Also another black and white photograph of cleared site of Pecks factory 01611.1Black and white photograph of Bullock Island. It shows the site of Pecks fishing processing factory being cleared, Kalimna Heights in background taken from New Works area of southern shore of Cunninghame Arm. Lakes Entrance Victoriaislands, historic site

Also black and white copy 9 x 14 cmSepia photograph showing lake, Cunningham Arm, in front of three houses on dunes at New Works. House on left is harbour masters, centre is harbour engineer's house and on right is house of contractor John Carpenter. Lakes Entrance Victoriajetties, waterfront, historic buildings

Also postcard 7 x 10.5, similar image,Black and white photograph of the entrance, taken from lookout on Jemmys Point, shows signal light adjacent to lookout, people on slope in front of signal, New Works cottages on hummocks, ocean horizon in distance. Lakes Entrance VictoriaThe Entrance from Jemmy's Pointwaterways, ocean, navigation

Also one black and white copy of the same image.Black and white photograph showing two steamers at New Works wharf, Cunninghame Arm,Cottages on dune behind steamers. Top of sail visible behind steamer. Sand showing between vegetation on dunes. Lakes Entrance Victoria.ships and shipping, waterways, jetties, islands

35mm Kodak white cardboard colour slide by Keith Kings of per way works car No. 15 being used to transport brake shoes (blocks) around the depot. Being loaded at Preston Workshops. 16/4/1968Keith Kings stamp and number "21-36", with details of exposure. in ink "MMTB No. 15 (ex Q 198) being used to transport brake shoes around the depot. Being loaded at Preston Workshops.trams, tramways, work trams, brake blocks, tram 15

Colour photograph of Libby Thomson speaking to the crowd in front of 'At Rest' cottage during Coast Action Summer by the Sea event at New Works Lakes Entrance Victoria. Also three other colour photographs taken at the same event historic buildings

Used at the brick works of Fritsch, Holzer & company of Hawthorn and was used to transport bricks and materials around the works.Historic - Industrial Narrow Gauge Railway - Fritsch, Holzer & Company Brickworks , Hawthorn, Victoria, AustraliaBrick Skip - Iron & Wrought Iron frame, Rubber tyers puffing billy, industrial narrow gauge railway, brick skip

Poster-size cardboard notice, with pin holes.Melbourne and Metropolitan Board of Works permit (form TP16) to commence an application for the East Ringwood Football Club new clubrooms. Signed by Jim Burke, Secretary of the ERFC, in September 1962

Naming and commissioning of the HMAS Melbourne Friday 29th October 1955Fold out programme- cream colour with photograph of ship and timing of the ceremony. Rectangular shape.Photograph of HMAS Melbourne “Form of Ceremony For Naming and Commisioning HMAS Melbourne On Friday, 28TH October 1955 Naval Construction works Vicker- Armstrongs (shipbuilder) Ltd Barrow-in- Furnesshmas melbourne, naming and commissioning hmas melbourne

Colour photographic print in tan timber frame and musk coloured mat. Photograph depicts two field artillary weapons set up surrounded by sandbag perimeter.Personnel working on one of the guns. Background is bush, and a shelter with metal roof to left of picture.My Vietnam Collection Waiting for orders -105 Field Battery. Vietnam 1969 Copyright Jed Robinson.Gift Horse Gallery - Original works by local & interstate artists and crafts people.photograph, 105 field battery

Several foolscap sized buff coloured letterheads for P. Bamford PtyLtd., Telephone: Ringwood 3. Box P.O. Ringwood 17 Ringwood Saw Mills and Joinery Works. P. Bamford Pty. Ltd. Timber Joinery Hardware. Whitehorse Road Ringwood.

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Peter GEORGAKIS Peter Georgakis completed his secondary education in Colac. He completed a Bachelor of Fine Arts at University of Ballarat (now Federation University). The following year he successfully completed an Honours, Creative Fine Arts. He was the recipient of the 2012 Martha Pinkerton Award. This artwork was purchased at the University of Ballarat End of Year Exhibition for the collection by Vice Chancellor David Battersby. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract ArtPeter GEORGAKIS Peter Georgakis focuses on exploring the concept of cognitive distortions and their relationship towards the physical and figurative. By utilising and relating a variety of figurative and physical imagery, he depicts the fragmentation and explosion of an interior visual landscape within distorted thought processes. This work portrays a wide array of distorted cognitive responses in a very visceral and disordering application. His works convey and visualise this response by using a variety of different software, including medical imaging, sound to image and experimental visualisation techniques. With such software applications, he has been able to digitally manipulate figurative and physical imagery in an unorthodox manner. Through this lens of a variety of software applications, he has been able to experiment and explore a vast range of cognitive distortions and their relationship towards the physical image. art, artwork, printmaking, peter georgakis

Bendigo Advertiser "The way we were" from 1999. United iron works: taken in 1900. Abraham Roberts first established himself as a blacksmith in Wills Street, Sandhurst. Later his sons Abraham junior and William joined the business and it traded as the United Iron Works. With hard work the foundry grew until it covered three acres bound by Wills , King and Mitchell Streets. The firm established itself throughout the colony for excellence in their work. Much of their work can still be seen around Bendigo including the overhead bridge at the railway station.newspaper, bendigo advertiser, the way we were

Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 9 AGFA blue and white plastic mount 27mm sq slides of various works at the BTPS depot during 1973 / 1974. .1 - Campbell Duncan operating a rail hole drill. .2 - Track construction - installation of No. 1 roadway commenced. .3 - ditto with overhead works - Warren Doubleday, Bill Kingsley, Clyde Croft and Noel Gipps .4 - ditto .5 - ditto .6 - overhead work .7 - laying a drainage pipe at the rear of the depot .8 - ditto - Loddington .9 - forming the cut off walls at the front of the depot.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction

Negative folder - made by SAGA Japan, containing 6 no. 120 film negatives 60mm x 90mm of the works on the extension to East Burwood, Burwood Highway, near Blackburn Road, 29-12-1977. Folder stamped 396 .1 - Burwood highway - out of focus - showing end of slab. .2 - ditto - looking west? - shows cross section of slab. .3 - Blackburn road with poles positioned - with BP service station in background. .4 - ditto .5 - sign showing tramway works in progress .6 - from the kerbside showing the track.trams, tramways, burwood highway, tramway construction, construction, east burwood

non-fictionThe Round was awarded Best Public Works Project over $5 millionthe round, city of whitehorse

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape

E557 N24. Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies

Diggers and miners. Diggers and Miners. Central Nell Gwynne Mine, Bendigo. The miner is employed by a mining company - and works for wages; . . . Photo shows the Central Nell Gwynne Mine, Bendigo. Markings: 8 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Sebastain Cyanide Works Assay book - August 1904 to July 1907 (Marked as #15 byr, probably #16, marked in list as ''August 1904 to May 1906''. Pencilled entries showing descriiption and location of assay samples with assay results.bendigo, industry, sebastian cyanide works, sebastain cyanide works