This lanyard dates to the latter half of the 20th Century. The colour yellow relates to the armoured forces. The lanyard was issued to the “Prince of Wales’s Light Horse’ Regiment, however the date of issue is unknown. A Prince of Wales Light Horse unit was based in Kyneton, a neighboring town to Woodend. This lanyard likely originated from the Kyneton area. It is possible that the lanyard was used during the Vietnam war in which the Regiment participated. However considering the condition of the item, it is highly likely that the lanyard has not seen active serviceThis item is represenative of a standard armoured military lanyard. It is also in very good condition.Long strip of cylindrical yellow knotted fabric. There is one large loop, knotted two thirds along the length of the fabric for attachment to the shoulders. There is another small loop at the very end for insertion into a pocket.battle dress, lanyard, prince of wales light horse, uniform, army, cavalry, armoured

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. Black and white photograph of 13 soldiers of the Benalla Troop 8/13 Victorian Mounted Rifles c.1990; includes Lieutenant Colin Carrington, Lieutenant Dan Wyburn ( front rank, 2nd and 3rd from left ) .military, vmr, uniform, benalla, carrington, wyburn

This is a leather covered book. The cover is decorated with gold panels of fruit and gold lettering on the spine and has a plastic cover to protect it. There is gilt edging on the 388 pages. It contains text, sketches, lithographs and some coloured maps and engravings on wood..non-fictionContemporary and geographical record of Australasia in the 19th centurywarrnambool history, western district history, australian history, australasian history, picturesque atlas of australasia, picturesque atlas of australasia volume 1

Refers to the Service of Barry John Maggs, CMF NR 2/243408. First Battalion Royal New South Wales Regiment (Commando). The City of Sydney's own Regiment.This is a curved cloth badge. Red colour. It has the words " Royal Australian Infantry" sewn onto it. There is a white embroidered border line around the words.cmf australia, irnswr commando regiment

James Airth Wilson was the last Captain of the Prince of Wales Light Horse Regiment when it was disbanded in 1883. Costume detail Carte de Visite. The photo was taken at the Bardwell Studio.james airth wilson, prince of wales light horse regiment, person, costume, uniform, bardwell

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Piebald Sheep and First Crosses. / [printed] The piebald breed of sheep (sometimes called Spanish, Zulu, Jacob's / sheep etc.) is represented by many flocks in this country. The piebald / pattern is distinctive. Crosses with all other breeds give nothing but / self-blacks. A back cross to piebald have half blacks and half piebalds. / This shows that Piebald sheep posses a dominant black and a recessive pat- / tern factor. / Fig. 1 shows a typical Piebald ewe, Figs. 2 and 3 the extremes of / dark and light patterns. Figs. 4 and 5 show black first cross rams. Back: [handwritten] Piebald Sheep / [?] Crosses / 2 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Reversed Badgerface Pattern. / [printed] This is a remarkable instance of a reversal of pattern. The areas / that are black in the badgerface are white in this type, and vice versa. / This pattern behaves as a simple recessive to white and to badgerface / pattern. As in the badgerface, there are many modifications. Figs. / 1-3 show the typical pattern. Fig. 4 shows the head of another sheep / and Figs. 5-6 a typical lamb. Back: [handwritten] Reversed / Badgerface Pattern / 8 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Types of Birth Coat in Welsh Lambs. / [printed] The coats of Welsh lambs at birth fall into three classes. / Fig. 1 shows the type that is thick and hairy all over, Fig. 5 that / which is composed of curly wool. Figs. 2-4 are the intermediate / type with a fine curling coat on the forepart of the body. Fig. 3 / is typical of the intermediate type. Back: [handwritten] Types of Birth Coat / in Welsh Lambs / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Six black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Typical Badgerface Ewe and Ram. / [printed] This pattern crops up in many breeds all over the world. It behaves / as a simple recessive to white. The typical pattern in very character- / istic, but many modifications are found so that badgerface sheep may range / from those that are almost white to those that are almost black. Back: [handwritten] Typical / Badgerface / ewe and ram / 4 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Three black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Black Sheep. / [printed] There are two kinds of black in sheep. The / usual one is recessive to white, while in the Kar- / akul (Persian), the Piebald, and Black Welsh / Mountain breeds the black colour is dominant to / white. The first photograph shows a recessive / black Wensleydale, the middle a dominant Welsh black. / Sometimes the black is modified into a grey as / the sheep gets older. This is seen in the last / photograph of a Black Welsh Sheep. Back: [handwritten] Black / Sheep / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

Scouting scarf blue with , belonging to Glen Taffe 3rd Wendouree Scouts 1980s from attending the fourteenth Australian Jamboree at Cataract Park New South Wales 1985-86.scouting movement, glen taffe, jamboree, cataract park, new south wales, 3rd wendouree scouts, ballarat.

