Showing 21645 items
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University of Melbourne, Burnley Campus ArchivesNewspaper - Newspaper Cutting, The Leader, Horticultural Notes, 1893
Copy of article in "The Leader" (Melbourne) on 24 June, 1893 p10. Description of Mr Neilson's experimental work with fruit trees at Burnley, his teaching, cuttings available for distribution.the leader, mr neilson, curator, cuttings, fruit trees, teaching, experimental work on fruit trees -
Lakes Entrance Historical SocietyPhotograph - Entrance Works, 1915c
Sepia photograph showing early work on piers, with diver having hard hat put in place by workmen at the entrance works, another workman in background. Lakes Entrance Victoriamachinery, occupation, public works -
Melbourne Tram Museum
Administrative record, Yarra Trams, Current and Proposed Starter & Driver Sign On/Off, unkown
The spreadsheet details the current sign on and sign off times for depot starters and first and last drivers at 8 depots (year not specified) and proposed minor alterations. Yields information about hours depots are staffedFour A4 pages of typed spreadsheet columns and rows starting with current times for 8 depots, then proposed times for 8 depots, then total hours worked for 8 depots.Handwritten note in red biro: 'For your comments'trams, starters, timetables, depots -
Bendigo Historical Society Inc.Photograph - BASIL MILLER COLLECTION: ABORIGINAL MAN AND BOY - TRADITIONAL IMPLEMENTS
Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.basil miller, aborigines, postcards. -
Bendigo Historical Society Inc.Newspaper - JENNY FOLEY COLLECTION: ARRIVALS
BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Arrivals: Mr Mick O'Donaghue, of Kamarooka, arrives for work with Roy Lakey on the chaff cutter in 1950. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Lakes Entrance Historical SocietyPhotograph - Aquatic Centre, Lakes Post Newspaper, 1994
number in album 03516.02Black and white photograph group of people at work in progress building for Aquatic Centre, Marlene Battista, Joan Mitchelson, Ailsa Caratairs among group. Lakes Entrance Victoriavolunteering, recreational facilities -
Melbourne Tram MuseumPhotograph - Black & White Photograph/s, The Met, mid 1980's?
Black and White photograph of one of the work desks for the AVM system at the Gertrude St winding house, probably soon after it was commissioned. Shows two workstations with an operator at one.In blue ink "Tram Power Operations - Bouverie St c1985" (this is incorrect - Carlton had a very large illuminated board in front of the operators, showing sub-station status." Photo "11187/B" - possibly of the photographic section.trams, tramways, avm, automatic vehicle monitoring, instructions, communications, control centre, training, gertrude st -
Melbourne Tram MuseumPhotograph - Digital Image, Melbourne & Metropolitan Tramways Board (MMTB), machine shop at Preston Workshops c1943, 1943
Digital Image of the machine shop at Preston Workshops c1943. Shows the nature of the work positions, the belt drives and some of the equipment provided. Image made from a published print.trams, tramways, preston workshops, tramcar construction -
Lakes Entrance Historical SocietyPhotograph - Lakes Smash Repairs, Lakes Post Newspaper, 1/05/1995 12:00:00 AM
Black and white photograph of David Brown and Wayne Mitchell of Lakes Smash Repairs Whiter Street inspecting a damaged car prior to starting work Lakes Entrance Victoriabusinesses, people -
Port Melbourne Historical & Preservation SocietyPhotograph - Another four female employees in work outfits
One of group of black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .48 - another four female employeesbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation SocietyPhotograph - Peace Wagon in Stokes Street
One of group of black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .47 - Peace Wagon in Stokes Streetbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation SocietyPhotograph - Another five female S & A employees
One of group of black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .51 Another five female employeesbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Lakes Entrance Historical Society
Book, Paul Kelly & Associates, East Gippsland Shire Code of Practice July 2003, 2003
Code of practice detailing minimum acceptable standards of work on land managed , works includes construction works regular maintenance contractors and provision of services East Gippland Victoriavegetation, fire brigade -
