This small film development system was developed by Kodak for the amateur photographer. It was a small portable system which made the development of film more accessible to the enthusiast.This is an interesting item and quite innovative and as such has historic and scientific and research significance.A stained wooden rectangular box with dovetailed corners and a lid which is loose and sits inside a ridge.There are two holes drilled in both the longer sides of the box. The lid has a smaller raised section with Kodak Film Tank in red and black text a paper chart is stuck to the underpart of the lid..The interior of the box is painted black and there is a metal cylindrical tin with a lid and inner section.There is a spool attached to one end of the box.There are four loose items, two long prongs with black plastic knobs, a similar length implement with a straight shaft and hooked section on the end and a metal spool.Kodak film Tank on the lid of the box and the lid of the cylinder. The bottom of the cylinder has stamped around the outer rim, " manufactured by Eastman Kodak Co, Rochester NY. Pat Aug 26. 02 May 23 05 May 21 07.Sep 17 07. On the under part of the lid stamped into the timber, ' by Eastman Kodak Co, Rochester NY.kodak film tank, 1907 kodak film tank, warrnambool history

This rod was salvaged from the American three-masted wooden clipper ship, Eric the Red, named after the Viking discoverer, Eric the Red. The ship first traded in coal between America and Britain and later traded in guano nitrates from South America. In 1879 its hull was re-metalled and the vessel was in first class condition. On 10th June 1880 Eric the Red departed New York under the command of Captain Z Allen, with 24 crew plus two passengers. It was heading for Melbourne and then Sydney. The ship was commissioned by American trade representatives to carry a special cargo of 500 American exhibits for the U.S.A. pavilion at Melbourne’s first International Exhibition. The items included furniture, ironmongery, wines, chemicals, dental and surgical instruments, paper, cages, bronze lamp trimmings, axles, stamped ware, astronomical and time globes, and samples of corn and the choicest of leaf tobacco. Also on board was general merchandise such as cases of kerosene and turpentine, brooms, Bristol's Sarsaparilla, Wheeler and Wilson sewing machines, Wheeler’s thresher machine, axe handles and tools, cases of silver plate, toys, pianos and organs, carriages and Yankee notions. The ship had been at sea for 85 days when, on 4th September 1880, it hit the Otway Reef on the southwest coast of Victoria and was quickly wrecked. Captain and crew ended up on floating parts, or in the long boat or the sea. He was amongst the 23 battered and injured men who were rescued by the steamer Dawn and later taken to Warrnambool, where they received great hospitality and care. Four men lost their lives; three crew and one passenger. Captain Allen took the train back to Melbourne and then returned to America. The captain and crew of the Dawn were recognised by the United States Government in July 1881 for their humane efforts, being thanked and presented with substantial monetary rewards, medals and gifts. The salvaging ship Pharos collected Wheeler and Wilson sewing machines, nests of boxes, bottles of Bristol’s sarsaparilla, pieces of common American chairs, axe handles, a Wheelers’ Patent thresher and a sailor’s trunk with the words “A. James” on the front. A ship’s flag board bearing the words “Eric the Red” was found on the deckhouse; finally, those on board the Pharos had found the name of the wrecked vessel. The government steamer Victoria and a steamer S.S. Otway picked up flotsam and wreckage. A whole side of the hull and three large pieces of the other side of the hull, with some of the copper sheathing stripped off, had floated onto Point Franklin. Some of the vessel's yards and portions of its masts were on shore with pieces of canvas attached, confirming that the vessel had been under sail. On shore were many cases of Diamond Oil kerosene labelled R. W. Cameron and Company, New York. large planks of red pine, portions of a small white boat and a large, well-used oar. There were sewing machines, some consigned to ‘Long and Co.”, and notions, axe and scythe handles, hay forks, wooden pegs, rolls of wire, some branded “T.S” and Co, Melbourne”, and kegs of nails branded “A.T. and Co.” from the factory of A. Field and Son, Taunton, Massachusetts. Other cargo remains included croquet balls and mallets, buggy fittings, rat traps, perfumery, cutlery and Douay Bibles, clocks, bicycles, chairs, a flywheel, a cooking stove, timber, boxes, pianos, organs, wooden clothes pegs and a ladder. There were three cases of goods meant for the Exhibition Other items salvaged from amongst the debris floating in the sea were chairs, doors, musical instruments, washing boards, nests of trunks and flycatchers. Most of the goods were saturated and smelt of kerosene. A section of the hull lies buried in the sand at Parker River Beach. An anchor with a chain is embedded in the rocks east of Point Franklin and a second anchor, thought to be from Eric the Red, is on display at the Cape Otway light station. A life belt was once on the veranda of Rivernook Guest House in Princetown with the words “ERIC THE RED / BOSTON”. Parts of the ship are on display at Bimbi Park Caravan Park and Apollo Bay Museum. Flagstaff Hill Maritime Village also has several artefacts from the wreck. There seemed to be no personal luggage or clothing. “The Eric the Red is historically significant as one of Victoria's major 19th century shipwrecks. (Heritage Victoria Eric the Red; HV ID 239) The wreck led to the provision of an additional warning light placed below the Cape Otway lighthouse to alert mariners to the location of Otway Reef. The site is archaeologically significant for its remains of a large and varied cargo and ship's fittings being scattered over a wide area. The site is recreationally and aesthetically significant as it is one of the few sites along this coast where tourists can visit identifiable remains of a large wooden shipwreck, and for its location set against the background of Cape Otway, Bass Strait, and the Cape Otway lighthouse.“ (Victorian Heritage Database Registration Number S239, Official Number 8745 USA)Iron rod with flat lugged washer. The rod is made of a heavy metal with encrustations and signs of rusting on the surface. It is stepped down in diameter mid-shaft and is slightly bowed on the narrower end. The narrow end flares out slightly in the last few centimetres with a burred foot and has a circular head on the wider end. The washer on the narrower end cannot move past the centre or the narrow end of the rod. The washer is a different metal from the rod and has a small lug jutting out along the circumference in one position. The rod was recovered from the wreck of the ship the Eric the Red.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rod, iron-rod, eric the red, steamer dawn, cape otway reef, 1880, captain allen, usa pavillion, melbourne exhibition, melbourne international exhibition, captain jones, medal, united states government, pharos, a. james, flag board, steamer victoria, steamer otway, diamond oil, r w cameron and company, long and co., t s and co melbourne, a. field and son, taunton, massachusetts, ketch apollo, ship nail

