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matching victorian goldfields.
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Clunes Museum
Photograph, 1995
DINNER GIVEN BY ALFRED LAWRENCE & CO. IN HONOUR OF THE SECOND ANNUAL CONFERENCE OF THE VICTRIAN COUNTRY AERATED WATERS & CORDIAL MANUFACURERES ASSOCIATION MELBOURNE - AUGUST 1ST 19492 X COPIES OF BLACK AND WHITE IMAGE OF "SECOND ANNUAL CONFERENCE OF THE VICTORIAN COUNTRY AERATED WATERS AND CORDIAL MANUFACTURER'S ASSOCIATION" IN AUGUST 1949regional manufacturing, eberhard & co. cordial -
Clunes Museum
Document - DOCUMENTS, METHODIST TENNIS CLUB
... Clunes Museum 36 Fraser Street Clunes goldfields VICTORIAN ...VICTORIAN TAX OFFICE ENTERTAINMENT TAX 1948RECEIPTS AND STATEMENTS .1 ENTERTAINMENT TAX (PRE DECIMAL) 2l.2s.8d FOR CONCERT HELD 1948. CLUNES .2 HIRE OF HALL, BOROUGH OF CLUNES 1l.10s. .3 ADVERTISING AND PRINTING TICKETS. CLUNES GUARDIAN 1l.6s.6d. .4 STATEMENT OF RECEIPTS AND EXPENSESmethodist tennis, entertainment tax, concert 1948 -
Clunes Museum
Document, METHODIST TENNIS CLUB
ENTERTAINMENT TAX ON CONCERT HELD 09/08/1948RECEIPTS AND STATEMENT ENTERTAINMENT TAX 1948 .1 VICTORIAN TAXATION OFFICE RECEIPT (PRE DECIMAL) 1l.18s.9d TAX ON CONCERT .2 HIRE OF HALL, BOROUGH OF CLUNES 1l.10s. .3 STATEMENT OF RECEIPTS AND EXPENSESmethodist tennis club, 1948, concert, entertainment tax -
Clunes Museum
Document - CONSECRATION CEREMONY AND 150TH STORY, ALL NATIONS LODGE NO. 28
150TH ANNIVERSARY.1 BOOKLET. ALL NATIONS 150 YEARS ANNIVERSARY CONSECRATION CEREMONY 2008 .2 150TH ANNIVERARY - THE STORY BY WOR. BRO. MICHAEL JM CHESHIRENO. 28 VICTORIAN CONSTITUTION, FORMERLY NO. 425 IRISH CONSTITUTION.all nations lodge no. 28, 150th anniversary, 2008, wor. bro. michael jm cheshire -
Clunes Museum
Document - NEWSPAPER, THE ADVOCATE 16/4/1997
CLUNES HAS A UNIQUE CULTURAL AND MUSICAL HERITAGETHE ADVOCATE 16/4/1997, PAGE 5. 'CLUNES MUSEUM SHOWS ITS CULTURE', ADVERTISING AN EXHIBITION AS PART OF VICTORIAN HERITAGE WEEK. THEME 'CULTURE DOWN UNDER'. PHOTOGRAPH INCLUDED OF PAT COOK AND CHARLES FENTON.culture down under, exhibition, victorian heritage week 1997, clunes museum, pat cook, charles fenton -
Clunes Museum
Booklet, Victorian Tales 2004, 2004
THIS BOOKLET CONTAINS A COMPILATION OF EXTRACTS FROM ENTRIES RECEIVED FOR THE VICTORIAN COMMUNITY HISTORY AWARDS 2004 42 PAGESPaper back book green cover, black and white images placed along the top and bottom of the front cover. 42 pagesnon-fictionTHIS BOOKLET CONTAINS A COMPILATION OF EXTRACTS FROM ENTRIES RECEIVED FOR THE VICTORIAN COMMUNITY HISTORY AWARDS 2004 42 PAGEShistory awards, information victoria -
Clunes Museum
Book, The Victorian Municipal Directory and Gazeteer for 1888, 1888
... Clunes Museum 36 Fraser Street Clunes goldfields Directory ...Book contains information re; Municipal councils within Victoria, Arnall & Jacksons Almanac 1888, weather information, thirteenth Parliament of Vic., Ministries and Govt. Depts., Postal Rates, Waterworks Trusts, Railways, Harbour Trust, Certificates of Service, etc., & Advertisementsdirectory, victorian municipalities, 1888, arnall & jackson -
Clunes Museum
Drawing - ARTWORK, SKETCHES FROM THE VICTORIAN GOLD DIGGINGS, 1853
DEPICTING HARDSHIP OF TRAVEL TO THE DIGGINGSFRAMED DRAWING OF VICTORIAN GOLD DIGGINGS 'TRAVELLING TO THE DIGGINGS'.THE ILLUSTRATED LONDON NEWS. FEBRUARY 26, 1853. P. 161mining, miners, families -
Tatura Irrigation & Wartime Camps Museum
Book, Arriving, 1984
Written to consider various aspects of Victoria's past and human settlement over the yearsYellow cover. Coloured photo of goldfield settlers reading news from home, 1860books, history, local, victorian history -
Tatura Irrigation & Wartime Camps Museum
Book, Victorian Historical Journal Volume 87 Number 2 December 2016
Articles on various topics, including Melbourne Labour Market, Storm Centre of Asia, Beechworth Goldfields, Wirrengren-Kulkyne Pathway, Messrs Gellibrand and Hesse. 336 pages.Soft cover book, front cover has title in dark grey on cream background. Picture of a lady looking to the right. Volume, number and date and Royal Historical Society of Victoria at the bottom. Spine is black with white writing. Back is brown with Royal Historical Society logo and address.melbourne labour market, storm centre of asia, beechworth goldfields, wirrengren-kulkyne pathway, mr gellibrand, mr hesse -
Tatura Irrigation & Wartime Camps Museum
