Very dark photo of a group of miners who worked at the Hercules Mine in Long Gully. Photo is mounted on bright green paper which is then mounted on orange card and laminated.bendigo, history, long gully history group, the long gully history group - workers from the hercules mine - long gully

Receipt from J. Harris, Monumental and General Mason, Monumental Works, Carpenter Street. For work done on a Cemetery Monument. Dated March 1921. Also a photocopy of receipt.ephemera, mementoes, malloy family, malloy family document, mrs malloy, j harris

Bendigo at Work, an Industrial History an insight into Bendigo's industrial development. Published by Holland House for the National Trust of Australia, 266 pages with photographs, illustrations and maps and signed by the authors.Mike Butcher and Yolande M J Collinsbendigo, history, industrial, bendigo - history - industry, industrial development.

"...this book provides a fascinating picture of life in northeast Queensland between 1963 and 1977. It also provides an insight into how linguists work, how they gather their information, and how they interpret it."b&w photographs, colour photographsqueensland, languages, linguists, linguistics, field work, biography, northeast queensland

I am interested in the history and practice of weaving and textile production and the growing of cotton in different areas of the world, especially as it relates to my Lancashire, UK heritage. The cotton painting drop cloth has been dyed with Australian native plants and the warp threads exposed by removing the weft showing the simple robust structure of this fabric characteristic of the interlacing of warp and weft in plain weave. This work can be hung or can stand on a plinth or table.Wangaratta Art Gallery Collection. Donated by June Brown.A textile work that features a piece of cotton drop cloth that has has sections of the warp threads removed and other sections plant dyed brown to create a radial effect.hilary buckland, textile, plant dyed

Photographs showing the works at the Great Southern Mine, cyanide plant, which was an important part of the process of separating gold from the ore.One of 4 small black and white photographs, mounted on a single album page. This one shows six men, taking a break from their work in a corrugated iron shed. Written on album page between photos: "Great Southern Mine Cyanide Plant 1931"great southern, gold mining, gold processing, cyanide plant

8 page magazine of Williamstown High Svchool, edited by P. Weate and C. Curtin. Preview of the athletics meet, readers' opinions, school news and student work included.williamstown high school, 1944, school magazine, hold fast

"The Melbourne City Council expresses its appreciation and gratitude to the Queen Victoria Womens' Centre for the contribution made to the community through volunteer work." A4 coloured cardboard certificate.award, cultural structures and establishments

"The Melbourne City Council expresses its appreciation and gratitude to The Queen Victoria Women's Centre for the contribution made to the community through volunteer work." A4 cardboard coloured page.

Yields information about the interior of the depot and repair of trams.Interior view of the depot, 2/7/1971 by Campbell Duncan with No. 41 on jack and a bogie moved sideways for work and No. 32 in the background. See also Reg Item 6695.trams, tramways, depot, maximum traction, workshops, tram 32 tram 41

B/W. Early potato planting with two horses pulling a disc plough in front of a seed potato planter, worked by Ern Minchington. Note the boot of the following man.ern minchington; potatoes; horses;

Diggers & Mining: The Diggings - The Diggers. Slide reads: Life and Work at the Diggings Section 6 The Diggings . . . The Diggers Markings: 1 994.LIF 6. Used as a teaching aid.hanimounteducation, tertiary, diggers

Diggers & Mining. Stores at the diggings. Slide reads; Life and work at the diggings. Section 5 Stores at the diggings. Markings: 1 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Limited edition (138/850) print of pastel work by Luis Morris of tennis player Greg Rusedski serving. Materials: Ink, Wood, Paper, Glass, Metal, Graphitetennis

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew)

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew)

The four children are working with their teacher Barbara Springfield who was on the staff at Bulla Primary School in 1993. It was a time before computers and other related devices were used in classrooms.A non-digital photograph of four children in a classroom standing at a table with their teacher. A lot of the children's work folders are displayed on a rack on the LHS and other items are displayed on the window and overhead. barbara springfield, bulla primary school, classroom activities

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

This item was found in an ANMF Federal Office archive box. It was taped into a picture frame, broken when found. The note was written on the title page of a book. The title page was separated from the book, and the book was not with the item. We believe the item came to the ANMF Federal office via the ANF Tasmanian Branch. A conference presentation was done in July 2017 about the subject of the note, Nurse Alexander.Original handwritten note by Florence Nightingale, addressed to Nurse Alexander upon her departure from England to work in Tasmania, Australia.Hand written note by Florence Nightingale to Nurse Alexander, upon her departure from England to work as a nurse in Tasmania, written in pencil on the title page of a medical textbook."Offered Nurse Alexander on her going to Tasmania. And may she have the knowledge and humility to be making continued progress. And may she remember that a nurse who is not always advancing is going back. Forward not backward in all ways. Florence Nightingale. Feb 18 1883."nursing, history