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Melbourne Legacy
Photograph - Photo, Legatees, Jim Tierney, c.1960
... . Our members range from World War 2 veterans through all.... Our members range from World War 2 veterans through all ...Two legatees with James Tierney and his Corps of Commissionaires service medal. The notes on the back infer that Legatees were involved in the commemoration of James Tierney's life by arranging his burial at sea. An article in The Age 6 Jan 1953 mentions that Jim Tierney was the first paid instructor employed by Legacy for physical training classes in 1927. He also became one of the two Commissionaires at the Shrine of Remembrance for 12 years up to 1953. The service medal he is receiving in the photo comes from the Corps of Commissionaires Association (Australia), which has information at http://www.thecorps.com.au. A summary: "The Corps of Commissionaires was founded in London 1859 by Sir Edward Walter KCB. The original aim was to provide to employment and welfare support for veterans of the Crimean War. The Corps of Commissionaires was established in Australia in New South Wales in 1939 and became based in Victoria in 1946. There are Corps members in all states in Australia from all three Australian military services. Our members range from World War 2 veterans through all conflicts to Timor and Peacekeepers. The Corps is currently an ex-service, welfare and philanthropic organisation that is located at the Veterans Centre in the Heidelberg Repatriation Hospital, Victoria." The details of the three legatees mentioned are: Legatee Samuel J. Benson (Lieut.Commander) – born 12.7.1909, inducted 17 October, 1950, died 26.7.95. Served in WWII with the RAN for 6 years. He was a Junior Legatee before the war, and Legacy found him a job in the office of an Adelaide Shipping Company. After the war he became a Master Mariner, Sea Pilot. He was proposed as a Legatee by Stan Savige. Legatee Donald J. Simonson (Captain) – born 21.5.1920, inducted 27 July 1953, died 11.7.2010. Served in WWII in 39th Battn., Decorated with M.C. Worked as an Importer and Manufacturers Agent after the war. President of Melbourne Legacy 1970. Legatee Adrian Beattie (Captain) – born 21.3.1920, inducted 10.10.1950, died 8.8.1989. Served as a Signal Officer in 24th Btn. After the war worked as a Physiotherapist.A record of a type of work done by Legatees.Black and white photo of two Legatees and Jim Tierney.Front of photo has a typed label saying: "Jim Tierney receiving Commissionaire's Service Medal". The back "James Edward TIERNEY at Royal Park receiving Service Medal, Corps of Commissionaire. Buried at Sea (1963): by Legatees Sam Benson, Donald Simonson, Adrian Beattie, and families in Port Philip Bay by kind favour Port Philip Pilot Service" in blue ink.legatee event, jim tierney, boys classes -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 14 May 2016
... Following military service in the second world war, Clifton... Following military service in the second world war, Clifton Pugh ...Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry -
Federation University Art Collection
Work on paper - Artwork, Bruno Leti, 'Those Trees' by Bruno Leti, 2015
... Bruno Leti was nine years old when he came from post World War... Bruno Leti was nine years old when he came from post World War ...Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He taught art in Italy, Canada, USA, and Melbourne, Australia. This work was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching on papertrees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape -
Wodonga & District Historical Society Inc
Album - Ringer's River by Des Martin - Cast, Credits & Introduction
... years of service during World War Two. He was raised... years of service during World War Two. He was raised ...Des Martin lived all his life in Wodonga, except for his years of service during World War Two. He was raised on the family property Aherlo in the Huon Creek Valley. In 1937 he joined the 8th Light Horse Regiment but in May 1940 led his Wodonga Troop into the 2/2nd Australian Pioneer Battalion, which saw service in Syria, Java, New Guinea and Borneo. After the war, Des returned to Aherlo and his horses. He was granted permission by the Victorian Racing Club to participate as an amateur “gentleman” rider. He was a founder of the Victorian Amateur Riders Association and also the Murray Valley Hunt Club, for which he was Master for 21 years. He was a prolific writer, cartoonist, photographer and poet, contributing to The Border Morning Mail, The Age, and the Herald and Weekly Times amongst other publications. Des Martin’s other literary works included Australia Astride (1959), A Tale of Twin Cities, Part One (1981) and Backing