Booklet /pad of pale blue paper forms with black print. Many fields on which to record patient information. The forms are glued along the left hand edge and punched with holes to allow insertion into ring binder.These include the following ; ROAD CRASH REPORT AMBULANCE OFFICERS REPORT TO DOCTOR road crash report, form, patient care form

A sealed clear plastic container of three Wilson multicoloured 'Whackers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed clear plastic container of three Wilson multicoloured 'Peppers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed clear plastic container of three Wilson multicoloured 'Peppers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

An unsealed can of three Slazenger (U.K.) 'Wimbledon 1999 High Visibility' tennis balls. Missing ring-pull lid, has a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed can of three Slazenger (U.K.) 'High Visibily Hard Court' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

An unsealed can of three Slazenger (U.K.) 'Yellow Cover' tennis balls. Missing ring-pull lid and plastic reclosure lid. Contains three original balls. Materials: Metal, Ink, Rubber, Synthetic materialtennis

An unsealed can of three Slazenger (U.K.) 'High Visibily Hard Court' tennis balls. Missing ring-pull lid; has a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed can of four Slazenger (U.K.) 'Limited Edition Wimbledon 1996' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed can of two Slazenger (U.K.) 'Wimbledon 2000 Ultra Vis' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

An unsealed can of three Slazenger (U.K.) 'Wimbledon 2000 Ultra Vis' tennis balls. Missing ring-pull lid, has a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

An unsealed can of three Slazenger (U.K.) 'Wimbledon 1999 High Visibility' tennis balls. Missing ring-pull lid, has a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed plastic container of two pink Penn 'Courreges Paris' tennis balls. Has intact metal ring-pull lid and a plastic reclosure cap. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

A sealed plastic container of four Major 'Roland Garros French Open' tennis balls. Intact metal ring-pull lid and plastic reclosure cap. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

A sealed plastic container of four Major 'Roland Garros French Open' tennis balls. Intact metal ring-pull lid and plastic reclosure cap. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

Iron 'S' brand. Circular iron handle forged into a ring at one end and flattened at the other end into iron 'S' welded to the handle. Head is 8mm thick at the weld end and tapers to a thin 2mm line.S

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Two men with glasses hold a sheet of paper depicting a nude woman on the facing page. She has long flowing hair and ear rings The number 299 is shown in the bottom left hand corner of the print.Signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

Military guide to map readingBook made of yellowed paper with black print. It is bound by two staples and has three holes punched into the left side for storage in a ring binder. There is a crease that runs from the bottom left to the top right of the cover.wark vc club, military manuals, ww2, regimental property

Bag used by military to carry gas mask and other pieces of equipment. Worn over shoulderMade by General Motors Holden in 1940Canvas bag with compartments front and back. Front divided into three sections, back has two compartments. Both compartments have canvas flap lids. Shoulder strap attached to brass rings on side of bag V1 GMH 1941military, bag

Presented to 168 CSM F. Brent for 2nd Aust Inf Bde Sports - France - 11.6.17168 CSM Frank Thomas Brent served in the 6th Battalion in WW1 . He was awarded a DCM for conspicuous gallantry and devotion in an attack. He took command of a party and attacked an enemy strong point, capturing 20 prisoners and 2 machine guns. He also rendered valuable assistance in consolodationg the captured position and set a splendid example to his men.A stylised cross in a circular pattern with a single suspension point and ring Obverse - ' 2nd Aust Inf Bde Sports France 11.6.17 ' Reverse - ' 168 CSM BRENT 6th Batn AIF' Hallmarked Diameter - 33Obverse - ' 2nd Aust Inf Bde Sports France 11.6.17 ' Reverse - ' 168 CSM BRENT 6th Batn AIF'ww1, 5/6 rvr, 2nd australian infantry brigade

