The ring was made for the donor by her father in Camp 3, Tatura. The Wied family were settled in Palestine upon the beginning of WWII. Being of German nationality, they were considered a threat to security by Allied forces & were interned in temporary camps, before being shipped to Australia. In Australia they were interned in Camp 3, Tatura, a family camp for enemy nationals. Many of the internees came with few possessions. This item is just one of the handmade domestic items fashioned in the camp from largely scrap materials to give some home comforts in the initially barren surroundings of the camps, particularly to those interned with families and young children. Small brown metal ring, with a small heart soldered to the ring. camp 3, tatura, world war ii, internment camps

Made by internee at Camp 3Green woollen cover crocheted with brown wool around the toptatura, domestic, ingervore arndt nee graze, cover

Wangaratta Sub Branch - Annual Report and Balance Sheet For the year ending 31st December 1977Yellow and brown cardboard covered booklet with RSL crest and type.Wangaratta Sub Branch - Annual Report and Balance Sheet For the year ending 31st December 1977wangaratta sub branch, annual report 1977

The images depict the formal signing of the surrender of the Japanese Forces at Morotai on September 9 1945.The surrender of Imperial Japan was announced on August 15 and formally signed on September 2, 1945, bringing the hostilities of World War II to a close. There were a number of surrender ceremonies including Morotai on September 9 1945. Morotai Island, was headquarters of the Australian forces in the Netherlands East Indies and before an assembly of more than l0,000 Australian and allied troops the Commander-in-Chief of the Australian Military Forces (General Sir Thomas Blamey) accepted on the 9 September the formal surrender of all Japanese in the eastern half of the Netherlands East Indies. The instrument of surrender was Japanese signed by Lt-General Teshima, commander of the Japanese Second Army, comprising about 126,000 Japanese.Brown timber frame containing 7 photographs copied on papermorotai, ww2, japanese surrender

Small brown leather pouch with string attached at one side.Nilleather pouch, pouch, leather

Colour photograph of Lt General Brian Ashley "Ash" Power AO, CSC . Ash Power was born on the 20th of January 1957 in Wangaratta, Victoria. After completing his secondary education at Wangaratta High School, he entered the Royal Military College in 1975, graduating in 1978 into the Royal Regiment of Australian Artillery. His initial appointment was as a Section Commander in 4th Field Regiment. He further served in 4th Field Regiment as a Gun Position Officer, Assistant Adjutant, Adjutant, Operations Officer (BatteryCommander Headquarters Battery) and Commanding Officer.Ash has commanded the 1st Brigade, 1st Division and Training Command – Army. He has served on exchange at the Royal Military Academy Sandhurst, Camberley, United Kingdom and has had other training appointments at the School of Artillery, and the Royal Military College Duntroon. He also served as the Defence Attaché in Thailand. On operations Ash deployed to Bougainville on Operation BELISI as Chief of Staff in 1998 and in 1999, after a short period as Chief of Staff Deployable Joint Force Headquarters, was deployed as the Colonel Operations for INTERFET in East Timor. From June 2004 to July 2005 he was appointed as Director, Combined Planning Group, US Central Command, Tampa. He deployed as the Deputy Chief of Staff, Strategic Partnering Headquarters International Security Assistance Force, Kabul, Afghanistan in 2010-11. Lieutenant General Power retired from the Army on 19 July 2014, his final posting being the Chief of Joint OperationsBrown timber frame containing photograph of uniformed Army Officer ash power, australian army

Used by internee at Camp 1. Red Cross tin received in Camp 1 from the German Red CrossRound tin container. Brown bottom, cream inscribed lidDeutsches Rotes Dreuz. Schokolade Hildebrand - Berlintin, german red cross issue, aberle g, camp 1, tatura, ww2 camp 1, commerce, containers

Australian involvement in wars.Light brown soft covered book. Photo on front outside.

Cream card with brown text and decorative borders on one side.non-fictionpresbyterian church of australia sunday schools

Brown bottle with cross pattern detail surrounding half of bottle.'Not to be taken' 'Poison'

Children would have used this object to erase their mistakes in their work during class. It would have been carried in a pencil case.A piece of brown rubber used to erase mistakes written in pencil"Ormiston/Lyceum/PENCILschools, education, george evans collection

Rural City of Wangaratta Collection. Gift of the Wangaratta BPW Club for their 21st Anniversary.A landscape oil painting in shades of yellow, blue, green, and brown.Obverse: Marg Woollard 6.1977- (bottom right corner) Marg Woollard 'NATURE'S CORROBOREE'/ Y.M.C.A 1978 Art Show prize/ Presented by Wangaratta B.P.W. Club. for its 21st anniversary/ to the City of Wangaratta./ (plaque mounted on frame)wagaratta art gallery, margaret woollard, painting, landscape

Belonged to Ian Ballinger of Horsham.Square , with mitered corners, brown wooden cases with glass fronts.Made in Taiwan

Belonged to Ian Ballinger of HorshamSquare , with mitered corners, brown wooden cases with glass frontsMade in Taiwanteaspoon collection, cabinet of teaspoons

Brick house in Seaby Street Stawell Lyndsey Browns House

Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen-Sized plaid blanket, brown, lemon, tan and mint100% Pure Lambswool/Gibsonia/Exclusive To All Foy and Gibson Ltd. Stores/Famous Since 1868blanket, wool, blanket fever, gibsonia, foy and gibson ltd