Showing 2623 items
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Bendigo Historical Society Inc.
Photograph - CHARLIE BUTTON'S STORE
black and white photo: large weatherboard building with central doorway, 4 arched windows and panelled doorway to right of photo. Two males standing in doorway. Trunks, prams, rocking chairs in front of photo, also cast iron cookware. MP 99 top right hand corner. On paper enclosed with photo : ' this large weatherboard building was Charlie Button's Secondhand Furniture Store at 204 Williamson Street next to Jones Miller's Store formerly Pickles' large rolling stock works' ( BHS Inc. )organization, business, charlie button's store -
Geoffrey Kaye Museum of Anaesthetic History
Analgesia device, patient controlled, Janssen Scientific Instruments
Patient controlled analgesia, or PCA, was developed in the 1960s. This mode of opioid administration allows patients to directly respond to their individual levels of pain. It is estimated there are now somewhere between six and 15 million uses annually.Two parallel sections enclosed in cream coloured metal casing and joined in the centre via a brown metal section that also forms the base and stand. The left side has a dark brown perspex cover with a small brushed metal latch and handle. The right has a grey metal panel with dial, knobs and a rolled paper dispenser. A clear plastic intravenous bag is attached to the device by a clear plastic tube.There is also a black plastic coated wire attached to a handle with a red button on top. This is used for the patient to administer the analgesia. analgesia, intravenous, flinders medical centre, janssen scientific instruments, patient controlled -
Ballarat Tramway Museum
Slide - 35mm slide/s -set of 7, John Theodore, c1973
Yields information about depot activities of the BTPS.Set of 6 Agfa blue and white plastic mounts and 1 Kodachrome white cardboard slide - 27mm square slides of BTPS workers, c1973/1974 and various signs displays etc. .1 - Lindsay and Jeff Bounds with a Ballarat Tourist Tramway Sign .2 - Welcome sign for an open day .3 - Stewart Loddington with a Museum Display sign on the trolley. .4 - Bill Jessup, Clyde Croft .5 - display panel in a tram .6 - ditto .7 - group of workers looking at a historic photo.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, signs -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Caldwell, 12/03/1962 12:00:00 AM
Yields information about the nature of tram services at the city terminus at Sturt and Lydiard St and the street scene at the time.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 12/3/1962 of: Trams 11 and 27 arriving at the "Tramway Centre" the city terminus. Tram 11 has the destination of Mt Pleasant and has a The Age dash canopy advertisement. No. 27 showing Victoria St and has a Briquettes dash panel advertisement. In the background is the Burke and Wills Fountain, shelter, Golden Star Chinese Cafe, Georges Sea Food shop and the Town Hall with the clock tower having scaffolding around it.In ink "Ballarat 12.3.62"tramways, trams, shelters, sturt st, lydiard st north, fountains, tram 11, tram 27 -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 2, Noel Simons, 24/11/1962 12:00:00 AM
Set of 2 Kodachrome transparencies taken on 24/11/1962. 1163.1 - No. 21 in Bridge St., with destination of "Mt Pleasant" with a Twin Lakes advert and "Trotting Showgrounds Friday Night" auxiliary board on front dash panel. Also Picot & Widmer, chemists shop alongside tram. Tram at a stop with people boarding. 1163.2 - No. 13 and 30 crossing at the end of the double track in Sturt. St, at Grenville St. Both trams have Twin Lakes signs. Photo shows buildings either side of Sturt St.1163.1 - "No. 21 in Bridge St. Ballarat" 1163.2 - "No. 13 and 30 at foot of Sturt St. Ballarat" All have date stamp of "24 Nov. 1962" in purple ink. All black ink unless otherwise noted.tramways, trams, ballarat, bridge st, grenville st., sturt st., tram 13, tram 21, tram 30 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) of a photograph of No. 27 at Sturt St. West terminus, around the corner in Hamilton Ave. Note timetable sign on pole – Hamilton Ave The Age ad on front panel of No. 27 and roof advertisements for Briquettes and an unknown one. Photo taken c1962. Tram has destination of Sturt St. West. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 24" in penciltramways, trams, hamilton ave, sturt st west, tram 27 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) of a photograph of Nos. 34 and 42 at end of double track in Lydiard St Nth. Photo taken c1962. No. 34 showing Sebastopol, and 42 Lydiard St. North. Has the buildings north of Mair St. Note panel damage on the front end of No. 42 and the open drivers window. Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 34" in penciltramways, trams, lydiard st, mair st, double track, tram 34, tram 42 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Dec. 1963
