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Wodonga & District Historical Society Inc
Functional object - Sanyo VHF Colour Television 1980
The Sanyo VHF colour television is thought to have been assembled in Wodonga, as Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the de-centralisation of industry and continued operation into the 1980s. The Sanyo Australia Pty. Ltd. factory in Wodonga opened in 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first ten years 350,000 televisions were assembled from Japanese parts, however by 1984 the number of staff had reduced to 112 and the factory closed in 1987. All Sanyo televisions were then imported from Japan. The Sanyo VHF colour television has local, state and national significance as it is thought to have been assembled in Sanyo Australia's factory in Wodonga. Sanyo was one of the international companies that set up business in Wodonga as part of the decentralisation of industry in Australia in the 1970s-1980s.Cream and black plastic Sanyo VHF colour televison, with the Sanyo logo and one large circular VHF control knob for the different channels on the proper left black plastic panel, and one small off-on volume knob at the bottom of the black plastic panel. The diagonal screen measurement is 30 cm or 11 inches."VHF" / SANYO / Telecolor / AFT / OFF-ON/ VOLUME" on the proper left black plastic panel on the front of the television. "75Ω- 300Ω" on the black part of the cable attached to the two antennas. "FOR YOUR SAFETY / Install any external / aerial to AS1417.1" on the back of the television. "SERIAL NO / 30207332" on the back of the television. "SANYO / MODEL CTP 2600 / CHASSIS NO. 79P-B5ZH 01 / AC 240V~, 50Hz, 85 WATTS / SANYO ELECTRIC CO., LTD. MADE IN JAPAN / WARNING / DANGEROUS VOLTAGE INSIDE / CHASSIS LIVE / CONTACT IS DANGEROUS / 3401901 B5ZH-B" on the back of the television. "SBS TELEVISION" stickers on both sides of the television. "WODONGA ASSEMBLED TELEVISION. (underlined) / This SANYO VHF COLOUR TELEVISION / Serial number AS1417.A (AS = Australia) / Model CTP 2600 was assembled / at the Sanyo Drive, Wodonga, factory Circa 1980, from Japanese parts." printed on a paper label attached to the upper back part of the television. sanyo, sanyo colour televisions, sanyo t.v.s, vhf t.v.s, sbs, wodonga, sanyo australia pty. ltd. -
Flagstaff Hill Maritime Museum and Village
Book, Warrnambool Past & Present, 1907
This is the original book “Warrnambool Past & Present Sixty Years of Progress 1847-1907” that was published in 1907. It features photos of Warrnambool, taken by Edward Vidler in 1907, who matches them with some earlier prints. Vidler had a photographic studio in Liebig Street Warrnambool. Compiled by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League The front cover of this little but significant book of photographs, advertisements and commentary reads “Warrnambool Past & Present. Sixty Years of Progress – 1847-1907. Illustrated by 100 views of Old and New Warrnambool. Price : One Shilling.” The title page of the book states “Warrnambool : Past and Present. The Metropolis of the Western District. Compiled from contemporary records by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League. Illustrated. Printed by The Thompson Printing Co., Koroit Street Warrnambool.” In 1984 a facsimile reproduction of Vidler's publication was printed by the 'Osburne Group'. (The Group was named after Richard Osburne who owned the first newspaper in Warrnambool, called The Examiner. The donor of this book was another member of the three people who formed the Osburne Group). This newer book is an A4 portrait style format with Vidler's publication on the top of each page, and a matching 1984 photograph with contemporary comments on the lower half of the page. This book is significant record of the development and changes of Warrnambool therough the years since it was first settled to more recent times.Warrnambool Past & Present. Compiled by Edward D. Vidler. Sixty Years of Progress 1847-1907. Cream, soft cover, A5 landscape orientation, black and white print book, apart from front cover's title, which is red print. Printed by The Thompson Printing Co. Koroit Street, Warrnambool. Original 1907 publication. Includes photographs, advertisements and commentary on Warrnambool and the Western District of Victoria. Price was One Shilling. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, warrnambool history book, vidler’s warrnambool past & present, warrnambool historical photographs, edward a. vidler, pictorial work of warrnambool -