Book, Our Side of the Country, 1984
History of Victoria south of the Murray. How people lived in various eras. Worked in cities, goldfields and farms.Green dust jacket, gold lettering. Sketch of Victorian Gold fields in circle on front. Picture of Author, Geoffrey Blainey. on back cover.our side of the country, blainey g, ford t, history of victoria south of the murray -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Mercury by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Mercury is the messenger of the gods and is represented with a winged helmet and pouch.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with winged helmet and pouch.Mercurymercury -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Summer by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Summer is portrayed with the handle of a sickle and holding a sheaf of grain, symbolising harvest time.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with handle of sickle and holding a sheaf of grain, symbolising harvest time.Summersummer, stoddart -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Spring by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Spring is represented by the image of a young woman who is crowned with a floral wreath and carrying a posy. Her dress is a one-shoulder toga dress in the Greco-Roman style. In ancient times the welcome return of spring was celebrated with lengthy pagan festivals this tradition was adapted into Christians cultures.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman wearing a toga dress, floral wreath headress and carrying a posy.Springspring, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Hercules by Angelo Bertozzi, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Stoddart's gift inspired the moves to make Ballarat a "City of Statues". Hercules was is one of the best-known heroes in Greek and Roman mythology. Hercules was renown for his great strength and courage, here he is depicted raising his mighty club and wearing a lion skin as a trophy.The artwork is of aesthetic and historic significance to the people of BallaratMarble figure of a man with raised club and wearing a lion skin around his loinsHerculeshercules, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Flora by Angelo Bertozzi, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Roman goddess of flowers is watering flowers at her feet and is dressed in a classical garment. Flora is considered by many to be the masterpiece of the twelve because of the fi ne detail which creates such a pretty picture in stone. This portrayal of the Roman goddess of flowers shows her watering a pot of luscious blooms with a basket of flowers on her arm. Her position is a highly visible one between the Statuary Pavilion and the fernery pond.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman who is watering flowers at her feet and is dressed in a classical garmentFloraflora, stoddard -
City of Ballarat
Artwork, other - Public Artwork, Giovanni Udny, Bacchante by John Udny, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Bacchante, Priestess to Bacchus the God of wine and good times, is depicted here wearing jewellery and playing a tambourine. The artwork is of aesthetic and historic significance to the people of BallaratWhite marble figure of a woman playing a tamborineBacchantebacchante, botanic gardens, stoddard, ballarat -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Pomona, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Roman Goddess of fruit trees, Pomona, is shown holding a vessel and fruit to illustrate her care and cultivation of trees and the bearing of fruitful abundance.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a vessel and fruitPomona by B. Raggipomona, stoddard, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Autumn, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The figure of Autumn is holding a bunch of grapes symbolic of the vintage.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a man holding a bunch of grapes Autumn by Angelo Bertozziautumn -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Hebe, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Greek goddess of eternal youth, Hebe, was famed for having the power to restore to age the vigour of youth and was cup-bearer to the gods.