Wangaratta Bowling Club RSL Tournament 1956 to presentBowling Tournament between local RSL's in North East Victoria.Brown timber shield with silver banner above cast depicting lawn bowler surrounded by 21 small silver shields with inscriptions.Wangaratta Bowling Club RSL Tournamentwangaratta bowling club, rsl tournament, shield

Handpiece 23 cm, Made in EnglandBakelite telephone with metal rotary dial, metal base, slide out plate for directory, inscription on hand piece, of patent and manufacturercommunication, telephonic

Used in European Theatre on WW I by German soldiers - collected by Charles Honybun during his WW I service in France.Rectangular, brass-coloured belt buckles with central medallion of crown surrounded by inscription and leaves. (.2 with portion of leather belt attached).1. GOTT MIT UNS (NA4962.2) 2. IN TREUE FEST (NA4962.1)world war i, mitcham rsl, charles henry honybun

Details of the newspaper that published the article and of the date are not known at this time.Photocopy, taken from a newspaper article, of a photograph of train crossing Black Dog Creek, Lilliput. Copy is accompanied by an envelope, with inscription.Written on envelope: "With complements, and Best Wishes for a successful 'Historical' year in 1974. M Marsh" Caption on photograph: "Winner: This picture of the Wahgunyah-Springhurst mixed train crossing Black Dog Creek (near Lilliput) won for Mr A.R. Lyell the C.C. Singleton Prize of the Australian Railway Historical Society for the best railway Picture of the year. The subject is one of the very few mixed trains now running in Victoria; many of them having been superseded by diesel rail-cars."australian railway historical society, railway, steam trains, black dog creek, lilliput

Found in an above ground rubbish pile at Days Mill and farm. The cups appear to be made for use by children. Probably used by the family on site.Two small aluminum drinking vessels. One is a small battered cup with a handle, the other is a mug with an inscription, :DARLING" and is missing a handle. "DARLING"william day, ann day, joseph day, robert day

This menu would have been printed to distribute to guests attending dinner on the Orient Line, which embarked for the Middle East in 1940. The dinner was held on Thursday 18th July of the same year. Signatures on the reverse of this document were signed by Ken Williams, RW Sterrett, MR Campbell, J.H. Christie, JH McKinnon and F Finch. This item relates closely to a photograph of the 3rd Squadron, in RAAF uniform, boarding the Orient Line.This menu is an item of ephemera dating to the World War Two era. Items such as this are ordinarily lost over the passage of time. As the item contains signatures it is possible that further research and interpretation could be done regarding the men it relates to. The item is therefore of historic and social significance and has good interpretive capacity.Card with printed lettering centrally spaced and folded along horizontal centreline. There are hand written inscription on the front and reverse in pen ink.On the front, top: 3 Sqn RAAF boarding for the Middle East. On the front, lower left there are markings under and to the right of the printed word 'tourist'. The is a thick line under the word, two arrows pointing to it from beneath and a question mark to the right. On the reverse, upper left corner: Ken Williams, RW Sterrett MR Campbell JH Christie JH McKinnon F Finchdinner menu, orient line, raaf, royal australian air force, ken williams, r w sterrett, m r campbell, j h mckinnon, f finch, j h christie, 3 squadron

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. This photograph would have been taken to show the changes in the area over the years. Kalorama Gap is now called Five Ways. 'Kia-Ora ' was a guest house built by George Barber. It is no longer standing.Black and white photograph showing a bush scene with a white car visible on the right. Handwritten inscription on reverse by John Lundy-Clarke1973 View up Valley towards Kalorama Gap from what was Crooks LOT 24. White car is on Barbers Road and site of “Kia Ora” is to right of it.kalorama, kalorama gap, five ways, barbers road, george barber, kia-ora

Home of Harry Child in foreground built on the southern boundary of his father's (Francis Matthew Child) allotment. Black and white photograph showing the home of Harry Child. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.The eastern face of Mt Dandenong from F.M. Childs selection Cnr allotment D.francis matthew child, mt dandenong, harry child

The old Wagon Road built 1876-1878. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Wagon Road. Built 1876 – 8. The first settler’s road in the Ranges as apart from Dray Tracks. Was built through Jeeves Selection, Crown Allotment “C” named “Jeeves saddle” and removed the monopoly held over travel through the Gap. jeeves saddle, kalorama, road, wagon road, john lundy-clarke