Warrnambool and District Historical Society Inc.Letter Book 4, 1901, 1908
This letter book has letters, invoices, sketch maps and plans and dates from 1908 to 1910. It came from the office of John William Crawley Junior, an engineer, architect and surveyor in private practice in Warrnambool and also the official engineer of the Shire of Warrnambool from 1895 to 1935. His father, brother and son were also engineers and worked in that capacity or as the Shire Secretary for the Shire of Warrnambool, with the Crawley family members recording a total of 132 years of service to the Shire. The letter book was passed on to John Crawley’s son, Rolf, Engineer for the Shire of Warrnambool from 1935 to 1968. The letter book then came into the possession of Michael Hand who took over the private surveying business of Rolf Crawley in Warrnambool and the Warrnambool and District Historical Society has acquired the letter book, one of several Crawley ledgers, from the Michael Hand estate. This letter book is of considerable significance as it contains maps, plans, sketches and written information on the work of John William Crawley, the engineer for the Shire of Warrnambool for 40 years. This is a black-covered letter book with copies of letters and field maps and plans and an alphabetical listing at the front. Some of the letters are invoices for work carried out. The leather section of the front cover has been almost completely torn away and the binding is mended with adhesive tape. There are some torn pages. The front page has a signature and a mauve stamp. ‘Letter Book’ ‘J.Wm. Crawley (Private)’ ‘ Rolf L. Crawley, Civil Engineer, Drainage and Water Supply Engineer, Licensed Surveyor, Registered Architect, Warrnambool’ ‘4’ rolf crawley, warrnambool, john william crawley, junior, warrnambool, history of warrnambool -
Federation University Art CollectionWork on paper - Artwork, Deborah Williams, 'Ubiquitous' by Deborah Williams, 2015
Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow -
Glenelg Shire Council Cultural CollectionPrint, Alcoa - Heathland, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36 -
Ballarat Tramway MuseumDocument - Report, Ballarat Tramway Preservation Society (BTPS), "Horse Tram No. 1 Progress Report", 1988
Eight Page A4 size printed report on the progress of the reconstruction of Horse Tram No. 1 produced during 1988 about the work being carried out by the BTPS. Consists of two A3 sheets printed both sides and folded to form an A4 size report. Includes work to date, some notes on the horse trams, sponsors, the Ballarat Vintage Tramway itself. Eight photos included, showing the completed under frame, Bob Prentice, Dave Macartney, Gary Wood and Jacqui Edwards and other stages of the work. On rear cover has a Telecom logo, being one of the sponsors. 2nd copy added 6/2/2005.trams, tramways, horse tram no. 1, reconstruction, btps, conservation -
Bendigo Historical Society Inc.Administrative record - Invoicing book
The item is a hard cover invoicing book of T.J. Connolly, Ironmongers, Sandhurst. Inside the front cover is an index page listing customer name and customer number. The following pages are carbon copy records of work completed for each customer, recording date and description of work along with price. The pages are printed with the numbers 01 to 99 in the top right-hand corner. Pages 01 to 94 have been used. Pages 95 to 99 are blank. The descriptions of work mostly relate to work completed on cars but also includes hiring out of cars, destination and miles travelled. The customers include army personnel and recruiters. Each page is signed and or checked off in red pencil. The brown hard cardboard cover is worn and marked. The spine of the book is brown canvas. The pages are stapled together. The book includes the date range of 01 - 30 (?) November 1917. This item is part of the Margaret Roberts Collection.Written in grey lead pencil on the front cover is "November 1917". A red line has been ruled underneath this inscription.margaret roberts collection, ironmongers, forest street, bendigo businesses, motor vehicles, world war 1 -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Tatura Irrigation & Wartime Camps Museum
Painting - watercolour, No 2 Internment Camp, 1945
