Showing 2646 items
matching laces
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Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: UNKNOWN LADY
Portrait in an oval frame of an unknown lady. She is wearing a smocked top and as decorative lace collar. On the back are the words: Photographers, Miniature and portrait Makers, Stewart and Co. Melbourne, Enlarged copies for 20/-. At the bottom in miniature appear to be the words: women imp. ParisStewart and Co.person, individual, studio portrait, stewart and co. -
Buninyong & District Historical Society
Photograph - Original Photograph, Crown Hotel, Buninyong, from Learmonth St. around 1905, around 1905
gold rush era historic building, social historyB/W photo, Crown Hotel, Buninyong, from Learmonth St. around 1905, shows some adjoining buildings inc. Caffrey's Shoeing Forge. Clearly shows original polychrome brickwork, full width iron lace veranda and tall flagpole.buninyong, crown hotel, learmonth st., warrenheip st, caffrey's shoeing forge -
Stawell Historical Society Inc
Clothing - Costume and Accessories
White Cotton Nightgown with a yoke at the back. Long sleeves with fitted fancy cuffs 10cm wide. A neat trimmed collar buttoned a neck. Opening front linen buttons. Finished vertical embroidered insertion and lace. Very well made cusset's at side. glenorchy clothing material -
Clunes Museum
Clothing - LADIES JACKET
BLACK SATIN WHALE BONED LADIES SHORT FITTED FORMAL JACKET - LACE OVERLAY ON SLEEVES AND YOKE - BLACK GLASS BUTTONS DOWN FRONT - SMALL BLACK GLASS BEADING AT WRIST, ON YOKE AND MANDARIN COLLAR - NARROW CREAM DECORATIVE EDGING AT WRISTScostume, costumes - female, ladies jacket -
National Wool Museum
Coat, 1980
The coat along with matching hat and dress ensemble was made in 1980 at the Deniliquin TAFE 'Garment Assembly' course which was 2 years in duration. Mrs Sayer was always crafty but not great at other subjects. Coat is lined with a petticoat which Mrs Sayer wore in 1958. The seal fur collar was purchased by Mrs Sayer's mother at the shop 'Manly Corso' in Sydney, after WW1 with money from her father.Light brown wool coat with seal fur collar attached. Lined with red fabric from the petticoat of a taffeta and lace dress that was worn by Mrs Sayer in 1958. Wooden buttons down coat and on sleeves. Coat has been handmade and has no label.coat, wool, fur, fashion -
Whitehorse Historical Society Inc.
Leisure object - Doll, c 1965
Belonged to Kelly Gardener. Brought back from Hong Kong by Myrtle Bennett from a cruise to JapanPlastic doll with brown eyes which can shut and open; long blond hair. Dressed in red and black check skirt with lace trim; blue blouse with red buttons down front; red shoes. Doll can walk and sit up.toys, dolls -
Kew Historical Society Inc
Clothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society Inc
Clothing - Black satin and lace capelet, c.1900
Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield -
Surrey Hills Historical Society Collection
Photograph, Beryl and Geoffrey Mair, 1916, 1916
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). His parents were Isabella Brown (1856-1944) and William Mair (1850-1924). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia coloured post card photo of (?) a studio portrait with a cream border of 2 children sitting on a couch. The infant is in a light-coloured dress with a lacy border along the hemline and lace embellishments to the sleeves and bodice. The top of the boy's shirt has a 'sailor' collar.REAR: In black ink - "Beryl taken at 8 months / Geoff " " (taken at) 3 years. / 10 Nov. 1916" Handwriting is thought to that of Lily Vipond Mair (nee Deakin). beryl mair, geoffrey david mair, children -
Maldon Museum and Archives Association
Wedding Dress (Skirt and Bodice), © 1900
This outfit was worn by Kate Dabb for her wedding to Alf Meyer on the 6th of June 1900 at the Maldon Wesleyan Church. Kate was the 3rd daughter of Samuel Dabb.This dress is in two parts, a bodice and a skirt. Made of cream satin, mostly machine sewn with some hand sewing. The bodice is finely worked with applique panels of scrolls, petals and leaves decorated with glass beads and sequins. The back panel and cuffs are trimmed with lace.wedding dress, samuel dabb, meyer, "dabb, catherine maud", "callow, phoebe" -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: BLACK SILK TOP