up the Boys (1998). In 1976, Des wrote an historical novel, “Many a Mile”, based on a fictional region which highly resembled the Albury-Wodonga and Upper Murray area of Victoria. It was set in the last 10 years leading up to Federation. Throughout this period tensions (caused by fluctuating border duties, including an infamous impost on cattle and horses) occasioned the intermittent posting of heavily armed police detachments along the River Murray. Des also wrote eight 50-minute scripts from “Many a Mile” as a television series and were presented to Michael Pate, one of Australia’s leading actors and producers. Also, funding was sought through the Australian Broadcasting Commission ... unfortunately the series never came to fruition. This album is a pictorial precis, including photos and scene descriptions, created to promote the concept of the series and have it produced locally in North Eastern Victoria featuring local settings, skilled horsemen and actors. It was to be called “Ringer’s River” ... Ringer being the title accorded to either a top cattle hand, or the fastest shearer in the wool shed. Des Martin died on 12th April 1995.These albums and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Documents written to introduce the concept of "Ringer's River" to gain interest for the development of a television seriesdes martin, many a mile, ringer's river, northeast victoria stories -
Surrey Hills Historical Society Collection
Work on paper - Black and White Photograph, Dr Norman Rose
... , and began training in anaesthetics. When World War 2 was declared... in anaesthetics. When World War 2 was declared, Norman enlisted ...Dr Rose was a member of the Surrey Hills Medical Centre for approximately 50 years. Norman was the son of Maurice Rose (1889-1963) and Gertrude nee Gordon (1891-1972) and was born in Birkenhead, Cheshire, UK, on 15 September 1916. Norman had an older sister, Irene. As with many migrant families, Maurice departed from London for Melbourne on 27 October 1927 on the ‘Ballarat’ ahead of his family, who sailed on the ‘Bendigo’ on 8 May, 1928. Norman was 12 years old. The family lived in a number of locations including St Kilda, Balaclava and later Elwood. Norman attended Wesley College, following which he enrolled at the University of Melbourne, where he studied medicine, graduating MB BS in 1939. For unknown reasons, post-graduation Norman moved to Perth in March 1940. It was at the Fremantle General Hospital that he met his future wife, Helen Beatrice (Betty) Mackie, and began training in anaesthetics. When World War 2 was declared, Norman enlisted in the army. He was attached to the 2/13th Field Ambulance (AIF). He served in the Middle East and Borneo. Upon their return to Melbourne after the end of the war, Norman completed hospital rotations as a Resident Medical Officer at the Alfred Hospital (1946-1947) and at the Royal Women’s Hospital in 1948. Norman was a close friend of Dr Bill Vorrath, which probably explains how he came to join the Surrey Hills Medical Centre in either 1948 or 1949. Although technically a General Practitioner, Dr Rose focused on Anaesthetics. He was often on call for the Emergency Department at Box Hill Hospital and he also taught many students how to administer an epidural. In 1972, under the so-called ‘Grandfather Clause’, he was registered as a Specialist Practitioner in Anaesthesia. Dr Rose’s long service to Box Hill Hospital was recognised with the award of Life Governorship of the Hospital in 1978. Dr Rose married for a second time after his first wife Betty died in 1997. He retired in 1998 or 1999 and died in 2010 in his 94th year. Dr Norman Rose worked at Surrey Hills Medical Centre as a General Practitioner / Anaesthetist for 50 years, and thus had a significant role in and influence on this community.A formal head and shoulders portrait photo of a man with greying hair, wearing glasses and jacket and striped tie.norman rose, general practitioner, doctor, anaesthetist, surrey hills medical centre, box hill hospital, fremantle general hospital, 2/13th field ambulance aif, alfred hospital, royal women's hospital, bill vorrath, helen beatrice mackie, betty mackie, betty rose -
Waverley RSL Sub Branch
Plaque Royal Australian Engineers, Royal Australian Engineers