Surrey Hills Historical Society Collection
Photograph, Harley Tarrant and his 1905 Tarrant car, 1905
Col. Harley Tarrant was an astute businessman and a part-time soldier. He was born at Clunes in 1860 and as a young man worked with an engineering firm in Sydney. He later joined the Board of Works in Melbourne. and later entered the early car manufacturing and retailing trade. In 1905 Harley Tarrant built the first car to be built and sold in Australia. For a time he was a surveyor and worked in Surrey Hills but motoring became his prime interest. In the early 1890s he set up a workshop in what was then Post Office Place, Melbourne. He built stationary engines which ran on kerosene and in the first years of the twentieth century, with partner W Howard Lewis, built the first petrol driven car in Australia. This photo is of his sixth car and was taken after the finish of the 1st Sydney to Melbourne Dunlop Reliability Trial, which Tarrant won. Harley Tarrant produced cars between 1901 and 1907 at the Tarrant Motor and Engineering Company in Queen's Bridge Street, South Melbourne. The first car had a rear-mounted two-horse power Benz engine. Two-cylinder models were later produced followed by 4-cylinder models. The only Tarrant car in existence in 1984 was owned by Harley Tarrant's grandsons, Kenneth and Peter Holmes of Melbourne. The 1906 Tarrant car featured on an Australia Post stamp in 1984. It was one of a series of 5 stamps featuring Australian veteran and vintage cars.Black and white photo of a car without a hood in the driver's seat of which is a man with cap, driving dust coat and goggles, identified as Harley Tarrant. Beside him is a young girl in a large frilly; she is identified as Doreen Tarrant, his daughter. Another man with cap and goggles is talking to him and a gentleman in a bowler hat looks on. There is a women and 2 children in the background in front of a large brick wall decorated in two coloured bricks. cars, inventions, dunlop reliability trial, tarrant motor and engineering company, mr harley tarrant, miss doreen tarrant, mrs doreen holmes, col harley tarrant -
Federation University Art Collection
Ceramic, Tony Nankervis, Three Lidded Woodfired Cylinders by Tony Nankervis, 1986
Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Three Lidded Woodfired Cylinders ceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic -
Federation University Art Collection
Ceramic, Tony Nankervis, Dry Glazed Lidded Form by Tony Nankervis, 1986
Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Presented by the artistLidded Raku fired box, dry glazedceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic -
Greensborough Historical Society
Photograph, Robert Whatmough and family slaughtering pig at Willis Vale Greensborough. 1870, 1870_
Robert Whatmough and family lived at Willis Vale from approx 1863 to 1878. Willis Vale was later owned by the Partington family. In this photograph the family is involved in butchering a pig. The people have been identified as: Mary (Hill) Whatmough b1813; and her daughter Rosalie b1856; Grandpa John Wilson; Joseph Wilson b1835; Emmett Whatmough b1842; John Thomas Fielding b1860; James Fielding b1861; Robert Whatmough b1815; [Sarah Whatmough b1845 m1866 Joe Wilson b1835 8 children]. Photo and article also appeared in The Diamond Valley News 9/10/1984 page 26.Early evidence of farming and animal husbandry in the Greensborough area.Black and white photograph, enlarged and mounted on timber backing.Typed caption pasted on front of photograph: 'Robert Watmaug [sic Whatmough] and family slaughtering pig at Willis Vale Greensborough.' Identification of those in photo by Faye Fort 2015.robert whatmough, whatmough, willis vale, greensborough, wilson -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Keefer's boat shed, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Charles Keefer established this landmark boat hire business in the early twentieth century, shortly after he had built municipal baths at Beaumaris. The original boat shed was damaged in a storm in 1934 and burned down in 1984.Annette Meikle, Keefer's boat shed 1977, ink and watercolour, 33 x 53.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, port phillip bay, coastline, beaumaris, keefer's, keefer's boat shed, jetty, boat shed -
Kew Historical Society Inc
Painting, W Nicholls Anderson, Adeney Avenue, Kew, 1906
