Photo of matron and residents of Holmbush, matron is shaking hands with a young lady, perhaps a guest or a resident about to depart. There are three photos of the occasion - at 02339 and 02340. There is a the large dog on the porch which is seen with matron in another photo from this album at 02356. The matron is likely to be Dorothy Farmer, who was matron of Holmbush for many years.The other names are not known. From a photo album which contains photos of Holmbush and some of the excursions and events that happened there, appears to have been put together in the 1940s. Including trips to the zoo and picnics. Holmbush at 1267 Burke road, was one of the properties that Legacy used for Junior Legatees. It was purchased 1942. In 1957 Holmbush was renamed Blamey House until it was sold in 1977.A compilation of photos of some junior legatees in the Legacy residences.Black and white photo of the matron shaking hands with a guest on the steps of Holmbush pasted to the pages of an album.residences, holmbush, matron

Illuminated address received by James Ross Briggs Esq. on the occassion of his retirement as Town Clerk and Treasurer by the Mayor, Councillors and Citizens of the City of Caulfield. 2 page watercolour and ink address bound in maroon and gold tooled leather folder, The address, presented on cream colour card, is secured inside the folder by a piece of maroon colour rope ribbon and strip of leather running vertically down the centre. The address is hand lettered in red and black ink and watercolour decorations include James Ross Briggs name in a scroll surrounded by sprigs of yellow wattle and a blue, pink and yellow decorative border. A red, paper seal has been placed beside the signatures of the Mayor, Town Clerk and Councillors. Hand lettered signatures at bottom of page include the Mayor, Town Clerk and 10 Councillors Hand written on small yellow "Post-It" note on inside of back cover: "DONATION FROM (details)"james ross briggs, city of caulfield, town clerk, treasurer

This meat mincer was born in a period where hand operated mincing and blending machines were only available for household mincing meats and blending ingredients up to the 1960's. Electrical kitchen based whitegoods were rare in areas where the connection to electricity was intermittent or not at all.This kitchen aid is a very significant item in the Kiewa Valley before suitable electrically operated mincers became available and constant reliable electrical connections were installed. The Kiewa Hydro Electricity Scheme provide the stable supply of electricity which made most of the hand operated mincing machines obsolete. However large mincers for bulk supplies were still required eg. kitchens for SEC workers during the 50's and 60's.This heavy industrial type meat mincer(cast iron) has a top "rounded feeder cup" with a mincer screw blade at the bottom. A winder handle rotates the screw like mechanism to mince and express solid pieces of meat at the other end. There is a clamp below the main structure which permits the fastening of the hand driven mincer to a table or solid ledge. The hand grip of the handle is made from wood and fashioned like a clothes peg.On the rounded feeder bowl "MAJOR" and on the winder handle "A POPE PRODUCT"hand operated meat mincers, meat grinders, kitchen utensils

SEPIA PHOTOGRAPH OF MATRON ADA JOHNSON IN HER NURSES UNIFORM - STARCHED COLLAR AND CUFFS. WEARING A CAP. HER HAND ON SOFA, EMBOSSED CURTAINS DRAPED AROUND.On reverse hand written in blue biro; Mrs Ada Johnson, matron of Clunes Hospital for quite a few years and during 1st World War 1914-1918 when the town was without a doctor. Her experience and knowledge was a great asset to Clunes. Retired about 1921photographs, hospital [old], matron ada johnson

The contents are 2 x dressings each consisting of a gauze pad stitched to a bandage and safety pin. Peter Ball collection, refer Cat No 4704First field dressing rectangular shape rounded all corners, khaki colour cotton, the contents are labelled, instructions for use all in black print, contents are in water proof covers.On one end in black pen, “P Ball”dressings, first field, accessory

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Pair of knitting needles made from bicycle spokes, used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Two lengths of piano wire, sharpened to points at both ends, used by Vera Neale as knitting needles.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Knitting needles made from bicycle spokes and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Made from piano wire and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Three page booklet, printed pages 1 to 3 only for updating August 1965 By-Law. Amendment with gummed portion on side of the back page (un-numbered) - used to revise fares, parcel and luggage and charter rates in August 1966, for Bendigo and Ballarat from 1/9/1966. Item was on display in cabinet of 39 until 10/2004, ex filing cabinet 1992. Five copies held. Three copies added 10/7/05. One copy has words "H. Lee" written in the top left hand corner.One copy has words "H. Lee" written in the top left hand corner.tramways, trams, secv rules, by laws, tickets, fares, ballarat, bendigo

