See 359Glazed mosaic tile - black edged with green pattern. Orange circle enclosing large gold petalled design with orange centre on black background.'676' (on back)ceramics, earthenware

Elbow length gloves, beige/milky coffee colour, pattern of bands of 8mm stocking stitch offset to each other continuously down the gloves.6 Artificial Silk Made in Germany.costume accessories, glove accessories

Very large china basin (part of a jug and basin set - jug missing) formed as a shell. Lustre pattern (cracked). Iridescent green colouring.domestic items, crockery

Used by Mrs Lina Plehn in Germany and brought to Australia when the family migrated.Art Deco in blue & white featuring a blue rose pattern with blue scallops on white background. .1 Cup .2 Saucer .3 Plate'Crown' & an 'S'. 'ECHT TUPPECK' 'TIEFFENFURT'domestic items, crockery

Bought at South Melbourne market in 1950s.Pearl Collar. Intricate pattern made of small and large cream coloured pearls. Backing is made of satin. There is a metal hook and eye to fasten collar.Made in Japancostume accessories, jewellery

Child's white cotton sleeveless Nightdress. Neck and arm hole edged in white crochet lace and triangle pattern of pin tucking and crochet lace.costume, children's

White cotton serviette/napkin ring embroidered in blue in flower pattern and blue scalloped edging.|One of a pair - see NA2089 in box 10.manchester, table linen, handcrafts, needlework

Five rows of small blue glazed tiles connected by netting at back(ie ready to install). Gold and darker blue and white form patternceramics, earthenware

Dandenong RSL Historical significanceMetal Tray, Circular, Light bronze colour. Metal alloy. Raised scrolled edge. 6 Engraved patterns around centre of the base of tray.Engraving " Dandenong Pageant of Progress 1960" Best Float- Local Section. Awarded to "Dandenong RSL.

The evening bag belonged to Miss Love who bequeathed it to Catherine Primrose Mary Mactier (nee Wilson). Miss Love died in 1950 aged 88 years.Crocheted lime green with a white metal clasp and chain. Embroidered with white metal beads in a circular pattern front and back, Beading on lower edge.

Ladies medium heeled shoes with yellow and white "reptile-skinned" pattern. Shoes covers toes, side and ankle only. Stored in shoe-boxSimone, elegance in fashion shoes, footwear, ladies, yellow

Silver trophy (cup-shape) with stem and round base. Two handle either side of the sup. Decorative floral patterns on all parts of the trophyNumurkah A & P Society, 1888, Presented to William Fairless, Gosforth Park, Baulkamaugh, by A B McKay & Co Standard Office Numurkah for best constructed silonumurkah show, numurakh a&p society, william fairless, 1888

Blue furry material in the shape of a rabbit. Yellow cloth & black plastic eyes. Light blue floral pattern cloth on stomach and inside of ears. toys, presents, children, stuffed toy, rabbit

2 x brass candlestick holders (vase shape) with decorative feather patterns on the side. The opening for the candles is shaped like open flower petalscandlestick holders, candles, light

Rural Ambulance Victoria asset bar code on backWhite flying helmet with Ambulance Service Victoria logo on front. Red and white chequer pattern at back. Sun drop down visor missingAMBULANCE SERVICE VICTORIA

Light blue yearbook with orange patterns in the background and a curvy blue shape around 2017, and a white curvy shape around WANGARATTA HIGH SCHOOL2017 WANGARATTA HIGH SCHOOL

A detailed history of the Numurkah/Nathalia Legacy. Part of Melbourne Legacy. This publication gives an account of the people involved, fund raising activities, camps and holidays, wood drives and much more. A fascinating account of a small group of Legatees and their endeavours to help Legacy widows and families.Significant in that the story of this Legacy group was typical of many small country legacy groups.Clear front cover showing title underneath in black lettering. Spine and back thin cardboard, black pattern design. Pages white A4.Legacy logo in black, title in black print, grey border.branches, history

Australian Light Horse bit - 1902 pattern, made after 1904, by J.and J. Wiggin Ltd of Bloxwich, Stafford, UK. Est.1893.equipment, ww1, army

Butter mould or press for imprinting butter, round wooden cylinder containing a circular disc on handle with carving of a cow surrounded by other carved patterns.domestic equipment, food preparation, butter mould, k166.2 k166.1

The Bendigo Woollen Mills were initially designed as a mail order company that sold its wool both domestically and internationally. The mill uses first cross merino wool from Australia that is then sent to China for scouring before returning to Bendigo for grading, dying and spinning. It now includes factory shop sales to the public.Bendigo Woolen Mills Shade Card (With samples of different coloured wool, pattern selections which were available at the Factory Shop Order Form.history, bendigo, merle lummis collection, bendigo woolen mills

Covers were used in the early 20th century to protect milk and sugar from flying insectsSquare net cover edged with alternate blue and white beads. A central bow is surrounded with a circular pattern at the edges. Beads inserted in crotched edgehandicrafts, food protection, jug covers, bowl cover

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This coat dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Three quarter length hot pink Thai silk coat dress. The pattern of the fabric includes and abstract floral design encased in borders of flowersLabel: Dominexdominex, women's clothing, australian fashion - 1960s, coat dresses, mcintyre collection

Rectangular Rubber mould containing three separate designs; an oval, a diamond and a decorative stem. The reverse side contains a decorative design of a floral pattern. Nonematcham skipper, mould, rubber, decorative design

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Owned by Wandin SebireWood framed rocking chair with spring 'rockers'. Has floral pattern seat and back textile panels. Has one castor on each leg.rocking chairs

Made by Elizabeth BakerHand-made tufted floor rug, with blue rectangular centre and triangle patterns around the edge. Dark and light grey toning. Hessian backing.rugs

Square, cream point lace supper cloth (floral pattern). Six matching linen serviettes with point lace edging. Refer 1107 and 1109.tableware., table linen.

Reports of cases argued and determined in the Supreme Court of Victoria. Easter Term, 26 Vict., to Hilary Term, 27 Vict., both inclusive.Watermark patterned cloth cover with leather spine and corners, worn at extremities. Discolouration at page edges, foxing front and rear flyleaves. Good condition.'Clerk of Courts/Kilmore', 4th page.kilmore court house library.

Unknown origin. Found in box of clothing in the Courthouse holding cell 2005.Black cotton apron with pattern applique and red contrast binding, double breasted front, wrap around tie fastening. Very good condition.domestic