... including World War I, World War II and the Vietnam War. The Corps... including World War I, World War II and the Vietnam War. The Corps ...The Royal Australian Engineers (RAE) is a corps of the Australian Army (although the word corps does not appear in their name or on their badge). The RAE is ranked fourth in seniority of the corps of the Australian Army, behind the Staff Cadets, Armoured and Artillery Corps. The Corps was formed by the amalgamation of the various colonial engineer corps of the States and territories of Australia in 1902[2] and since then has served in various conflicts including World War I, World War II and the Vietnam War. The Corps has also served on numerous peacekeeping operations and is currently involved in the Australian contribution to the war in Afghanistan. The RAE provides combat engineering, construction and other technical support to the Australian Defence Force. One of the main roles of the Corps is to provide mobility and counter mobility capabilities to the Australian Army and its allies. This means enhancing the ability of friendly forces to move while denying movement to enemy forces. In order to provide these capabilities, engineers are required to conduct many tasks including penetrating minefields, locating and disarming booby traps, purifying water and building roads and bridges. The Corps also performs the majority of the Australian Army's demolition tasks and is trained to fight as infantry if needed. http://en.wikipedia.org/wiki/Royal_Australian_EngineersWooden Plaque 15cm x 13cmRoyal Australian Engineers -
Surrey Hills Historical Society Collection
Card - War Savings Card, Leslie Ferdinand Johnston, Brennan-Baldie Collection, 1939-1945
... of a WW2 Spitfire plane. In addition there were war savings... War I and World War II. ww2 mrs kate brennan mrs kathleen ...War Savings Cards were a popularist and accessible means of encouraging the ordinary citizens and children to contribute to the war effort by buying stamps to adhere to cards such as this. The stamps were valued at 6d and were of a blue and white image of a WW2 Spitfire plane. In addition there were war savings certificates, a type of promissory note, which were sold to hundreds of thousands of Australians during World War I and World War II.A beige card (unfolded and unused) printed in navy blue. The front is illustrated with the Australian coat-of-arms, space for the owner's personal details, information about the collection of war saving stamps, and the words "Sixpence a day keeps invaders away". On the back is "Don't be an onlooker - be in the fight". There are 32 spaces in which to adhere a war savings stamp and 3 illustrations - a plane in battle, search lights and a soldier in profile wearing a tin hat. The spaces each contain a letter - SPEED / VICTORY / BUY WAR / SAVINGS / STAMPS. Nilww2, mrs kate brennan, mrs kathleen brennan, war savings cards, l f johnson, commonwealth government printer, war savings stamps -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
... Light Horse Regiment for Service in the Boer War and World War... to the 8th Light Horse Regiment for Service in the Boer War and World ...The King's Banners 1904 and 1920 were presented to the 8th Light Horse Regiment for Service in the Boer War and World War One. They were placed in Benalla Holy Trinity Church on unknown date. They were found in a cupboard during renovations in 1976, placed in a specially constructed case and mounted on the wall of the foyer of the Church. Displaced by further re-modelling they were transferred to the 8th/13th Victorian Mounted Rifles Regimental Collection.Photograph of a salient time in the conservation by the regiment of a rare object of historical interest to North-East Victoria.Black and white photograph of two 8th/13th Victorian Mounted Rifles Officers standing with two flags in a frame. Capt. McLean and Lt. Trapnell . Finding of King's and Queen's Colours. -
Supreme Court of Victoria Library
Portrait, Sir Edmund Herring, 1963
... to colonel by the start of the Second World War. At the outset... by the start of the Second World War. At the outset of WWII Herring ...Sir Edmund Herring had a military career before becoming the Chief Justice of Victoria in 1944. Sir Edmund served as an artillery officer with the British Army in World War One and was awarded the Military Cross. While he returned to the Law between the wars, becoming King's Counsel in 1936, he continued his military associations through Australian Militia Forces, rising to colonel by the start of the Second World War. At the outset of WWII Herring was appointed as Commander of the Royal Artillery for the Australian Sixth Division. Herring saw service in North Africa and Greece and was in charge of Australian Northern forces in 1942, afterwards working with General Blamey in Papua New Guinea. Sir Edmund was appointed Chief Justice, straight from his army command in 1944. As Chief Justice he quickly established the Law Reform Committee and after the war oversaw the extension of the Supreme Court buildings, with the creation of new Courts. He was considered an able administrator, but his refusal to appoint Joan Rosanove a Queen’s Counsel throughout the 1950s, did not sit well with