The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the left side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the right side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the rear panel of the fireplace in the dining room at Villa Alba. The central decorative tiles depict pears and pomegranates. Above and below this central pair are abstract floral tiles in shades of olive green, blue and white. These six decorative tiles are surrounded by rectangular plain majolica tiles in shades of maroon and teal blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the fireplace in the ground floor morning room of Villa Alba. The original 1880s black marble mantel surround is missing its decorative surround tiles and cast iron hearth but retains its decorative hearth tiles produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- morning room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative hearth tiles used the fireplace of the morning room at Villa Alba. The patterns within the decorative tiles are self-contained or show their pattern when assembled with matching tiles. The multicoloured tiles have a grey or maroon background. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- morning room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the fireplace in the ground floor morning room of Villa Alba. The original 1880s black marble mantel surround is missing its decorative surround tiles and cast iron hearth but retains its decorative hearth tiles produced by Mintons Ltd. The fireplace was modified in the 1950s when it was used as a home for nurses of the Royal Women's Hospital. fireplaces, mintons, mintons - tiles, villa alba -- morning room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the main bedroom of Villa Alba. The original 1880s white marble mantel surround has a raised iron and brass cast iron grate with hearth and side tiles by Mintons Ltd. The marble fire surround has being carved in a conventional style and lacks the opulence of what was at the time described as the grandest bedroom in the Colony, whereas the raised grate features decorative brass sun symbols and scrolling on the iron panels. The 'grey monochrome' surround tiles, of which there are eight in situ were produced to design by John Moyr Smith by Mintons Ltd as part of the 'Waverley' series (No, 1607) of which there were twelve subjects (Mintons Catalogue, p. 62/206). The selection conforms to William Greenlaw's desire to symbolically represent Scottish themes in the decoration of the house. It also relates to the mural in the dining room architrave of scenes from the novels of Sir Walter Scott. The three rows of hearth tiles employ a repeated geometric pattern.fireplaces, mintons, mintons - tiles, villa alba - main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the decorative surround tiles on the right tiled panels of the fireplace in the main bedroom at Villa Alba. The four grey monochrome surround tiles were selected from a series of twelve 'Waverley' [novels] tiles designed by John Moyr Smith and produced by Mintons Ltd, Catalogue No. 1607 (Mintons Tile catalogue p. 62/206)Tiles x 4 Upper left: BRIDE OF LAMMERMOOR \ RAVENSWOOD & LUCY Lower left: THE ANTIQUARY / SIR ARTHUR DOVSTERSWIVEL Upper right: THE MAID OF PERTH / BONTHRON ACCUSES ROTHSAY Lower right: THE HEART OF MIDLOTHIAN / JEANIE & THE QUEENfireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the decorative surround tiles on the left tiled panel of the fireplace in the main bedroom at Villa Alba. The four grey monochrome surround tiles were selected from a series of twelve 'Waverley' [novels] tiles designed by John Moyr Smith and produced by Mintons Ltd, Catalogue No. 1607 (Mintons Tile catalogue p. 62/206). Tiles x 4 Upper left: KENILWORTH / AMY ROBSART AND LEICESTER Lower left: THE ANTIQUARY / SIR ARTHUR DOVSTERSWIVEL Upper right: GUY MANNERING / MEG MERRILEES AND HATTERAICK Lower right: QUENTIN DURWARD / LOUIS QUENTIN & JACQUELINE fireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the gold, black and white hearth tiles of the fireplace in the main bedroom at Villa Alba. The twelve geometric, visually interlocking tiles feature an abstract flower within a black border. There are twelve parts of the pattern on each tile.fireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the second bedroom of Villa Alba. The original 1880s white marble mantel, obliquely positioned in the northwest corner of the room (one of two examples in the house) is the most ornate mantel in the first floor bedrooms. The central visual element in the mantel is an upturned conch shell surrounded by stylised foliage and flowers. The two upright carved supports of the mantel are sinuously carved in all almost rococo manner. The mantel is inset with monochrome surround tiles and ornate polychrome glazed tiles in a manner reminiscent of Ottoman Iznik tile work. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the decorative tiles used in the hearth of the fireplace in the second bedroom of Villa Alba. The polychrome tiles are decorated in a manner reminiscent of Ottoman Iznik tile work. They feature the flowers and foliage of fuchsias and lily of the valley. The tiles at the edge have been cut to fit into the surround. The tiles have black visually interlocking borders. There are twelve tiles used at the front which extends six tiles deep. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the decorative tiles used in the surround of the fireplace in the second bedroom of Villa Alba. The brick red, monochrome, geometrically patterned tiles feature a neo-classical Late Victorian use of Ancient Greek fretwork. Each side of the surround has four of these large tiles. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the rectangular surround tiles in the third bedroom of Villa Alba. The tiles, which are painted in underglaze red and green have a central scrolling pattern of large six- and small four-petalled flowers in green. The border use Late Victorian neo-classical fretwork. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the square hearth tiles in the third bedroom of Villa Alba. The glazed decorative tiles are painted in a pattern of climbing green ivy on a black base. The tiles have borders on two sides using a repeated black and white pattern. The tiles are laid so that the pattern of the ivy extends to the rear of the hearth. An oriental element with the design is the use of bamboo on which the ivy climbs. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the fourth bedroom of Villa Alba. This is the only replacement fire place setting in the house. It was purchased with the support of a grant from the Bendigo Community Bank - Kew East Branch. The mantel, like that in the. third bedroom features garlands of polychrome painted flowers on the three panels. The mantel is inset with monochrome surround and hearth tiles. The latter is incomplete, missing the front row. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba - fourth bedroom

