Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

Hand tinted photograph of a beach scene. There is a row of cypress type trees curving around to the right in the background, there are numerous people on the sand and under the trees, there are also several canvas bathing tents on the sand. Near the bottom of the photo is written The Beach , Manly, No. 14 (part of a series)place, water, beach, manly beach

(a) Note by T.H. Kneen, "Interested observors are: Joseph Cade (Agrostology Branch), Rosemary Hamley 1951, Alison Howie 1951, students, one not identifiable. (b) Note by T.H. Kneen 8 April 1992, "The operator is George Manley - note the equipment - crow bar, crosscut saw, axe, sledgehammer, power driven crosscut saw."Black and white photograph. (a) Huge root ball with 4 people standing beside it. (b) Man working on large trunk of fallen tree. Chainsaw on wheels stuck? in the tree trunk, man holding a sledgehammer.(c) George Manley (Stockman) standing beside root ball.root ball, joseph cade, agrostology branch, rosemary hamley, alison howie, students, george manley, crow bar, crosscut saw, axe, sledgehammer, stockman, cypress tree, power driven crosscut saw

These Bannerettes are exchanged with other Lions ClubsMitcham Lions Club Bannerette - lemon silky material with picture of tree, lion and lioness resting beneath. Emblem of Lions Club on the tree. A gold looking wooden stick for hanging. Green cord with tassels attached to gold stick. The base of bannerette has green fringing.Mitcham Lions Club - Australia - 201 - VItrophies & awards, public events

Sepia photograph of a tall tree on James Rowes property at Kalimna West. This tree was a landmark for shipping at sea off Lakes Entrance during late 19th and early 20th Centuries. It was later struck by lightning, cut down and hewn into sleepers and beams. Kalimna West Victoriahistoric sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,2008historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of a farm in the Cotswold Valley, Menzies Creek, possibly Bob Endersby's land. Photo shows a field in morning mist. A tractor is ploughing the fields. There are trees and tanks on the right side, and many trees in the misty background. Sourced from Facebook, 2019. Photographer unknown.

De Soza park was developed as a public amenity from the early 1980s. The poppet head and Chilean wheel sculpture are representative of the gold mining origins of the town.The park, located centrally in Buninyong is of social and historic significance.Original B/W photograph of streetscape of De Soza park frontage to Warrenheip St., Buninyong, with poppet head, rotunda and Chilean Wheel sculpture, former post office in background. Large eucalypt tree present behind rotunda, large cypress tree to north of park.buninyong, de soza, park, rotunda, poppet head, sculpture, chilean wheel, post office, warrenheip st, streetscape

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

Colour photograph of tree on the side of the Diamond Creek upstream at Bridge Street, Eltham. The tree has been undermined with roots exposed near a council drain.eltham, diamond creek, bridge street, drainage, roots, tree

Undated photograph on postcard depicting horses and carts with gas lamp in the distance on Bourke Road, Camberwell. Front of postcard: 'Bourke Road, Camberwell' Back of postcard: 'Post Card' 'This side for correspondence' 'This side for address' 'Stamp here' 'Printed in Germany.' Handwritten notes '22649 $20'camberwell, bourke road

Buildings - Trees

A redevelopment of the Diamond Village area included a multi storey apartment block which required the removal of this tree (Tree 10) on the plans. A VCAT decision ruled that the development be no higher than 4 storeys, and a maximum of 15 dwellings. This photograph shows local residents protesting at the development and removal of tree in July 2019.Digital copy of colour photographdiamond village shopping centre, diamond village, nepean street watsonia

A redevelopment of the Diamond Village area included a multi storey apartment block which required the removal of this tree (Tree 10) on the plans. A VCAT decision ruled that the development be no higher than 4 storeys, and a maximum of 15 dwellings. This photograph shows local residents protesting at the development and removal of tree in July 2019.Digital copy of colour photographsdiamond village shopping centre, diamond village, nepean street watsonia

10 wagon loads of tree guards were used to protect the Avenue of Honour trees. Donations were collected by the Lucas Girls, organised by Mrs Tillie Thompson.avenue of honour, vehicle, people