William Nichols Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic). Australian ImpressionismGift of Lucy Hornby, 1984Framed oil on canvas by W. Nicholls Anderson of Park Street, Kew (now Adeney Avenue) looking uphill in a southerly direction towards Cotham Road. The painting is dated to 1906. The two storey house at left was known as 'Eborensis'. The house is still extant on the corner of Adeney Avenue and Parkhill Road. On sticker on back of frame - Adeney Ave./1913/ £3.3.0/ 13th Annual/ Exhib. V.A.S [Victorian Artists Society]/1911 Aust Art Exhib/the Guidlhall/Swanston st Melb./ Adeney's Paddock/ Kew. £3.0.0.artists - kew - victoria - australia, victorian artists society, william nicholls anderson (1873-1927), adeney avenue kew, australian art exhibition 1911, victorian artists' society, w. nicholls anderson -
City of Kingston
Photograph - Black and white, c. 1948
Located in the southeast Melbourne district of Ormond. The Ormond Theatre was opened in the late-1920’s with 720 seats in stalls and circle. There was no ceiling in the auditorium, which allowed for the steel roof trusses to be seen. In 1930 a Western Electric(WE) sound system was installed. In 1940 it was remodelled in a simple Art Deco style to the plans of architectural firm Marsh & Michaelson. It re-opened in 1941 with 995 seats. By 1946 it was operated by Albert Park Cinemas Property Ltd. The Plaza Theatre was closed on 30th November 1958. It was converted into a carpet showroom which was still operating in late-1984. The building has since been demolished.Black and white photograph depicting the art deco facade of the newly refurbished Plaza Theatre, Ormond. There are no buildings either side of the theatre which highlights its large size.Black printed text on white round sticker adhered to reverse: 187 Handwritten in red ink on reverse: 72%theatre, movies, entertainment, plaza, suburbs -
City of Kingston
Photograph - Black and white, c. 1948
Located in the southeast Melbourne district of Ormond. The Ormond Theatre was opened in the late-1920’s with 720 seats in stalls and circle. There was no ceiling in the auditorium, which allowed for the steel roof trusses to be seen. In 1930 a Western Electric(WE) sound system was installed. In 1940 it was remodelled in a simple Art Deco style to the plans of architectural firm Marsh & Michaelson. It re-opened in 1941 with 995 seats. By 1946 it was operated by Albert Park Cinemas Property Ltd. The Plaza Theatre was closed on 30th November 1958. It was converted into a carpet showroom which was still operating in late-1984. The building has since been demolished.Black and white photograph of the theatre inside the Plaza Theatre. The photograph has been taken at the rear of the theatre and looks down over the three tiers of seating toward the screen.Black printed text on white round sticker adhered to reverse: 186 Handwritten in red ink on reverse: 77%theatre, movies, entertainment, suburbs -
Melbourne Legacy
Photograph, Past Presidents 1990, 1990
A group photograph of Legacy past presidents possibly taken at the President's Lunch. The date is unknown. Photos were in a scrapbook of photos spanning 1983 to 1991. Names are left to right: Back row: E.G. Baker (1976), JC Dean (1984), Colin Bannister (1985), E.J. Larkin (1982), R.J.A. Foskett (1972), Geoff Handbury (1973), ?. Middle row: L.W. Fargher (1957), ?, D. J. Simonson (1970), B.R. Wilson (1987), ?, ?, ?. Front row: D.B. Carter (1978), Alf Argent (1988), Ravencroft (1983), Tony Norris (1990), ? in wheelchair, ?, R.W Gaylard (1956), Chas Wilks (1989). A record of the surviving past presidents. It shows that the previous presidents were still active in Legacy after their tenure finished and remained in contact with each other. Colour photo x 2 of a formal group photograph of Legacy past presidents. past presidents, presidents lunch, legatee event -
Melbourne Legacy
Article, Bulletin VALE Legatee George Harry Cowan
An article from the Melbourne Legacy Bulletin on the death of Legatee George Cowan (President of Melbourne Legacy in 1967). The Bulletin published articles on Legatees when they passed away. Legatee George Cowan, born in 1922 and died in 1984. During his war service he was a pilot and served in 458 Squadron in Sardinia, Gibraltar and the Middle East. He joined Legacy in 1954 after being nominated by his father-in-law, Bert Nathan. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee George Cowan a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Typed copy of a page from the Legacy Bulletin on the death of Legatee George Cowan - President 1967Bulletin No VAW 1209. 20.9.1984. Page No 8.past presidents, vale, george cowan -
Bendigo Historical Society Inc.
