This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments. This issue has a London theme - all the garments are named after London streets or districts and there are small sketches of London locations throughout.Style / "MAYFAIR" / See page 10 / Vol. 12 / A Patons & Baldwins' Publication / 1'4knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / BOOK 84 / featuring / designs in / 12-PLY / Slalom / and / Cha-Cha / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Lace wound around a card with black paper label with gold printing ' Pearsalls Cotton Antimacassar braid'.Pearsalls Cotton antimacassar braid. PAT3611 No.2 warranted 12 years. Made in Germany.lace, jennings patrice

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Boston University Law and Education Tower, Boston, Massachusetts, USA, 1962. (Architect: Josep Lluis Sert.)Made in Australia / 12 / AUG 64M / Encircled 23 (Handwritten) / Encircled 70F (Handwritten)boston, slide, robin boyd

Photograph shows tram 30 (Mt Pleasant) arriving at the Grenville St tram stop with a number of passengers waiting alongside the tram stop shelter. In the background is the 8 hour day monument, Tony Deans Camp Hotel, Ashakr's Pies and pasties, and many other Sturt St buildings. Alongside the tram is a Ampol fuel tanker.Yields information about Sturt St at Grenville St and the tram stop.Black and white print of tram 30 approaching the Sturt St and Grenville St tram stop.Has a typed label on rear "P2761 Sturt St Ballarat." on rear and "No. 12" in pencil.ballarat, sturt st, trams, tram 30, grenville st, shelters, passengers, ampol

Foolscap, stencil cut printed sheet with a joint statement by the Tramway Museum Society of Victoria (TMSV) and the Ballarat Tramway Preservation Society (BTPS) about tramcar preservation in Victoria. Covers the aims of both groups. Printed Dec. 1971, signed by Tony Cooke Public Relations Office of the TMSV and Paul Nicholson, Publicity Officer, BTPS. Has two punch holes on the left hand side and has been folded into four."GN" in black ink and "21/12/71" in pencil in top right hand corner.museums btps, tmsv, tramcar preservation, public relations

Black and white photo of W2 516 at the Moonee Ponds terminus of route 82, Moonee Ponds to Footscray. Tram has destination "Footscray", all blinds drawn and a Ramset? ad on the drivers cab dash panel. In background are the buildings at the intersection of Puckle St and Mt Alexander Road, Moonee Ponds. The hotel on the SE corner has a large ad for "SHELL" and a message underneath "Shop in Puckle St." and also in background a large ad for "Phillips".On rear in blue biro "W2 516 / 12/2/66 / Moonee Ponds Junc."trams, tramways, melbourne, moonee ponds , tram 516

Black and white photograph. Graduation Ceremony 1973, Hon. R.J. Hamer presenting award to a female student.On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. E.206 (12)." r.j. hamer, graduation day, 1973, graduation 1973, opening of student amenities building, student, student amenities building

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.1/12 MYRNIONG GVE, HAW E Margaret Picken ~95 WOODARDS -C'WELLartist - margaret picken 1950-

The photograph shows X1 class tram No. 465 with destination "Russell St." in Barkly Street, Footscray outside the recently closed cinema that had just reopened as the Fiesta Cabaret and Reception Room in 1962 - the year the tramway closed. The tram is small in a scene that shows the full height of Fiesta Room, many shops and cars.Yields information about MMTB X1 and Footscray linesBlack and white photograph with photographer's notes on rearRed stamp and biro on rear: 'Photograph by J Seletto. Photo 38 JSE 12'trams, footscray, barkly st, x1 class, tram 465, fiesta, tramways

PHOTOGRAPH, BLACK & WHITE, MOUNTED ON FADED GREEN MATT BOARD - GROUP OF ADULTS AND CHILDREN AT MOUNT BECKWORTH.On Reverse; K. PATIENCE. "MOUNT BECKWORTH" JAN. 22/12. On Front: Hornby Cluneslocal history, photography, photographs, events and celebrations, mount beckworth

Four page fold out knitting pattern booklet featuring a colour image on the cover of a woman wearing a knitted yellow jumper, brown pants and a brown hat.front: [printed] Cleckheaton / Design 003 5 ply; 8 ply ; 12 plyknitting, pattern, fashion, knitwear, cleckheaton

