Showing 2987 items
matching 1953
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Robin Boyd Foundation
Book, Michael Joseph, The Fearless Treasure: A Story of England, 1953
Hardcover, No Dust Jacketchildren's fiction, walsh st library -
Robin Boyd Foundation
Book, Enid Blyton, The Rockingdown Mystery, 1953
Hardcoverwalsh st library -
Victorian Aboriginal Corporation for Languages
Book, Australian Aboriginal Place-names and their meanings, 1953
A short book of Aboriginal place name definitions from around Australia - the state of each name is indicated. -
Victorian Aboriginal Corporation for Languages
Book, Australian Aboriginal place-names and their meanings, 1953
A short book of Aboriginal place name definitions from around Australia - the state of each name is indicated.word listsglossaries, vocabularies -
University of Melbourne, Burnley Campus Archives
Book - Register, Alterations and Additions, 1910-1953
Donated by David Honeybone, Librarian from the Burnley Library.Hardcover exercise book with pasted inserts of pages from, "List of Fruit Trees Etc. grown at The Royal Horticultural Gardens and School of Horticulture, Burnley," by E.E. Pescott, Principal, and handwritten amendments. Vol. 1 dated 1910. Vol. 1: signature, "A.S. Neilson," on inside cover/ Vol. 2: signature, "George Russ."fruit trees, e.e. pescott, a.s. neilson, principal, george russ, david honeybone, royal horticultural gardens, school of horticulture, burnley -
University of Melbourne, Burnley Campus Archives
Booklet - Prospectus, School of Horticulture & Prinmary Agriculture Burnley Gardens, Victoria, 1953
Syllabus of instruction of the School of Horticulture & Primary Agriculture (14pp.) Refer to paper cataloguestudies, school of horticulture and primary agriculture -
University of Melbourne, Burnley Campus Archives
Letter - Correspondance, 1953-55
Correspondence with past students of Burnley College -
University of Melbourne, Burnley Campus Archives
Flyer - Photocopy, scanned, Rose pruning demonstrations, 1953
Flyer for rose pruning demonstrationspruning, roses, flowers -
University of Melbourne, Burnley Campus Archives
Booklet - Catalogue, Catalogues, 1953-1955
Catalogues of Williams Nurseries (Kallista). 2 cataloguesflowers, catalogues, williams nurseries -
University of Melbourne, Burnley Campus Archives
Booklet - Catalogue, Trees, shrubs and hardy plants, c. 1953
Catalogue of Hodgins Nurseries, Pty. Ltd., Essendontrees, shrubs, plants, nurseries, hodgins nurseries -
University of Melbourne, Burnley Campus Archives
Article, F.M Read, A census of Goulburn Valley canning fruit trees, 1953
Reprint of article by F.M Read from Journal of the Department of Agriculture No.167/53. 2 copiesdepartment of agriculture, journal, f.m. read -
University of Melbourne, Burnley Campus Archives
Document, Some dates to remember, c. 1953
Notes for a speech, T.H. Kneent.h. kneen, speech -
University of Melbourne, Burnley Campus Archives
Document, Second Year Farewell Luncheon, 1953
Incl. signatures of students and staff. Scannedstudents, staff, farewell. luncheon, end of year -
University of Melbourne, Burnley Campus Archives
Document, Pruning of young fruit trees, 1953-1963
Reprint of article by G.W. Gayford and F.J. Greatorex from Journal of Dept. of Agriculture, 168/53 & 2621/63, 2 copiesg.w. gayford, f.j. greatorex, fruit trees, pruning -
University of Melbourne, Burnley Campus Archives
Document, Gardening Notes Ag. Journal, 1953-1959
Gardening notes provided by A.J. Plumridge for Dept. of Agriculture Journala.j. plumridge, gardening -
Creswick Campus Historical Collection - University of Melbourne
Uniform - VSF Blazer and tie, 1953- 1955
VSF Uniform - Blazer and tie (non- uniform) Photocopy of photo with uniform being worn. Gift Deed.Blazer and Tie -
Creswick Campus Historical Collection - University of Melbourne
Photograph - Photographs of students in the VSF Library extension, 1950s, 1953
Students in the Library extension. The extension was built in the 1940s and the photograph was taken in the 1950sPhotograph -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Financial record - Ledger, Country Roads Board Wages Ledger, 1953
A Ledger of Wages paid to Country Roads Board employees of East Gippsland VictoriaA Ledger of Wages paid to Country Roads Board employees of East Gippsland Victoriaaccounts book -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Country Life Coronation Number, 1953