The success of a significant wages dispute with Phoenix Foundry led to reconsideration of building a Trades Hall in Ballarat. In 1886, the present site at 24 Camp Street, Ballarat was agreed upon and land was granted to the committee in the name of the Ballarat Trades Hall and Literary Institute. The photograph depicts laying of the Ballarat Trades Hall foundation stone in1887. Relevance to the history of Ballarat Regional Trades and Labour Council and unions in the area.Photograph - framed.btlc, ballarat regional trades and labour council, ballarat trades hall, ballarat trades and labour council, ballarat trades hall - construction, industrial disputes, strikes, unions

The first Methodist church built in Cheltenham was a wooden structure which burnt down in 1893. While the exact cause of the fire was never ascertained, it was believed that a spark from a passing train ignited dried leaves in the eaves. The original church was replaced by a brick building, with the foundation stone laid in 1894. This image shows the replacement building.Black and white photograph of the brick Methodist Church in Cheltenham with a white picket fence and gate at the front.

This decorative bowl is typical of items used in a Victorian household for decorative purposes or to serve items such as fruit. It has been lovingly handmade and restored carefully to match the original.This alabaster bowl is representative of handmade decorative and useful items of the Victorian era.Bowl; round, hand-crafted, shallow oval alabaster bowl on a short pedestal with carved handles on opposing sides. Light brown with dark grey/black and red flecks. Stone has a polished surface, leaves outline (acanthus plant) etched inside the bowl. The pedestal has been crafted separately and expertly attached to the base. Several careful repairs were previously made to preserve the bowl.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bowl, alabaster, decorative item, fruit bowl, handmade bowl

Bendigo Advertiser ''The way we were'' from 2000. Splendor: located at 12 Bannerman Street, Bendigo. R.A. Love designed this grand eight roomed, two-storey house for his neighbour, William Purcell in 1871. The sloping site has been excavated to the depth of one storey so the first floor is at ground level to the rear. The stone stables are now a separate dwelling. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph: dry stone wall, Lester Street, Eaglehawk. Photo shows three men ( identified as W. Crawford, F. Fitzpatrick, C. Jacob - order not known ) Written on accompanying sheet ' erected by Simon Jame, no cement or mortar used.' Notes appended ' Dry Wall in Lester St. was erected by Simon Jame, no mortar or lime was used in construction and it is still straight and true. It was originally erected to enclose a garden.'cottage, miners, dry stone wall, crawford, w., firtzpatrick f., jacob c., eaglehawk