Dry point etching. Black and white seed pod on a grey background surrounded by smaller black images. Limed wood frame, single window mount.Front: 'Shepod - Page 1 / 2/12 / Herthe Kluge-Pott 2009 - pencil

Twenty four page knitting pattern book featuring eight colour pages. The front cover shows a woman outdoors wearing a grey, brown and cream patterned cardigan, holding a whip and leather gloves and wearing a stock hat.front: [printed] Cleckheaton / BOOK NO. 404 / Naturals Bk. 6 / IN 8 AND 12 PLYknitting, pattern, fashion, knitwear, cleckheaton

``Newspaper clipping from "The Post" 24-12-94, P 16. Ringwood RSL Club lends a hand to drought victims Ringwood RSL Club has already raised over $20,000 to help drought affected farmers in Queensland. Club members aim to raise $60,000 and have enlisted the help of Tatts, Comalco, Club Keno, CUB, the Queensland Rugby Association and the Brisbane Bears football club`

Ref: LA 3 32 273 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Brass tap. Bronze disease active and heavily concreted. Recovered from the wreck of the Loch Ard. Artefact Reg No LA/12. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, tap

A collection of music and songs, many labelled Colonial Music Cabinet. Thomas Smith, operated gas printing works in Koroit St Warrnambool opposite the Baptist Church in the latter part of the 19th Century. The business did a number of printing related tasks including lithographic printing, engraving and bookbinding. A collection of musical scores which were popular at the time with links to a well regarded business in Warrnambool.Brown cloth over hard card cover with black leather spine and corners. Contains 12 music folios of various length Bound by Smith Printers Warrnambool. 2nd Edition.warrnambool, thomas smith printers and bookbinders w. h glen & co. colonial musical cabinet

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frameseltham north, lower road, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frameseltham north, ryans road, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frameseltham north, progress road, road construction

Local Newspaper reporting on events of World War 2 dated 6/1/1941 = Victory At Bardia - Australians in Van Of AttackLocal Newspaper reporting on events during World War 2Local Newspaper reporting on events of World War 2 - Special - My War Part 12 - Dated 6/1/1941Enemy wilts Before Bayonets - Victory At Bardia - Australians in Van Of Attackvictory at bardia - australians in van of attack, local newspaper dated 6/1/1041

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Navy cylindrical canvas duffle bag with open top. 12 brass eyelets around the top with brown twine threaded through.Printed in white on side: R.A.A.F. 410533 F/D DAVEY Written in white (faded) on base: J13 ----- S VICequipment, kit, military

Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service details.Soft paper cover with blue printing, 12 pages with cut edges, pages stapled, no illustrations, pages printed in blue inkmadame tussaud, exhibitions, guide

Photograph of 12 panels carved in Australia for use in the Villers Bretteneux School in France. The majority of the carvings were carved by E.J. Grant. villers bretteneux, carvings, e.j. grant

Catapult (Saunders Falcon) brand. Used by U S Rangers in WWII. Item held by J McAndrew 2571269 Royal Engineers 1939 - 45 .1) Catapult, black steel, silver aluminium, bakelite handle, rubber band. .2) 12 metal pallets in plastic lid.arms, metalcraft - aluminium

Cards by Bruce BAIRNSFATHER a British cartoonist and serving officer. Issued by The Bystander in 1916 (a British magazine) The cards sent to Una Frankling of Harcourt by her cousin Frank Barnes dated 18.10.1916 from Pelham Downs in England. Refer Cat No 2380 for details re Frank Barnes service.12 cardboard rectangular postcards B & W, series “Bystanders” from France series 2,3 & 4. Rear has handwriting.postcards, series, bystander

A collection of stories to enlighten children's minds, prepared by the Victorian Education Department as supplementary reading material.Owned and used by the Partington family, Greensborough pioneers whose children attended Greensborough Primary School.12 issues per schoolyear (incomplete). Black and white illustrations.String binding. Front cover missing. Dog-eared and damaged edges.the school paper, reading materials, partington family, education department victoria

Catalogue card reads, "Ringwood train derailment". 11th Feb, 1908. (As reported in The Argus, Wed 12 Feb 1908, p7)