192 numbered pagesCountry Life magazine, souvenir of Coronation of Queen Elizabeth II, front cover has centre piece of a red and gold crownmagazines -
Chiltern Athenaeum Trust
Royal Australian Army Ordinance Corps Hat Badge : 1953 to 1960, 1953 to 1960
The Royal Australian Army Ordnance Corps (RAAOC) is the Corps within the Australian Army concerned with supply and administration, as well as the demolition and disposal of explosives and salvage of battle-damaged equipment. The Corps contains clerks, operator supplies (including q-store staff, warehouse staff and food technicians), petroleum operators, parachute riggers and ammunition technicians. Members of the Corps are nicknamed Roaches. Unlike other Corps within the Australian Army, there are no longer any RAAOC specific units, instead RAAOC sub-units sit within mixed units such as Combat Service Support Battalions (CSSBs) or Force Support Battalions (FSBs). RAAOC is also responsible for clerks and quartermaster store staff in all Australian Army Units.Circa 1953 to 1960. Associated with the supply chain and equipment resourcing within The Royal Australian Army. Gold and silver chrome hat corps badge. The reverse has two pin points that a stud affixes to so as to secure to a hat or cap. The top of the badge has a crown shape and the bottom is curved. There is corps writing on the badge at the bottom and surrounding sides : "Royal Australian Army Ordinance Corps". Royal Australian Army Ordinance Corps. 1953 to 1960 raaoc corps hat badge, royal australian army ordinance corps, raaoc -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 153HP Walker Railcar, Victorian Railways, 32RM, 1953
Victorian Railways 153hp Walker Railcar 32RMVictorian Railways livery circ 1955victorian railways, rail car -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Walker Railcar Trailer, Victorian Railways, 56MT, 1953
Second series Walker Railcar TrailerVictorian Railways livery circ.1955victorian railways, rail trailer -
National Wool Museum
Kanematsu collection, Kanematsu Private Code for Wool, 1953
A collection of original documents used by and written about the Kanematuse Organization, a wool business based in SydneyOne large bound book entitled 'F. Kanematsu & Co. Ltd. Private Code For Wool'. Stapled faded sheets of paper with a typed story on them, 18 pages from 1908. A printed copy of the PFA Quarterly Magazine from 1921, 5 pages. A small grey booklet entitled 'Origin of Kanematsu Organization in Australia', 16 pages. 'Japanese Wool Buying?" verse from July 26, 1957, two loose leaf sheets of faded paper held together with a paperclip.wool buying, returned soldiers and sailors mill, geelong, woolen mill, wool production, loom -
Yarrawonga and Mulwala Pioneer Museum
Southern Cross, 1953
Used in 1950’s to power machinesSign at front “ Southern Cross “ $ Green in colour. Mark AX-C1 Air cooled$. An S with a cross is on the drum -
Stawell Historical Society Inc
Photograph, T Murray, Tulkara Railway Station platform with shelter shed, 16/12/1953
B/W photograph -
Stawell Historical Society Inc
Photograph, T Murray, Photo with Steam Train K174 on platform, 16/12/1953
B/W photograph -
Latrobe Regional Gallery
Drawing, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, Melbourne's Lost Souls, 1953
Pen and ink drawing on paperDated '8.1.53 Melbourne' in lower left corner of image. Signed lower right. -
National Wool Museum
Archive - Advertisement, Australian Wool Bureau, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "There is no substitute for wool" (Blanket range)Wool Blankets to bring exciting new glamour into your bedroom/There is no substitute for Woolblankets, blanket fever, advertisements, australian wool bureau, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Can't you see them on your beds (blanket range)Can't you see them on your beds/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee/ Onkaparinga Woollen Company Ltd blanket, blanket fever, wool, onkaparinga, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Guaranteed to give 12 years of cosiness and comfort (range of blankets in a pile) Guaranteed to give 12 years of cosiness and comfort/Wedding bells soon?/4 Lovely pastels, white and checks/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee wool, blanket, blanket fever, onkaparinga, advertisement, the australian women's weekly