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Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Sculpture of Portuguese explores at Warrnambool, 02/09/2012
The sculptural installation was a gift from the Portuguese government and presented to Warrnambool City Council. The sculptor, Jose Nuncio, completed the work in 1999, and it was inaugurated at Warrnambool in 2001. Prince Henry the Navigator founded a school of navigation in Sagres, Portugal. This led to navigation techniques that made the 15th century voyages of discovery possible. The vision of Prince Henry brought together ship builders, cartographers, instrument makers and mathematicians. Vasco de Gama rounded the southern tip of Africa and sailed across the Indian Ocean to India in 1496. This started a new era of trade and exploration, expanding the boundaries of the known world, and linking the east with west.Six colour photographs of a sculptural installation at Warrnambool. Busts of Vasco De Gama and Prince Henry the Navigator feature in the installation. Images also include two informative plaques containing information on De Gama and the Prince.warrnambool, exploration, navigator, de gama, prince henry the navigator, portugal, portuguese, david atkinson, john pandazopoulos -
Victorian Interpretive Projects Inc.
Photograph - Colour, Brunswick Baths Facade
The suburb of Brunswick is know withing the City of Moreland.Colour photograph showing the facade of the Brunswick City Baths.brusnwick, moreland, baths, swimming -
Victorian Interpretive Projects Inc.
Image, Geelong, 1934, 1934
The seaside town of Geelong is the second largest city in Victoria, Australia.An image of a number of multi-storey buildings that made up the Geelong Civic Precinct in 1934. geelong -
Victorian Interpretive Projects Inc.
Image, Motorcycle Police, 1934, c1934
In 1934 Melbourne city and suburbs were divided into areas and patrols. The patrols were covered by motor cycles, bicycles and foot constables. Eleven police officers sit on motorbikes with side cars, and are being inspected by two people.police, motorcycle, motorbike, -
Victorian Interpretive Projects Inc.
Photograph - colour, Auction Room Lectern at National Wool Museum
This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)Photograph of a timber lectern used to auction wool in Geelong. It is found in the auction room on the top floor of Geelong's national wool museum.wool, geelong, auction, auction room, national wool museum -
Victorian Interpretive Projects Inc.
photograph - Colour, Viewing the National Wool Museum's auction room
This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)display of wool ales at the National Wool Museum. Steel girders holding up the roof were made by Dorman Long & Co. Middlesborough, England. In the foreground is a timber counter with brass kick rail and upper edge. Names on wool bales include Austop, Arcadian Wool, Buln Gherin, Mt Hesse, Melrose, Avondale Hills, Kerrsville, Kooringa, Merryville Yass, Sherra Park, Wurrock, Hazeldean, Buanogor Parkwool, geelong, wool bail, auction room, national wool museum -
Victorian Interpretive Projects Inc.