Photo of Ballarat trams 11 and 18 crossing at Carlton St. Loop. Tram 18 showing destination of Victoria St. and Tram 11, southbound in Wendouree Parade, showing Lydiard St North on rear of tram. Both trams have advertisements for 50/50 dancing at the Civic Hall are on the front panel of the tram and No. 11 a roof advertisement for SEC Briquettes. Both trams have tiger stripes but not the white dash under the lights. Kodak cardboard mount slide, taken by Peter Moses December 1963.On back of slide in blue ink "1963 Dec. Trams Lake Wendouree, Ballarat Vic." and bottom right hand corner "P. Moses"tramways, trams, wendouree parade, carlton st, tram 11, tram 18 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ian Barkla, c1960
Black and white photograph of Bendigo, northbound about to arrive at the Fountain. Photo taken after tram has passed the photographer. Tram has destination of "Nth Bendigo" Undated, tram has been fitted with dash canopy lights but not the enlarged white strip under the driver's cab windows. Has buildings on the east side of Pall Mall in background with many cars of the era - early 60's. Tram has "White Horse" whisky ad on rear drivers dash panel and two SEC roof ads.On rear in black biro "Bendigo No. 4 at the Fountain / (was last Geelong tram 25-3-56) / Ex Geelong 33, Ex 120 MMTB"trams, tramways, bendigo, pall mall, tram 4 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Late 1930's
Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4318 for a different view. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion." Corio Tce, now Brougham St / Geelong Hist Soc / W F S Collection."trams, tramways, geelong, depot, brougham st, tram 18 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, late 1930's
Yields information about the form and style of the early Geelong trams and assistance given to the Red Cross during the first world war.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4317 for a different view. Two copies held. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion. Copy 1 - "Geelong Hist Soc / William Scott Collection." in ink. Copy 2 - " Corio Tce, now Brougham St / Moorabool Street crossing in background / Geelong Hist Soc / W F S Collection." in ink.trams, tramways, geelong, depot, brougham st, tram 18 -
Ballarat Tramway Museum
Photograph - Black & White, Bendigo 3 climbing Mitchell St, late 1950's
Black and White photograph, of Bendigo 3 climbing Mitchell St, near the Railway Station with the Destination of Quarry Hill. Has a Hutton's Ham ad on the front drivers panel and two rood ads. In the background are Sandhurst Dairies shop advertising Toppa Ice Cream, a boot repairer and a van marked Jeffreys Bread parked on the north side of Mitchell St. Nearing the point where the double track became single - see the signal wire insulators in the overhead. Printed on Fujichrome paper. Two copies held."TMSV Sales" stamp on rear. On rear of in ink 'HTT16 = MM N 102 = Geel 32 = BED 3"trams, tramways, bendigo, mitchell st, quarry hill, overhead, tram 3 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 20/10/1962 12:00:00 AM
Bendigo, North Bendigo terminus, trams (from rear), 28, 30, 21, 7 and 19 at time of ARHS 100th Anniversary tour, on 20-10-1962. Three trams at terminus, and 7 and 9 standing in street. Tram 19 has briquette ad on front panel, Electric cooking roof ad and is carrying the white 'tram following' disk. No. 7 has a Castrol roof ad, and No. 21 Sandhurst Milk Ad. Level crossing with flashing lights in background, old style level crossing sign in foreground.'White Hills, ARHS 100 Rly Anniversary, 20-10-62, 28, 30, 21, 7, 19' in blue inktramways, trams, bendigo, north bendigo, arhs, tram 28, tram 30, tram 21, tram 7, tram 19 -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: PAIR OF SATIN BUTTON - UP BOOTS, Mid to late 1800's