Page 1 - postcards and notes on the Alf Twentyman's preserved cars. 2 - VR tram 41 at Bendigo 2001 and two VR tram tickets 3 - VR 41 at Sandringham station - night photo 4 & 5 - VR 41 at Bendigo 6 & 7 - VR 41 at Bendigo 8 & 9 - photo copies of VR railway - tram tickets 10 - 11 - photo copies of VR railway - tram tickets and photo of VR 41 at North Bendigo. 12 - Photo of David Frost selling a ticket to David Vendy, Mayor of Ballarat at the time - July 2002 13 & 14 Two Melbourne tram postcards and tram tickets 15 - 18 - Four Peter Gerasimon greeting cards featuring Melbourne trams, 19 - Ballarat tramway postcard and cable saloon trailer 171 being loaded for Portland - July 2002. 20 - three photos of David Frost at Bylands rear cover - photos of VR 41 and VR 53 at Bendigo.Illustrates the work of David Frost and his interest in VR trams.Photo Album - 10 heavy card sheets with plastic sheets over each, white plastic ring bound, covered with a large photograph of Alf Twentyman's cable cars at Northcote. See 3086 for an unused version.cable cars, vr trams, alf twentyman, david frost, vr 41, bendigo, tickets, postcards, peter gerasimon, trams, tramways

Varnished wooden sign with decorative routed edges with "Cashier" painted in green on each side. 2 chains attached. Green painted metal bracket from which it hung on two metal rings in the Administration Building.Cashiercashier, sign

Clasp knives were made for military use in the Australian army during World War 2. The 'CARR' symbol indicates that the knife was made by Carr Fasteners company in Whittingslowe factories. The 'arrowhead symbol' below the 'CARR' symbol indicates that the knife was produced for military use.This item is significant as it provides insight into the tools used by the Australian Military in World War 2. It also provides historic insight into the companies that produced and supplied the tools to the military.Metal handle. One blade folds out of the handle. One tin opener folds out of the handle adjacent to the blade. On the opposite end and side of the handle a marlin spike folds out. On the end of the handle is a ring.Right side of tin opener: "CARR / Arrowhead symbol"military, world war 2, knife

Belonged to David Andrew No 400247 RAAF, KIA 5.4.43. Refer 2048, 2085, 2088. Brooch, diamond shaped, Perspex coated, blue colour. Encased in the Perspex is a gold coloured RAAF badge, under is a small badge, bird with outstretched wings gold colour. A small metal ring attached at the top. trench art, military

Used on Melbourne trams during a time to promote an Olympics event possibly for the Melboune bid in 1995/96. Made by Evan Evans of Elizabeth St Melbourne which has a postcode of 3000 and a 7 digit telephone number.Demonstrates a Olympics flag used on Melbourne trams.Flag - sewn cotton grey colour base with the five olympic colours or rings edged in black cotton fitted and stapled to a wooden round rod. Has the manufacturer's tag sewn into the bottom left hand corner.tramways, trams, mmtb, flags, olympics

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

These marble stopper bottles came from the Warrnambool aerated waters factory of Joseph Lescai. A marble stopper bottle was one which was filled upside down so that as soon as the filling stopped the stopper was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it would fall into the neck chamber below. The marble would stay inside the neck chamber when the bottle was tilted up for drinking. Joseph Lescai and his brother, James had fruit shops in Warrnambool and in the 1920s Joseph Lescai began to produce cordial and soft drinks at his Fairy Street shop. The cordial manufacturing was then re-located to a site in Fairy Street close to Raglan Parade and the business, known as Warrnambool Cordials Pty Ltd, was operated then by a group of Warrnambool businessmen and later by Thomas Hill in the 1930s. In the 1940s the business was purchased by the Flett brothers, Frederick and Charles, and in the 1960s the business was sold to Thomas McKenzie and retailed under the name of McKenzie’s Cordials. The business was still operating in the 1970s. These bottles are significant because they come from the Warrnambool aerated water factory of Joseph Lescai, probably in the late 1920s. The business commenced by Joseph Lescai became Warrnambool Cordials Pty Ltd and this was a prominent business in Warrnambool for 50 years or more. Cordial manufacturing was an important industry in Warrnambool for over 100 years. These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ lescal cordials, cordial bottles, 1920's bottles, warrnambool cordial manufacurers

Viewing from right Nos. 2 and 4 Long Valley Way, Eltham. Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesColour photographseries 13, shire of eltham archives, construction, eltham, long valley way, houses

Black plastic rectangular watch with digital display and grey button on front, with the word "Talking" on front. On the back are three small buttons labelled "Mode", "Hr." "Min". The watch is attached to a metal key-ring on chain. 1 black rectangle with grey button and LCD display"Talking" on front of watchassistive devices, audio equipment