for all travellers. Not an exciting job, but one which is vital to communication between groups, and to the general safety of Forest dwellers. The forest paths (wayrights) are lit by strings of small lights made from a species of glowing fungus, which is specially cultivated in the mountain caves. A whole team of workers is responsible for the growth of the light fungus, taking shifts as a public duty. No Forest Dweller like caves, so the shift-work is shared out as a public service, one which each person must carry out at regular times, dictated by the clerks of the Keeper of the Pathways.”-Inga Hunter

"The Forest People use poison on their darts, and on some of their arrows, to stun or kill small prey. Poison Brewers distil the venom, which is obtained from roots, bark, leaves, and the skin of a certain frog-like creature. Alchemancers distribute the venom to hunters and healers. Poison-impregnated darts are kept in special pouches or quivers, blessed by the Alchemancer or the Guardian with special spells and incantations to prevent accidents and the perversion of the tools by evil spirits. Each of these quivers carries amulets of protection. The quivers themselves, were made by a specially trained craftsman who is able to sing incantations into the actual structures themselves, ensuring double and sometimes treble protection from danger, as well as increased effectiveness, sureness of flight, efficacy of the poison etc. Quivers such as these are kept on the belt, on the side away from the dominant hand, to ensure considered, careful use, and to prevent the wrongful use of poison when a simple arrow would be sufficient." - Inga Hunter

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph mounted on boardprinted in ink on support l.c.: STATE SCHOOL, FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 5. / STATE SCHOOL, FERNSHAWE. / This educational institution occupies one of the most romantic situations of any of the State Schools in Victoria. / On either side of it runs a river and a creek, whilst immediately surrounding it are a great many large fern trees. / The background comprises many giants of the forest. In the centre of the picture stands a stump, about 60 feet / high, which has evidently been struck by lightning. The neighbourhood, not being a very populous one, furnishes / but 30 children for educational training. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph on boardprinted in ink on support l.c.: DANDENONG STATE FOREST, AT FERN TREE GULLY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 12. / DANDENONG STATE FOREST, AT FERN TREE GULLY. / Fern Tree Gully is one of the favourite resorts for pleasure-seekers on holiday occasions. This scene is taken / from the camping ground at the entrance to the Gully. The residence in the centre of the picture is that of the / Forest-keeper, Mr. Kennedy, who has charge of the Dandenong State Forest. The trees on the hill at the back of / the residence, through apparently diminutive, are in reality gigantic ones, measuring in many instances from 15 to / 20 feet in circumference at the base. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, ferntree gully

Anon-digital coloured photograph of a man studying the trunk and the bark of a large tree in a forested area.

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 8.Hand-drawn map centred on Buckland Gap road (near Murmungee). Details the quantity and quality of flowering timber in the nearby State Forest. Scale is 1/2 mile to 1 inch. Map was drawn on the 16th July, 1916. Drawn with black pen and grey lead on paper. Features are marked in red.hand drawn, hand-drawn, map, buckland gap, frost, beekeeper, beechworth honey

9 pages.

9 pages.

Soft cover book, slightly larger than A5 size, white & grey cover with a photo of a forest 158 pages