Cartoons, World War One Cartoons by Edwin Cannon
Edwin (Ted) Cannon was born at Ballarat on 30 July 1895, the only son of Edwin and Florence Cannon. He studied art at the Ballarat School of Mines Technical Art School. Ted displayed a talent for industrial design but it was his black and white work that 'drew' most attention. His cartoons and caricatures, heavily influenced by Phil May, were of a particularly high standard. During the Ballarat Exhibition of 1913 Ted's work was singled out for notice and he was awarded First Prize. After completing his art course Ted was employed as an assistant teacher at the Ballarat Technical Art School, before taking a position as cartoonist with the Ballarat Star newspaper at the end of 1914. With the war raging in Europe Ted discovered a darker aspect for his artwork, but, still, he could not resist depicting Turkey as a full-feathered, fez-wearing bird. In 1915 Ted was awarded the prestigious Victorian Education Department Senior Technical School Scholarship. Only months into his scholarship, Ted volunteered for the AIF. A keen member of the local 71st "City of Ballarat" Regiment Ted was already primed for a life in the army. He embarked from Port Melbourne on 23 November 1915 with reinforcements to the 6th Infantry Battalion bound for Egypt. It was during the Battle of Pozieres on the Western Front that Ted Cannon came into his own. His work with the Scout Platoon (under the command of Lieutenant Jack Rogers) sketching the enemy's gun emplacements proved invaluable to the Brigade and brought Ted to the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. See http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916 Digital images of a number of cartoons published in the Ballarat School of Mines Students' Magazine, 1916. Ted Cannon sent cartoons home to Ballarat from the World War One front.edwin cannon, ted cannon, cartoons, world war, world war 1 -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Honour Board for City of Ballarat Free Library Presidents, 1879-1932, 10/09/2012
The names on the baord are listed in chronalogical order: E.H.L. Swift, W.T.C. Kelly, J.W. Graham, Richard Baker, J.P. Murray, Charles Forster, T.R. Treloar, J.A. Blight, R.E. Willilams, H.F. Elliott, A.T. Morrison, A.B.Berry, Charles Cairns, W.C. Finlayson, Mark Lazarus, H.F. Elliott, Erskine E. Llewellyn, H.H. Barker, J.D. Woolcott, A.M. David, F.R. Coldram, H.C. Curwen-Walker, J.B. Corbet, D. Anderson, E.B. Fisher, H.W. Morris, W.J. Fairlie, H.W. Morrow, W.D. Sweetapple J.C. DouglasColour photograph of an ornate honour board on the wall of the Former Ballarat Library, Camp Street, Ballaratlibrary, city of ballarat free library, swft, kelly, graham, baker, murray, forster, treloar, blight, willilams, elliott, morrison, berry, cairns, finlayson, lazarus, llewellyn, barker, woolcott, david, coldram, curwen-walker, corbet, anderson, fisher, morris, fairlie, morrow, sweetapple, douglas -
Victorian Interpretive Projects Inc.
Photograph - Black and White, General Allanby Reading the Proclamation in Jerusalem, 1918, 1918
The Battle of Jerusalem occurred during the British Empire's "Jerusalem Operations" against the Ottoman Empire, when fighting for the city developed from 17 November, continuing after the surrender until 30 December 1917, to secure the final objective of the Southern Palestine Offensive during the Sinai and Palestine Campaign of World War I. (Wikipedia) On 11 December, General Edmund Allenby humbly entered the Old City on foot through the Jaffa Gate instead of horse or vehicles to show respect for the holy city. He was the first Christian in many centuries to control Jerusalem, which is a very important site for many faiths. The Prime Minister of the United Kingdom, David Lloyd George described the capture as "a Christmas present for the British people". The battle was a great morale boost for the British Empire.(wikipedia)Photograph showing a number of soldiers on a raised platform, including General Allanby. Locals look on from below, some wearing fez hats.Verso: Reading the proclamation at Jerusalem. General Allenby in centre. This photo no doubt will be valuable one day. Palestine, 1918world war one, jerusalem, palestine, allenby, general allenby -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, ANZAC Centenary Eve Massed Fire Brigades Torch Light Procession, 2015, 24/04/2015
2015 marks the centenary of the ANZAC landing at Gallipoli.A series of photographs of the torchlight procession which included around ten fire brigades from around Creswick, including Ballarat, Ballarat City, Creswick, Buninyong, and Daylesford fire brigades. The procession was held on the eve of the centenary of the ANZAC landing at Gallipoli. anzac centenary, gallipoli centenary, creswick, fire brigade, creswick fire brigade, daylesford fire brigade, ballarat fire brigade, ballarat city fire brigade, buninyong fire brigade, torchlight possession -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View or Ballarat from St Paul's Ballarat, 2015, 05/04/2015
St Paul's way is located on Bakery Hill, in the vicinity of the Ballarat Reform League Monster Meetings of 11 and 29 November 1854.Colour photograph looking down on the City of Ballarat from the high vantage point of St Paul's Anglican Church, St Paul's Way, Ballarat East. st paul's bakery hill, bakery hill, ballarat east, religion, ballarat reform league, eureka stockade -
Bendigo Historical Society Inc.