Black long-sleeved ladies’ silk blouse. High round neckline at front with V shaped lace insert from throat to bust line. Stand up lace and net collar. Top edge of collar is trimmed with pink ribbon piping and gathered cream coloured lace. There are three strips of brown tape attached vertically to the collar at each shoulder and front RHS of collar to hold plastic strips to support the collar in upright position. One piece of plastic still in place. On either side of centre front are vertical panels of pintucks with knife pleats on either side facing inwards. There are three small pink decorative buttons (1 cm) below the throat and another group of three buttons 10 cm below the first group. The top has a back opening fastened with 10 press studs. The back has two vertical panels of pintucks and knife pleats. The long sleeves have cuffs at the wrist (5 cm) with U-shaped split on upper side. Each cuff has three decorative pink buttons on one side of the U-shaped split. The lower edge of each cuff is trimmed with black lace (5 - 6 cm) that falls over the wrist. Machine stitched.costume, female evening, black silk top -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles E. Gordon Frazer, Sir Thomas Bent, 1892
When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace -
Bendigo Military Museum
Footwear - BOOTS, 1943
Uniform issued to CLEREHAW, B VX91862 refer cat 5269.2 for service details .1) Brown leatherboot, left foot, no shoelace, black stitching with metal tacks and metal toe. boot with hard soles. .2) Brown leather boot. Right foot, brown cord laces, black stitching with metal tacks and metal toe. Hard soles Inscription on sole “9/5, N741, LO421,1943” both bootsarmy uniform, 2nd new guinea infantry battalion -
Orbost & District Historical Society
corset, c. 1900 - 1920
This item was worn by Marjorie McKeown (nee Ford)Until well into the 20th century, the corset was an essential element of fashionable dress. Corsets were worn by women (and much earlier by men) to enhance their figures and to hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.A corset of pink/apricot coloured cotton with small flowers embroidered onto the fabric, with whale bone stays, and with suspenders and metal clasps attached to the bottom. It has tape lacing and metal eyelets as can be seen in the photograph. It is marked as size 32, Jenyns Patent Corsetry.Size 32, Jenyns Patent Corsetrywomens-corsetry body-shaping womens-appareil -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO, Nineteenth Century
Black & White studio portrait head & shoulders matron, wearing lace cap, floral brooch. Printed on front. Charlemont Sydney and Melbourne. Also reverse The Royal Arcade Sydney,and at 114 Elizabeth Street Melbourne. 117 68 pencilled reverse, doubtful date.Charlemont & Co Sydney & Melbournephotograph, person, female -
Bendigo Historical Society Inc.
Document - HOLLAND BROS ENGINEERS CATALOGUE
Holland Bros. Engineers, iron and brass founders, Bendigo. Catalogue for grave rails, caste iron lace work, balcony panels, spandrills, Corinthian caps, newel posts, veranda columns, crushing roller, wheels. The catalogue is made up of 27 loose pages.books, catalogues, holland bros -
Clunes Museum
Domestic object - MANCHESTER
.1 Two handmade runners with lace border, cotton lining hand stitched yellow diamonds on netting material .2 Two round doilies knitted with crochet scalloped edges, off white .3 Rectangular doily, knitted with spider web edge, beigeNilknitting, crochet work, embroidery, table linen -
Tatura Irrigation & Wartime Camps Museum
Handbag
Made by Johannes Weiss for Frida Sawatsky. Used in Camp 3Brown leather handbag with flap front held down with leather lace looped around leather button. The handle is a leather rope which goes through and over the bottom of the hand bag. Fully lined with green cotton|initials FS on middle of flap in metalFS in brass on front of bag.handbag, camp 3, leather, tatura, sawatsky, frida, weiss, johannes, bulach, gisela, costume, accessory, female, handcrafts, leatherworking -
Stawell Historical Society Inc
Photograph - Group Portrait, George and Margaret Hunt in family group portrait