Document - ''HISTORY OF BENDIGO SALEYARDS''
''History of Bendigo Saleyards''. This document is comprised of a paper titled 'Going, Going, Gone'' and as a history of the saleyards, appears to have been written /authorized by Mr John Quinlan (Convenor, Historical Field Day Committee, Department of Agriculture) see covering letter from C C Campbell, City Engineer. Covers history from 1861; reference to abattoirs on site; railway spur; Country Roads Board; Wellsford Forest site; Marong site. Other part of document is a list of various dates with short description of activity for that year from 1861 to September 1984 - this list is by M (Malcolm) Styles of City Engineers Department. Reference to Bendigo East Bowling Club; Bendigo East Swimming Pool.Mr John Quinlanbendigo, business, bendigo saleyards, mr a.m. lloyd, bendigo east bowling club, bendigo east swimming pool. -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: ST ARNAUD MERRYMAKERS OLD TIME BUSH BAND
Faded colour photo of the St. Arnaud Merrymakers Old Time Bush Band sitting in front of a tree playing their instruments. A sign in front of the drums has the name _ St. Arnaud Merrymakers Old Time Bush Band - printed on it.Written on the back - the Merrymakers Bush Band as it was at their last entertainment before disbanding, May 1984. Piano player Mrs. D. Carrol not Present. Players from left to right:- Jim Pritchard - Button Accordion; Alf Johns - Button Accordion; Mrs Joan Morrissee - Drums; Keith McDonald - Piano Accordion; (Ted) John Vallance - Five String Banjo. Taken at laying of foundation of Senior Citizens Hostel at St. Arnaud Hospital.photo, group, st arnaud merrymakers bush band, peter ellis collection, st arnaud merrymakers old time bush band, mrs d carrol, jim pritchard, alf johns, mrs joan morrissee, keith mcdonald, (ted) john vallance, senior citizens hostel, st arnaud hospital -
Melbourne Tram Museum
Newspaper, The Age, "Europe may get a taste of Melbourne's tram fare", 17/04/2006 12:00:00 AM
Newspaper cutting from The Age, 17/4/2006, titled "Europe may get a taste of Melbourne's tram fare", about the operation of Melbourne's trams being used for Restaurant trams in overseas cities such as Milan. Quotes Paul Stephen-Daly about the proposals, discussions with the Government, Minister Peter Batchelor and the story of the first tram. Notes that he along with his business partner, John Murphy. Noted that he had sold his share to Red Rock Leisure in 1984. Item features Joe Allagona taking orders on one of the trams, Paul Stephen Daly standing in front of a W7 1021. Photos by Justin McManus, Wayne Taylor and item by Peter Barrett.trams, tramways, restaurant tram, w7 class, events -
Bendigo Military Museum
Photograph - Royal Australian Survey Corps Aerial Surveys, c1980
This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. In photo .1P, CPL Steve Gloster was operating a RC10 air survey camera mounted in an Australian Army Pilatus Porter aircraft. The Wild RC10 super wide-angle air survey cameras were first introduced in 1971, were equipped with virtual distortion free lenses for supplementary, spot and special photography. In photo .2P, Roger Rees was operating Air Profile Recorder (APR) equipment. it was possibly taken during OP NERVOSE 84, sometime between June – August 1984 when based in Ngukurr, Northern Territory. The APR was operated at this time in unison with an RC10 camera. In 1963 the Royal Australian Survey Corps introduced the radar airborne profile recorder (Canadian Applied Research Ltd, Mark V, Airborne Profiler Recorder) was introduced for 1:100,000 mapping to replace terrain heighting by aneroid barometry. Later in 1974-1975, the Australian developed WREMAPS II airborne laser terrain profile recorder was introduced. In photo .3P, Neil Jones appears at the door of Airsearch Beechcraft Queen Air aircraft, Registration / Serial VH-MWX. This aircraft was typically used by RA Svy on air survey operations flying mission with Aerodist, APR and RC10 camera equipment. The Australian Army’s Pilatus Porter (short take-off and landing turbo propeller) was also equipped with a Wild RC10 aerial mapping camera for identification photography. The Pilatus Porter was also used on RA Svy’s map field checking operations. Photo .9P was taken at a survey station at an unknown location. In this photo an Australian Army Kiowa Light Observation Helicopter (LOH) is supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. The satellite receiver’s antenna is plumbed over the survey ground mark surrounded