Ill, p.192.fictionA collection of humorous storiesliterary humour, english wit and humour

Ill, p.647.non-fictionA series of essay on world religionsreligion, religious interpretation

Ill, p.224.non-fictionA description of the various regions of Francefrance - description, france - travel

Index, p.271.non-fictionFrench history from a Parisian viewfrance - paris - history, paris - description and travel

Ill, p.432.non-fictionA fictional history of Belgiumbelgium - fiction, belgium - history

Ill, p.212.non-fictionA description of Dutch Cities , towns and villagesholland - description, holland - travel

Ill, p.324.non-fictionA history of Oxford Universityoxford university - history, oxford university

Ill, p.122.non-fictionThe harbours of England engraved by Thomas Lupton from original drawingsengland - harbours, maritime history - england

Ill, p.64non-fictionA description of Hampton Court, a royal palace of the Tudor periodhampton court, tudor england

Ill, p.319.non-fictionA pictorial description of post-war Britainengland - pictorial works, england - description

Ill, p.312.non-fictionA description opf London landmarks and historylondon - description and travel, london - history

Ill, p.156.non-fictionChronological list of speeches made by Prince Phillipprince phillip - speeches, royal family - great britain

Ill, p.274.non-fictionA century of British monarchy from 1851 to 1951great britain - monarchy - history, great britain - royal family

Ill, p.397.fictionA historical romancefrance - fiction, romantic fiction

Ill, p.110.non-fictionThe life and times of King George VIgreat britain - royal family, great britain - monarchy - history

Ill, p.304.non-fictionA history of King Edward VIII 1936great britain - monarchy - history, king edward viii

Ill, p.570.non-fictionTitle A history of King George the Fifth - 1910-1936great britain - monarchy - history, great britain - royal family

Ill, p.392.non-fictionThe life and times of King Edward VIIgreat britain - monarchy - history, great britain - royal family

Ill, p.212.non-fictionAn illustrated guide to travel in Irelandireland - travel, ireland description

Ill, p.264.non-fictionA travellers guide to Oxfordoxford - description, oxford - travel

Ill, p.64.non-fictionA travellers guide to cambridgecambridge - description, cambridge - travel

Ill, p.48.non-fictionAn illustrated guide to English villagesvillages - england, england - description and travel

Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture

Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture

Ill, p.410.non-fictionA history of the individuals who contributed to Venetian historyvenice - history, venice - art

Ill, p.422.non-fictionA history of the individuals who made Florenceflorence - history, savonarola, dante

Ill, p.433.non-fictionA history of the art and architecture of Venicevenice - history, venice - art

Ill, p.208.non-fictionA travellers guide to Venicevenice - travel, venice - description

Ill, p.234.A travellers guide to Naplesnaples - travel, naples - description

Ill, p.195.A travellers guide to the Italian lakesitaly - lakes, italy - description and travel