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

Gift to guests at Mayoral Dinner Dance held on 10th June, 1994 at Golden Sands Receptions 399 Blackburn Road, East BurwoodGilt coloured key ring in shape of padlock. Solid part has inscription and logo of the City of Nunawading. In maroon cardboard box.'City of Nunawading'personal effects, keyrings & knives

Teaching aid in arboriculture at Burnley College CampusModel of a 2-stroke motor with one side cut away to show the inside. Used for teaching Arboriculture. No inscription or maker information.arboriculture, teaching, 2-stroke motor, artifact

A tennis ball, with inscription: WRIGHT & DITSON/CHAMPIONSHIP/1930/APPROVED BY/U.S. LAWN TENNIS ASSN. Materials: Rubber, Felt, Inktennis

Owned by General Manager J. McLeish.Stained beige cover. Inscription title in black. 327 pages. Titled "Transcriptions of the Australasian Institute of Mining Engineers Vol XIV".On cover " Australasian Institute of Mining Engineers". On spine " Transcriptions Australasian Institute of Mining Engineers Vol XIV".

Print of photograph of Camberwell Railway Station looking west. Inscription states 'Camberwell Victoria, view of the railway station, c. 1930' Camberwell Victoria, view of the railway station, c. 1930camberwell

Found in an opportunity shop in Melbourne and purchased by the donor. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Tatra Inn was built in 1964, after an Act was passed in 1960 to allow private development leases in national Parks. The lease was terminated in 1975 and Tatra was taken over by the Government. Tatra was renamed the Lodge throughout the Belles 10 years management, from 1993.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).A pair of ceramic mugs / goblets. The foot is black and the top of these mugs is sandy coloured with a black buffalo and a black inscription on reverse sideTATRA INN CRESTA MOUNT BUFFALO

Sepia Photograph of a man wearing suit, clerical collar and hat, standing with right hand resting on a motorbike (identified in the inscription as a Triumph)."Rev. Fr. Martin Gleeson Curate Linton about 1918 F O'Beirne Triumph".transport, motorcycles, fr martin gleeson, priests, st peter's catholic church linton

This trinket box belonged to Mary Jane Hitchins (nee Rankin). The box was found in the former Hitchins homestead at Mannibadar. This property is now owned by the Holding family, and the trinket box was donated to LDHS in April 2015 by Maureen Holding.Small, round, white plastic container with lid. The lid has small floral decorations painted on it, and the inscription "Greetings from Linton".trinket boxes, jewellery boxes, souvenirs, mary jane hitchins

A wide range of souvenirs have been produced to commemorate Wodonga and its landmarks over time. These items document key changes in Wodonga and its heritage. The arch is named in honour of Cr Charles Pollard, a foundation member of the Wodonga Show Society and former Wodonga Shire councillor and president. The arch is 29 metres wide and 15 metres high and consists of two boomerangs coming together to form an archway. Originally spanning across a single carriageway of the Lincoln Causeway, the arch was opened by Princess Alexandra of Kent in 1959 and was built for £1230. When the Country Roads Board said the causeway would have to be duplicated in 1973, a new home was required for the arch. At the request of the Wodonga Show Society, the arch was moved to the entrance of the showgrounds in 1982. After development of the precinct in 2015, the Pollard Arch was erected on Hamilton Smith Drive Wodonga.Small china pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. These items have local and social significance as they reflect the landmarks or local features valued by the community over time.Fine china round plate, white with image of the Pollard Archway in Wodonga, Victoria in the bottom third of the plate. Inscription below the image.On bottom of image "Pollard Archway, Wodonga, Vic". Manufacturer's mark on back "St Kilda/ Fine China/ Australia / Hand Painted"souvenir, wodonga, victoria, pollard archway, landmarks wodonga