many legal practitioners. After his retirement from the Bench, he continued in his many public activities, including trustee of the Shrine of Remembrance and the Australian War Memorial and a member of the Melbourne Grammar School Council, as well as Lieutenant Governor of the State of Victoria, a position he held from 1945 to 1972. Herring was also an outspoken social critic; between the wars he had been a member of the White Guard, who were a far right group acting against communism. During the Cold War period of the 1950s, Herring spoke out in favour of the British Empire and the American alliance. The portrait of Sir Edmund Herring is the second one that Sir William Dargie (1912-2003), completed of Sir Edmund; his first effort in 1944/45 won the Archibald prize. Dargie won the Archibald prize a record eight times. His fame as a portrait painter was not without controversy, as he was considered ‘safe’ and the favourite of conservative sitters, particularly as many of his Archibald winners were of ‘Captains of Industry’. While no Archibald prize was awarded for this portrait, it is an interesting counterpoint to Dargie’s 1944/45 portrait. The portrait of Sir Edmund Herring is significant because of whom it portrays and the artist William Dargie who painted it.Portait in oils of Sir Edmund Herring. This is a half portrait of Sir Edmund in his red judicial robes. Gold leaf frame, with plaque.Plaque reads "The Honourable Sir Edmund Francis Herring, KCMG, KBE, DSO, MC, ED. Chief Justice of the Supreme Court 1944-1964"edmund herring, william dargie -
Warrnambool and District Historical Society Inc.
Document - Minutes Books, Woollen Mills 1909- 1923 1933-1945, C 1909 C 1933-1945
... , covering the period of the second World War. In 1955... of the second World War. In 1955 the Warrnambool Woollen Mill formed ...The minutes book of the Warrnambool Woollen Mill are an important record of the beginnings of one of Warrnambool's major industries for close to one hundred years. They record the struggle in the early days of 1909 and 1910 to raise the capital. Also mentioned is the support which had been given by local people of small means who were prepared to back the enterprise while those with financial means had been rather more reserved. Apart from a Mr Vidler all the initial directors were initially working in an honorary capacity. They lamented the fact that local banks held half a million pounds on fixed interest so there was no shortage of money. The first directors were appointed in March 1909 : Jas. Worland, W H Philpott, G S Mackay, E H Price, S McDonald, J C Beeching, W Rogers ,J Marfell, J Deany, Jas Duirs, Jas. Ponting, H Jessen, S Nettleton, J Blain, J Gooden, Drs. Holmes, Henderson and Powell. Mr J E Bennett was secured as first manager of the mill in 1910 Over the ten year period of this book there is much discussion on possible returns and share prices as well as decisions relating to the operation of and production from the mill. Within four years they were using more yarn than they were producing. Electricity was connected around 1914 and by 1915 shareholders were receiving eight percent return on their investment and were also contributing to the first world War effort by supplying blankets. Assets continued to accumulate and building was also continued with sandstone being quarried from the site and rain water tanks and asphalt floors installed, all contributing to savings. By 1917 The Warrnambool Woollen Mill was considered to be one of the states best investments and it continued to prosper through the years. The second minutes book likewise records similar events and circumstances for the period 1933-1945. This like wise is an interesting period, covering the period of the second World War. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. These minutes books hold an important information regarding the establishment and early operation of one of Warrnambool's major industries. The mill itself has strong connection to the Warrnambool community and many of the names mentioned as directors and shareholders have held positions within the community as businessmen and city officials. These minutes add another dimension to their contribution to Warrnambool..1Navy blue hard card cover with cloth spine. White label glued to front cover.186 pages.There are handwritten entries in black ink which are interspersed with reports from newspaper. .2 Pale grey cloth cover on early Kalamazoo filing system 612 pages of typed minutes . .1There are dates from 1910 through to 1923. Minutes have been signed by chairman of directors, M Saltau.label on front cover has blue stamp, The Warrnambool Woollen Mill Company. hand written above in black ink "opened 24th March 1909." .2 dated from May 1933 to September 1945. Signatures include M Saltau, James Disckson and Fletcher Jones.warrnambool, warrnambool woollen mill, first minutes book warrnambool woollen mill, minutes book, warrnambool woollen mill 1909, minutes book warrnambool woollen mill 1945 -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
