A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 26 Highview Gve., Burwood in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $160,250 in 1994 Since being sold the land has been redeveloped, with nothing remaining of the house depicted in this drawing. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 26 Highview Gve., Burwood East. An angled birds eye view from the street of a weatherboard house and carport. Extending to the backyards with pool, pagoda, and shed in the background. There are two hole punch holes on near the left edge. There are some crinkles in the paper near the top centre of the work. There is a two centimetre long mark along the centre top edge.26 Highview Gve., Burwood E Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Malvan for the purpose of advertising 16 Kalista., Burwood in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $145,500 in 1991 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 16 Kalista Court., Burwood East. A driveway run right to left in the foreground, with a single story L shaped brick house in the background. On the right is a front yard with a gumtree, enclosed by low timber fence. There are two hole punch holes along the top edge.16 Kalista Court., Burwood E. Margaret Picken Woodards - Malvanwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood esat

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 8 Lorraine Dve. Burwood East in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $150,000 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 8 Lorraine Dve. Burwood East. One story brick house behind a front yard and picket fence. A footpath in the foreground from left to right, with a gumtree near the middle. Two hole punch holes along the top edge.8 Lorraine Dve. E.Burwood Margaret Picken -95 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood esat

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 8 Balyarta Crt., Forest Hill This property is listed as having sold for $158,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 8 Balyarta Crt., Forest Hill Of a two story house with a double garage in the background. A landscaped front lawn in the left foreground, and a driveway leading to the the garage in the right foreground. There are 2 hole punch holes along the top edge.8 Balyarta Crt., Forest Hill Margaret Picken -96 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 2 Bennett St., Forest Hill This property built circa 1960's, is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 2 Bennett St., Forest Hill Of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge.2 Bennett St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 1 Boyle St., Forest Hill This property is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 1 Boyle St., Forest Hill of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge, with the punched out holes still attached.1 Boyle St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 23 Deanswood Rd., Forest Hill This property is listed as having sold for $215,000 in 1993 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 23 Deanswood Rd., Forest Hill. In the background a single story brick house with porch surrounded by trees, a driveway on the left leading to the house. In the foreground on the right is a front lawn with five trees. There are two hole punch holes along the top edge.23 Deanswood Rd., Forest Hill Margaret Picken -93 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 10 Echunga Close., Forest Hill. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 10 Echunga Close., Forest Hill. Depicting on the left foreground a driveway leading to a brick two door garage, on the right a path to a house and front lawn. In the background is a two story brick house. There are two hole punch holes along the top edge.10 Echunga Close., Forest Hill Margaret Picken -94 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 96 Mahoneys Rd., Forest Hill. This property is listed as having sold for $142,500 in 1994. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 165 Mahoneys Rd., Forest Hill, a brick path leading to a flat roofed single story house set back from a lawn and garden in the foreground. There are two hole punch holes centre near the upper edge. There are smudges near the top left corner of the artwork. There are light linear marks on near the centre right border. 165 Mahoneys Rd., Forest Hill Margaret Picken -94 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 52 Lisbeth Ave., Mitcham Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 52 Lisbeth Ave., Mitcham depicting a black and white line drawing of a two story house with built in garage perched at the top of a steep driveway winding up from the centre foreground. There is garden either side, with gumtrees and shrubs. There are two holepunch holes centered just under the upper edge52 Lisbeth Ave., Mitcham Woodards - b/burn - M.Pickenwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Donated to the Geelong Football Club by Dr Peter Richmond Grandson of ticket holder, Ernest Samuel Richmond. Supplied also with copy of photograph of Richmond in his gig associated with his trips from Winchelsea to High st Belmont where Mr Richmond would leave his horse and gig before catching a tram to Corio Oval East Geelong to watch the Geelong team in action.GFC Membership ticket. Folded ticket with deep blue textured front with gold lettering stating - GEELONG FOOTBALL CLUB GEELONG/FOOTBALL/CLUB/SEASON/1925. Inside folded section has white paper with heading on left of fold - GEELONG FOOTBALL CLUB - followed by list of office bearers, general committee. Signed in black ink, lower left side - E.S. Richmond Winchelsea - Right side of fold has numbers 1-23 printed around top, right and lower edge of card. The 3, 5 9, 13, and 15 have been perforated through. Dates and fixtures for the season are listed. Stamped in black is the number - 3912 - lower right side. Printed over both sides in light blue states - GEELONG/1925 -dr peter richmond, ernest samuel richmond, geelong cats, gfc

The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel

The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel

The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel

The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Letter sent with two photographs. Please find enclosed a couple of photos taken in Ballarat in 1962 which came from an album of my mother's Marian Mitchell (nee Robinson). She and some friends were on a road trip across Victoria to New South Wales. You are welcome to reprint these. One is of the Ballarat Rodeo and the other is of mum in the morning at their roadside camp in Ballarat. The sign on the shed has two words, the first one says Caledonia - the second perhaps you'll be able to find out? Both taken in 1962. I hereby give you permission for your society to re-print and distribute both these photos as you choose (although these aren't exactly the most expertly taken pictures). If more come our way over the course of my continued cleaning out of the cupboards I will send these too. Cheers etc3.5" x 5" landscape size black and white photograph showing horses and riders in a rodeo at Ballarat Showgrounds.BALLARAT (front top) Verso: Bronco minus cowboy Ballarat Rodeo 1962