Document - BENDIGO TOTAL ABSTINENCE SOCIETY COLLECTION: VICTORIAN ALLIANCE, 22rd June 1917
Document. Victorian Alliance letter to Mr. W.J.Campbell J.P. from Francis Wilson general secretary, I arrived home safely, after a very good day in your city. Will send you a list of few subscribers whom I could not get, shortly. With regard to ''DEFEAT'', I will have them dispatched next week. With regard to Mr. Francis coming up in September, I would suggest that you bring it before the Methodist Ministers interested as possible. Memo for Mr Drummond, I have seen Mr. Harris in reference to this suggestion but he does not know Mr. Francis, fears that it would not be satisfactory to the Forest Street Congregation to appoint an unknown man for the evening service. I have therefore asked Mr. Wilson not to make any definite arrangements until we have had a further opportunity of considering the matter. Signed Mr. Campbell.organisation, community, abstinence society -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: BENDIGO'S CENTURY VOLUME SEVEN: 1960 - 1969
Supplement to the Bendigo Advertiser, December 15, 1999 Volume Seven: 1960-1969 titled Bendigo's Century. The front has a photo of the BCV 8 Studio. Contains photos and local news, council matters, planning, Who's Who, Weather, Sport and Business and some Advertisements. Photos include Early stages in the construction of the Eppalock tower and bridge pillars, Christine Wiseman, TV8's first news reader Ron Alderton, Dr Albert L Beischer, Advertiser buiding, fire at the Advertiser building, Oscar Flight, Bendigo Town Hall, William Basil Ashman, Lake Eppalock, Premier Henry Bolte, Que O'Hoy, Sandhurst Guest House, The Lyric Theatre, E C Thompson, The elm tree in Market Square, Leslie Galvin, The original Myer Store, The Joss House, Sidney Myer, Bendigo Police Barracks, Bunratty Castle, Albert Vivian Gray, The Victoria Hill site, Architects drawing of the new council administrative offices and Noel Beaton MHR.bendigo, history, long gully history group, the long gully history group - bendigo's century volume seven: 1960 - 1969, bendigo advertiser, bcv 8, eppalock dam, premier henry bolte, the criterion hotel, mccarthy family, teachers training college, bendigo original teachers college, long gully state school, stramit, bendigo university site committee, mrs christine wiseman, bendigo city council, the broadcasting control board, general television pty ltd, bendigo central victoria telecasters pty ltd, mr davidson, bennett's arcade, woolworth's, white hills swimming pool, herb elliott, sailor's guide, toni riley pharmacies, rising sun hotel, ron alderton, dr albert l beischer, channel 8, melbourne herald, 3bo, bendigo advertiser officeslyceum theatre, junior technical school white hills, mount alvernia hospital, most reverend dr b d stewart, sisters of the franciscan missionaries of the divine motherhood, lazarus family, bendigo's tramways, state electricity commission, george pethard, lance pethard, bendigo advertiser fire 29/7/1962, riverine herald, the herald and weekly times, bendigo art gallery, oscar flight, hollands foundry, eaglehawk u.f.s. dispensary, gillies famous pies, william basil ashman, golden gate hotel, grieves family, bendigo town hall, mr r r anderson, mr e h brown, cr neville oliver, cr tom flood, traffic commission, lansell family, abev-1, bendigo ordnance factory, actu, bendigo trades hall council, the ramsay report, bendigo benevolent home, bendigo home and hospital for the aged, princess theatre, amoco, lake eppalock, bendigo training prison, bendigo police station lock-up, shamrock hotel, rifle brigade hotel, hopetoun hotel, anz bank, marong shire offices, sir rohan delacombe, st paul's church, que o'hoy, waldron family, windermere hotel, aids & appliance shop, anne caudle centre, e c thompson, mayfair hams, sandhurst guest house, lyric theatre, chinese joss house, ordnance factory, sir john jenson, bridge street chinese quarter, bendigo city hall, cr r f turner, cr tom flood, victorian inland meat authority, new zealand insurance co, mrtropolitan security service, bendigo easter fair society, golden square high school, eaglehawk