... Following military service in the second world war, Clifton... digital image file Following military service in the second world ...Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, c.1995
... world war, Clifton Pugh studied under artist Sir William Dargie... service in the second world war, Clifton Pugh studied under artist ...Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin -
Flagstaff Hill Maritime Museum and Village
Badge - Australian Military cloth patch, Army Medical Corps, Non-Divisional Units, 1925 - 1942
... Second World War... the First World War and into the early Second World War era. During... insignia badge collection World War 2 Second World War Australian ...The cloth insignia badges date to 1925-1940, after the First World War and into the early Second World War era. During peacetime training, the "brown with a cherry-red crossbar" badge was initially used for the 8th Field Ambulance, 2nd Military District Medical and Veterinary Stores. The colour patch was approved for wear by full-time duty personnel of all medical units apart from the Infantry and Cavalry. In 1942 these patches were replaced by the new scheme of colour patches introduced by the Australian Army Medical Corps. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The badges are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.These colour insignia patches represent the history between the First and Second World Wars and the evolution of Australian Army Medical Corps patches. They Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The item allows insight into military life in the early-to-mid 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, cloth insignia patch. Pair of two Insignia colour patches.Red stripe with an inverted 'V' shape on brown fabric. Insignia of the Australian Army Medical Corps, Non-Divisional Units. One badge has light-coloured stitches around the perimeter. The cloth patches belonged to Dr W R Angus and are now part of the W. R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, surgeon captain, ballarat, bonegilla, badge, insignia, badge collection, world war 2, second world war, australian defence forces, army medical corps, military uniform, cloth patch, insignia patch, australian army medical corp (militia), ww 2, ww ii, 1925-1940, military badge, non-divisional unit, aamc, 1940-1942, 8th field ambulance, peacetime training, insignia history -
Flagstaff Hill Maritime Museum and Village
Badge - Australian Military cloth patch, Army Medical Corps, Non-Divisional Units, 1925 - 1942
... Second World War... the First World War and into the early Second World War era. During... insignia badge collection World War 2 Second World War Australian ...The cloth insignia badges date to 1925-1940, after the First World War and into the early Second World War era. During peacetime training, the "brown with a cherry-red crossbar" badge was initially used for the 8th Field Ambulance, 2nd Military District Medical and Veterinary Stores. The colour patch was approved for wear by full-time duty personnel of all medical units apart from the Infantry and Cavalry. In 1942 these patches were replaced by the new scheme of colour patches introduced by the Australian Army Medical Corps. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The badges are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.These colour insignia patches represent the history between the First and Second World Wars and the evolution of Australian Army Medical Corps patches. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The item allows insight into military life in the early-to-mid 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, cloth insignia patch. Set of four Insignia colour patches.Red stripe with an inverted 'V' shape on brown fabric. Insignia of the Australian Army Medical Corps, Non-Divisional Units. The cloth patches belonged to Dr W R Angus and are now part of the W. R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, surgeon captain, ballarat, bonegilla, badge, insignia, badge collection, world war 2, second world war, australian defence forces, army medical corps, military uniform, cloth patch, insignia patch, australian army medical corp (militia), ww 2, ww ii, 1925-1940, military badge, non-divisional unit, aamc, 1940-1942, 8th field ambulance, peacetime training, insignia history -
Eltham District Historical Society Inc