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Nurses attending female patient - Nurse at hand side Nurse O'Donahue taken Bendigo Hospital Drs Name of Bed cardL ? Patient Nrndns, nursing training, nursing education equipment

This is a register of weddings performed at the Mission to Seafarers at the Port Melbourne site. The register names all parties involved including bride, groom, celebrant, witnesses, bride and groom's parents and addresses at the time. It also outlines previous marital status, employment details and other personal details. Historical record of marriages performed at the Mission to Seafarers commencing in 1915.Purple stamp in top left-hand corner of a flag with a flying angel. "From the Mission to Seamen Melbourne" Handwritten: Register No. 1, No. 1-11 (Dec. 7th 1915 to July 27th 1921)st nicholas chapel, port melbourne, mission to seamen, seamen's mission, mission to seafarers, marriage, register, wedding, st james, anglican church, dio-marriages, dio-archives

Boots issued to Brian CLEREHAN VX91862, refer cat 5269.2 for his service details..1) Brown leatherboot, left foot, no shoelace, black stitching with metal tacks and metal toe. boot with hard soles. .2) Brown leather boot. Right foot, brown cord laces, black stitching with metal tacks and metal toe. Hard soles Inscription on sole “9/5, N741, LO421,1943” both bootsarmy uniform, 2nd new guinea infantry battalion

BHS CollectionCamisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Gloves, ladies, white, kid leather. "Maclellan and Co" Made in France. Has fine stitching around seams, 4 mother of pearl buttons along wrist split and decorative stitching of 3 parallel lines on top of glove. Size 6 1/2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Royal blue outer with floral border and central panel worked in a variety of coloured silks in Peking stitch, each motif outlined in gold coloured metal thread with red couching stitches. Embroidered on front and back of cover. Cream silk interior and red piping.

Given to the donor by Mr R.H. Cochrane who worked in Panama for 2 years with the food and agricultural organisation mounted by Mc Cochrane himself.A Mola panel from the San Blas Islands. Design is black on white to represent five cats with red and white eyes and delicate running stitch and stem stitch on the cats' faces. Panel is framed in plain wood and then set on another wood frame with a hessian mount.patchwork, panel, reverse applique, 1960-80, san blas, south america

Worn by Heather Godden in the 1950's.Total of four pairs of gloves - Pair of long cream leather gloves, with three pearl buttons, with decorative stitching. Pair of cream kid leather wrist gloves. Pair of brown leather wrist gloves. Pair of long white evening gloves with decorative stitching. gloves,

Pair of child's leather boots. Fawn leather on upper, brushed cotton lined, wool rubber sole and heel. Decorative tan leather and stitching around upper. Silver coloured zip on arch with decorative stitching to toe. Stiff toe puffs and heel supportsOn sole ink stamped 'LEATHER UPPER COTTON LINED FIBER INNER SOLE WOOL RUBBER SOLE' Under decorative tan leather on upper Ink stamped '2 585 SIZE 9' On inner sole Ink stamped 'WRAY'S NATURAL FORM FOOTWEAR MADE IN ENGLAND"

Two newspaper cuttings pasted onto a sheet of paper. (1) "Floral beauty and a fair admirer at the Royal Horticultural Show - Miss Jean Scott of Burnley Horticultural School, with three choice specimens of gladioli, champions in their class. Left: Emilie Aubrun variety, grown by Mr G. Swensen, Ballarat. Centre and right: Charlemagne and Sunnyside varieties, grown by Mr R. Hayes, Ballarat." (2) Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." The caption is: "Autumn blooms - A student of the Horticultural College, Burnley, with a fine display of dahlias at the Royal Horticultural Society's show at St. Kilda."Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." royal horticultural show, jean scott, flowers, betty holmes, gladioli, dahlias, g swensen, charlemagne gladiolus, sunnyside gladiolus, emily aubrun gladiolus, r hayes, royal horticultural society