A green programme with black print. On the front cover is a border and inside it are the words, ' Direction J. & N. Tait The Orchestra of The State Conservatorium of Music New South Wales Musical Festival Programme Conductor: Henri Verbrugghen Price 6d. Sydney W. A. Gullick, Government Printer.' On the inside is a photo of Henri Verbrugghen, a history of his life and the programme. October 1920. 11 pgs.program, music, orchestra, lydia chancellor, collection, music, orchestra, concert, programme, program

Chinese Cemeteries in Australia Volume 4 Chinese Graves in Cemeteries in New South Wales: Albury Pioneer Cemetery, Wagga Wagga Monumental Cemetery, Braidwood Cemetery, Tumut Pioneer Cemetery, St Johns Anglican Cemetery, Bolong, Jerilderie Cemetery. Publisher: Golden Dragon Museum, Bendigo. ISBN: 09578013 7 8. 106 pages. Black and white illustrations & map.Dr Kok Hu Jinhistory, australian, chinese cemeteries, cemeteries nsw, chinese graves, genealogy

Letters from Bendigo compiled by Charles Paterson, an account of the time his Great Grandfather John Owens spent in the goldfields of Victoria during the years 1853 - 1863 based on the letters he wrote to his family in Wales. One of two books donated by Charles Paterson. Both books spiral bound and contain coloured prints & maps. Books enclosed in plastic sleeve.John Owensperson, family, john owens, history-bendigo-goldfields-family-owens

A small photograph of Edgar Shapland. A relative of Elma Winslade Wells. Edgar is shown looking right. He is wearing a dark overcoat over a white shirt and tie. He has short, fair hair. On the back the logo of J. C. Turner & Company photographers to their Royal Highness the Prince & Princess of Wales, Duke of Edinburgh and Duke of Cambridge. 10 Burnsbury Park, London.J. C. Turner & Companyperson, individual, edgar shapland

HAMILTON COLLECTION ; Three certificates awarded to Nancy Hamilton by the Australian Music Examination Board of the Universities of Melbourne, Adelaide, Tasmania, Queensland & Western Australia, & The State Conservatorium of Music of New South Wales. 1929 passed in Theory Grade 2. Printed on off white paper with navy blue print, with an intricate border of columns, cherubs, vines, State emblems, & a portrait of Beethoven.person, individual, nancy blyth hamilton

Military Cross Citation; Military Cross; photographs x 2 This object relates to Douglas Ewart HARRIS. Douglas Ewart served in the Commander 11 Platoon 'B' COY The South Wales Borderers SRN 324910 before being discharged from duties as a Army Commissioned Lieutenant (LT). Douglas Ewart HARRIS was not a prisoner of war. Douglas Harris was awarded the Military Cross.collectables, ballarat rsl, ballarat

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17 to Belmont (right) and No 18 to West at the intersection of Moorabool and Ryrie Streets 8-1-1956. Photographer unknown. In the background is the Bank of New South Wales Building and a gifts building. The pole in the centre has a bar traffic light. Has written in ink on the rear "Intersection Ryrie and Moorabool Sts 8/1/56, Geelong"trams, tramways, geelong, ryrie st, moorabool st, tram 17, tram 18

Copy of a photograph of Mr W M (Billy) Hughes, the Australian Prime Minister from 1915 to 1923 in the Main Street of Sassafras. Billy Hughes had a holiday house called Ty-Coed in Clarkmont Road. The Prince of Wales made an unofficial visit in 1920 and stayed with Billy Hughes in his holiday home. The Prince of Wales planted a tree in Anzac Avenue that had been officially opened on April 14th, 1920 by Captain Stanley Melbourne Bruce, who became Prime Minister after Billy Hughes.Black and white photograph showing well dressed man standing in front of a car .billy hughes, w m hughes, sassafras, prime minister

Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape. Signed lower right "Pemberthy '93"art, artwork, pemberthy, wesley pemberthy, available, landscape

Reverend Dr Chris Budden was ordained in 1977 and served at Lake Cargelligo, Northern Territory Synod, Board of Church and Community New South Wales, Commission for Mission, Hunter Presbytery and Adamstown.B&W head and shoulders photograph of the Rev. Chris Budden. He is bearded and wearing an open neck shirt.Rev. Chris Budden Secretary Social Responsibility and Justicerev. dr chris budden; lake cargelligo; northern synod; board of church and community nsw; commission for mission; hunter presbytery; adamstown

Reverend Dr. Christ Budden was ordained in 1977 and served at Lake Cargelligo, Northern Territory Synod, Board of Church and Community New South Wales, Commission for Mission, Hunter Presbytery and Adamstown.B & W head and shoulders photograph of Rev Chris Budden."Rev Chris Budden Secretary Social Responsibility and Justice"budden, chris

Rev. Hugh Price Hughes (1847-1902) was born in Wales and educated in London. He founded the Methodist Times and was Superintendent of the West London Methodist Mission. He was the leader of the "Forward Movement".Semi-gloss, sepia, head and shoulders studio portrait of Rev. Hugh Price Hughes on card.H. Price Hugheselliott & fry, hughes, p. h., forward movement