Showing 67688 items
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Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Sepia photo of a two story house. It is a two story house with 4 chimneys and verandas top ;and bottom. The top veranda has a solid fence around it. Both verandas have very ornamental iron lace. In front and to the sides of the house are trees and shrubs. On the left is a statue.A. W. McGibbony, London Pharmacy 117 Pall Mall Bendigophotograph, house, two storey house, foster & wilson collection, photograph -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Sale, 1916c
Girls in water are in neck to knee swim suitsBlack and white photograph showing twin gable Carpenter House on dunes at New Works. Nine girls at waters edge preparing to swim, and two men and child on rocks. Picket fence across front of house. Lakes Entrance VictoriaSite 8 1916 (John Carpenter's house 1889) photo: W. Thomson, Clydebank, Sale.topography, houses, fences, waterways -
Bendigo Historical Society Inc.
Photograph - HOUSE & HORSE & BUGGY
Small photograph of a weatherboard house with a tiled roof. The house has an unequal gable, a veranda at the front and part way down one side which is made into a room. It has the same roof material as the house. At the back is a large chimney just above gable height. There are some short shrubs at the side of the house and a picket fence with a girl standing in front of it. In front of the house is the horse and buggy with the family sitting in it. In the foreground is the driveway and some shrubs. Photo mounted on white card with a gold border and photographer's name faintly on the back in pink.? Baume, 5 Collins St., Melbournebuildings, house, homes, house & horse & buggy, ? baume -
Port Fairy Historical Society Museum and Archives
Photograph
Talara - photo 1986Black and white photograph of Talara a two story house talara, house, building, cottage, princes highway -
Bendigo Historical Society Inc.
Photograph - GRAY HOUSE IN ROWAN STREET BENDIGO
Black and white photo from Lillian Hanley's album. Summer 1895 ''Gray House'' in Rowan Street, Bendigo.house, private, rowan street -
Bendigo Historical Society Inc.
Slide - ALLAN BUDGE COLLECTION: SLIDE HOUSE, KING STREET, 1988
Slide, Allan Budge Collection: house, King Street. An unusual frieze in timber.house, public, allan budge collection:, allan budge collection: -
Bendigo Historical Society Inc.
Slide - ALLAN BUDGE COLLECTION: SLIDE MINER'S COTTAGES, HOUSE , BREEN STREET, 1988
Slide, Allan Budge Collection: Miner's Cottage, House, Breen Street. Simplicity.house, public, allan budge collection:, allan budge collection: -
Stawell Historical Society Inc
Realia, Hand Made Mud Brick from 5 Ellen Street
Handmade mud brick house built by William John Russell around 1935 See Attached sheetLarge heavy clay brickhouse -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930c
Originally holiday home of Hon. Mr W Pearson (MP?)|Also a larger second copy|This is the before paired photograph used in the 150 year, lakes Entrance 1858-2008 display.|The after paired photograph number is 0132.1.|Also one 12 x 16 framed photograph used in room displayBlack and white photograph of Victoria House Guesthouse, showing extensive gardens, gable roof with deck chairs on veranda surrounding main building. Lakes Entrance VictoriaWith compliments from Victoria House, Mrs V Russell Symmondsguesthouses, tourism, architecture, room display -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Panorama, 1987
Panorama of 7 colour photos. View of Municiple Offices over bay. Shows History House, Cannons, Charles Street, War Memorial and Court House.Back: For History House - Taken 1987 while employed as cleaner for City Council/Regards/Robert (?) Morris.... (?) (blue pen, upper centre) -
Phillip Island and District Historical Society Inc.
Newspaper clippings
Photograph of dining Room at Woolamai House with its antique furniture also photograph of rear section of Woolamai House.Photographs of interior of Woolamai House, Phillip Island. Contents of Dining Room and rear section of house.local history, documents, newspapers, newspaper clipping, woolamai house, black & white newspaper clipping, woolamai house -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Ringwood and District Historical Society
Photograph, House of Roy Wilkins at 40 Ringwood Street, Ringwood. Roy was a Ringwood Councillor and local builder (Blood Bros. Store and Oliver Pratt's butcher)
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Phillip Island and District Historical Society Inc.
Photograph, Jim Nilsson & friends at Continental Guest House, Xmas 1946-47 and 1949, 1946,1947,1949
Photos taken on a trip or trips to Phillip Island in the 1940s by Jim Nilsson and friends. . There were other people called ? Taylor and Neil mentioned on rear of photos. A negative of the bridge was also donated.Historical4 small black & white photos . First shows a jeep parked at the San Remo side of the bridge, second is taken driving across the bridge towards the island. Third is the Continental guesthouse with 4 cars parked at the front and women walking along footpath.The last photo is a group of 4 young men, arms around their shoulders, standing in front of the Continental- one is Jim Nilsson.first phillip island bridge to san remo, continental guest house,, jim nilsson, bridges -
Ringwood and District Historical Society
Photograph, 11th Nov 1988 – St Pauls Church House was Capt Miles home, 1988
Digital photograph -
Ringwood and District Historical Society
Photograph, 22-24 Adelaide Street, Mackinlay House, 25th January 1991, 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, 22-24 Adelaide Street, Mackinlay House, 25th January 1991, 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, 22-24 Adelaide Street, Mackinlay House, 25th January 1991, 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, 22-24 Adelaide Street, Mackinlay House, 25th January 1991, 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, 22-24 Adelaide Street, Mackinlay House, 25th January 1991, 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, H Pearson’s old house in Wonga Road, Circa 1991
Digital photograph -
Ringwood and District Historical Society
Photograph, Hill’s old house on Canterbury Road, Ringwood, demolished for the golf course July 1989, Circa 1989
Digital photograph -
Ringwood and District Historical Society
Photograph, Hill’s old house on Canterbury Road, Ringwood, demolished for the golf course July 1989, Circa 1989
Digital photograph -
Ringwood and District Historical Society
Photograph, Hill’s old house on Canterbury Road, Ringwood, demolished for the golf course July 1989, Circa 1989
Digital photograph