A digital copy of a hand written letter accepting the offer of a position as a cook at Marysville House. The writer also requests an advancement of wages to enable them to settle up at their current employer and travel to Marysville. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter accepting the offer of a position as a cook at Marysville House. The writer also requests an advancement of wages to enable them to settle up at their current employer and travel to Marysville. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter

A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for three weeks from January 8th, 1934. The writer has also requested the accommodation be priced at a discounted amount. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for three weeks from January 8th, 1934. The writer has also requested the accommodation be priced at a discounted amount. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, mrs j. richards

A digital copy of a hand written letter from Mrs Dickinson to Mr Couzens confirming the availability of seats in the service car, and that it will collect he and his wife from Canterbury for their journey to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter from Mrs Dickinson to Mr Couzens confirming the availability of seats in the service car, and that it will collect he and his wife from Canterbury for their journey to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, robert couzens

The decorative assembly from the top of the wedding cake of Archibald Burke and Eleanor McKew of St Arnaud, married in 1902. Typical of the period, the elaborate construction of floral and symbolic objects with partial shield originally carrying Australian Coat of Arms and Advance Australia. Much of the wax and icing items have disintegrated over the years but some such as the clasped hands, shoe, rising sun and paper floral motifs remain. Representative of a style of decoration for top of wedding cakes c.1900 no longer in practice.construction of floral motifs with symbolic shoes, clasped hands and other symbols of marriage and Australia all under glass dome on a circular wooden base.Nilburke, mckew, donald, starnaud, wedding, cake decoration, wedding ephemera

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate shows a hand holding a magnifying glass which magnifies a John Gartner book plate. An open book with the words Zelna John on the two pages is shown in the bottom left hand corner.Nil keith wingrove memorial trust, australian bookplate design awards, bookplate, print making

Erith Lane would have been named after Eliza Erith, the wife of Thomas Hand of Mountain Grange. The house made of slabs and bark pictured (centre) is where the family lived before Mountain Grange was built. Mabel Hand, Thomas and Eliza's youngest daughter stated that she was born in the bark hut in 1881 and they moved into the new home the same year. Cherry Farm, the roof visible behind the centre building, was the home of William Hand, son of Thomas and Eliza. He lived here with hs wife, Harriet Toghill, before moving to live at Mountain Grange after 1905.Black and white photograph showing a scene under heavy snow. Two cottages and a rooftop visible. Snow laden vines forming the front fence. Taller trees visible in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.Erith Lane under snow. House in passion fruit Ivory’s holiday home 1921. Building in centre was Hand’s 28’ by 22’ house of slabs and bark. The first house on top of the whole Dandenong Range built 1871. Large roof behind it was “Cherry Farm”.eliza erith, eliza hand, mabel hand, thomas hand, william hand, erith lane, kalorama, snow, mountain grange, cherry farm, harriet toghill

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Obstetrician', that the birth was happy, and that the father and child are well. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat and glasses, with a receding hairline, holding a baby. He is holding the baby's legs in his left hand, and supporting the baby's back and neck with his right hand. The figure is atop a small wooden plinth, one side of which carries handwriting that reads 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/ Figur'. There is a third word at the centre of the stamp on the underside of the figurine, but it has faded and is illegible. 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!'/'Handgeschnitzte/ Figur'obstetrics

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Before drills and braces, T-shaped augers were used to poke holes into wood, while smaller gimlets were used to start them. Auger handles were usually made of a piece of hardwood that was sanded, rounded, or even contoured to give the user a firm grip. Bits on spoon augers essentially carved a hole in the piece of wood, and had to be periodically removed to clear the chips. Spiral-bit augers were precursors to modern drills, whose bits cleared the hole of chips as the user drilled. A significant advance on the auger was the brace, which was originally designed with a single, permanently fixed bit at its end. Eventually, though, braces were designed with sophisticated chucks to accommodate replacement bits, as well as bits of different sizes and for various purposes. Chucks were patented as vigorously as the braces themselves The braces themselves also evolved for particular trades, from furniture makers to surgeons. The operator holds the ‘head’ in one hand, positions the drill in the wood , applies pressure and rotates the ‘centre piece’ to cause the drill to pierce the wood. A steel revolving hand tool for boring and screw-driving with wood handles * pioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, , blacksmiths, builders, farmers, metalwork, woodwork, screws