Clothing. Deep cream silk (?) satin button-up boots/shoes. Immaculate, tiny stitching. Low, Louie shaped heel. Ankle high boots. Buttoning opening on the outside edge-eight scallops each finely bound and stitched. Each fastened by a tiny 8mm domed painted button, and an immaculate, stitched buttonhole. Sadly, the satin has split, on each opening panel. Some colouring has been chipped from the buttons. Inside it would appear that the satin has a linen backing or lining.Inside is a gold stamp F.PINET. PARIS Also is a stamp, J.WATTS 23 BOURKE ST. EAST MELBOURNE. 25 1/2 3. BREVETTE F.PINET 27PARIScostume, female, satin button-up boots -
Melbourne Tram Museum
Newspaper, The Age, "Guess what he wants to be when he grows up..", 19/04/2006 12:00:00 AM
Newspaper cutting from The Age, 19/4/2005, titled "Guess what he wants to be when he grows up.." about the theft of a C class tram from Southbank depot on Sunday 17th by a youth. Gives details of the trip, passengers, the arrest and timings. Power was cut to stop the tram. Has photos of C classes at Southbank depot, and a view of the control panel and some specifications. Quotes Dennis Cliche of Yarra Trams and Senior Constable Barry Hills. Article by Dan Silkstone and Andrea Petrie.trams, tramways, theft of a tram, yarra trams, southbank depot, c class -
Melbourne Tram Museum
Photograph - Set of 6 Colour Print/s, Ray Jackson, 1979
Set of six colour prints of trams at Preston workshops 1979. .1 - 9W Scrubber on temporary cable tram bogies while body is repairs. Side panels have been removed. .2 - W2 234 (Transporting Art) and other stored trams. .3 - SW2 275 with lights on and a "Tram Alive" sign. .4 - Z1 class tram front with power on. .5 - Z2 114 being commissioned - vicsig.net gives the in service date of July 1979. .6 - PCC 1041 Printed on Kodak Papertrams, tramways, preston workshops, service tramcars, scrubber tram, transporting art, w2 class, z class, tram 9w, tram 234, tram 275, tram 114, tram 1041, pcc class, sw2 class, z2 class -
Melbourne Tram Museum
Postcard, Steve Parish Paddington Qld, Five views of Melbourne trams, late 1980's
Colour postcard 5 panel featuring Melbourne trams - SW5 758 (Route 5), 802 (Glen Iris Route 6) (both Transporting Art), Bourke St Mall and 847 in St Kilda Road with the Shrine in the background. The middle one is Princes Bridge with the City Skyline. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC311 and a historical note regarding trams on the back. Has "Melbourne Australia" along the bottom edge.trams, tramways, princes bridge, sw5 class, route 5, route 6, transporting art, tram 758, tram 802, tram 847 -
Melbourne Tram Museum
Photograph - Framed Photographs, John Phillips and Malvern Framing Gallery, 1990's
Framed photograph of Ron Scholten driving No. 601, during the 1990's? on a route 7, South Melbourne depot tram. Tram has an advertisements for John Ould Motors on the front dash panel. Photo by John Phillips. Framed in a wooden black frame with a think gold stripe, paper rear cover with a cotton hanging strip stapled in. Frame by Malvern Framing Gallery, 261 Glenferrie Road, Malvern, Vic 3144 with a 7 digit phone number - has the company sticker on the bottom of the frame on the rear.On top left of rear "Photo John Phillips" in pencil.trams, tramways, drivers, south melbourne depot, tram 601 -
Bendigo Historical Society Inc.
Clothing - BARBARA JOHNSON COLLECTION: WEDDING DRESS, 1958
Silk organza wedding dress with a creamy satin strapless bodice under silk organza with a silk organza circular skirt, which was worn over a cream satin under-skirt (see 11400.529) Bodice has a dropped waistline, sitting at the hipline. Skirt gathers to the bodice and has a draped organza panel, passing through two satin and organza pleated loops at the hipline. Extending across the back from these loops is a 28cm wide tie, which extends to the hemline to be 44cm wide, and forming a tiny train. 41 covered buttons and loops extend from the neckline to below the hips. Sheer sleeves, lily pointed at the wrist, fastened with 7 covered buttons and loops. Floral lace motifs are scattered on bodice and front of skirt. Lace outlines the sweetheart neckline, and wrists. Eight V shaped panels are inserted into the lower skirt to produce the circular shape handkerchief hem. Skirt extends to a small train at back. Documents and photo linked to file. Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531.costume, female ceremonial, wedding dress -
Bendigo Historical Society Inc.