This certificate is an invitation to the opening of the first Parliament of Australia on January 1st 1901 in Melbourne. On this date the six Australian self-governing colonies were federated to become the six states of Australia. The designers of the certificate were Norman Lindsay and John Longstaff. This particular invitation was sent to George Rolfe and his wife and two of his stepdaughters, Annie and Florence. George Rolfe (1836-1919), a tea merchant from Melbourne, began buying blocks of land near the mouth of the Hopkins River in Warrnambool in the 1870s. By the early 1880s Rolfe owned 50 acres in the town, including farming properties and used the buildings near the mouth of the Hopkins as holiday accommodation. He called his property Lyndoch which he improved with the addition of stables, chaff and bone sheds, jetty, boathouse, reservoir, water well and windmill and extensive gardens and he spent most of his later life in this Warrnambool area. Lyndoch today is the site of an aged care facility. This certificate is of considerable importance for two reasons: 1. It is an important memento of a signal event in Australia’s history - the Federation of the States in 1901. 2. The certificate was an invitation to the family of a prominent Warrnambool person – George Rolfe of Lyndoch.This is a piece of thick paper with illustrations and decorations in brown, red, blue, yellow and green tonings. The lettering is in white with coloured capital letters. The images include the shields of the six Australian States, the Coat of Arms of Britain and Australia, outlines of two trees (gum tree and oak tree) and three symbolic female figures representing Justice, Britannia and Australia. The top border decoration represents the waratah flower. The names of the invitees on this certificate have been handwritten in black ink. ‘Opening of the Parliament of the Commonwealth by His Royal Highness The Duke of Cornwall and York’ ‘Mr G and Mrs Rolfe and the Misses Rolfe (2)’ george rolfe of lyndoch, federation of australia, history of warrnambool, george rolfe, opening of first parliament of australia

There are three paper notes printed by WW2 Japanese Govt. 1. Face value is one pound. Printing in green ink. It depicts some palm trees and a beach. The letters OA OA are printed in Red. 2. Face value is one shilling. Printing in blue ink. It depicts Palm Trees and a beach. The letters OC OC are printed in red ink. 3. Face value is 1/2 shilling, purple ink. Depicts Palm trees and a beach.ww2, invasion money, japan

B&W photo showing Glen Park Farm, Selby, owned by the Johns family, as seen from the north-east corner. Photo shows the descent to the valley then up Black Hill in the background. Mostly cleared paddock apart from the cypress avenue to the farmhouse (which is glimpsed between the trees) a few single trees dotted about, and the heavily treed area on the top of Black Hill. There is a small building or shed or possibly a haystack in the centre of the photo.

BHS CollectionBlack and white pencil sketch signed G. Harris 1942. The sketch is of a typical Australian bush scene, in the background 4 trees, in the middle 3 sheep grazing a tree log and tree stump at the front. On the back the inscription in black pen ''to Phillip Ellison given to him by the artist George Harris Esq. Axedale 1959''. Also on the back along the side 'reframed Hong Kong 1/2013'. The dimension of the sketch is 22x15 cm. without the frame.George Harrisartwork, print, landscape

A redevelopment of the Diamond Village area included a multi storey apartment block which required the removal of this tree (Tree 10) on the plans. A VCAT decision ruled that the development be no higher than 4 storeys, and a maximum of 15 dwellings. This photograph shows local residents placing protest signs at the base of the tree in July 2019.Digital copy of colour photographsdiamond village shopping centre, diamond village, nepean street watsonia

UnknownAbstract scene of a rainforest. Foreground depicts a stand of trees. There are several mountains in the background, set against a blue sky with rays of sun falling on a central mountain. Predominant colours for trees are green, yellow, brown and black. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society

Abstract depiction of a bird in trees. Trees are picked out in strong vertical strokes of white, grey, black and russet. Background and foliage is depicted in swirling blues and greens; the sky is grey at top of image. At top centre is a bird in blue and white. Mounted in a cream matt in aluminium frame.Front: Monoprint and montage (lower left) (pencil). Back: Nancy Malseed (top centre) (pencil). 1990 (top right) (pencil) 1996 (top left) (pencil).

Photograph. Bendigo Post Office and clock in centre of photo, with the Australian flag on high. Pall Mall with trees ling the street, and buildings and cars along the street. The Dome and Pine tree at the Soldiers Memorial on right side . Further back are buildings on View street.On left is a large building.photograph, landscape, bendigo pall mall and post office

Photographs of Daisy Campbell's Cottage Construction showing|1. close up of Ti Tree sticks and mud wall in one corner.|2. Door and doorway of hut.|3. End view of wall showing Ti Tree sticks embedded in mud . Note the trimmed corner post.campbell, daisy, campbells croft

Postcard with title RAIL SPLITTERS printed on the front showing three men and a boy at a large, sawn tree. They all have implements used for cutting and sawing. There is a long gun leaning on the front of the felled tree. The postcard was written by Fred Dorey and sent to his sister Mary.in 1905.POSTCARD MT. DANDENONG SERIES Handwritten in black ink on back: Miss M Dorey 35 Smith Street Fitzroy Mt Dandenong 22.10.05 Dear Mary Write & let us know if you know this photo. Mrs Grant is getting a big boarding house up and Mrs Keys is going put up a new house hoping you are well I remain Your truly Fred fred dorey, mary dorey, tree, rail splitters, wood chop