BUILDINGS INCLUDE ; CLUB HOTEL, R.S.L.BUILDING, ANZ BANK, TOWN HALL ETC..1 .2 ORIGINAL SEPIA POSTCARD PHOTOGRAPH OF CLUNES FROM THE ROCKS .3 .4 BLACK AND WHITE COPIES OF THE ABOVE PHOTOGRAPH PRINTED ON GLOSS PHOTOGRAPHIC PAPERCLUNES FROM ROCKSlocal history, photography, photographs, clunes township, hotel

METHODIST CHURCH HALL LATER USED AS THE CLUNES SCOUTS AND GUIDES HALL.BLACK AND WHITE PHOTOGRAPH OF METHODIST CHURCH HALL, CLUNES.local history, photography, photographs, churches - wesley

CELEBRATING CORONATION OF KING GEORGE V 1911. UNION JACK FLYING ON FLAG POLE. AUSTRALIAN FLAG ON TOWN HALL. POST OFFICE IN BACKGROUND.1 ORIGINAL BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD, CROWD SCENE IN FRONT OF CLUNES TOWN HALL, BAILEY STREET. .2 BLACK AND WHITE COPY OF ORIGINAL PRINTED ON MATTE PHOTOGRAPHIC PAPER .3 BLACK AND WHITE REPRODUCTION OF ORIGINAL PRINTED ON GLOSS PHOTOGRAPHIC PAPEROn Front; Handwritten in black biro "Coronation of George V June 1911" On Back; Sir Alexander Peacock in dress & withplumed hat is on the dais at front of hall A.J. (Pakeha) Kemson is just at near of Sir Alex, Phil Rowe is next. J. F. Weickhardt in light hat near pillar at rightevents and celebrations, coronation, king george

BLACK & WHITE PHOTOGRAPH, CLUNES TOWN HALL AT JAMES ESMOND FESTIVAL BALL.local history, photography, photographs, events and celebrations, james esmond festival ball.

BLACK & WHITE PHOTOGRAPH TAKEN IN CLUNES TOWN HALL, JAMES ESMOND FESTIVAL BALL.local history, photography, photographs, events and celebrations, james esmond fesival ball

BLACK & WHITE PHOTOGRAPH TAKEN IN ASSEMBLY ROOM IN TOWN HALL AT JAMES ESMOND FESTIVAL.local history, photography, photographs, events and celebrations, james esmond ball

BLACK & WHITEPHOTOGRAPH TAKEN IN ASSEMBLY HALL AT CLUNES TOWN HALL AT JAMES ESMOND FESTVAL BALLNOEL KLEINE MRS.KLEINE GREAT GRANDSON OF JAMES ESMONDlocal history, photography, photographs, events and celebrations, james esmond festival ball

.1 .2 BLACK AND WHITE PHOTOGRAPH OF CLUNES TOWN HALL, BAILEY STREET.local history, photography, photographs, town hall

FAWCETT'S "RHYTHM ACES" PLAYED FOR ALL THE BALLS AND DANCES DURING THE THIRTIES. L-R .STAN THOMAS, BILL FAWCETT, MADGE FAWCETT, THEO HARDENBLACK AND WHITE PHOTOGRAPH OF RHYTHM ACES DANCE ORCHESTRA. CLUNES TOWN HALL BACKDROP IN THE BACKGROUND. .1 postcard photograph of Rhythm Aces. Names on back of photo. Theo Harden (on right) Madge Fawcettt, Stan Thomas, (? Fawcett? on left - no name on photo) .2 Postcard photograph of Rhythmn Aces (no inscription) .3 Enlarged photo of orchestra .4 Photocopy of photo of orchestra .5 Photocopy of photo of orchestra .1 From the left 4th Theo Harden, 3rd, Madge Fawcett, 2nd Stan Thomaslocal history, document, postcard, bands, dance

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017

Plush fur collar with structured shoulders, featuring variegated colouring ranging from reddish brown to cream to white. Cream lining. Concealed hook and eye clasp at front.Label in centre back interior, white text on black: "Manton's / MELBOURNE"fur, fur collar, fur capelet, manton's department store

Fur stole consisting of two black mink pelts with heads at one end and tails at the other. Heads contain plastic eyes and noses. Black satin lining. Decorative front fastening consisting of a fabric-covered chain secured to a clip at one side and a hook fastening at the other.Label: "FURRIERS / Buckley & Nunn LTD/ MELBOURNE".fur, fur stole, mink, buckley & nunn, department stores

Black beaded cape, triangular with scalloped edging. Ruffled neck and wide lace ruffle around hem, edged with a line of black sequins and beads. Swirling/meandering beaded design on main body, with net insertions.cape, lewis & co. & folkestone