Letter sent with two photographs. Please find enclosed a couple of photos taken in Ballarat in 1962 which came from an album of my mother's Marian Mitchell (nee Robinson). She and some friends were on a road trip across Victoria to New South Wales. You are welcome to reprint these. One is of the Ballarat Rodeo and the other is of mum in the morning at their roadside camp in Ballarat. The sign on the shed has two words, the first one says Caledonia - the second perhaps you'll be able to find out? Both taken in 1962. I hereby give you permission for your society to re-print and distribute both these photos as you choose (although these aren't exactly the most expertly taken pictures). If more come our way over the course of my continued cleaning out of the cupboards I will send these too. Cheers etc3.5" x 5" landscape size black and white photographMORNING - TIME (top front) Verso: Me at Ballarat (trying not to laugh) Marian Robinson -1962-

Also black and white copy 12.5 x 18 cm with smear of purple ink in top left hand corner, purchased from Helen ClothierTinted black and white photograph showing boardwalk from New Works Jetty over the sand dunes with small shed on jetty, small one room Boole Poole school on right of boardwalk and harbour master's house on right. Club Hotel on opposite foreshore and town on far right. Kalimna escarpment in background, at Lakes Entrance, Victoria.View of Cunninghame Victoriaboardwalk, waterways, ships and shipping, township, topography

Image appears to be copied from an original postcard, maker unidentified|Also and enlarged copy of photograph 27 x 17Colour photograph of the LookOut Tree on Jemmys Point, shows a dead standing grey box tree supported by two logs and with a ladder over thirty feet long attached for access to the four branches used as a viewing platform. One person sitting on top, man in Indian dress halfway up ladder. Lakes Entrance Victoria.LookOut Tree at Lakes Entrance Cunninghame, Victoriahistoric sites, navigation, transport

The flagon of port was released for the commemorative cricket match Australia versus England to celebrate the "origin of the Ashes" at Rupertswood in Sunbury on the 18 January 1995. A cricket match took place at Rupertswood in 1882, a ball was burnt and the ashes placed in an urn (according to local legend). The flagon is number 56 of a limited edition of 2000.These flagons were produced for the re-enactment of the original social cricket match held at Rupertswood in 1882. The commemorative cricket match was held in January 1995 with Allan Border captain for Australia and David Gower captain for England A cream and green glazed flagon with sloping sides. The lower half of the flagon is cream with a red, green and yellow insignia to commemorate the "origin of the ashes" cricket match and a brief history of the game. The upper half and neck is green. There is a red seal over the cork although it has a crack across top is unbroken and the port is still in the flagon.(insignia) ORIGIN OF THE ASHES / SUNBURY AUSTRALIA /origin of the ashes committee, rupertswood, border, allan, gower, david, cricket, wines, bottles, george evans collection, flagons

Also sepia toned photographic print 10cmx15cm, good condition old cat No 310 or 318? (Club Hotel and Hummocks area cropped from top) also Black and white photographic print 12.5cmx18cm, good condition- 2 copies 'Original T-Beam bridge opened Sept 1917 on reverse P01151-3.Black and white photographic miniature postcard showing the concrete bridge over the North Arm, showing the extended abutments, and shortened bridge length compared to previous bridge, causing restriction of waterway. Two walkers and horse drawn vehicle, buggy, on bridge. Remaining piles of wooden bridge upstream of bridge, telegraph poles upstream of bridge and across mudflats. Bridge to Bullock Island from mudflat, Club Hotel, Cunninghame Arm, and sand hummocks in distance. Lakes Entrance Victoriabridges, waterways, coast, transport, hotels

Black and white photograph of the Harbecks delivery truck, shows Mr Harbeck with grocery apron over his clothing and a woman standing beside truck, two women and six children sitting on top of the load. Lakes Entrance Victoriagenealogy, transport, waterways

Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today The Thermocot Developed from the Port-O-Cot, CIG later produced the Thermocot. The new humidicrib had a number of advantages over the Port-O-Cot. Most importantly it had an over-temperature alarm and cut out. It was also calibrated in degrees Celsius as by then the metric measuring system had been introduced to Australia. It also had a front opening canopy which was easier for nursing staff to use. Metal box with Perspex opening top section. Carry handles at each end.Thermocot portable infant incubator CIGinfant

presented to R.M. Syer inaugural president of the Shepparton & Mooroopna District Ambulance Committee. Committee members named in photographBlack and white photograph with grey matting and white over-painted timber frame. Group of 12 men in suits. Photograph of another man pasted into top right corner.PRESENTED TO MR R.M. SYER FOR SERVICES RENDERED AS INAUGURAL PRESIDENTshepparton & mooroopna district ambulance committee, mooroopna, shepparton

Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today The Thermocot Developed from the Port-O-Cot, CIG later produced the Thermocot. The new humidicrib had a number of advantages over the Port-O-Cot. Most importantly it had an over-temperature alarm and cut out. It was also calibrated in degrees Celsius as by then the metric measuring system had been introduced to Australia. It also had a front opening canopy which was easier for nursing staff to use. Metal box with Perspex opening top section. Carry handles at each end.Thermocot portable infant incubator CIG

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe painted interior with a set of black horizontal lines, the rim with sets of trapezoids within lines, the outer rim painted, the neck with black band at top and bottom centred with red band between sets of horizontal black lines, another set of narrow bands on shoulder, the painted twin horizontal loop handles with horizontal wavy line between on each side, over a set of lines between bands. cypriot