Book, We will remember them : an illustrated account of Eltham RSL Sub-Branch Inc., 1919-2001 / Max Dimmack, 2002
... World Wars, reference, index of People. ... Districts Residents who died in the Two World Wars, reference, index ...From its origins in 1919 to formation in 1927 of the RSSAILA to 1946 when veterans initiated re-forming a local RSL sub-branch, Eltham sub-branch has grown, with its interesting history enriched with much anecdotal material, photos, and personalities. Includes Nominal Roll of Eltham RSL Sub-Branch Members ( as at 31 December 2001), Eltham Districts Residents who died in the Two World Wars, reference, index of People. Paperback; 112 p. : .ill., ports. ; 21 cm.ISBN 1876615168eltham, eltham rsl sub-branch -
Ballarat Heritage Services
Digital photograph, Dorothy Wickham, Tower of London, 2016
... -medieval structures. In the First and Second World Wars, the Tower...-medieval structures. In the First and Second World Wars, the Tower ...The Tower of London, officially Her Majesty's Royal Palace and Fortress of the Tower of London, is a historic castle located on the north bank of the River Thames in central London. It lies within the London Borough of Tower Hamlets, separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded towards the end of 1066 as part of the Norman Conquest of England. The White Tower, which gives the entire castle its name, was built by William the Conqueror in 1078, and was a resented symbol of oppression, inflicted upon London by the new ruling elite. The castle was used as a prison from 1100 (Ranulf Flambard) until 1952 (Kray twins),[3] although that was not its primary purpose. A grand palace early in its history, it served as a royal residence. As a whole, the Tower is a complex of several buildings set within two concentric rings of defensive walls and a moat. There were several phases of expansion, mainly under Kings Richard the Lionheart, Henry III, and Edward I in the 12th and 13th centuries. The general layout established by the late 13th century remains despite later activity on the site. The Tower of London has played a prominent role in English history. It was besieged several times, and controlling it has been important to controlling the country. The Tower has served variously as an armoury, a treasury, a menagerie, the home of the Royal Mint, a public record office, and the home of the Crown Jewels of England. From the early 14th century until the reign of Charles II, a procession would be led from the Tower to Westminster Abbey on the coronation of a monarch. In the absence of the monarch, the Constable of the Tower is in charge of the castle. This was a powerful and trusted position in the medieval period. In the late 15th century the castle was the prison of the Princes in the Tower. Under the Tudors, the Tower became used less as a royal residence, and despite attempts to refortify and repair the castle its defences lagged behind developments to deal with artillery. The peak period of the castle's use as a prison was the 16th and 17th centuries, when many figures who had fallen into disgrace, such as Elizabeth I before she became queen, Sir Walter Raleigh, and Elizabeth Throckmorton were held within its walls. This use has led to the phrase "sent to the Tower". Despite its enduring reputation as a place of torture and death, popularised by 16th-century religious propagandists and 19th-century writers, only seven people were executed within the Tower before the World Wars of the 20th century. Executions were more commonly held on the notorious Tower Hill to the north of the castle, with 112 occurring there over a 400-year period. In the latter half of the 19th century, institutions such as the Royal Mint moved out of the castle to other locations, leaving many buildings empty. Anthony Salvin and John Taylor took the opportunity to restore the Tower to what was felt to be its medieval appearance, clearing out many of the vacant post-medieval structures. In the First and Second World Wars, the Tower was again used as a prison, and witnessed the executions of 12 men for espionage. After the Second World War, damage caused during the Blitz was repaired, and the castle reopened to the public. Today the Tower of London is one of the country's most popular tourist attractions. Under the ceremonial charge of the Constable of the Tower, it is cared for by the charity Historic Royal Palaces and is protected as a World Heritage Site.