Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020 The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases etc before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s-1900s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. 1850's Pontiled Black Glass Stout/Porter/Ale Beer Bottle, solid colour brown glass,concave base with Pontil scar, tapering slightly wider towards shoulder then inwards towards neck; ring of glass just below opening cork and wire type.Label "c.1850's "Stubby ale" hand made in England flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, handmade beer bottle, handmade late 19th century bottle

Enlarged copy of a casual portrait of Lt. Frank William Tickle. It is an outdoor casual photo taken in an encampment. He is in uniform holding a pipe. Background shows tents, guy wires, leather satchell and camp chair. It is in a modern brown wooden frame. The photo is on paper made in Germany.of, commonwealth of, australia, 1917, ww1, military, cross, lt, frank, tickle, department, defence, gazette, no, 137, london, 26th, november, william, gazetter

Object. Curved brass bar with circular disc at one end. L shaped piece (broken at end) attached in centre by rivet - moveable. At either end are circular flat discs - one attached by a rivet, the other by a piece of wire - both moveable. Possibly part of a set of scales.history, australian, brass object

Slide. Bendigo Views. Crowd of people watching firemens demonstrations. Two long ladders are raised up so they meet at the top. There is a man at the top of each ladder. Two large white discs are hanging from an overhead wire. One disc has 'disc 2' painted on it.slide, bendigo, bendigo views, bendigo views

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUETS. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Painttennis

A Dayton tennis racquet, with a steel head and throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Racquet head stringing continues through into the fully opened throat. Materials: Wood, Metal, Glue, Lacquer, Paint, Leather, Ink, Cordtennis

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUET. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Painttennis

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUET. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Painttennis

Poster: Reproduction of painting by LeRoy Neiman of a male figure serving. Poster signed by Marty Reissen lower centre. Framed in a white plastic frame. Has horizontal hanging wire from D-rings. Number '117' handwritten on backing. Materials: Ink, Paper, Plastic, Metaltennis

The donor George Lister Coop was about 21 years of age when he took this photo in 1958 from the Coop family home at 688 Whitehorse Road. Ralph Walton, a bricklayer, and his wife Maria lived at 690 Whitehorse Road from c1931 (when it was numbered 447) until their deaths. Maria died in 1944 aged 77 years and Ralph died in 1959 aged 85 years. Whitehorse Road was renumbered in 1936.A view from the adjacent front garden of 690 Whitehorse Road, Mont Albert which includes some garden details of 688. A wire fence divides the 2 properties. No 690 is a red brick Californian bungalow style home with a tiled roof and a veranda offset to the eastern side.george l coop, whitehorse road, mont albert, ralph walton, maria walton, californian bungalow

Used for decoration in the home.A small rectangular badly damaged oil painting of a clipper ship sailing in calm waters with seabirds in the background. It has a decorative leaf patterned cream painted wooden frame with rusted wire at the back for hanging. It is backed by a wooden board secured by four small nails and a layer of paper.oil paintings, paintings, artworks, objects

An egg timer attached by a loop of wire to a cardboard mount, on which has been glued a small photograph of Sussex Street, Linton. The cardboard has a patterned border printed on it, and an illustration of a chicken hatching from an egg. A scroll at the foot of the souvenir has the word "From" and space for a name.egg timers, souvenirs

The Australian Tramway Employees Association commissioned in 1915, a banner for use in marches or events. It was painted in 1916 by George Grant with its first public appearance at the Eight-Hour Day Diamond Jubilee on 10 April 1916, celebrating the 60th anniversary of the introduction of an eight-hour working day in Victoria. The reference gives a detailed history of the banner, it significance and the background to its painting. It is now held in the collection of Museums Victoria. The ATEA was the forerunner to the Australian Tramway and Motor Omnibus Employees' Association, now part of the Rail Tram and Bus Union. Image provided by Museum's Victoria to the donor - Peter Jewell. The image demonstrates the artists work and the use of symbols in the roles of a union.Framed Image - old gold coloured metal frame, Artglass, with red colour card surround with bevelled gold card inlay containing a high resolution image of the Australian Tramway Employees Association banner. Fitted with a metal hanging wire and a white surround, tape and the framers lable.tramways, unions, atea, atmoea, rtbu, banners, george grant, eight hour day

Ceremonial sword carried by officers on paradeStraight Blade, fuller edge side , 3/4 hand guard "GVR" cypher, ray skin grip - wire bound, no sword knot, chrome scabbard with . Scabbard markings "6MD 107" "PW" on opposite side outer hand guard "3MD 106" 10/133MD 10/13ceremonial sword, infantry, 5/6 rvr