This painting is for the Museum. It was a gift to me by an ex prisoner, whom I met when he came to Melbourne with Vic, Nicky and others. His name is Luigi Poggioli and he was a most distinguished gentleman, so distinct and well educated that I still remember him clearly (and I do not have a good memory). Perhaps I remember so well because of his kind words in verse on the painting which read :(Translation) "Ungrateful land with handsome race of Italian blood who with their hard work enriched you". Yes I believe I remember so well because of this verse. Extract from a letter from Mrs Tolaini now living in London. She is the Wife of Vittorio Tolaini who was on the Dunera and wrote of his experiences in "Voyage of an Alien" June 1991. Framed watercolour painting - 11 trees in foreground, one small hut facing towards bottom right hand corner, 4 large huts centre of painting, black writing in Italian left and right foreground. Painting by L Poggioli.Front bottom left side: "To Noemi Vendramini for her 21st birthday, January 19,1945. L Poggioli, LP44 No. 2 Internment Camp, Tatura Front bottom right side: 4 lines of Italian writing translated "Ungrateful land with handsome race of Italian blood who with their hard work enriched you"camp 2, mrs tolaini, noemi vendramini, luigi poggioli, dunera boy -
Warrnambool and District Historical Society Inc.Framed Paintings, 1 The Frame Shop, Fairfield, Melbourne .2 Kardinia Picture Framing, Geelong, 1Warrnambool Botanical Gardens .2 Hopkins River, Warrnambool, 1953
These two works of art are by Dr Don Edgar, a sociologist, educator and author. He taught sociology at Stanford University, the University of Chicago, Monash University and La Trobe University and was the founding Director of the Australian Institute of Family Studies. In the 1950s Dr Edgar was a student at Warrnambool High School and these works of art were produced at that time. For a school project he researched the early history of the Warrnambool Art Gallery and some of its collection, dating from the 19th century. In 2019 he published a book, ‘Art For the Country’, the story of Victoria’s regional art galleries and the book includes information on the founding and the later history of the Warrnambool Art Gallery.These works of art are of interest as they were painted by Dr Don Edgar, a noted academic and author today and a former resident of Warrnambool. The two works of art also have historical interest as they depict Warrnambool scenes painted over 60 years ago. .1 An art work (oil on artboard) – the Warrnambool Botanical Gardens with bridge and reflections, a gum tree and a poplar tree, all in green and orange tonings. The wooden frame has a light varnish with gold and white trim .2 An art work (oil on artboard) – multi-coloured view of the mouth of Hopkins River with the Hopkins River bridge, Lyndoch bungalow and boathouse. The frame is wooden with a mottled varnish and a white insert edging. .1 Don Edgar 1953 Don Edgar 1953 (High School Student) .2 D.E. 53 Don Edgar 1953 (High School Student) dr don edgar, sociologist, author and educator, warrnambool art gallery, history of warrnambool -
Glenelg Shire Council Cultural CollectionPrint - Print (reproduction), Will Longstaff, The Immortal Shrine, n.d
CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions) -
Federation University Historical CollectionBook, Percy V. Bradshaw, 'Art in Advertising' by Percy V. Bradshaw, 1925
Large, brown, cloth covered book. A lengthy survey of 1920s graphic advertising in both the USA and England, with the aim of educating the public on what exactly made good advertising. Subjects include “Art & the Public,” “Art & the Business Man,” “The Art of the Printer,” “Commercial Studios & Their Work,” “The Art Agent & His Work,” “Retail Store Advertising,” “Notable Advertising Campaigns,” and much more. Many black and white images, with some in colour. press art school, percy v. bradshaw, ballarat technical art school, posters, advertising, graphics, lettering, press, bookplates, ballarat technical art school library -
Bendigo Historical Society Inc.Clothing - MARGARET (NELL) TIMBS (NEE HEIDER) COLLECTION: HANRO LADIES’ CARDIGAN, 1970s
Red orlon long sleeved cardigan with high round neckline, with a narrow ribbed neckband. Set-in sleeves with a 5.5cm ribbed band at the wrist and a 5.5cm ribbed band at the waistline. Formerly owned by Margaret (Nell) Limbs nee Eider who worked at Hanoi in the Finishing Department about 1935. Donated by her daughter Bayonne Snipe who worked at Hanoi in the Office from 1961, then at John Brown until 1968.Hanro. SW Swiss Inspired. Pure Wool. Mothproof. Original label still attached. This is a guaranteed Hanro Hanrosafe garment. It is thoroughly shrinkproof and machine washable. Style 570, Size SW, Colour A14. On reverse of label “This garment has been awarded the coveted WOOL TESTING AUTHORITY’S SEAL OF APPROVAL and is guaranteed shrink proof and machine washable. Directions for Machine Washing – refer to photograph.costume, female, cardigan -
