Sympathy cards to parents of "Mervyn Clive Townsend" KIA on sinking of HMAS SYDNEY by HSK Kormoran on 15/11/1941. Refer Cat 2313P for Townsends service.1. Folded Sympathy card with no message inside, only name and "With Sincere Sympathy" on front. 2. Cross, Flag and Flowers image on front. Four pages tied with black and white ribbon.1. From Russell Horie, written on back F.W. 2181. 2. From Mr. & Mrs E.J. Claridge, Ararat.hmas sydney, mervyn clive townsend, ww2, hsk kormoran

This autograph book was a gift to a grand-daughter, Mary. This book indicates that taking people's autographs was a hobby for young girls in 1915. Small brown hard covered book with title and 3 flowers, in gold, on the cover. The pages are faded but were different colours. The spine is bound but the pages are coming away. There are entries on many of the pages."Autographs" on cover. Inside cover: "To Mary / From Grandma / Jan 16th 1915"autograph, tasmania. 1915

This jardinière is one of many 19th and early 20th century items donated to Flagstaff Hill Maritime Village by the Giles Family. It would have been used to contain a pot plant or similar foliage to decorate a room. Donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles this item is associated with Warrnambool and the Giles Family history. Many items have been donated by the family and have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage that were donated by Vera and Aurelin Giles mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. It also represents typical furniture and household goods owned by settlers in the Warrnambool District in the late 19th and early 20th century. The Jardinière is a good example of late Victorian memorabilia that was to be found in many homes of the period.Plant container, brass & copper jardinière flower ornamental pattern with three short paw feet to base. Pressed floral pattern around sides with copper toning's with braised seam joins.Handwritten on white sticker on base $ 85 (Giles Collection)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, emigrants from ireland, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, brass jardinière, plant pot

A studio portrait of Prudence Partington of Greensborough. the family lived at Willis Vale from the 1870s.One of many studio portraits of the Partington familySepia studio portrait of woman in dark dress and bonnet, seated and holding a book. flowers to her left. Mounted on white card with studio name: M.Allan 278 Smith Street Collingwood..On back: Prudence Partington. Born 1858-1930.willis vale, partington family, prudence partington

The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was a sawmiller and farmer in Orbost. He built The Curlip, a wooden paddle-steamer of 9 tons gross and dimensions of 43 feet long, 10 feet wide and a depth of 3 feet, on the slipway at their Tabarra sawmill in 1890. The Ballarat Horticultural Society was established in 1859 by a group of thirteen men with the aim of establishing an association for all lovers of horticulture. There were many such societies throughout the colonies making a contribution to their communities. In May 1852 Richard Wicking and his younger brother Frederick followed their father’s footsteps, leaving England to pursue a new life in the distant colony of Port Phillip. Sailing on the maiden voyage of the 'Roxburgh Castle' a new purpose built ship for the long voyages from London to Australia. Arriving on August 28th 1852, having paid their own fares they were "Unassisted Passengers". The brothers spent two years in Melbourne. He spent some tome in Ballarat and became a prominent community member involved in many areas.The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was builder of the Paddle Steamer Curlip. This is a useful research tool. An ornately designed card with an oval frame of flowers and cherubs. It is a Ballarat Agricultural Society membership ticket made out to Mr S. Richardson (hand written) and endorsed by R. Wicking , the secretary.on back - hand-written - "J E Richardson"ballarat-horticultural-society richardson-samuel

The first Orbost Presbyterian Church was opened on January 9 1898. It was built by Mr R. P. Cameron for three pounds. The Harvest Festival display was always put together by the church ladies. The Festival was a family friendly festival celebrating the end of summer.This item is reminiscent of the late 19th - mid 20th centuries when church-going was more common.A black / white photograph of inside the Orbost Presbyterian Church decorated with rural produce and flowers for the "Harvest Festival". It is on a white buff card with a blue photographer's stamp in the bottom left hand corner.on front - stamp -" Herbert Sherwood" on back - "M. Gilbert, Orbost" - "Mrs J. Sterling, 6 Marine Parade , Elwood"church-presbyterian-orbost harvest-festival

Pressed steel black ornate gaslight holder with two swirls- one above and below each other and cast iron flowers attached to the upper support. valve to turn the gas on and off.lighting, uebergang, allansford, domestic items, gaslight, gaslight holder