Desk Calendar - 2005 - wire spiral bound along top edge, gloss paper, with cover and each month featuring various Yarra Trams employees and with photographs by employees. Names listed in key Associations. Concept by Darren Gladstone. Celebrates the diverse family of Yarra Trams employees.trams, tramways, yarra trams, calendar, employees, drivers

Edward ( Ted) Salamy (1903-1977) succeeded his father in business in Warrnambool as a jeweller and was at 179 Liebig Street when he retired in the 1960s. On 1st December in 1924 he obtained an amateur radio licence ( Call sign A3AJ). This was the 35th licence issued in the State of Victoria and the first in Warrnambool. The original licence cost two shillings and sixpence. Amateur radio, still a popular hobby today, was particularly important in the 1920s when few people had radios of any sort and there were no provincial radio stations. People were able to access amateur radio sets to listen to such broadcast as overseas cricket matches. This amateur radio set is of considerable historical importance as it belonged to Ted Salamy, credited with being the first to operate an amateur radio station in Warrnambool.This is a rectangular box containing five valves, a radio frequency mechanism and three coils with fine copper winding. The mechanisms are connected by wires and metal screws. The box has a raised black -composite material front which has a voltage meter, three switches or knobs and a tuning dial. Philips made in Holland British Made (voltage meter)amateur ham radio warrnambool

Black and white photograph of Gainsborough House, showing guests on the veranda of an attractive guest house, iron roof, single brick chimney centre rear of roof ridge. Building is of concrete construction. White painted rail fence, wire lace single gate. Lakes Entrance Victoriaguesthouses, architecture, tourism, people

Kerosene Tin four roomed House build by James Doyle of Stawell West for Four Pence. Situated by the Botanic Reserve, now Grampians Caravan Park. Sepia photograph of a small two peaked home built of kerosene tins. A lean-to at with a large wood pile on the side of the building. A bush post and wire fence around the yard. Printed inscription on the base of photograph. Two enlarged black and white photographs taken from an original photo. A House of Kerosene Tins. A four roomed House for Four Pence. The house is (with exception of a few pieces of galvanised iron) entirely built of Kerosene Tins. The dimensions are 20 feet by 20 feet, walks 7 feet high. There are four rooms with a verandah 6 feet high. It was built by Mr. James Doyle of Stawell West and is erected near the Botanica Reserve. The Kerosene Tins, gathered everywhere, were used in its construction. The frame work of the house is composed of saplings, which were cut in the bush by Mr. Doyle and carried on his shoulder. The nails were picked up at the rubbish heaps. The whole construction cost only 4 pence, and this only in consequence of the builder not being able to find 1 inch nails of which he needed a few. Needless to say that in warm weather the temperature in this house becomes a bit sultry. stawell buildings

Leonard Gould Millington VX149639 enlisted on 3.7.1944 age 45 years, discharged on 29.11.1945 with the rank of Pte in 2nd Aust BIPOD.For King & Country certificate. Presented to L G MILLINGTON on 28.6.1946. Cream background mounted with green border. Tan wooden frame, glass front, white cardboard backing & wire hanging strap. Certificate has Union Jack & Australian flags at the top & is from the Shire of Strathfieldsaye. Front bottom RHS signatures of: "President, Councillor & Secretary" Front botton LHS: Red seal Handwritten in black texta on backing: "B. HOPGOOD"certificate, shire, strathfieldsaye

Newspaper articles about the As We Are Eltham Banner Project undertaken within the Shire of Eltham 1. Eltham banner to celebrate environment, Diamond Valley News, Tuesday, September 16, 1986, p16 2. Group paints for peace, Diamond Valley News, Tuesday, September 30, 1986, p2 3. Banners show people of Eltham as they are, Diamond Valley News, Tuesday, October 14, 1986, pp12-13 4. Banners fly high at lastt, Diamond Valley News, Tuesday, October 21, 1986, p17 Also various advertisements from businesses within the shire Newspaper clippingsas we are, banner project, eltham banners, meruka house, sarah houseman, advertising, eagle screens & blinds, 1986, alistair knox park, bob manuell, don brown, dooncal air coinditioning and central heating, eltham festival, eltham outdoor art show, eltham peace banner, eltham town park, grand parade, pauline therese toner, peter wilson, research shops, river of life banner, shire of eltham acquisitive award, valley carpets, 16 sherbourne road briar hill, 22 were street montmorency, 1177-1181 main road eltham, barry reading goumet butchers, eltham hardware & plumbing supplies pty ltd, hutchinsons garden supplies, 38 bridge street eltham, artists, costless clearance centre, cr bob manuell, jud duigan, margaret cherry, tracey naughton, woolworths arcade, anthea morrison, beyond the end of the line, diamond valley musical society, eltham college, eltham community festival, eltham high school, eltham service club, geraldine veerman, ian robertson, 19 were street montmorency, arnold thomas, arnolds recycling centre, kevin mcnamara, luck street eltham, mcewans, montmorency hardware, peel street eltham, tim payze, 1022 main road eltham, as we are banner exhibition, jud degan, marg cherry, the cut ahead, arthur street, eltham mall, flexiteller, national australia bank

Book, soft cover cardboard, black & red colour , black print on front cover & spine, colour photograph framed in red on front of a soldier mounted on a horse. Colour photograph of author on back, 217 plain cut pages, illustrated, black & white photographs.Handwritten in black ink on front flyleaf: Donated by Bendigo YMCA Owners label: Miss S M Sutherland 2/181 Whitehorse Rd Balwyn Vic 3103 Black ink stamp on front fly leaf: RSL Stampbooks, military history

The papers in this work are focused on Thomas Brassey (1836-1918) who was born and educated in England. They include the period from 1871 to 1893, just before he accepted the position of Governor of Victori, Australia, in 1895. During that time, he'd won a seat in parliament, which he held for 18 years, and for periods was a civil lord and parliamentary secretary for the Admiralty. He was passionate about the sea and addressed his naval and maritime concerns in public lectures, letters, pamphlets and books. He was also for a time lord-in-waiting to Queen Victoria and president of the Institute of Naval Architects. This book is from Flagstaff Hill's ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. It was edited by Rear Admiral Sir Sydney Marow Eardley-Wilmot (1847 1929) of the Royal Navy, and published by Longmans, Green and Co. of London, The Longmans, Green and Co. was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. Interestingly, the logo in some books, such as “Steam Turbines 2nd edition, published in 1922” has the year “1724” but the logo in books such as “Advanced Agriculture, published in 1894” has the year “1726” in the logo.The book is significant for publishing historical papers and addresses by Lord Thomas Brassey, former Governor of Victoria before Australia’s Federation. Brassey was passionate about naval and maritime matters in public and government capacities. The work is important for its connection with the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Papers and Addresses Naval and Maritime from 1871 to 1893 Vol 2 Author: Lord Brassey Arranged and Edited Captain S. Eardley-Wilmot Publisher: Longmans Green and Co. Date: 1894 One of a set of six books. Part of the Pattison Collection. Green hardback cover with embossed gold text and label on spine. Inscriptions include a label on the spine, a stamp, stickers and black handwriting.Label: "PAT 359 BRA" Sticker "Warrnambool Mechanics Institute and Free Library" Sticker "Corangamite Regional Library Service" Stamp "Warrnambool Free Library" Handwriting on Fly: "(crossed out) G 468 228" and "M" "237" "7"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co., thomas longman, paternoster row london, thomas brassey (1836-1918), lord brassey, earl brassey, governor of victoria, politician, civil lord of the admiralty, publicist, naval affairs, maritime affairs, public lectures, parliamentary addresses, author, lord-in-waiting to queen victoria, president of the institute of naval architects, captain s. eardley-wilmot, papers and addresses, naval and maritime, 187 to 1893, vol 2

Copies of 6 sketches done by Reinhold Eckfeld whilst an internee in camps 9 and 10 at Hay NSW. He was also on the Dunera.Collection of 6 copies of sketches done in pencil and laminated. 1 - Pencil sketch of Rudi Laqeur and Hans Abarbanell 2 - Pencil sketch of Michael Ritterman, Heinz Oschinski and Hans Feder (sketches 2 and 3 were joined together) 3 - Pencil sketch looking through 3 rows of barbed wire to trees beyond 4 - Pencil sketch looking through 3 rows of barbed wire at a different view point to no 3 5 - Pencil sketch of inside hut 39 Hay, front corner with bunks on left hand side 6 - Pencil sketch of two of the mess huts and other huts at Hay and some of the gardenhans feder, michael rittermann, heinz oschinski, internment camps new south wales, hans abarbanell, rudi laqeur, hay internment camp, dunera internees