high school, bendigo technical college, mr ralph w birrell, bendigo fountain plaza, the bethlehem home for the aged, dick hazeldene, victorian egg board, bendigo united cricket club, south bendigo united cricket club, western mining corporation, les priest, alexandra fountain, bendigo advertiser, cr w cambridge, bendigo council, eaglehawk council, strathfieldsaye shire, huntly shire, marong shire, david thomas, senator john gorton, bendigo's college of advanced education, bank of new south wales, harp and shamrock hotel, the honorable leslie william galvin, kurmala, cain government, hanro knitting mills, myer store, sidney myer, davey brothers grocery store, national trust, myer emporium, myer's ltd, cox bros (australia) ltd, dame merlyn myer, baillieu myer, frank greenaway, institute of technology, gas & fuel corporation, bendigo railway station, anz bank, city family hotel, tab branch, senior constable alfred herbert wright, senior constable allan raymond brown, victorian football league, bendigo police barracks, camp hill state school, state electricity commission, the country party, the labor party, transport regulation board, stuart anderson, grose family, jean theodore de ravin, kyneton shire, sir william mcdonald, mines department, the loddon hospitals region group laundry and central linen service, kevin wynne, albert vivian gray, bradford cotton mills ltd, bradmill industries ltd, victoria hill, bendigo and district tourist association, professor brian lewis, melbourne university, victorian chinese community, loong, sun loong, stafford ellinson, coles' store, north deborah mining company nl, noel beaton mhr, durham ox hotel, taylor family -
Yarra City Council
Artwork, other - Installation/Sculpture, William Eicholtz, Close Knit, 2023
'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation -
Yarra City Council
Artwork, other - Marker, Reko Rennie, Remember Me: Stolen Generations Marker, 2018
Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy -
Yarra City Council
Artwork, other - Mural/Installation, Martine Corompt, Momentum, 2023
"Situated at the intersection of three major arterial flows – a railway, a freeway and the Birrarung river, the Mary Rogers Pavilion is a place where people are drawn together through movement. The artwork 'Momentum' draws on the coalescing flows of traffic, sound, air, time, water, and human kinetic energy, mapped together into a horizon of oscillating lines."'Momentum' was commissioned for the new Mary Rogers Sports Pavilion at Ryans Reserve, Richmond, a $3 million redevelopment in partnership with the Victorian Government. Named after the former City of Richmond Mayor, the pavilion is home to the Yarra Netball Association as well as acrylic surfaced courts which cater to netball, local tennis players and groups. The new pavilion meets legislative, functional, disability access and environmental sustainability requirements, allowing the club to grow, provide greater flexibility and capacity to train and host competitions. 'Momentum' is a result of Council’s Public Art Policy 2015-2020, which ensures Council commits a percentage of the capital works budget for new community infrastructure projects over $1 million dollars to an integrated art component.A landscape/horizon of oscillating black lines (waves) and sun filled in with warm colours. accompanying plaquesport, mary rogers, women, birrarung, energy, movement -
City of Whittlesea
Badge - Badges - Advocacy Campaign, Access Denied, 2014
Access Denied was a joint advocacy campaign between the City of Whittlesea and the local community in the lead up to the 2014 Victorian State Election. The campaign called on all political parties to commit to extending the railway line from South Morang to Mernda and building access ramps on the Hume Freeway at O’Herns Road in Epping North. The campaign was a success and secured almost $650 million in promises from the incoming Labor Government to build these projects. Badge, metal back with pin, white plastic printed front, black and red textConnect O'Herns Road / Access Denied / Get on Board / www.accessdenied.net.au / Build Mernda Railbadges, campaign badges, south morang railway, mernda railway -