Royal District Nursing Service (now known as Bolton Clarke)Photograph - Photograph, colour, c.1975
This photograph is taken in the work room in a Royal District Nursing Service (RDNS) Centre. The Sisters are writing up patient histories after giving nursing care to them in their homes during the day.Royal District Nursing Service (RDNS), had Centres throughout the Melbourne Metropolitan area. Their staff arrived at the Centre each morning to collect their work load and any messages, and then drove to their particular area (district) to give care to their patients. At the completion of the day they returned to their Centre where they wrote up the care they had given to each patient in the appropriate history folder. They also filled out forms to be sent to the RDNS Liaison Sister at the appropriate hospital when a patient was going to outpatients so the doctor would have a progress report. The Sisters also contacted other Medical and Community personal as necessary from the Centre. The RDNS cars were also kept at each centre, where they were collected each morning and returned after the Sister's community visits. Coloured photograph of a group of eleven Royal District Nursing Service (RDNS), Sisters doing their book work in an RDNS Centre. Two of the Sisters are wearing the summer RDNS uniform of a royal blue V necked tunic style dress over a white blouse and a dark blue cardigan. The others are wearing the RDNS winter uniform of a blue/grey skivvie under a blue/grey herringbone winter material V necked tunic style frock. Some Sisters are partly hidden. They are sitting at tables which have open patient history books and papers on them.In the rear are papers attached to walls and on the left a Venetian blind is covering a window.royal district nursing service, rdns, rdns uniform, rdns centre -
Flagstaff Hill Maritime Museum and VillageLeg Vice
Leg Vice medium sized metal vice bolted at one side to work bench. Has metal pole practically to ground. Has a device to either tighten or loosen vice.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Warrnambool and District Historical Society Inc.Documents Maps (3) - Warrnambool Town Allotments, City of W'bool Parish of Wangoom Country of Villiers, 1948
These maps were produced in 1948 and they contain maps of allotments within the city of Warrnambool, including the Central Business District, up to 1948. The details given on each allotment show the allotment and section numbers, the measurement in acres, the name of the original purchaser of the lot and the date of the first sale. The Warrnambool and District Historical Society owns several copies of these maps but these ones are originals.These three maps are of great significance because they give the names of land purchasers in Warrnambool from the date of the first land sales in 1847. They are a most valuable research tool and can be scanned and photocopied etc.These are three sheets of cream paper pasted on to linen. The sheets have black and white printing and map work. Some of the edges are a little frayed and there is some staining, particularly on the backs of the sheets.‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 1’ ‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 2’ ‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 3’city of warrnambool, warrnambool maps, warrnambool town allotments 1948, land purchases -
Federation University Historical Collection
Booklet, Federation University Stretch Action Plan (RAP) June 2019-June 2022, 2019
41 page booklet with the front cover featuring the work of JoSh Muir (Yorta Yorta, Gunditjmara and Barkinjl) and Shanaya Sheridan (Yorta Yorta, Dja Dja Wurrung and Boon Wurrung).reconciliation action plan, josh muir, shanaya sheridan, geoff lord, bryan powell, kelly haseloff, peter lovett, helen bartlett, george fong, paul hemming, nicholas johnson, jasmine graham, uncle dennis, eileen harrison, gnarrwirring karung, emma milliken -
Glenelg Shire Council Cultural CollectionPrint, Norman Poole et al, Fishing Boat, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - No. 5 Berth Extension Construction Crew, n.d
Port of Portland Authority ArchivesBack: On attached paper: 'No. 5 Extension: MEMBERS OF THE CONSTRUCTION CREW. FROM LEFT: DOUG SMITH, KEVIN BUSH, RAY MALSEED, MARK O'DEA, BRUCE ORMANDY (M'TLE & CONSTRUCTION SUPERVISOR), JACK PATTERSON & JOHN OGANport of portland archives
