This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy.Fifty Years of the Commonwealth of Australia 1901 - 1951.This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy. This is a round medal and is bronze in colour. On the front is a man throwing seed on the ground with the dates, 1901-1951, and on the back the words, "FIFTY YEARS COMMONWEALTH OF AUSTRALIA". along with a carving of the sun and seven ears of wheat representing the States and Territory.1901, 1951, commonweath australia medal

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Photo L to R/ John Howard Prime Minister of Australia shaking hands with John Henry Lockett, in the background is Mr Bruce Reid MHR and behind Jack is Kevin Lockett Jacks son. This photo was taken in the Billiard room of the Soldiers Memorial Institute Pall Mall Bendigo on 21 7.1998 when Jack was presented with the French Legion of Honour by the French Ambassador Dominique Giraud. Refer Cat No's 8143, 8144 & 8145.10PFramed photograph of Jack Lockett Aged 107 with the Australian Prime Minister Mr John Howard. Photograph: colour photograph of 2 persons shaking hands with 2 persons in background. Frame: timber with brushed gold coloured paint glass front. Mount: mid-grey colour cardboard. Label plate: gold colour metal bottom centre. Back of frame: Handwriting red ink.Label plate: engraved print. "PRESENTED BY THE / PMC AND MEMBERS/ VICTORIA BARRACKS SERGEANTS MESS" smi, smirsl, photograph, lockett

Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This document is an example of early book keeping records and is a useful research tool.A white paper account with black print and green lines for Luckin Bros, Cartage Conbtractors & General Carriers to R. Cameron. It is headed "Eastern Transport Services".on back left hand corner -"Cheque Corner......."luckins-bros-general-carriers account cameron-robert-pullar

Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" , these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. The "Gold-Moulded" process was developed in 1902 and involved creating a metal mould from a wax master; a brown wax blank would be placed inside and heated . as the blank expanded, the grooves would be pressed into the blank which would then be cooled. The "gold" is derived from the traces of that metal used as a conductive agent in the initial mould. "Whistler and his Dog" was performed by the Edison Military Band.Edison Records was one of the earliest record labels which pioneered sound recording and reproduction and was important in the early recording industry. Gold Moulded records used a process that Edison had developed, that allowed a mould to be made from a master cylinder which then permitted the production of several hundred cylinders to be made from the mould. Previously cylinders were recorded live or by hooking two machine together to copy from one cylinder to another, and they used softer brown wax which wore out in as few as twenty playings. Gold Moulded Records were discontinued in 1912.A cardboard cylindrical record container. It is an Edison Gold Moulded Record container. The label has red and gold print and a photo Thomas A. Edison.Hand-written on lid - Whistler & His Dogedison-gold-moulded-cylinders sound-recording records

History unknown.This item is of aesthetic significance. The identity of the subject is unknown as yet but is likely to be a local woman.A large black / white studio photograph of a bride, sitting down, holding a large bouquet of flowers. She is wearing a long wedding dress with a close-fitting beaded cap. Her veil is long and ornately embroidered. bottom right - hand-written "Ruth Hollick"photograph-wedding

Southwood Primary School Grade Prep class photo, 1982students names hand written below photo

item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Large flag polyester, white backgroundwith central motif of the "Rats of Tobruk Association" in colours black, gold, red, white and yellow, label on one corner re the maker.Hand written on one corner, "Ron Bollard"flags, tobruk

Ronald Frank Bollard. Enlisted 23.5.1940 age 20 years 4 months as VX14150 and posted to 7th Div AASC and then attached to 2/5th Field Ambulance, embark for Eygpt 20.10.1940, he serves in the Seige of Tobruk, hospital 16.10.1941 with Malaria, rejoin unit 26.10.1941, embark for Australia 10.2.1942 and disembark 28.3.1942, embark Brisbane 28.8.1942 for New Guinea. embark from Milne Bay 9.3.1943 for Townsville, graded A/Group 1 Fitter, embark 17.8.1943 for Port Morseby, hospital 20.3.1944 with Malaria, rejoin unit 5.4.1944, embark Lae for Australia 20.5.1944, embark Cairns 22.5.1945 for Morotai, embark 20.6.1945 for Balikpapan, embark for Australia and disembark 22.11.1945, discharged from the 2nd AIF 30.11.1945 with the rank of Craftsman in 2/5th Field Ambulance. After the War and the formation of the Rats of Tobruk Association he was President of the Victorian Branch at one point.Photograph in Sepia tone being a portrait of an Australian Soldier in slouch hat.On rear hand written, "Ronald Frank Bollard".photographs, portraits, tobruk

During 1978 strips of tickets were used on the Nursery and Link lifts at Falls Creek. For each ride a ticket was torn off by the operator at the bottom of the lift. Ski lift tickets have changed often during the years from single lift coins, single tickets, day tickets, electronic tickets. The names and existence of lifts has also changed over time.In 1978 ski lift tickets were sold as a strip of 7 and operators were employed on each lift to collect them. Falls Creek is a major ski resort in Victoria and Australia. This strip has been superseded by other forms of 'tickets' sold at Falls Creek. This ticket also names 2 of the lifts which operated in 1978. Seven ski lift tickets attached as a strip to a butt. They are for the Nursery lift or the Link Lift at Falls Creek for the 1978 season. The writing is black on white and the strip has a thick green stripe down the length of it. In red at the top hand written: "Please Use."ski lift tickets. falls creek. alpine sport. downhill skiing.

No other information known PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991In hand written pencil "A church group at Eltham"marg ball collection, 1910, church picnic, eltham, straw boater

Area of map shows the River Sambre running from corner left to top corner right, Landrecies, Hachette, Petit Paris to Leval. Item re William Alexander No 502 AIF. refer cat No 3746.3 for his service details.Map, Enemy rear Organization France, Edition 3a, sheet 57A N.W, scale 1:20,000, Field Survey to 24.10.1918.Hand written on rear in black, “57A N.W”map, france, trench

Frederick & Isabelle DAVEY's wedding group taken on the day of their marriage. See also 3762P for a related photo. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service detailsBlack / white photo of a wedding party with guests on the steps outside of a church.Hand written on back: Isabelle Davey (Murdoch).photography, weddings, raaf

CF Reg No 2533.26, 2540.9, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting naval scenes of WWI.Individual descriptions of paintings hand written on back.illustrations-reproductions, military history - navy

176 pages. Some black and white photos. 2 tone green. Soft covers, title in red. Subtitle in black - background of map Australia and islands to the north drawn in white.On fly leaf hand written "MIKE BUNDY" books, military history

Pea green, hard covered book with dust jacket bearing photographic images of soldiers. Photo and details of author on back flaps. 188 pages. Illustrated with one section of black and white photos. Title in red on pale grey front panel on on the green spine.Name of donor hand written on fly leaf. books-military-history, vietnam

Soft cover - green with photo of solder in jungle on front. Title on spine and front cover in gold. 358 pages. Illustrated with black and white photos.Donation details hand written on fly leaf.books, military history

MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic

medium sized rectangular b/w photograph in portrait format.hand-written inscription: "The Staff of the mission in Yokohama"yokohama, japan, overseas missions, japanese

Photographs and maps from Plenty/Briar Hill Camp 1989. Possibly a school project, includes itinerary. Photographs are not named. Location: "Tandara" Halls Gap.Colour photographs and maps in albumHand drawn front cover with name of artist.plenty, briar hill