City of Whittlesea
Award (item) - Council Awards, Victorian Local Government Women's Charter Awards
Women's Participation in Local Government Coalition Strengthening Communities Through Women’s Participation 2008 Victorian Local Government Women’s Charter Awards Whittlesea City Council For outstanding contribution in supporting and championing women’s participation in local government CR. Beth Ripper Chair Women’s Participation in Local Government Coalition Local Government Professionals Municipal Association of Victoria Victorian Immigrant and Refugee Women’s Coalition Victorian Local Governance Association Victorian Women’s Trust WEL Victoria Women’s Planning Network YWCA Victoria hansen VLGA Municipal Association Of Victoria Victorian Women’s’ Trust making a differenceWomen's Participation in Local Government Coalition Strengthening Communities Through Women’s Participation 2008 Victorian Local Government Women’s Charter Awards Whittlesea City Council For outstanding contribution in supporting and championing women’s participation in local government CR. Beth Ripper Chair Women’s Participation in Local Government Coalition Local Government Professionals Municipal Association of Victoria Victorian Immigrant and Refugee Women’s Coalition Victorian Local Governance Association Victorian Women’s Trust WEL Victoria Women’s Planning Network YWCA Victoria hansen VLGA Municipal Association Of Victoria Victorian Women’s’ Trust making a differenceawards -
City of Whittlesea
Certificate (item) - Council Awards, Victorian Local Government Women's Charter
CH15/0052award, glass -
Benalla Art Gallery
Watercolour, Nicholas CHEVALIER, Pontina, Funchal Bay, Madeira, Not dated
Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902VictorianLedger Gift, 1988Watercolour depicting a walled city at the foothills of the Madeira mountains. Gold brushed timber frame with off white window mountRecto: Signed "N.Chevalier." in grey watercolour in l.r.c of composition; Not dated; Not titledwatercolour, streetscape, buildings, animals, mountains, roads, river, structures, castle -
St Kilda Historical Society
Photograph, c. 1991?
Alfred Felton (8 November 1831 – 8 January 1904) lived at the Esplanade Hotel, St Kilda, from 1892 and died there in 1904. He was born in England and came to Australia in 1853 intending to search for gold. In 1867, having worked as a commission agent and dealer in merchandise, an importer and general dealer and a wholesale druggist, he went into partnership with Frederick Sheppard Grimwade and founded Felton Grimwade and Company, "wholesale druggists and manufacturing chemists". He was a keen collector of books and art. He never married, had no direct descendants and gave away considerable amounts to charity. When Felton died, he left the bulk of his fortune to the creation of a charitable foundation known as the Felton Bequest to support culture and the community, with half the funding benefiting Victorian charities (particularly those that support women and children) and the other half used to acquire and donate art works to the National Gallery of Victoria. The Felton Bequest has been responsible for 15,000 artworks in the National Gallery of Victoria and they are the core of the collection. colour photograph unmountedCity of St Kilda. Alfred Felton (1831-1904) Philanthropist, Industrialist, lived here 1892 - 1904, sponsored by ACI International Ltdfelton, alfred felton, the esplanade, hotel esplanade, espy, st kilda, plaques -
St Kilda Historical Society
Memorabilia - Booklet, The Royal Visit Celebrations at the Opening of the First Parliament Commonwealth of Australia Melbourne May 1901, 1901