Clothing - LADIES FITTED LONG SLEEVED JACKET, 1930's 40's
Clothing. This unusual jacket has a fitted ''waistcoat'' appearance, fastened by eleven 1.5 cm diameter buttons, and hand stitched button holes. A separate, shaped front then overlaps the front. This has one tiny 7.5 cm long bound breast pocket, and an 8.5 cm long bound pocket at the lower section of each front. Front panels are peaked at the lower edge and have turned back lapels at the centre front - 4 cm wide. These are held by a 1.5 cm button at the top. and taper to the top of the peaked lower edge of the fronts. The high neckline is finished with a 4 cm deep stand-up collar. Long sleeves are tapered at the wrist, and have a 4 cm long opening at the sleeve edge, trimmed with 2 buttons on each sleeve. Stand-up collar, front edges and sleeve edges are lined with brown polished cotton. Internal seams and hem are bound in brown cotton fabric. Back of jacket is shaped by six panels of fabric, nipped in at the waist with two pleats and a button trimmed tab, at the lower centre seam, giving beautiful shaping. A home - stitched garment- machine and hand stitched.costume, female, ladies fitted long sleeved jacket -
Bendigo Historical Society Inc.
Clothing - WOMAN'S BLACK SILK BROCADE BODICE, 1880-1900
Clothing. Woman's black silk brocade bodice. High round neckline with full length front opening fastened with 13 metal hooks and eyes. Bodice fully lined with black cotton fabric and shaped in at waistline. Seven casings for boning - two on each side of front, one on each side seam and one at centre back (18cm X 1.3 cm). Casings reinforced with bright yellow cotton stitching. Cotton tape casing at hemline at waist. Long straight set in sleeves extending to a rounded shape over the back of the hand.Cross over front outer layer fastened with three hooks and eyes at the top and one at the waist. Panels of black lace run from shoulders to waist on either side of a centre insert panel (12 cm X 15cm) with five horizontal strips of velvet ribbon. Below the insert are three 7-9cm wide black lace ruffles with khaki green embroidery (Jabot effect). The back has a deep V shaped insert of vertical pin tucks and black lace, from across the shoulders to centre back. Pin tucks also on either side of front neckline.costume, female, woman's black silk brocade bodice -
Whitehorse Historical Society Inc.
Functional object - Sewing Work Box
Owned by Jean Young - born Falkirk, Scotland, 1811. Believed to be listed in Falkirk Census in 1851. Married William Hill. Possibly sailed in 'Tempest'. Died at Dunolly, Victoria.Black paper mache sewing work box. Lid inlaid with abalone. General design has been highlighted in gold paint. The box is lined with pale lilac and white satin, lid unlined. Top panel and bottom edge decoratively shaped - slightly domed lid and front panel decorated in a similar manner to lid. Box contains needles, threads, buttons, thimbles and a pin cushion as follows:- Peri-Lusta .03 Crystal Rayon Spun Mending Thread .04 Flora McDonald Needle Packet .0 |Packet of Needles W.Woodfield & Sons .06 Mauve satin needle case .07 Tortice tatting schuttle .08 Round wooden box with 5 pearl buttons and 2 cloth covered buttons .09 Square wooden needle case with red velvet lining and leather strip and brass clip .10 Round lace pin-cushion with very fine ecru crochet dark green lining .11 Unknown handle of black composition with bone end and four inlaid lines with dot at end ,12 Ivory stiletto with screw top. Total of 13 parts to the object.domestic items, sewing, handcrafts, equipment -
Bendigo Historical Society Inc.