This series of photos documents some of the destruction from the January 1971 flood at Orbost. This flood was a record Snowy River flood and isolated the district through road and bridge destruction. These photos are significant because they document aspects of the record 1971 flood at Orbost, and are of good quality. A series of b/w photos from the 1971 record flood in Orbost. 2733.1 A b/w aerial photograph of a farm house with debris around, cattle in the background. Inscription: 1971 FLOOD. 2733.2 A b/w photo of 2 people walking towards an upturned vehicle in floodwaters. Inscription: 1971 FLOOD. 2733.3 A b/w photo taken at night time. Five people beside and climbing on a tree which has been uprooted, with water flowing underneath. Inscription: 1971 FLOOD. 2733.4 A b/w photo of a man standing in doorway of the old pumphouse for the Butter Factory. He is leaning out of the doorway and pointing to a mark on the wall (presumably the height of the 1971 flood). Inscription: FLOOD MARKER AT ORBOST BUTTER FACTORY. 2733.5 A b/w photo of a man and woman walking on a road towards a section of the road which has been broken-up by a flood waters. Inscription: 1971 FLOOD HIGHWAY AT SOUTHERN END OF TOWN. 2733.6 A b/w photo of two men with a boat hauled up on an eroded bank. They appear to be loading or unloading car seats. Inscription on back: 1971 FLOOD CLEANING UP. 2733.1 1971 FLOOD. 2733.2 1971 FLOOD. 2733.3 1971 FLOOD. 2733.4 FLOOD MARKER AT ORBOST BUTTER FACTORY. 2733.5 1971 FLOOD HIGHWAY AT SOUTHERN END OF TOWN. 2733.6 1971 FLOOD CLEANING UP. orbost, snowy river, 1971 flood

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with red and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: RED. Manufacturer's trademark decal features at central prong on obverse. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, Nylontennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with green and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: GREEN. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Decal inscription across base of head on reverse: FINNIGANS/LTD./SPORTS DEPT./LONDON & MANCHESTER. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglasstennis

An oval, wooden racquet with a laminated convex throat. Decal inscription of model type around crown on obverse is illegible. Decal of company trademark features on throat of obverse. Within a football device is the inscription: TRADE MARK/SCH[MELZER]'S/KA[N]SAS [CIT]Y/S[P]ORTING GOODS. Hand carved name along throat on obverse: JEANETTE. Hand carved initials, in Greek script, across throat on reverse, read 'Pi Delta'. Hand carved inscription further down on handle reads: JOE BROWN. Decal inscription along right side of stem: SCHMELZER ARMS CO./KANSAS CITY, MO. Materials: Wood, Gut, Metal, Ink, Glue, Lacquertennis

This Bible was presented to Jane Richards, of Myrniong, by a cousin in 1875.She later married William Martin, father of Eliza Ford of "Hazeldeane" Mt. Major. This bible became the property of Eliza Ford, who was a longtime member of the Dookie district.Brown leather bound embossed King James Bible. First and second book and Gilded pages Part brass clasp missingHand written inscriptions, first in ink, second in biro. First inscription: "Presented to/ Jane Richards by her Cousin W.H.O./ 13th. Nov 7`11 1875" Second inscription: "E.E.Ford/ "Hazeldean"/ Dookie.religion, bible, jane richards, william martin, eliza ford, mt major, dookie, king james, 1875

This object dates back to 1925 and was sectioned by Dr Geoffrey Kaye in 1938. Flowmeters were attached to an anaesthetic machine to measure the flow rate of gas or liquid.Metal cylinder with glass inner chamber and gauge inside. The object has been sectioned for teaching purposes.Inscription on top screw valve. "K/38, Screw Lightly, Oxygen Fine." Inscription on back of top screw valve. "Direct Ox." Inscription on top of flowmeter tube. "G. Kaye fecit. 1938"flowmeter, water depression, gas, sectioned, slight feed, anaesthetic machine

This decorative plaque displays the insignia of the Bank of Australasia, which was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque has historical significance as it belonged to the Bank of Australasia which was established in Australia in 1835 by Royal Charter. The plaque is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Plaque with insignia on glass in a rectangular varnished wooden frame. Insignia of the Bank of Australasia has been painted onto the glass in a mirror-like fashion. Insignia depicts a heraldic shield with sheep hung up by their waists and ships in full sail. Inscription on insignia. Stamp and handwritten inscription on the rectangular label with a blue border on the reverse.Insignia: "BANK OF AUSTRALASIA INCORPORATED BY ROYAL CHARTER 1835" Label's red oval stamp with "AUSTRALIA AND NEW ZEALAND BANK UNITED ARCHIVES" Label's handwritten black letters "AM1" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commerce, banking, plaque, insignia, bank of australasia, insignia on glass, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender