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Melbourne Legacy
Photograph, Legatee function
A legatee function in Legacy House with the Hon. Lindsay Thompson CMG speaking. Date unknown but the men beside him are L/ John Stevenson and L/ Tony Norris who were president in 1993 and 1990 respectively. The paper label says his speech allowed members to share some of his parliamentary reminiscences. Photos were in a scrapbook of photos spanning 1980s to 1990s. From Wikipedia: 'Lindsay Hamilton Simpson Thompson AO, CMG (15 October 1923 – 16 July 2008), Australian Liberal Party politician, was the 40th Premier of Victoria from June 1981 to April 1982'. He served in the Victorian parliament for 25 years.A record that the speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied. Colour photo x 2 of the Hon. Lindsay Thompson CMG, being guest speaker at Legacy House and a white paper label.White paper label with black type 'The Hon. Lindsay Thompson, CMG, guest speaker at Legacy House, allowed members to share some of his parliamentary reminiscences. Many a tale was told and enjoyed.'speakers, legatee event -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Greensborough Historical Society
Book, What house is that? A guide to Victoria's housing styles, 2007_
A guide to period building styles in Victoria. Contains heritage colour suggestions and description of main architectural elements.These house styles are common throughout Victoria and may also be found in the Greensborough area.31 pages, soft yellow cover with title in grey and white. Colour illustrations and black and white line drawings.houses victoria, heritage council of victoria, heritage victoria, david harvey -
Greensborough Historical Society
Article, From a house to a community institution: the Diamond Valley Community Hospital, 1934-2000
This article tells the story of the Diamond Valley Community Hospital from its beginnings as a private hospital in the 1930s, its use as a community hospital from 1954 to its closure in 2000.A primary source recollection of the Diamond Valley Community Hospital, Greensborough.3 typed pages.diamond valley community hospital, greensborough, genista house, butterworth, cordner, avery -
Phillip Island and District Historical Society Inc.
Book, treasure house
Inscribed: to Kerry & John from Grandma McDonald Xmas 1958. Stamped: Phillip Island & District Historical Society. -
Phillip Island and District Historical Society Inc.
Book, DICKENS, Charles, Bleak House
Book from the Cleeland Bequest - a comprehensive collection of books relating to the History of England, Civil & Military, Religious, Intellectual & Social. Stamped 'Cowes Free Public Library'. Labelled 'Cowes Free Public Library', 'Phillip Island Historical Society, Cleeland Bequest'.cleeland bequest -
Phillip Island and District Historical Society Inc.
Book, GALSWORTHY, John, country house
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Phillip Island and District Historical Society Inc.
Book, HAWTHORNE, Nathaniel, house of the seven gables
Labelled 'Cowes Free Public Library', 'Phillip Island Historical Society. Cleeland Bequest'. -
Greensborough Historical Society
Book, A girl at Government house: an English girl’s reminiscences, ed. By Helen Vellacott, 1932_
An English girl's reminiscences: 'below stairs' in Colonial Australia. Set in Sydney and Melbourne.145 p., illus. (some col.).Signed by author.helen vellacott, melbourne -
Greensborough Historical Society
Photograph - Digital Image, 14 Poulter Avenue [exterior, side of house and garden], 21/05/2014
Built in the 1930s, the exterior of this property is in close to original condition.Digital copy of colour photograph.poulter avenue -
Greensborough Historical Society
Photograph - Digital image, Marsh house 1973, 1973_
Richard Marsh's family home on the corner of Hailes and Church Street Greensborough, taken in 1973. (Copy made 31/10/2011)This is a significant house in Greensborough, still standing today.Digital copy of black and white photograph.richard marsh, marsh house, hailes street greensborough -
Greensborough Historical Society
Photograph - Digital image, Old house, Eltham, 1933, 1933_
Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows the old farmhouse at John McLaughlin's Eltham property.Digital copy of black and white photograph.dorris mclaughlin, john mclaughlin, eltham -
Greensborough Historical Society
Photograph - Digital image, Iredale 1 [man and house], 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The man in this photograph has not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, View from Rose McLaughlin's house, Beales Road Greensborough 1937, 1937_
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows the view from Rose McLaughlin's Beales Road home in 1937.This photograph shows the rural nature of Greensborough in the 1930s.Digital copy of black and white photograph.shirley fraser, rosalie mclaughlin, beales road -
Greensborough Historical Society
Photograph - Digital image, Nance Reardon, Simons house with footpath 1950s, 1950s
Photograph of Grimshaw Street with the Simons family home third on the right, taken in 1950s. Note the footpath is now made.Digital copy of black and white photograph.simons family, grimshaw street greensborough -
Greensborough Historical Society
Article - Website, Paul Shapiro, Original Futuro house in South Morang, by Paul Shapiro, 02/07/2017
Of Finnish design, the building has been used as a sales booth at the Apollo Parkways estate, and moved to the TUKE Go-Kart Track on McDonalds Road South Morang, where it is being used as a storage building.3 p. text and col. and black and white photographs (digital reprint of original publication)futuro house, apollo parkways -
Greensborough Historical Society
Photograph - Digital Image, Sartori house, 2019_
Exterior views of the Sartori family home.Digital copy of colour photographsirma sartori, sartori family -
Koroit & District Historical Society
photograph, Court house Hotel
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Koroit & District Historical Society
Photograph, Originally Court House Hotel
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Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, House, Poulter Avenue Greensborough 2016, 11/08/2016
Two photographs of the 4 Poulter Avenue Greensborough. Front and rear aspects.Digital copy of colour photograph.poulter avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, House, Poulter Avenue Greensborough 2016, 11/08/2016
Photograph of 6 Poulter Avenue Greensborough. Digital copy of colour photograph.poulter avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, House, Poulter Avenue Greensborough 2016, 11/08/2016
Photograph of 62 Poulter Avenue Greensborough. Digital copy of colour photograph.poulter avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Jan Lewis, View From Flintoff Street Swing Bridge to the Sondemeyer's House in Briar Hill circa 1958, 1958c
From Flintoff Street swing bridge to Sondemeyer's circa 1958 Digital copy of black and white photographflintoff street, sondemeyers hill -
Greensborough Historical Society
Photograph - Digital image, Jan Lewis, View from Sondemeyer's House overlooking the Greensborough Tea Gardens and bridge circa 1958, 1958c
From Sondemeyer's overlooking Tea Gardens and bridge circa 1958Digital copy of black and white photographsondemeyers hill -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: bedroom light and ceiling rose, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: bedroom, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: ceiling rose, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: fireplace, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: front door, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: Hall, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough