A Davis Hipoint tennis racquet, with whipping around the shoulders, and diagonally strung head. Partially obscured model name features along throat, on obverse. TAD trademark, within diamond device, features on throat on reverse. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, String, Leathertennis

A woden tennis racquet with cloth tape shoulder supports, reinforced with string whipping, and a deep-grooved handle. Throat on obverse features a decal of a crown device, with the inscription, below: THE BERKELEY. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, Cloth, Leather, Stringtennis

A wooden tennis racquet withpainted shoulders, reinforced with string whipping, and a medium-grooved handle. Throat on obverse features a decal of a wreath and ribbon device, featuring the inscription: OLYMPIC. Butt cover features racquet maintenance instructions. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, Cloth, Leather, String, Painttennis

A Spalding 'Nassau' model tennis racquet, featuring concave throat & fine-grooved octagonal wooden handle. String whipping and plastic reinforcement around shaft. Has a leather end wrap and leather butt cloth. Manufacturer and model name printed on throat on obverse, and manufacturer logo printed on throat on reverse. Logo also printed on butt cloth. Materials: Wood, Metal, Lacquer, Glue, Vinyl, Ink, String, Leather, Plastictennis

A Ring Tennis set chest (.1) containing: rings (.2 - .5); guy ropes (.6 - .7); net posts (.8, 2 parts, .9, one part); court boundary markers (.10 - .19); rope (.20), and a metallic flag marker (.21). Eight miscellaneous pieces also feature. Inscription across top of lid: "TENIKOIT' OR RING TENNIS/...REGULATION FOUR PLAYER SET. Across top of base: R.H. MOTTRAM/(SOLE MAKER)/CHURCH STRETTON/SHROPSHIRE. On sides of box: TENIKOIT/NO. 2A. Materials: Wood, Metal, Lacquer, Ink, Glue, Rubber, Paint, Rope, Cord, Stringtennis

An e.21st century digital print of an original e.20th century black and white photographic print. Image is an informal group portrait of men, women and children - most of whom are in their tennis whites - outside on a tennis lawn, with bushland in the background. Materials: Cardboard, Ink, Wood, Metal, Paper, Lacquer, Cardboard, Glasstennis

Chromolithograph depicting a young woman with a pink headscarf, resting a tennis racquet on her shoulder. Text in German indicates printer, and several numbers. Materials: Paper, Ink, Metal, Plastic, Glass, Cardboardtennis

An order form for Eduscho coffee and tea, featuring illustration of lady playing tennis. Materials: Paper, Inktennis

Book: 'Lawn Tennis'. 270 pages. Hardcover. Edition uncertain (copyrighted 1925). Materials: Paper, Ink, Cardboardtennis

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The subdivision advertised as the Golf View Estate in Camberwell included 32 allotments bordering on Glen Iris Road, Smith Street (now Smith Road), St Andries Street and Camberwell Road. In the post-war period in which the subdivision took place, the significance of Camberwell as the ‘Heathiest of Suburbs’ because of the undulating nature of its terrain and its high altitude was promoted. The sales pitch aimed at attracting and selling to ‘Gentlemen’ who could take advantage of the nearby trams, which would take them to the ‘heart of the city’.subdivision plans - camberwell, golf view estate

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.In advertising the twenty-two sites of the Grenville Estate in Cotham Road and Alfred Street, Kew, the auctioneers emphasised the proximity of the development to shops, schools, and churches. That mansions surrounded the Estate was publicised as an added attraction. The plan shows how at this stage A regrettable aspect of this plan is that it is pasted over, and obscures a real estate photograph by the Kew photographer Josiah Earl Barnes.subdivision plans - kew, grenville estate, glenferrie road, alfred street, thomas street, cotham road

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Elegant knee-length black crepe dress with long sleeves with black silk georgette over-layer.edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, dresses

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black crepe de chine and lace dress. The multi-layered dress includes extensive panels of black machine lace. It has long sleeves, again with panels of lace. The dress is buttoned at the back with buttons covered with the same fabric. The dress includes a separate long black slip.edith mary weir (nee betteridge), weir collection, australian fashion - melbourne - 1930s, evening dresses

Programme for NSW Lawn Tennis Championships 1938. Cover torn off. Materials: Paper, Inktennis

Purchased, 2019Aquatint on papergippsland, artwork, permanent collection

Bull probably from Burnley dairy herdBlack and white photograph. large Friesan bull in bull paddock with a ring in its nose and wearing a stall.j.l. provan, bulls, bull paddock, friesan

Possibly member of staff with Les Provan, smartly dressed, on the left and another young man on the right. Pavilion in the background. Rounded corners denote possibly professional photographer, possibly Graduation DayBlack and white photograph. 3 men, Les Provan on the left and an older man in the middle, arms around each other. pavilion in the background.j.l. provan, graduation day, 1923, groups staff and students, pavilion, student

Black and white photograph. Student and member of Staff each holding a calf in a paddock, probably Les Provan and perhaps George Hudson, the Stockman. students, staff, calf, j.l. provan, george hudson, feriesan, stockman, paddock

Black and white photograph. 2 female students sitting on the lawn.students, j.l. provan, jean borrett

Black and white photograph. Gentleman holding a small leather case standing on lawn at Burnley. A distinguished guest?burnley gardens, lawn, men, j.l. provan.

Black and white photograph. Woman wearing a splendid hat and full length fur coat standing on lawn in front of the Pavilion at Burnley.women, hat, fur coat, lawn, burnley gardens, j.l. provan, pavilion

Black and white photograph. George Russ, Head Gardener, standing in the Old Nursery. Also see B91.317 another copy.potting shed, george russ, head gardener, old nursery

Black and white photograph. 4 students working in the Ornamental Garden, one holding a hose.. Note attached, "Student.-...McCormick," may not belong to this photograph.j.l. provan, students working outside, ornamental garden

Black and white photograph. Group of students standing beside a flower bed holding exercise books (plant identification?).students, flower beds, j.l. provan, student outside class

Black and white photograph.View across the lawn to the Californian Redwood and Jacaranda.lawns, californian redwood, jacaranda, j.l. provan, trees, garden view

Black and white photograph. Garden view looking towards the Californian Redwood from the Pavilionj.l. provan, garden view, trees, californian redwood

Black and white photograph. Garden view across the Croquet Lawnj.l. provan, garden view, croquet lawn

Garden View. Pavilion in background.pavilion, j.l. provan, garden view