Booklet contains photographs of: THH the Duke and Duchess of Cornwall and York; Earl of Hopetoun, Governor General, and Countess; Commonwealth Ministry; The Royal Party at Government House Melbourne; TRH the Duke and Duchess Landing at St Kilda Pier; The Mayor of Melbourne Welcoming His Royal Highness at the entrance to the City; Procession Passing down Bourke Street; Presentation of War Medals to Victorian Soldiers; The Duke of York and his Staff; St Kilda and Prahran Arch; City Arch; Procession passing Princes Bridge; Opening Ceremony at First Federal Parliament; Citizens' Arch; Queen Victoria Arch; Royal Yacht Ophir; Warships Gromoboi (Russian) and Brooklyn (USA); German Arch; Chinese Arch; State School Fete at Exhibition Building; The University Commencement; Group of Fijian Constabulary; Laying Foundation Stone, Soldiers' Memorial Ballarat; Visit to South Star Gold Mine, Ballarat; Illuminations at Princes Bridge and Flinders Street Station; Illuminations at Parliament House and Treasury; Illuminations at Town Hall and City ArchGold coloured paper cover embossed and tied with gold thread. Contains 16 pages of cream coloured paper printed in black, some with blue decorative margins.Handwritten inscription on title page: 'For the Boy from Grandfather in memory of a very happy time we spent together May 1901'duke and duchess of cornwall and york, royal visits, 1901, opening of parliament, federation arch, st kilda and prahran arch, city arch, german arch, chinese arch -
St Kilda Historical Society
Ephemera - Ticket, Grand Aquatic Carnival, 1931
Ticket to attend a Grand Aquatic Carnival to raise funds for the St Kilda Unemployed Christmas Dinner Fund. Held at the St Kilda Ladies Baths on 19 December 1931 under the auspices of the St Kilda City Council.White card, discoloured with age, printed in blue on one side.Stamped number on back of ticket: 3355st kilda ladies baths, st kilda unemployed, st kilda council, royal life saving society, victorian amateur swimming association -
St Kilda Historical Society
Ephemera - Program, Grand Aquatic Carnival, 1931
Program of a Grand Aquatic Carnival to raise funds for the St Kilda Unemployed Christmas Dinner Fund. Held at the St Kilda Ladies Baths on 19 December 1931 under the auspices of the St Kilda City Council. Includes list of officials and an outline of the events.Cream paper, discoloured with age, folded and printed in blackst kilda ladies baths, st kilda unemployed, st kilda council, royal life saving society, victorian amateur swimming association -
Wangaratta RSL Sub Branch
Unframed Photograph, circa 1910
Image depicting Victorian Mounted Rifles parading behind Town Crier along Main Street WangarattaBlack white and dark pink photograph of soldiers on horseback being lead by Town Crier passing horse and buggies along main street.rear of photograph - 1910 Aust Light Horse, Main (Murphy) Street, Wangaratta preceded by Town Crier followed by City Bandlight horse troop, wangaratta, ww1, victorian mounted rifles, circa 1910 -
Tatura Irrigation & Wartime Camps Museum
Book, The Argus Guide to Melbourne, before 1967
Soft cover. illustrated. Line drawing city structures, palm tree. 48 pages. melbourne victoria, victorian government tourist bureau -
Tatura Irrigation & Wartime Camps Museum
Book, Our Side of the Country, 1984
History of Victoria south of the Murray. How people lived in various eras. Worked in cities, goldfields and farms.Green dust jacket, gold lettering. Sketch of Victorian Gold fields in circle on front. Picture of Author, Geoffrey Blainey. on back cover.our side of the country, blainey g, ford t, history of victoria south of the murray -
Tatura Irrigation & Wartime Camps Museum
Book, The Story of Melbourne, 1934
Cream, pale green cover. Brown lettering. Sketches of early discovery scene and Yarra river, Flinders Street, Station and St. Paul's Cathedralthe story of melbourne, kenyon af, stewart f, tatura, victorian history, sir gengoult-smith -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Mercury by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Mercury is the messenger of the gods and is represented with a winged helmet and pouch.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with winged helmet and pouch.Mercurymercury -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Summer by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Summer is portrayed with the handle of a sickle and holding a sheaf of grain, symbolising harvest time.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with handle of sickle and holding a sheaf of grain, symbolising harvest time.Summersummer, stoddart