Port of Portland Authority Archivesport of portland archives, fuel containers

Port of Portland Authority ArchivesBack: Blue Portland Harbour Trust Stamp 129. 28-10-64 in black ink.port of portland

Port of Portland Authority ArchivesFront: 171. 13-11-64 172. 13-11-64 173. 13-11-64 178. 13-11-64 179. 13-11-64 180. 13-11-64 (In white underneath each print). Back: 178 and 180 in pencilport of portland

Port of Portland Authority ArchivesFront: 125. 30-9-64 122. 30-9-64 123. 30-9-64 119. 30-9-64 120. 30-9-64 121. 30-9-64 (in white beneath each print).port of portland

Port of Portland Authority ArchivesBack: Blue stamp. Negative number 130. Date taken 28-10-64port of portland archives, grain silos

Port of Portland Authority Archivesport of portland archives

Port of Portland Authority ArchivesBack: Blue Portland Harbour Trust Stamp 180. 13-11-64 in black ink.port of portland archives, grain silos

Port of Portland Authority ArchivesFront: 159. 6-11-64 160. 6-11-64 176. 19-11-64 177. 19-11-64 161. 6-11-64 162. 6-11-64 (In white, beneath each print). Back: 176 and 177 in pencil.

Port of Portland Authority ArchivesFront: 119. 30-9-64 120. 30-9-64 121. 30-9-64 122. 30-9-64 123. 30-9-64 125. 30-9-64 (In white underneath each print). Back: 119 in pencilport of portland

Port of Portland Authority ArchivesBack: Blue Portland Harbour Trust Stamp 144. 28-10-64 in black ink.port of portland archives, grain silos

Port of Portland AuthorityFront: TREWALLA. Port Adelaide (black pen on white adhesive label) Back: Kodachrome safetyfilm (on side of film)port of portland archives, grain, construction

Port of Portland Authority ArchiveBack: 11 June, Pencil on top left hand corner.port of portland archives, grain silos

Port of Portland Authorityport of portland archives, boats

Port of Portland Authority ArchivesFront: 60. 9-9-64 78. 4-9-64 79. 4-9-64 75. 4-9-64 76. 7-9-64 77. 4-9-64 (Beneath each print in white) Back: 80 78 (pencil)port of portland

Black and white photo. A group of men and three women at Jackass Fern Gully. The women and two other men are sitting on a log, the other men are either standing on trunk of large ferns, or standing near them. Group dressed in fashion late 19th, early 20th century.drumborg, jackass fern gully, camping, recreation

Black and white contact print from glass plate negative. Image shows south side of Julia Street, late 19th, early 20th century.julia street, portland, street scene, portland town, 19th century, 20th century

Black and white stereoscopic contact print from glass plate negative. Image shows a group of men and women sitting on a rocky platform, against a cliff. Sea in background. Strange shaped rock formation on edge of rock platform. Fishing gear in foreground. Dress late 19th, early 20th century.seascape, portland, photography

Black and white contact print from glass plate negative. Image of stone house with shingle roof and stone chimneys. Verandah with iron support poles and lace work. Vines growing up poles. People standing on verandah and in garden. Dress late 19th, early 20th century.Back: 'Mellons' - blue birophotography, portland

Sheet of 2 black and white contact prints from glass plate negatives. Top: 4 men, 2 women picnicking on bank of river/creek. Bottom: Tennis court in foreground. Portland Tennis Club pavilion with numerous people in and to one side, at Botanic Gardens. Dress late 19th, early 20th century.Front: Bottom - PTCP PORTLAND - white printportland tennis club, botanic gardens, recreation, tennis, sport

Black and white photo. Front view of Steam Packet Inn. Woman holding small child behind front fence. Small boy and girl outside fence. Dress late 19th, early 20th century.

Black and white contact print from glass plate negative. Image shows a group of men and women posing on a rocky platform above the sea, rocky cliffs behind. Most are holding long fishing poles. Dress late 19th, early 20th century.

Original black and white photo mounted on white card overlaid with grey/green indented card. Image is of two women in a rural setting, holding handles of a group of several furled umbrellas. Dress is late 19th, early 20th century style.

Black and white contact print from glass plate negative. Image shows a group of 5 women and a boy sitting on a rock platform, with their backs to a cliff. Dress late 19th, early 20th century.

Black and white contact print from glass plate negative. Image is of a group of 8 women and a man, sitting or standing on lawn with a backdrop of trees. Dress is late 19th or early 20th century.

Sheeet with 2 black and white contact prints from glass plate negatives. Top: View from top of Shelly Beach, looking towards Cape Nelson. Bottom: View of crowd at Portland Show. Dress late 19th, early 20th century.Front: Bottom: 'PORTLAND SHOW' - white print

Glass plate negative. Group of people on flat rocks at Cape Bridgewater, some men have fishing poles, dress estimated to be around late 19th, early 20th Century.

Black and white contact print from glass plate negative. Image shows 3 young women standing in the garden of 'Beechwood' at Dutton Way. Low clipped hedges define pathways. Circular lawn with high backed cane chair. Dress estimated to be late 19, early 20th century.

Stanton Drew was a two storey stucco rendered bluestone house was constructed in 1864 for Major Alexander Davidson, a Scottish born pastoralist who had earlier in 1848 settled on the Wando River near Casterton. Stanton Drew is a characteristic pattern book, regency gothic villa and virtually devoid of ornamentation save for unusually fenestrated bay windows and window label mouldings. Stanton Drew is a late example in Victoria of the primitive regency gothic style of villa architecture popularised by pattern books of the period 1840-60. The two storey house is an undistinguished design most notable for its associations with Western District pastoralist Alexander Davidson. No important historical associations are apparent, although the Davidson family lived in the residence until c.1908. Stanton Drew is in an extremely dilapidated state and has suffered badly form subsidence and lack of regular maintenance. The slate roof has been replaced with iron. The house was originally named Wando Villa by Davidson in memory of his time at Wando River. The house was renamed in 1938.Black and white photo. View of the front of 'Stanton-Drew' house, Portland.Back: 'STANTON-DREW, PORTLAND, VICTORIA, 1971' -handwritten black biro. Purple stamp 'ALEX PRIESTLEY BOX 155 PHONE 309 HEYWOOD VIC 3304'historic homestead, bluestone building, alexander davidson, pastoralist

These sturdy lanterns were originally used on road coaches and carriages of the 18th and 19th centuries to provide safety and illumination. Early carriage lamps were illuminated by lighted candles.Buggy or carriage lamp, painted silver, with square lens, (glass cracked)