Black and white photograph. Large room board lined ceiling. Arch openings each side. Decorative windows, potted plants, folding chairs, tables, stone? Floor. History of object: James Lerk 2000 'Fortuna ville' conservatory with its Venetian glass windows. The glass has recently been re-furbished and re-set in the frames. Phtoograph by W Ninnis'. Photographed for Bendigo Advertiser 11.1.2001W Ninnisbuildings, residential, fortuna villa

Document. KELLY & ALLSOP COLLECTION. A one page handwritten letter, dated 16th November 1901, from D.Fraser, Accountant and Legal Manager of Lyttleton St., Castlemaine to M.P.Kelly, Bendigo. Relates to a receipt for first call on shares in Butler's United 2 Mining Co. Also mentions names of Messrs. Fletcher, Farmer, Sheridan, Butler and White in relation to reports of 'good payable stone' in Butler's mine.D.Fraserbusiness, stockbroker, kelly & allsop, kelly & allsop collection, d.fraser, m.p.kelly, letter, butler's united mining co., fletcher, farmer, sheridan, butler, white.

Photograph, (colour) of plaque on stone wall with typewritten explanatory attachment: '' Plaque to honour the epic journey of seven Cornishmen who sailed on the small lugger 'Mystery' from Cornwall to Melbourne in 116 days in 1854-5'' (Captain Richard Nicholls with Job Kelynack, William Babcock, Richard Babcock,, Charles Boase?, F C Matthews, Lewis Lewis). Tonnage of lugger 16? Location of plaque unknown.history, naval, captain richard nicholls, mystery. captain richard nicholls.

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Yields information about the photographic holdings of the Gold Museum, an din particular the preparation of No. 38 decorated for the Royal visit of 1954 and Bridge St Ballarat.Photocopy of two photographs from the Gold Museum Tramways Map Cabinet: 80-020b - No. 38 in Wendouree Parade, at depot junction receiving finishing touches in March 1954, prior to the Royal visit - See Reg Item 412 for a photo in Lydiard St Nth and other items. 80-020c - Bridge St looking West from Stones Comer, shows tram track, parked cars.Along top edge "Gold Museum Tramways Map Cabinet"trams, tramways, ballarat, royal visit, decorated trams, bridge st

Yields information about the Bridge St landscape looking east.Digital image of a view looking east along Barkly St from Grenville St showing a tram a the intersection of the Mt Pleasant and Victoria St lines (Stones Corner). Has the shops on both side of the street in view. In the far distance is the Caltex service station. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Bridge St"trams, tramways, ballarat, bridge st

Blackand white photograph of a group of men in front of a stone building (Possibly Bendigo Town Hall). 33 men dressed in 3 piece suits, most wearing a ribbon on their jackets. All expect three men are wearing hats. Possibly members of a Lodge. Inscription: B.R. 'W. Vincent Kelly Mitchell St Bendigo'. On Back: 'To Bendigo Historical Society with compliments of 'The Horsham District Historical Society''.W.Vincent Kelly/Mitchell St/Bendigo

Postcard, Sepia photo of the Tomb of Cecilia Metella just outside Rome on the Via Appia. A round stone tower beside the road with a pine tree in the distance. Handwritten in ink beside the picture 'The old old Greetings For Xmas & New Year 25-12-04' Signature not decipherable. Addressee on the back 'Freddie Binks National Bank Bendigo' Green halfpenny Victoria stamp with cancellation dated 27.12.04postcard, postcard, rome, tomb, freddie binks