(Wikipedia) A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by UNESCO. Sites are selected on the basis of having cultural, historical, scientific or some other form of significance, and they are legally protected by international treaties. UNESCO regards these sites as being important to the collective interests of humanity. More specifically, a World Heritage Site is an already classified landmark on the earth, which by way of being unique in some respect as a geographically and historically identifiable piece is of special cultural or physical significance (such as either due to hosting an ancient ruins or some historical structure, building, city, complex, desert, forest, island, lake, monument, or mountain) and symbolizes a remarkable footprint of extreme human endeavour often coupled with some act of indisputable accomplishment of humanity which then serves as a surviving evidence of its intellectual existence on the planet. And with an ignoble intent of its practical conservation for posterity, but which otherwise could be subject to inherent risk of endangerment from human or animal trespassing, owing to unmonitored/uncontrolled/unrestricted nature of access or threat by natural or accelerated extinction owing to local administrative negligence, hence it would have been listed and demarcated by the United Nations Educational, Scientific and Cultural Organization (UNESCO) to have been identified or recognised and officially christened and internationally elevated through multilateral declaration by UNESCO as a universally protected zone. [1] The list is maintained by the international World Heritage Programme administered by the UNESCO World Heritage Committee, composed of 21 UNESCO member states which are elected by the General Assembly. (Wikipedia)The Tower of London is a UNESCO world heritage site.tower of london -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1989
... by Shepparton Art Gallery. ww2 artists internment camp artists ...Abstract paintings by Herschfeld Mach painted during his internment during WW2. Original paintings owned by Shepparton Art Gallery.Coloured photograph of coloured abstract paintingsww2 artists, internment camp artists, herschfield mach, shepparton art gallery -
Tatura Irrigation & Wartime Camps Museum
Photograph
... owned by Gustav Polig. ww2 artists camp 13 Gustav Polig ...Camp stores carried a supply of stamps to be paid for by money tokens in lieu of money. POW's were forbidden to have. Originals owned by Gustav Polig.Photograph of camp tokens (coins)ww2 artists, camp 13, gustav polig, internment camp currency -
Tatura Irrigation & Wartime Camps Museum
Photograph, Gustav Pohlig
... production during his internment at Camp 13 during 1944. ww2 artists ...Female lead played by Gustav Polig in a theatre production during his internment at Camp 13 during 1944.Photograph of coloured paintings of theatre artist.Gustav Polig as Krimhild in Nibelungen 24-12-1944ww2 artists, camp 13 tatura, gustav polig, camp theatre productions, krimhild, nibelungen -
Tatura Irrigation & Wartime Camps Museum
Photograph
... at Camp 13 Tatura. ww2 artists camp 13 tatura Manfred Mueller ...drawing called "relaxation" by artist Manfred Mueller during his internment as a POW at Camp 13 Tatura.Photograph of coloured cartoon caricature of a woman seated to play a gramophone. ww2 artists, camp 13 tatura, manfred mueller -
Tatura Irrigation & Wartime Camps Museum
Photograph
... his stay at Camp 13 during WW2. ww2 artists camp 13 tatura ...Painting of early camp life while huts were being erected. Artist Klober, during his stay at Camp 13 during WW2. Photograph of coloured paintings of tents with large gum trees in the backgroundww2 artists, camp 13 tatura, klober, early camp life -
Tatura Irrigation & Wartime Camps Museum
Photograph
... utensils used by internees at Camp 3 during 1941-1946; 2 ...1 - eating utensils used by internees at Camp 3 during 1941-1946; 2 - collection of tools used by internees at Camp 3 during WW2 2 coloured photographs of a collection of tools and 2 a collection of eating utensils.ww2 artists, camp 13 tatura, camp utensils, camp tools, beilharz -
Tatura Irrigation & Wartime Camps Museum
Photograph
... of exhibition at Museum 22 September 1991. ww2 artists camp 13 tatura ...Community bulletin photos of exhibition at Museum 22 September 1991. 2 coloured photographs of artifacts made and used in camps during WW2.ww2 artists, camp 13 tatura, temple society -
Tatura Irrigation & Wartime Camps Museum
Photograph
... . The original furniture is on display at Tatura Museum. ww2 artists camp ...Dolls furniture made by Max Frank, in Palestine, for his daughter Else. The Frank family were interned at Camp 3, Tatura. The original furniture is on display at Tatura Museum. Coloured photo of dolls furnitureww2 artists, camp 13 tatura, temple society, max frank -
Tatura Irrigation & Wartime Camps Museum
Photograph, 22 September 1991