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a cup in one handHebe/ Presented by Thomas Stoddart 1884hebe, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Winter by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. in this work Angelo Bertozzi portrays Winter as a wizened old man protecting himself again the winter chills.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of an old man with a cape around his shouldersWinter Presented by Thomas Stoddart 1884.winter -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Flora Farnese by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Leda by B. Raggi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. In Greek mythology Leda was the wife of the king of Sparta who was seduced by Zeus in the guise of a swan.The artwork is of aesthetic and historic significance to the people of Ballarat White marble figure of a woman holding a swanLeda Presented by Thomas Stoddart 1884leda, stoddard, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Perseus by J. Cranari, Circa 1880s
This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus -
City of Ballarat
Sculpture - Public Artwork, Ruth by Charles F. Summers, 1899
Statue of Ruth is a religious reference to the harvest and to the importance of motherhood. Ruth was sculpted by Charles Summers a central figure in Australian art from the mid 19th Century. Summers was a founder of the Victorian Society of Fine Arts in 1856 and in 1863 he became a member of the commission of inquiry into the promotion of the fine arts in Victoria. He created many portraits and busts and is known for his bronze depiction of Burke and Wills in MelbourneThe sculpture is of historic and aesthetic significance to the people of BallaratMarble sculptural depiction of the biblical figure RuthPresented to the City of Ballaarat by the following citizens./ H F Elliot Mayor/ The Hon E Morey MLC/ Cr C B Retallack/ Cr J Heinz/ Cr C C Shoppee/ J N Wilson/ T Stoddart/ ruth, harvest -
City of Ballarat
Artwork, other - Public Artwork, Korea Malaya Borneo Vietnam War Memorial, 2000
Lest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. The memorial is of historic significance to the people of BallaratLest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. Lest We Forget/ Korea/ Malaya/ Borneo/ Vietnamkorean war, malayan emergency, borneo uprising, vietnam war, battle of long tan, war history, ballarat -
City of Ballarat
Artwork, other - Public Artwork - Temporary, Pauline O'Shannessy- Dowling et al, Lead On Mural (decommissioned 2020), 2013-2020
A temporary artwork by Lead On Ballarat was installed in a carpark at the Ballarat Library from 2013-2020. Art Streetz Murals was an initiative of Lead On Ballarat’s, “Take Back the Streets” art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas and designs with assistance from the ‘Lead Artist’ Pauline O'Shannessy-Dowling. The artwork was created through a number of workshops, planning and design sessions. The final design received approval from the City of Ballarat and was painted by the lead artist and collaborators from April – May 2013.The artwork is of aesthetic and social significance to the people of Ballaratpainted mural lead on ballarat, take back the streets -
Hepburn Shire Council Art and Heritage Collection
Medal, 1951 Commemorative Plaque, 1951
Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951 -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Silent/Listen Listen/Silent' - Petrus Spronk. 2001, 2001
This work was first commissioned by the Melbourne city council as part of a celebration of the opening of the Birrarung Marr park. 25 victorian sculptors were given $2,500.00 to create a work which would be part of the park for about 6 months. Date of manufacture and installation: 2002 'Silent/Listen' was gifted by the artist, Petrus Spronk, to the people of Hepburn Springs in July 2001.Two smooth rectangular engraved granite slabs placed directly on the ground. Each granite stone is engraved on its uppermost surface. The left hand work is engraved with the text - 'silent' and the right hand work is engraved with 'listen'. Unsigned. Dated July 2001 petrus spronk, public art, sculpture, environmental art, hepburn shire public art collection, hepburn shire, listen, silent, hepburn springs mineral reserve, granite -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Cottage' - Jason Waterhouse. 2015, 2014 - 15
The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection