Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a turquoise glass ball head with a long needle. It is in the same style as items KVHS 0358 and KVHS 0359.millinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin

Bill Gore in driver's seat of Ford, registration number SF-004, with his head leaning out of the window, circa 1950police vehicles; transport branch; wireless patrol; motor police branch; motor traffic section; ford car; gore, william

Black and white photograph showing mine building and poppet head. Gum trees to left of picture. (3 copies, various sizes)Typed below photograph, "Antimony Mine, Ringwood - 1920". Catalogue card reads, "Main antimony mine, 1920. Now Civic Centre site. Mullock heaps ("tailings") around place used extensively in making roads in Ringwood in early days."

Black and white photograph of Wayne 'Rabbit' Bartholomew free surfing at the 1977 Stubbies Contest held at Burleigh Heads on the Gold Coast.

This compound wooden spear with separate head, barb and tail is bound with resin and sinew. The tail is bound at an angle of 20 degrees to the shaft.

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

Black and white photograph showing the head and shoulders of a man wearing glasses. The man is Daniel Walker, lecturer at the Ballarat School of Mines. daniel walker, ballarat school of mines

Barry Fitzgerald (Head of the Ballarat College of Advanced Education School of Education) sits surrounded by two schoolgirls and lecturer Mary Egan mary egan, barry fitzgerald, ballarat college of advanced education, bcae, education, teacher

James S Steele tool boxCarpenters Mallet wooden stamped J Martin. Head 120mm wide x 95mm x 60mm Overall length 320mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Centre Bit 1¼" Marples & Son - used for counter-sinking a hole to make bolt-head flush with surface. 167mm long flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, centre bit

The name 'Sea Pen', which name comes from its resemblance to bird feathers, originates from its more formal title of 'Pennatula'. There are various species, one of which (Phosphorea)is not uncommon at depths of 50 metres or more. It consists of a stalk by which the Sea Pen is probably fixed upright in the mud or sand, and of a fan like upper part. When alive it is brightly phosphorescent. The stalk is really a tube and can be inflated. The strands or polyps of the upper part of the creature are fused together in sets of a dozen or so, to form leaves up each side, somewhat like the barbs of a feather. The whole axis is supported by a firmly calcified internal stem. The preserved item in our collection has been bleached naturally in the preserving fluid over time. However the Sea Pen in this photograph is alive and displays as golden. It is positioned vertically with its stalk at the bottom and its fronds or feathers beautifully displayed along the upper part. The preserved item in our collection has been bleached naturally in the preserving fluid over time. However the Sea Pen in this photograph is alive and displays as golden. It is positioned vertically with its stalk at the bottom and its fronds or feathers beautifully displayed along the upper part.The use of such preserved specimens is widespread in teaching students of all ages, and museums of the composition of certain animals, insects, birds and sea creatures. Any information about an animal — be it photographs, blood, feathers or fur samples — is better than no information at all. But specimens are vital to ground-truth.Closed jar with an all white sea creature preserved in clear fluid. The head is uppermost, and the sea pen is positioned vertically in the jar.Golden Sea Penflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sea pen

Black & White portrait head shoulders woman aged in thirties. Duryea 158 Rundle St Adelaide printed on Front & reverse.F Durea 158 a Rundle St Adelaidephotograph, person, female

Bisque china bobble head ornament, possibly tooth pick holder, in shape of small boy with pot between his legs.ornaments, ceramic, figurine

Small, almost round head and shoulder portrait of a man. He is wearing a jacket, waistcoat and shirt. He has a bushy beard.photograph, portrait, male, portrait of a man

black and white photo: poppet head, On back Ironbark Mine, Long Gully. 'The legs just as they fired the last shots 1976'.organization, business, ironbark mine

Black and white photograph. Deborah Mine. Mullock heap, poppet head at left. Buildings centre and left. Square chimney in front.place, mining site, deborah

8460.1 - Metal hammer-pick head; one "arm" is long and pointed, the other is short and blunt with a truncated square cross-section.

Board-Maroon Yellow lettering. Regimental ODE. Rar badge on top 9BN Symbol on Bottom (Roman numerals + Rams head)Regimental ODE - RestYE, Oh warriors, You'll battle no more. No longer to live the horrors of war. Your duty was done with honour and pride farewell. Oh Brothers until we march by your side. Lest we forget9 rar, 9th bn ode

Photograph. Black and white photo. Two men in front of mining poppet head, loking at a document" Col for thurs'' . With compliments of the Advertiser.photograph, person, two men at poppet head

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Foetus in uterus, head engaged, cervix partially dilated.. Painted plaster. The birth process in six stages;second of six models.teaching aid, obstetric delivery

Sepia photograph showing New Chum Line Reef Bendigo with shed in foreground signed Duchess Tribute surrounded by Poppet Heads.photograph, landscape, gold mine, bendigo-history-goldmines-new chum reef

historic buildingColour photograph, Clarendon State School, last day 10 December 1993. Boy in photo is Head Boy Julian Sunter.school, classroom, clarendon