Family portraits in front of tree in family garden. Elderly couple seated, the rest standing.B/W photograph close up Front is mature gentleman in Grey three-piece suite. Girl in dress with lace collar, wrists. Mature woman with glasses, white dress. Two men in 3 piece suites with fob watches, the left one with a cane. -
Stawell Historical Society Inc
Photograph - Portrait, Bride and Groom
Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress
Wedding dress worn by Marian Hinde in 1886.1886 Wedding Gown with short waisted jacket, buttoned down front. Full pleated skirt with over hip yoke and bustled (beige). Lace at neck and at cuff edge. Worn by Marian Hinde in 1886. See framed photo NA750 of Marian in the wedding gown.costume, female, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Blouse
Bodice from donor's mother. Her parents lived in Camberwell and then Box Hill from 1950's.Long sleeved, cream square necked, cotton blouse with a lace insert. Sheer, geogette sleeves gathered in at cuff and with a frill over hand, the bodice is gathered at the bottom. A sheer geogette tie at the waist is anchored at each side of bodice and has tasseled ends on the corners.cotton, blouse, georgette, long sleeved -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930
Bracken fern covered lane beside property late developed as Lambert Street.Black and white photograph of a house in Myer Street, clad in cement sheet with hipped roof, clipped hedge inside wire lace front fence, footpath in front of property is unsealed. House at 37 Myer Street, in background, known as Ardlui. Lakes Entrance Victoriaroads and streets, houses, heritage study -
Mt Dandenong & District Historical Society Inc.
Photograph, Local People Putting Up the New Methodist Church. FiveWays c1911, c1911
While several men perch on the framework, almost another two dozen assemble at ground level. Most of the women have hats but one wears an apron, another carries a large basket. No names are recorded. Mrs. Eliza Hand is distinctive in her lace collar.eliza hand, fiveways, kalorama, kalorama methodist church -
South Gippsland Shire Council
Bowl, Framed
Frame decorative Chinese bowl with dragon design. Black and gold bowl in black and gold window mount with brown wood frame. The frame is edged in gold and the mount features a decorative lace design in each corner. Red and white text label printed in Chinese. -
Bendigo Historical Society Inc.
Leisure object - 3 PLASTIC DOLLS
3 small plastic dolls with jointed arms, brown hair & painted faces, various costumes 1 short pink dress, 1 long with red velvet bodice & white skirt, 1 long with aqua bodice, white lace over orange underskirt.toys, dolls, plastic -
Kew Historical Society Inc
Clothing - Embroidered Hostess Apron, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron embroidered with sprays of leaves using orange and yellow silk thread. The apron is bordered by commercial guipure lace. The apron is backed by the same black fabric. While the leaves are embroidered on the upper layer only, the pocket is embroidered on/through both layers.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s -
Kew Historical Society Inc
Clothing - Black Silk & Chantilly Lace Evening Dress, 1920s
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black silk waisted dress, gathered at the waist with and featuring a full skirt. The short-sleeved bodice has a high round neck with a small amount of embroidery at the front in the form of abstract flowers. The skirt features an additional Chantilly lace overskirt that is scalloped at the hem. edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, coats -
Mont De Lancey
Leisure object - Doll
Modern porcelain or ceramic doll, belonging to 6th generation of Henry and Martha Sebire. Emma & Karlee Jennings.Porcelain or ceramic doll with blue eyes and red lips. Wearing a long sleeved white lace and embroidered christening style dress with a matching bonnet, a ribbon bow is on the bodice of the dress, and two white buttons on the back of the dress. Towelling type cotton body with panties.dolls, baby dolls, toys, leisure objects -
Clunes Museum
Clothing - COTTON (POLISHED) UNDER BLOUSE
WHITE POLISHED COTTON UNDER BLOUSE. LACE INSERTIONS. FOUR MATERIAL COVERED 1 CM BUTTONS THREE FINE PIN TUCKS ON SLEEVES, SMALL PEPLAM AT WAIST, COTTON TAPE DRAW STRING ABOVE PEPLAM. V NECKLINE BACK AND FRONT FASTENING.local history, costume, ladies underwear, costumes, female underwear