by white plastic panels. The panels were used to identify the survey station on aerial photography. Introduced in 1974–1975, the Magnavox AN/PRR-14 portable Doppler satellite (US Navy Navigation Satellite System – TRANSIT) receivers and computing system provided independent three-dimensional point positions anywhere in the world, anytime, in any weather accurate to about 1.5metres with precise satellite ephemerides. The Bell OH-58 Kiowa LOH was a family of military helicopters used for observation, utility, and direct fire support. It was identified by RA Svy in the mid-1970s that considerable time was lost in replacing unserviceable remote equipment by road. Therefore Aerodist operations (pre-dating satellite receiver operations) were fully supported by Army’s Kiowa LOH aircraft. This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. .1P to .3P, .5P to .9P - Colour and black and white photos on photographic paper and scanned at 300 dpi. .4P - Colour photo on 35mm slide film and scanned at 96 dpi. .1) & .2) - Photo, black & white, c1980s, CPL Steve Gloster operating an RC10 air camera. .3) - Photo, colour, 1984, Roger Rees operating Air Profile Recorder (APR) equipment. .4) - Photo, colour, c1980s, Neil Jones at the door of an Airsearch Beechcraft Queen Air aircraft, typically used by RA Svy on air survey operations. .5) - Photo, colour, c1980s. A Beechcraft King Air aircraft, also used by RA Svy on air survey operations. .6) - Photo, colour, c1980s. An Australian Army Pilatus Porter, used by RA Svy on air survey and map field checking operations. SGT Peter Mustart is possibly in the foreground. .7) to .8) - Photo, colour, c1980s. An Australian Army Pilatus Porter and unidentified personnel, used by RA Svy on air survey and map field checking operations. .9) - Photo, colour, c1980s. An Australian Army Kiowa helicopter supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. There are biro marks on photos .4P to .9Proyal australian survey corps, rasvy, army survey regiment, asr, fortuna, aerial surveys -
Eltham District Historical Society Inc
Document - Folder, Partington family
Charles Partington married Ellen Whatmough; they and their children, Robert and James, came to Australia in 1857 because Ellen's brother, Robert Whatmough, had come here in 1841. Whatmough was Melbourne's first lamplighter while also working in John Batman's Spencer Street orchard; he moved in 1842 to establish an orchard in Greensborough. Both Partington boys died soon after the family arrived at Greensborough but later two daughters were born, Prudina and Maria, and five sons, including William . On arrival Charles Partington began work for Mr Flintoff at Black Hills and was later toll keeper on what is now Watsonia Road. He was later a successful orchardist. William Partington married Annie-May Medhurst, daughter of David Medhurst and Martha Ruston, daughter of Peter Ruston who had settled in Greensborough in the 1850s after working for Mr Hooper in Darebin Creek, then moved to Panton Hill in 1866 working as a carrier. The Rustons had six children, including Martha and James. Martha married David Medhurst in 1882 who was the son of David Medhurst and Charity Jane Pink. After David's death, Charity Jane married George Wescott. David and Martha Medhurst had eight children, including Annie May. They bought land in Main Street, Greensborough and set up as a greengrocer. William and Annie-May Partington's family home, Willis Vale, purchased from Mr Meagher by William's father, Charles; it was built by Meagher in 1839 but destroyed by vandals in 1966 after being compulsory purchased for parkland now called Partington's Flat. Their children were Eva, Grace, Alan, Jessie, and Jack. They attended Greensborough Primary School. Alan married Wyn. Contents Newspaper article: "Link with the past", Diamond Valley News, 21 February 1984. Alan Partington's research on Robert Whatmough, early settler in Greensborough, and his brother-in-law Charles Partington. Newspaper article: "How early families linked up", Diamond Valley News, 28 February 1984. Alan Partington's research into the Ruston and Medhurst families. Newspaper article: "Old days recalled", Diamond Valley News, 13 March 1984. Alan Partington's research in the Partington family.Newspaper clippings, A4 photocopies, etcalan partington, robert whatmough, watmough park greensborough, robert partington, james partington, elen partington nee whatmough, road tolls watsonia road, prudina partington, maria partington, william partington, willis vale, partington's flat greensborugh, mr meagher of greensborough, apollo parkways estate, charles partington, annie-may partington nee medhurst, david medhurst, martha medhurst (nee ruston), jack medhurst, peter ruston, hooper of darebin creek, greensborough hotel, james ruston, charity jane medhurst (nee pink), main street greensborough, eva partington, grace partington, jessie partington, jack partington, orchards in plenty river area, greensborough primary school, wyn partington, flintoff of black hills -