This dress belonged to Ethel Nina Blundell (1876-1949), having been first made for her mother Jane Blundell (nee Burkitt, 1845-1878). Born in Dublin, Jane married James John Blundell Jr at the Black Street Congregational Church in Brighton on 16 March 1874. The Blundells were a socially prominent Brighton family who played an important role in the development of the area. James' father, publisher and bookseller James John Blundell Sr, served as a Brighton Borough Councillor between 1862 and 1867 when the local government was still in its formative years, including holding the position of Mayor in 1864. He was involved in the foundation of the Brighton Volunteer Rifle Corps and was also a strong supporter of the Brighton Ladies Benevolent Society. The Blundell family were active members of the Brighton Congregational Church and supported the construction of the Black Street church, where James Jr served as a deacon for sixty years, in addition to his work in the Crown Land and Survey Department. The dress is believed to have been made for Jane in 1875 or 1876 during her early pregnancy, likely by a local dressmaker. Jane died in 1878 when Ethel was very young, and Ethel was then raised by her father and paternal grandmother. As she never married, Ethel remained living in the family home of 'Eumana', 164 Church Street, and as an adult she assumed the role of hostess whenever she or her father had guests. On these occasions, she reportedly wore her mother's dress. The family home was sold on James Jr’s death in 1924 and Ethel was living at 52 Black Street Brighton when she died in 1949. In the 1930s, Ethel gifted the dress to a close family friend, Dr Jean Kelly. She told Jean that the garment held precious memories, perhaps due to the connection it provided to the mother she had never known. Jean donated the dress to the Merimbula Old School Museum in NSW in 1987, where it was on display for many years. The Museum donated the dress to Brighton Historical Society in 2023.This is a good example of a late nineteenth century day dress, made from two different patterns of russet brown silk brocade and featuring a lobster tail style bustle. The lack of boning combined with waist and hip measurements indicates it may have been made as a maternity dress. It is lined with beige leaf pattern cotton fabric. The princess line fitted bodice of herringbone pattern brocade has a high round neck with small 'mandarin' style collar and buttons down the front to below the waist where it forms an overskirt which is bordered with a band of coffee bean patterned brocade. The overskirt drops down to hem length at the back but from the centre front it is draped up to the back to a point below the waist level. Here it is sewn to the edge of the lobster tail style bustle which is also bordered by the coffee bean fabric. There is a concealed pocket with the opening under the right edge of the bustle. The buttons on the front of the dress have a decorative circlet of small blue flowers around a russet silk covered dome. The long sleeves are set in and slightly full with a contrasting three pleat band of coffee bean fabric with an ornamental turn back from the pleats sewn just above the wrist. The skirt section of the dress is in four 20 cm bands of alternate fabric patterns with the top and third band of coffee bean pattern slightly gathered and the second and fourth bands of herringbone forming pleated ruffles.1870s, ethel nina blundell, jane blundell, jane burkitt, eumana

Image produced in 1922Black and white photo of men and women in formal wear in a big hall.Dance Marathon at Geelong Palais 1922

Photograph probably for promotional purposes, of part of a "Hall and Hobson's" loom. Photograph was with other photographs from Yarra Falls Mill.Photograph, black and white, of a "Hall and Hobson's" loom, on a wooden floor.DSIS (?)textile machinery weaving, yarra falls mill hall and hobson, weaving looms, weaving machinery, textile machinery, weaving

Front view of Stawell Shire Hall in Longford Street with wrought iron fence and 1920's motor vehicle parked outside. The photograph taken in 1949 was donated by Mr. F. M. Mortyn who was Secretary of the Stawell Shire from 1947 - 1960. A small black & white photo of the Stawell Shire Hall with its brick facade with a parapet top. The entrance doorway in the centre with windows each side. In front a wrought iron fence. The gate of the fence is painted white. A 1920's motor vehicle is parked out the front to the right of the Shire Hall. Stawell Shire Hall 1949.stawell

Early photo of Stawell Shire Hall with decorative cast iron fence and 2 pillars either side of the gate entrance. The photos show the detail of the original building built in 1866 especially the doors and windows. The photo may have been taken in 1917-1918.Black & white early photo of Stawell Shire Hall. There is a total of 3 black & white photo's, two the same size and one enlarged. The photo has been taken directly out the front of the building showing the cast iron decorative fence with manicured shrubs out the front of the building. The photo is very similar to 84.6 but does not have the flag post on top of the building. Almost identical to 84.6 angle slightly different, no flag pole. stawell

Stawell Shire Hall photograph taken late 1990s. The building appears freshly painted with the flag pole on the left hand side. The front door is now glass.Black & white photograph of Stawell Shire Hall late 1990's. The flag pole is on left side and the building looks freshly painted. The front door is now glass. Photo in Album 7 page 53.stawell

Three photos of trees around Stawell Shire Hall, one photo taken in 1999 and two coloured taken 2011. Two are of the Norfolk Hibiscus, one 1999 and the other 2011 when the tree was removed. The other coloured photo is of the English Oak on the right side of the Shire Hall taken in 2011.Three photos of trees around the Stawell Shire Hall, two taken in 2011 & one in 1999. The 1999 photo is black & white and of the garden bed on the right of the Stawell Shire Hall. The other two photos taken in 2011 are of two different trees. One on the left side the Norfolk Island hibiscus tree removed in 2011 and on the right an English Oak tree.stawell

Stawell Shire Hall built 1866, photo taken around c 1890s. The Shire Hall has a decorative gate and fence in front of the building. This photo is an enlargement of the post card in album 14, p26. Black & white enlarge photograph of the Stawell Shire Hall c 1890's. This photo is taken from the original post card in Album 14 page 26. The post card has an EMPIRE symbol on the back with a lion and kangaroo between them is a camera on a stand. The photo shows the Stawell Shire Hall with a decorative fence in front of the building and hedge behind the fence.Post Card with EMPIRE symbol on the back.stawell

Post card of the Stawell Shire Hall built 1866. The Shire Hall in Longfield Street Stawell has seen many changes over time. The building originally had a brick facade as seen in this photo. The post card also shows the changes in vegetation around the building. In front of the two arched front windows of the building are two tall Dracaena's possible planted in c 1890's. The decorative fence was not in very early photographs of the building but appears in photographs around c 1890. The post card is located in Albun 14, p.9.Black & white post card of the Stawell Shire Hall. The building has a brick facade with trees in the background. In front of the two arched front windows of the building are two tall Dracaena's either side of the entrance. There is a decorative fence with posts either side of the entrance gates to the building. The post card is located in Albun 14, p.9.The Shire Hall, Stawell Victoria. Real Photo Series. M. 672. on the back Valentines real photo series POST CARD branches Sydney London Dundee Capetown Montreal Toronto all in a box. Published by the Valentine & Sons Publishing Co.Ltd. Melbourne, Sydney & Brisbane.stawell

Stawell Shire Hall built 1866. In this black & white photograph of the Shire Hall a white panel can be seen over the top section of the doorway to the building. Stawell Shire Hall built in c 1866. This black and white photograph shows just the front of the building with a white panel over the doorway. A small shrub on the left of the pathway behind the decorative fence.c 1937.stawell

Stawell Shire Hall built 1866 Hewitt Photo. A professional photograph of the Shire Hall showing the road and footpath in front of the building. The view shows three side windows and two at the front opf the building with four urn shaped decorations on top of the building. A flag post can be seen behind the central building decoration on the roof above the entrance doorway. The landscape around the building is well manicured with tall to medium sized shrubs. Stawell Shire Hall built 1866. Black & white photograph showing a front and side view of the building. This photo shows three side windows compared to an earlier photo, 84.2 where only one side window can be seen.Stawell Photographic Co. Close Railway Station C. HEWITT, Managerstawell

Black & white photograph of Stawell Shire Hall, taken in July 1949 when Stawell had a heavy snow fall. The photo shows the Shire Hall to the left of trees, with a laneway beside. A telegraph pole stands on the right side of the lane. The lane called Millers Lane was named in 2012. The snow fall occurred on the 18th of July 1949.Black & white photograph of the Stawell Shire Hall and Millers Lane. The photograph was taken in 1949 when snow had fallen in Stawell. Millers Lane has a telegraph pole on the corner. Longfield road looks cleared of snow but thick on either side of the road. Two tree guards can be seen in the street verge either side of Millers Lane. stawell shire hall

This photograph is a copy obtained from State Library of Victoria. The photograph is of Stawell Shire Hall. Two persons can be seen in the foreground. The two story brick building beside the Stawell Shire Hall was once the Literary Institute. The Stawell Shire Hall building has been added to over the years. Ronald Campbell, the Shires second president laid the foundation stone on 28th April. 1866. The contractors were Hutchings and Delbridge. The photograph shows the first hall and office. The building contained simple 18 feet square rooms, with an entrance hall separating them, the facade was almost as it is now. The initial cost of the Shire Hall was $502.Black and white photograph of Stawell Shire Hall as one single storey brick building with parapet on top. Beside the Shire Hall is a two storey brick building. Also, a dwelling between the two building in the background in Cooper St. Two persons in the foreground, one on the road the other on the pathway. stawell

Views of St. Patrick’s Catholic Church. Two of the photos are identical showing the parish hall on left of photo and a small part of priest's residence on right. A car can be seen parked below the church fence. Photo recorded to be taken by Ruby Willy Estate. The other photo shows a different view with a timber sign out the front of the church and two trees either side of the sign. This third photo also just shows the priests house on the right and taken around 1965 -1970.Three black and white photos of St Patrick's Church. Two are identical showing parish Hall on left of photo and small part of priest's residence on right. The other photo of the church taken at a different angle shows two trees and a church sign out the front. Electricity lines can be seen across the photo.stawell

Details of a decorative murals taken from The Weekly Times Diamond Jubilee Celebrations. The decorative mural is on the righthand side of the town hall stage. Three smaller images (floral) are on the right hand side of the mural. The artist of the murals was Will Rees.Enlarged black & white photograph of a mural with a woman seated holding a musical instrument. The image is an enlargement of the righthand panel beside the stage in the town hall. The enlargement taken from the Weekly Times newspaper cutting of the Stawell Diamond Celebrations The paper was handed on to the Society by Stawell Athletic Club.stawell