Bendigo Advertiser ''The way we were'' from 2000. Civic Centre: City Hall, Hargreaves street, Bendigo. (Photo-Painting supplied by Bush's stores circa 1909). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Statue: the Queen's monument stands proud in Bendigo. (Photograph-Painting from a booklet produced by Bush's stores in 1909). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Easter Fair Procession, Pall Mall, Bendigo - Photograph-Painting from a booklet produced by Bush's Stores in 1909. The clip is a folder.newspaper, bendigo advertiser, the way we were

Water colour painting of Koch's Pioneer Gold Mine Long Gully by C G Robertson 1901 showing chimney stacks, buildings, tailings and the new poppet head. Deframed 2022.C G Robertsonartwork, oil painting, gold mines, bendigo-history-gold mines

Bendigo historical Society brochure re Australia Day celebration 1998 A4 size gold coloured paper folded in half /copy of 'Shearing the Rams 'painting - x 5 copiesdocument, shearing the rams '

Coloured print of oil painting by Michael McCarthy titled 'Pall Mall, Bendigo, Victoria' showing tram passing Post Office and Law Court buildings. Signed 'Michael McCarthy 91'painting, print, pall mall

Painting of Tom Goode whilst he was serving in Vietnam. Oil painting of Vietnam Veteran Tom Goode seated on a log in front of bamboo, helicopter in sky in the background. Depicts Tom Goode 'No Longer 19 reflecting back' Plain wooden frameSigned 'Bodaan'tom goode, 9 rar, painting

An original painting called "Farmer later Released" shows MP Cpl Jim Archbold with a VC suspect who turned out to be a farmer and was later released. camp Nui Dat 1968painting, cpl js archbold, military police, nui dat, vietnam lest we forget

Photographed at Tatura MuseumBlack and white photograph with Mrs Isolde Ruff, member of Templer Society of Australia, at Tatura Museum on September 1991, 50th Anniversary. Backdrop is the painting of Minna Von Barnhelm, hanging in the MuseumMinna Von Barnhelmtatura war cemetery, templer society, mrs isolde ruff, 50th anniversary templer internees, minna von barnhelm

Oil painting of German internee, Cesare Vagarini and POW graves at a Cemetery. A large tree - left foreground - overlooks the grave plot and the white crosses - portion of a tree. Fawn coloured framepainting - oil, hoopmann l, camp 3, tatura, illustrations, oil

Article and colour photograph from Whitehorse Gazette, 10 March 1999 on painting of Schwerkolt Cottage by Barbara Rogalski to be offered as a raffle prize. Also in photograph; Barbara Gardiner, Barbara Keene.schwerkolt cottage, keene, barbara, gardiner, barbara, rogalski, barbara

Framed colour print of a painting of stretcher bearers with original held in Australian War Memorial Canberra. With profile photo of Phillip Davey from 10th Bn who was awarded the Victoria Cross.

Taking the Bar, 1876 woodcut of original entrance, with paddle steamer 'Lady of the Lake' and pilot boat grinding through rough conditions, can see Roadknight's Jetty, they lived at Merrangbaur, is aboriginal for home of lyrebirds.Colour photograph of a painting of a ship being towed over the natural entrance to the Gippsland Lakes. Red Bluff in background, Roadknight Jetty glimpsed through the natural vegetation. Lakes Entrance VictoriaTaking the Bar from Roadknights Jettyjetties, public works

Black and white photograph of Graeme Jordan painting a life guard bracket, possibly for No. 28. The tram is behind on No. 2 road and No. 26 on 3 road. Printed on Kodak Paper. Photo c1976. trams, tramways, btps, depot, tram 28, tram 26

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by ******, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

An oil painting, by J.N. Stewart, depicting a male tennis player in action, running across court to receive the ball. Materials: Canvas/Cotton, Oil paint/Pigment, Wood, Lacquer, Metaltennis

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph of Maurice Utrillo's 1932 work 'Eglise Saint Pierre de Montmartre et le Sacre Coeur'. In comparison to the original the grey sky in the print was originally blue in the painting. art, artwork, printmaking, available, maurice utrillo, sacre coeur, saint pierre de montmartre, printmaking, lithograph

Black and white print of prototype tram 1041 at Preston Workshops - mounted onto a heavy white cardboard sheet, prior to the painting of the dark brown section on the lower side of the tram c1973.trams, tramways, mmtb, prototype tramcar, 1041, preston workshops, tram 1041

Painting of eggplants (approx. 10). The eggplant are piled from the base of the image to top third of image. Background depicts an unfocused vertical structure (possibly edge of window) and green foliage. Unframed.Front: (no inscriptions) Back: (no inscriptions)

Framed oil painting on canvas by B. Polletti. Features a landscape. Decorative wood frame. Engraved brass plaque on lower edge of frame. Signed and dated by the artist lower left corner.

Set of 20 photographs taken by Carolyn Dean of the construction of the new storage sheds at Bungaree and painting of the house during the period 27/3/2000 and 6/5/2000. All on Kodak Paper. .1 - John Phillips concreting at rear of house - 27/3/00 .2 - ditto .3 - Sheds framing - 8/4/00 .4 - ditto .5 - Painting of rear of house - partially done for extensions .6 - ditto .7 - putting the second sheet of cladding on. .8 - ditto, with tower truck in background. .9 - ditto .10 - ditto .11 - Jim Parker painting windows .12 - ditto, painting eaves .13 - ditto .14 - finishing off the wall cladding on the first shed - 9/4/00 .15 - ditto .16 - guttering .17 - ditto .18 - placing roof sheeting on the first shed. .19 - Cladding the second shed - 6/5/00 .20 - wall cladding finished on both sheds.All with dates and "Photo by Carolyn Dean" on rear in blue ink.bungaree, sheds, btm

The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Elfham Railway Station} and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-2 5095eltham, main road, eltham festival, parade, shire of eltham historical society, parade float, joh ebeli, diamond valley arts society

The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Elfham Railway Station} and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-2 5095eltham, main road, eltham festival, parade, shire of eltham historical society, parade float, joh ebeli, diamond valley arts society

The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Elfham Railway Station} and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-2 5095eltham, main road, eltham festival, parade, shire of eltham historical society, parade float, joh ebeli, diamond valley arts society

The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Elfham Railway Station} and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-2 5095eltham, main road, eltham festival, parade, shire of eltham historical society, parade float, joh ebeli, diamond valley arts society

The festival parade was held at 11.00 am on Saturday, 10 November 1990, commencing in Youth Road (behind Elfham Railway Station} and Diamond Street. As per tradition, the Shire of Eltham Historical Society entered a float in the parade but for the first time combined with the Diamond Valley Arts Society to produce the float. The theme of the parade was ''Spring into Summer". In accordance with this theme the Society's float depicted artists on a spring painting excursion. Part of the group was "Walter Withers" painting a landscape. There was also another artist painting a portrait of a girl in a spring costume. Joh Ebeli was responsible for preparation of the float. The float won the prize for the best display.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-2 5095eltham, main road, eltham festival, parade, shire of eltham historical society, parade float, joh ebeli, diamond valley arts society