Discusses the quality of the architecture of the Sydney Opera House, its use as a concert hall, design by Jorn Utzon and continuation by Peter Hall.Typewritten, quarto, (carbon copy), 10 pages. A second copy has pencil edits and additions. (Two copies)sydney opera house, jorn utzon, peter hall, william davis hughes, exterior shells, concert hall, pier luigi nervi, buckminster fuller, eero saarinen, nikolaus pevsner, robin boyd, manuscript

Discusses Australia Square in Sydney; its plan, structure, materials and artworks (tapestries and sculptures by Le Corbusier, Vasarely and Calder).Original manuscript of an article published as 'Australia Square: Circle in the Square' in "Architectural Forum", Vol. 130, No.3, April 1969, pp.26 - 35.Typewritten (c copy), quarto, 4 pagesaustralia square, sydney, harry seidler, plaza, pier luigi nervi, tapestry, sculpture, le corbusier, vasarely, calder, robin boyd, manuscript

Boyd article: ‘Architetta Italiana e Romande’ pp.8 -9. Shortened English version of Boyd article included in "Translations and Digests" insert. This Journal features the direction of contemporary italian architecture. It is a rare copy of the journal.architecture, italian architecture, aldo rossi, pier luigi nervi, italy, walsh st library

The pictures represent the memories of Finnish migrants in Melbourne.Only one made by handNine Panels Handicrafts cross tits embroidery weaving Bordered and mounted May 2005 Margaret Vieth

Donation by lace maker from world heritage town of RaumaOld tradition of bobbin laceMade on bobbin lace cushion with natural colour linen rauma lace

The Finnish Society of Melbourne purchased the old Red Robin Hosiery from Nelson Bros. proprietary Limited on the 4th of March 1974. The building was purchased as a home for the Society. On the document there are 9 members as joint proprietors. A trust document was created at the time.Their were joint proprietors. The document was not in the name of the Society. Additional trust document was made at the time.Large document Certificate of Title under the transfer of land staturecertificate of title

Half used ration book. Colour green.Black ink writing.

'Waking Time' is part of the series ' So when do you throw the flowers out?', which exhibited at Melbourne's Alcaston Gallery from 8 May - 1 June 2012.In this series Dena Ashbolt used photographic pigment prints, video and Raku Nu ceramic funery urn drawings, to explore time as evidenced by movement and references the beauty of aging. Ashbolt has a continuing interest engaging with the concepts of time, its flow and passing - as evident in this series. Ashbolt has been a regular finalist at the Nillumbik Prize Contemporary Art and in 2009 was awarded the Prize for the video drawing 'Wet Feet Under the Pier'. Ashbolt is a inter-disciplinary artist whose practice ranges from photography and printmaking through to filmmaking and collaborative performance projects.Pigment Print on Hahnemuhle Paper Edition of 7AK18136 PNT817dena ashbolt, photographic print

'Countless Daughters' is part of the series ' So when do you throw the flowers out?', which exhibited at Melbourne's Alcaston Gallery from 8 May - 1 June 2012In this series Dena Ashbolt used photographic pigment prints, video and Raku Nu ceramic funery urn drawings, to explore time as evidenced by movement and references the beauty of aging. Ashbolt has a continuing interest engaging with the concepts of time, its flow and passing - as evident in this series. Ashbolt has been a regular finalist at the Nillumbik Prize Contemporary Art and in 2009 was awarded the Prize for the video drawing 'Wet Feet Under the Pier'. Ashbolt is a inter-disciplinary artist whose practice ranges from photography and printmaking through to filmmaking and collaborative performance projects. Pigment Print on Hahnemuhle Paper Edition of 7AK18137 PNT809photographic pigment prints, dena ashbolt