Clothing - ROYAL BLUE SILK DRESS, 1850's
BHS CollectionFull length royal blue silk embroidered fabric dress with bodice and long sleeves, fully lined with ivory cotton fabric. Hand made. Front of bodice has round neck and dips to a deep V at waistline. Twelve decorative fabric covered buttons from neckline to lower V that taper to stitched down pleats at waistline. Fabric bow at centre front of neckline lined with blue satin. Long sleeves have short capped layer over a flared layer underneath. Top section edged with one row of royal blue cotton fringeing. Lower flared section edged with two rows of royal blue cotton fringeing. Large royal blue fabric bow attached at each elbow. Back of bodice made of six panels to waistline. Centre panel on each side is edged with cotton fringeing. Centre back opening to waist with nineteen hooks and eyes, only one eye remaining. Piping around waistline. Full skirt knife pleats at front below waist. Hemline edged with blue ribbed cotton ribbon. Card inside box with ''Wedding Gown Circa 1850's".costume, female, royal blue silk dress -
Villa Alba Museum
Collection of curtains and curtain accessories, 1850s-1890s
The curtains are significant for their comparative rarity of survival in Melbourne, and at the same time, are highly representative of opulent colonial taste in interior decor in the boom period. The curtain panels are of high quality materials and in unusually good condition, indicating they were used in a window with relatively little sunlight shining on them. They can be imagined in a grand room with one or more matching dressed windows.Collection of 7 panels of a sky blue and gold figured silk/wool damask curtain set; 6 tiebacks (3 pairs) with bullion tassels; padded and braided silk "rope" for draping; and 2 cards wound with detached braids and bullion fringe from further curtains and decorations which have not survived. The items appear to be the remains of very fine bay window decoration of the later 19th century, almost certainly used in a Melbourne mansion of the boom period, likely in the 1880s. The 3 sets of curtain tiebacks are particularly grand, featuring tassels made with gold ? bullion fringe. The original bright gold ? finish is still evident in the card on which many metres of detached fringe are wound - the inner layers have been protected from oxidation by the outer layers and are still bright. It is not known on what curtain part this fringe was used (it is clear that nothing has been removed from the 7 damask panels surviving). There may have been pelmets or further sets of curtains decorated with the fringe. The materials and workmanship of all items are of high quality, and would have looked magnificent, fulfilling the tastes of the richest inhabitants of Marvellous Melbourne.curtains, curtain furnishings, 19th century, tassels, window furnishings, gold boom melbourne, interior decoration - melbourne, upholstery trimmings, colonial taste-victoria -
Federation University Historical Collection
Photograph - Photo, J.W. Mellor, St Michael's and All Angels church and cemetery, Ashton-under-Lyne
The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) .1) Sepia photograph mounted onto card showing St Michael's and all Angels church and graveyard in Ashton-Under-Lyne. The gravestones shown in the photograph are no longer evident today. The cemetery area is now covered with grass.cemetery, st michael s and all angels, ashton under lyne, j w mellor, church -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Word of mouth (Half Moon Bay), 2018
Word of mouth (Half Moon Bay) 2018 is a two-panel work which is the largest painting the artist has made to date. It is a colourful and fun, light-hearted scene of an imaginative party that the artist would love to attend at Half Moon Bay in Black Rock. Depicted in the work are over 30 figures, including international tourists, family and friends of McHaffie as well as famous identities such as musicians David Bowie and Solange Knowles, and fashion designer Karl Lagerfeld. McHaffie’s DJ friend Lucreccia Quintanilla has set up a DJ deck and speakers on the beach while the party goers are wading in the shallow waters, dancing on the cliff and mingling on the beach in what appears to be an idyllic summer’s day in Bayside.oil on linen (diptych)painting, beach, half moon bay, black rock, bayside, coast, party, rob mchaffie, dj, dance, musician, karl lagerfeld, david bowie, solange knowles, lucreccia quintanilla, port phillip bay, word of mouth, mooji, jon campbell, tourists, family, friends, cliff, rocks, water -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A rectangular beautifully carved wooden framed mirror featuring a gold painted carved lion head at the top and gold painted crest shaped ornamentation around the edges of the frame.mirrors, functional objects, wall mirrors, objects -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An ornately hand carved rectangular wooden framed mirror with a shelf at the bottom and a carved ancient Egyptian style head in the middle of the frame at the top. There are two carved gargoyles on each top side. The mirror glass is shaped.mirrors, functional objects, wall mirrors, objects -
Mont De Lancey
Decorative object, Franz Streizel, Indigenous Carved Pictures
These hand carved framed wooden pictures are part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.Two hand carved Indigenous busts in wood frames.1: A mother wearing a headband and striped gold, white blue and pink painted clothes draped over a baby. Only the face of the baby is depicted. 2: A father's upper body bust also has clothes draped over the baby he is holding. Both are framed using natural sticks which are painted brown on a white backfround.wood carvings, carvings, portraits, artworks, objects