Glen Eira Historical Society
Document - St David’s Uniting Church, Glen Huntly
Order of service for the induction of Rev. K Moorhead into the Parish of Glen Huntly 19/01/1984 Order of service for the celebration of the life of Ronald. Henry Summers 1921 – 1999 at St David’s Uniting Church, Glen Huntly, dated June 08/06/1999. Reprinted service of holy communion for Glen Huntly Uniting Parish date unknown. Pamphlet, including photograph of St David’s Uniting Church Parish of Glen Huntly, for the rededication of the Peace Memorial. Pipe organ; for the uniting of the Congregational Methodist and Presbyterian in the Glen Huntly Parish. Reprinted leaflet, with order of service for re-dedication of organ at St David’s 03/03/1985.moorhead kenneth h rev., st david’s uniting church., glen huntly, hunkin edward rev., grange road, waters r rev., rayment rosalie rev, stuart-murray j. dr., duke s. mrs., wallis ken, denholm robin rev., summers ronald henry, gray robin dr., roach harry, roach rene, purcell mr., purcell mrs., stephen cathy, harkness jeff, funston neil, funston robin, sypott e., neerim road, hutchison a, rosedale avenue, barnes peter, fenton r, rockell d, clarke j miss, ness p miss, osborne ivy miss, brownbill jim, courtnay s., fenton leo, johnston e, leather t, moyle b, ness r, peden a, pregnell max, rockell d., jones a., halls, uhe mrs., milligan m miss, chapman may, choirs, abhaywickrema m, theobald j, jones f, abhaywickrema p, riegelhuth j, riegelhuth j, bates t, bates l, ballantyne m, kuhn m, kite l, cameron m, hoare j, roach r, avery d, holmes j, havie j, chapman m, brownbill ella, barren b, pregnall joy, hearn edward henry, toolambool road, mcintyre ted, moyle jenny, avery daisy, powney maisie, vertigan olwyn, dawson harry, davidson eileen, mitchell mabel, mccowan roger, wright lyn, yeaman j, courtnay j, smith j, yeaman d, fenton s, jones f, penfound j, wright l, lord e, brownbill j, brownbill e, hunter j, mitchell m, barren b, moores e, donaldson j, coulson o, moyle b, johnston e, peden a, osbourne i, mccowan r, waters r rev, duke s mrs., adam a. j. rev, hewitt john, davis lyle, organs, cowan john n, organists, scotland betty, musicians, vertigan earle l rev., muirhead j, andrewartha c. w., lomas chas., foundation stone, anderson george rev., fraser finley dr., hadley s. c. rev., simon r. p., mcnair mr, fender mr, forster k rev., flynn john dr., vertigan s. a. rev., muirhead j, smith a.w.f., glen huntly plant nursery, alcock bruce, callen graeme, murrumbeena, neerim road -
Mission to Seafarers Victoria
Magazine - Periodical - Quarterly, Melbourne Harbour Trust, Port of Melbourne Quarterly, Official Magazine of the Melbourne Harbour Trust Commissioners, 1959
non-fictionpadre frank leslie oliver, port of melbourne, beverley kent nee oliver, music, photographs, jacki fowler -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1973
In 1973 it was decided too much money would have to be spent to restore Grampian House Guest House to its original glory after a clearing auction it was demolished by Bawalda Bros. from Horsham. The property was sold to Mr Gary West of Stawell and Mr Lyle Jamieson of Ararat who proposed to build a Tavern-bistro Conference Centre. This did not proceed and the property was auctioned on 14th July 1984 but was passed in a auction. It was later sold to a syndicate of Halls Gap businessmen, Mr. Keith Smith, Mr. John Ingram and Mr Arthur Mangle. Arthur Mangle together with his brother Charles bought our the syndicate and still own the property today (2001).Photo shows front view of Grampians House with car in foreground and roadway. ( 2 photos one black & white one coloured)accommodation, guesthouses, accommodation, grampian house -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W William & Elizabeth Avis Box c1880, c1880
