2nd Prize Merbein West Gymkhana 1950 awarded to Milton DonaldsonRed felt sash with yellow writing Merbein West Gymkhana 1950gymkhana, merbein, sports, milton donaldson, 1950

This is a blank, unfilled template of the Life Member Certificate, which reads "Royal Victorian Institute for the Blind Life Member. This is to Certify that ...[name]... was this day ... [date]... Appointed a Life Member in honour of exemplary service to people who are blind or vision impaired. By Order of the Board of Directors." There are also designated spaces for signatures of the President and CEO. Caertificate includes the Lighthouse for the Blind logo centered at the top of the page.1 certificate with blue and gold writingroyal victorian institute for the blind, office equipment and supplies

The photo was bought home by James Todd No 2418, 12th Batt AIF. Refer Cat No 1340P for his service details.Copy of original sepia photo of a German soldier, seated with arms in front. A piece of ribbon attached to a button on the uniform could be for an "Iron Cross".Some writing at the bottom of the photo but unreadable.photography-photographs, military history-german army

Tall Japanese doll with purple traditional dress standing upright supported by black, square base. Hair is arranged in traditional style with ornaments. "WMA 56" Japanese writing on base

Watsonia Heights Primary school is a local education facility. Article written by Rosalie Bray.Features a photograph of two students wearing period clothing on horse back. The article also lists school activities from the period.A photocopy of a newspaper article on activities at Watsonia Heights Primary school.Some biro writing at bottom of page.watsonia heights primary school, rosalie bray

Writing on back of photograph, "Heathmont Club".

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Shallow porcelain dish, celadon.Chinese writing on base in blue ink.chinese, goldfields, tableware, celadon

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain bowl, design in glazed celadonChinese writing or maker’s stamp on base.chinese, bowl, tableware, porcelain, harrietville, celadon

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadonChinese writing or maker’s stamp on base.chinese, spoon, tableware, porcelain, harrietville, celadon

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadon.Chinese writing or maker’s stamp on base.chinese, spoon, gios, tableware, glaze, porcelain, harrietville, celadon

Pale khaki canvas type material bayonet holder, also known as a Frog. Has a large darker khaki loop at the top and two smaller canvas loops at the bottom.There is writing on the back that is faded and cannot be read.frog, bayonet holder, scabbard holder

B & W waist length photograph of Margaret Colliver."Margaret Colliver" (writing is hard to decipher)colliver, margaret

Sepia photgraph on a postcard of Flour Mill Fall, Sunbury, with the weir, washed away.Writing on Front: Mill Fall Sunburypostcards, flour mill fall, sunbury, mill fall, george evans collection

Scammell House Photograph from womans Weekly Writing short stories in the ships house

Blue Navy Kit Bag faded and repaired.Writing on it believed to be Japanese. Anchor and wreath.

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 78.Black and white photograph. Part of Emily Gibson Collection B10.0030. Administration building under construction. Shows part of Pavilion partially demolished. On reverse, "1947." Writing is Emily Gibson'sadministration building, green grows our garden, a.p. winzenried, pavilion, construction, administration building construction.

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture. writing not legable.tatura, camp 3, vagarini

Wal Jack had an extensive range of correspondents throughout Australia and the world who often prepared extensive notes and records for him. This letter from Peter Duckett, the owner and proprietor of the Model Dockyard, dated 8/3/1955 discusses the water tank on the Ballarat ESCo sprinkler tram and its disposal history, First sold to a Mr Colters of Forest St and then sold to a lady in Invermay. Also compares the Ballarat tank to that of Bendigo. Finishes off with a discussion about his visit to Ballarat the previous weekend and the traffic on the road.Demonstrates some of the correspondence that Wal Jack received from around the world and that of Peter DuckettLetter on The Model Dockyard letterhead, printed quarto sheet, hand written by Peter Duckett dated 8/3/1955 - two sheets.letters, wal jack, peter duckett, sprinkler tram, water tanks, ballarat, bendigo, model dockyard

The grey painted heavy wooden, homemade box has a freehand inscription in black on outside, which reads ‘LEVINGS To MAAT IS’. The writing refers to Alan and Marlene Levings, who began their twenty-two year career in lightkeeping with a posting to Tasman Island, off Port Arthur, in the 1960s. After four years they moved to Maatsukyer Island off south-west Tasmania, Australia’s southern-most lightstation, followed by postings to South Bruny, Eddystone Point and Wilsons Promontory. The robust box journeyed with the Levings through their postings to five lightstations and came to rest at Wilsons Promontory when Alan retired. It is not known whether the box was used in an office or domestic context. The movement of people and objects is a significant and unique theme that runs through the history of Australia’s lightstations. This historical process relates Victoria to the much bigger story of Australia’s network of lightstations. Alan Levings has been described as an extremely interesting character and artist. When Levings was a lightkeeper at Wilson’s Promontory, delivery of goods was by boat, then off the boat by a winch and onto the back of a truck. For this reason, packing boxes in earlier years had to be extremely robust. Today, anything that is not carried into Wilson’s Promontory Lightstation by foot, comes by helicopter, eradicating the need for heavy packing boxes such as Levings’. This humble box has first level contributory significance for its reliable provenance which traces its journey through five lightstations; for its association with a former lightkeeping family; and for contributing to an understanding of the pattern of lightstation life.Wooden box, light blue/grey painted. Made of horizontal pieces of timber with some tin reinforcment on the sides. Writing in black on side of box.On side of box in freehand,"LEVINGS To MAAT IS"

Frazer and Vallance Photo Post Card. Origin and writer of postcard unknown.Frazer and Vallance photo postcard showing view looking south from the Palace Hotel, Camberwell Junction. Writing on back of postcard, dated Jan 24th 1909. Writing on back of postcard which reads: My Dear Bella, I received your card on Wednesday and was quite pleased to get it, thank-you very much. This is the place I am living in at present - I rather like it, it is quite a change after Yack. Alex. P.S. has Hill any intentions of coming down next month. I have not saw L.C. yet. I never go out that way. Rember me to all at home.

Donated by B C GraydenBlack & White photograph of Margaret Grayden sitting outside the door of house with Charles Grayden standing. Old wooden table with goods on top is next to Margaret and table with tin on top behind Charles.Letter on back - see photograph above.charles & margaret grayden, phillip island

Over 1500 pottery firms have operated in Stoke-on-Trent since the early 1700's - Some lasted only a few years and some for well over 200 years. Some potters built and owned their own works. Many others were tenants in works built by others and a succession of potters occupied the same works. It was also a common practice for a works to be split between two different pottery companies or for a larger manufacturer to let out a smaller section of his works to a potter who would make wares which were not of interest to the pot works owner. Some potters purchased 'blanks' from other manufacturers and put their own decoration on them some items have two back stamps some have no marks at all. This adds to the confusion and frustration of trying to trace details of a particular manufacturer such as the subject item.A mid to late 19th century ironstone jug with no makers markings only a date letter therefore at this time cannot be associated with an historical event, person or place, provenance regards maker is unknown, item assessed as a collection asset given it was produced before 1950.Jug, white Earthenware with leaf decoration around the base, handle and lip.Letter "E" date mark for 1881flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, ceramic jug, drink ware, kitchen ware, table ware, ceramic, pottery, milk jug, cream jug, ironstone jug