... of the Historical Society. ww2 artists camp 13 tatura temple society sister ...Photos of the opening ceremony at the Tatura Museum, in conjunction with 50th Anniversary, of the Temple Society in Australia. Sister Beatrice Moore nursed at Camp 3 during WW2 and was invited by Tatura and District Historical Society to officially open their new buildings and display on POW and Internment Camps, on 22 September 1991. Present were Council president Andrew Crawford, Dieter Ruff and members of the Temple Society and members of the Historical Society.Coloured photos (3) 1 - official opening by Beatrice Moore, 22 September 1991; 2 - Dieter Ruff, Temple Society, official representative; 3 - Lurline Knee receiving her life membership from Historical Society President Ron Donaldson.ww2 artists, camp 13 tatura, temple society, sister beatrice moore, dieter ruff, lurline knee, life membership -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 2 sketch by Fred Lowenstein, 1942 (painting)
... Fred Lowenstein WW2 internee artists Camp 2 artists internment ...Photograph of painting by Fred Lowenstein (name changed to Fred Lowen).Photographic copy of a water colour painting of internment camp huts with timber posts in foreground.dunera, camp 2, fred lowen, fred lowenstein, ww2 internee artists, camp 2 artists, internment camp 2 artists -
Tatura Irrigation & Wartime Camps Museum
Postcard - Post Card, Cesare Vagarini, Country Road, 1991
... shilling for a letter of which were censored. ww2 artists Camp 13 ...POW Camp 13 artist. Original owned by Gustav Polig New York USA. Used for post card. In 1943 an agreement was reached to allow POW's to send air mail. Fee was 6 pence for a card, 1 shilling for a letter of which were censored.Coloured photograph country road. Post cardPOW Mailww2 artists, camp 13 -
Stratford and District Historical Society
Sewing Machine
... WORLD WAR 1914-1918... of the Red cross for the two world wars, and served the organisation... of the Red cross for the two world wars, and served the organisation ...Used by Miss Alice Mitchell of Stratford. Purchased in 1909 by Miss Mitchell’s mother, and later used by Miss Mitchell who, for the duration of the war, made two pairs of socks, a flannel singlet / shirt and a pair of pyjamas (the last two on this machine), each week, for the entire war. Miss Mitchell lost three brothers and her fiancée in World War I, and was a member of the Red cross for the two world wars, and served the organisation for over 50 years.A Singer treadle sewing machine set in a large table with cast iron legs and stand with the words SINGER on it. There are two wooden drawers on either side. The machine is black and ornamented in gold. The head swings down into the stand, forming a table when not in use.world war 1914-1918 -
Bendigo Military Museum
Book - BOOKS WW2, The War Illustrated, Post WW2
... . Title page: A permanent picture record of the Second Great War... record of the Second Great War No.1. .2) Vol 2 - 732 pages. Title ...Hard cover, cardboard with dark blue buckram, gold print on spine. Cut, red speckled effect to edges of beige paper. Illustrated black & white, photos & maps. .1) Vol 1 - 640 pages. Title page: A permanent picture record of the Second Great War No.1. .2) Vol 2 - 732 pages. Title page: A permanent picture record of the Second Great War No.21. .3) Vol 3 - 728 pages. Title page: A permanent picture record of the Second Great War No.45. .1) Handwritten in dark blue ink on top of title page: “J H Skidmore 20 Richmond St Rockdale”books, ww2, pictorial -
Kiewa Valley Historical Society
Posters - "Tawonga Remembers" x 8
... . The End of the Great War; 7. World War 1914-18; 8. Soldiers... and Honour; 6. The End of the Great War; 7. World War 1914-18; 8 ...The town of Tawonga is in the Kiewa Valley surrounded by farmland. it is adjacent to Mt Beauty (built from 1946), an SECV town built for the workers on the Kiewa Hydro Electric Scheme which was being constructed from 1911 to 1961. Tawonga consisted of essential amenities including a store, school, butter factory, sporting facilities, post office, hall and hotel. Activities involved sport, social get togethers eg. dances, fundraising, CWA etc. The posters are a collection of historical photos, documentations and information regarding the history of the town of Tawonga, which is the centre of a farming community in the Kiewa Valley.Posters framed with thin black plastic strip, covered by glass. Each one has a title re "Tawonga Remembers" and includes print and photos in black and white. White background. 1. Where and How Kiewa Valley Soldiers Served; 2. Tawonga and Dederang Servicemen; 3. Kergunyah and Gundowring Servicemen and Women; 4. Kiewa and Tangambalanga Servicemen.5. Sacrifice and Honour; 6. The End of the Great War; 7. World War 1914-18; 8. Soldiers in Uniform (Black background and glass cracked) tawonga, photos of early tawonga, kiewa valley, tawonga remembers, ww1