William Box was born in 1834 in Withyham , Sussex England and married Elizabeth Avis Box in 185. They sailed to Australia in1855 aboard the SS Omega. At first they rented and then purchased land on Jasper Road East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841. An early settlers’ Cottage on the site became their home and they farmed the land while raising 13 children. The Cottage was extended as required. In 1984 that early settler cottage was found in a dilapidated state by Laurie Lewis, in his Timber Yard in Jasper Rd Ormond.. The Moorabbin City Council, Federal Government, Mr Lewis and CMHS members reconstructed the Cottage in 1985 . Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . William Box who with his wife Elizabeth Avis and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed in Album “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black and white photograph of William and Elizabeth Avis Box standing outside their Cottage in East Brighton c 1880nilbox george, box mary, box william, box elizabeth honor, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box elizabeth avis, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W Box Family descendants c 1930, 20thC
William Box was born in 1834 in Withyham , Sussex England and married Elizabeth Avis Box in 1854. They sailed to Australia in 1855 aboard the SS Omega. At first they rented and then purchased land on Jasper Road East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841. An early settlers’ Cottage on the site became their home and they farmed the land while raising 13 children. The Cottage was extended as required. In 1984 that early settler cottage was found in a dilapidated state by Laurie Lewis, in his Timber Yard in Jasper Rd Ormond.. The Moorabbin City Council, Federal Government, Mr Lewis and CMHS members reconstructed the Cottage in 1985 . Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . William Box who with his wife Elizabeth and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed in Album : “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black and white photograph of descendants of the William Box Family who lived at Box Cottage.box george, box mary, box william, box – tippett elizabeth honor, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box elizabeth avis, box harold, box olive camera, box fredrick, eagle keith, box –cumming, ida, cumming william, box – jackson dorothy, eagle nancy, box – eagle thelma, cumming william, box maude, jackson margaret , box- eldrige avis, -
Villa Alba Museum
Photograph - Exterior wall, entrance to vestibule and fire escape, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. The photo is of the Exterior (east) wall (east), the entrance to vestibule and an external fire escape. [The fire escape was later removed.]villa alba museum, conservation photographs, victorian architecture, fire escapes -
Villa Alba Museum
Photograph - Villa Alba roof, chimney & chimney pots, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of Villa Alba rear slate roof, chimney & chimney potsvilla alba museum, conservation photographs, victorian architecture, slate roofs -
Villa Alba Museum
Photograph - Pair of arched exterior windows with etched glass, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing pair of arched exterior windows with etched glass.villa alba museum, conservation photographs, victorian architecture, etched glass, romanesque style windows -
Villa Alba Museum
Photograph - Corner of slate roof with downpipes, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing corner of slate roof with downpipes.villa alba museum, conservation photographs, victorian architecture, etched glass, slate roofs, victorian downpipes -
Villa Alba Museum
Photograph - Profile of bay window and tower, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing profile of bay window and tower.villa alba museum, conservation photographs, victorian architecture, cement render, quoins, bay windows, towers -
Villa Alba Museum
Photograph - Exterior wall including fire escape, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing exterior wall including fire escape.villa alba museum, conservation photographs, victorian architecture, cement render, fire escapes -
Villa Alba Museum
Photograph - Exterior wall, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior walls of Villa Alba with added building, later demolished, at left.villa alba museum, conservation photographs, victorian architecture, cement render -
Villa Alba Museum
Photograph - Slate roof at the rear section of Villa Alba, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of slate roofs on the rear section of Villa Albavilla alba museum, conservation photographs, victorian architecture, slate roofs