This style of bonnet was commonly worn outdoors by women in South West Victoria in the late 1800s - early 1900sThe bonnet is significant as a typical of women's outdoor headwear in Australia in the late 19th and early 20th century.Ladies outdoor bonnet, white cotton with narrow mauve stripes and small flowers. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, hat, bonnet, headwear, ladies clothing, late 19th century bonnet, early 20th century bonnet, women's fashion, australian fashion, australian millinery

History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Fragment of ceramic plate. White plate with black flower design and border around edge. Verdigris stain on plate. Little encrustation on broken edge. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ceramic plate, plate, shard, cream with black roses

This object and the set of five items is believed to have been made in or around the Staffordshire area in the United Kingdom. Over 1500 pottery firms have operated in Stoke-on-Trent since the early 1700's - Some lasted only a few years and some for well over 200 years. Some potters built and owned their own works. Many others were tenants in works built by others and a succession of potters occupied the same works. It was also a common practice for a works to be split between two different pottery companies or for a larger manufacturer to let out a smaller section of his works to a potter who would make wares which were not of interest to the pot works owner. Some potters purchased 'blanks' from other manufacturers and put their own decoration on them some items have two back stamps some have no marks at all. This adds to the confusion and frustration of trying to trace details of a particular manufacturer such as the subject item.The subject item at this time cannot be associated with an historical event, person or place, provenance regards manufacturer is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Ewer or jug, cream ironstone with brown flower spray floral decoration.(Part of 5 piece set containing ewer, bowl, brush vase, soap dish lid and soap dish)Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain container, toilet container, beauty container, ceramic, decorative object, pottery object

Studio portrait male aged early twenties. Turned up collar necktie, flower in lapel & hankerchief in breast pocket. Growelle 69 & 71 Swanston Street Melbourne printed on front.Growelle 69 & 71 Swanston Street Melbourne.photograph, person, male

Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. Float entered by Eaglehawk ?, called King of Easterland. Float covered in paper flowers, with chldren sitting and standing.colorclipevent, easter fair, bendigo easter fair, bendigo 1950s. bendigo easter procession. easter monday was 7 april 1958. float entered by eaglehawk ?, called king of easterland. float covered paper flowers chldren

Cabinet Portrait of Baby Girl. Child is seated above a furry rug. She is wearing a lacy dress and a high, frilly lacy hat. Behind her are some flowers. Nothing on the back.F. Stubbs, St. Arnaudphotograph, portrait, baby, cabinet portrait of baby girl, f stubbs st arnaud

Objet: White china jug decorated with flowers and gold trim, inscription in gold on front reads a present from George Bowers Jun to his friend Mr James Bailis 1853domestic equipment, table setting, jug

Small portrait photograph of a male with flower in button hole, photographer Newman Montagu Scott 392 George Street Sydney. Written in ink on back with kindest regards ? 17.3.80 Wallsend NSWNewman Montagu Scottphotograph, portrait, male

Undated newspaper cutting titled Interest in Hydroponics. Cutting mentions an experiment by Mr. Frank Stevenson of Bendigo in which he grew flowers in liquid. There was local interest as well as overseas interest.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, interest in hydroponics, frank stevenson, box hill council

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages.Black and White photograph of a volunteer in costume. Portrait orientation, close up on the head and shoulders of the volunteer. She is wearing a pinafore with scalloped edge with a spray of flowers pinned to it. Enlarged with a white borderCatalogue number in pencil on reversechurchill island, volunteer, costume, portrait

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows different events and the community engagement fostered over the last few decadesColour photograph of four women walking in the gardens beside Rogers Cottage, with three stopping to look at flowers in an elevated planter box, and another standing slightly to one side looking at the camera.SU [? written in reverse in pen] catalogue number written on reverse in penchurchill island, photograph

Brass vase. Hammered 'reptile skin' design around base flowing up 2/3 of the way. Five circles around top, with vase of flowers design inside each circle.

Textiles, huckaback fabric wheat shaving towel. Crocheted edging (1 cm) along short sides. Embroidered pattern on one end of the word "Shaving" and flowers. Old box 75.textiles, domestic, shaving towel

Statue of Lotus Buddha. Made of heavy black material. (Ebony?) Long eared Buddha in Lotus position with flower in hand sitting on rasied Dias. Lotus means Purity and Enlightenment and Rebirth.buddha

Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder, not unlike a fire extinguisher.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil

Soft cover , slighlty smaller than A5 size. spine of book has been taped. On the front cover is a photo of 2 Beekeepers tending a hive, on the back is a photo of a bee on a flowerHand written - Jack Rufford Sharpe, Apiary Inspector, Department of Agriculture, Murphy St, Wangaratta