Black and white Photo of Pall Mall Bendigo - early days - late 1800's - postcard -rear of card shows Royal Historical Society of Victoria Bendigo Branch - Hustlers Royal Reserve No.2 Locality; Pall Mall Bendigo RSL Memorial Hall now occupies site. Depth of shaft -1,660 feet, Formed 1885, closed 1917, Poppet legs - steel, 60 feet high. Winding engine: First motion, 24 in. Cylinders, 10ft. Drums. Gold Yield - 10,262 ozs .Dividends 3,200 pounds. / Photo shows Beehive sign.postcard, photograph, bendigo, pall mall bendigo - early days - late 1800's /--hustlers royal reserve no.2 locaility ; pall mall bendigo rsl memorial hall / beehive sign

Letter to Barry Secombe, Manager Community Services, from George Ellis, for the Proposed: Hercules & Energetic Mine Project. Letter dated 21 June 2005 and printed on a brown Long Gully Neighbourhood Centre Inc letterhead .Mentioned in the letter, The History Group wish to install a plaque on the Linear Park walking track near Creeth Street Long Gully to acknowledge the site (not the Shaft) of the Hercules and Energetic Mine formally the Energetic Mine. It is also mentioned that Sir John Quick once worked at this mine before he went to University. There is a suggestion of where the plaque could be located.bendigo, history, long gully history group, the long gully history group - proposed: hercules & energetic mine project, long gully neighbourhood centre inc, barry secombe, city of greater bendigo, the long gully history group, energetic mine, sir john quick, bendigo evening news, prof geoffrey blainey, melbourne herald january 2nd 1986, george ellis

A Frank Sugg 'Court' tennis racquet with solid convex throat, and fine-grooved handle with fish-tail butt. Model and manufacturer's names impressed across the throat and along the shaft on the obverse, respectively. A circular cavity across the throat on the reverse may have contained a medallion featuring manufacturer's details, similar to the decal situated immediately below. It reads: RES[TR]UNG/FRANK SUGG LTD./LOR[D S]T. LIVERPO[OL]/S[H]EF[F]IE[L]D/.../C[ARD]IFF. Materials: Wood, Lacquer, Glue, Metal, Gut, Inktennis

A wooden racquet with an open throat, split by a steel threading shaft, with inscription: CRAVEN. PAT. The base of the head on both sides features the decal inscription: SHUR-TITE. The stem on the obverse features a decal logo, in gold, red and black, of a dog above a diamond device. Inscription within and below device: D & M/.../SPORTING GOODS/MADE IN/U.S.A. Logo also features on red butt cover, impressed in gold. Inscription along right side of stem: MADE BY THE DRAPER-MAYNARD COMPANY/PLYMOUTH, N.H. Materials: Wood, Glue, Lacquer, Metal, Ink, Gut, String, Leather, Clothtennis

A concave wooden racquet with red, black, and gold whipping and stem wraps, and short, leather handle grip. Inscription across base of head on obverse: AEROFLIGHT. Company monogram 'B' situated below on throat. Inscription across base of head on reverse: "BENTLEY"/NIAGARA/FALLS. Decal of company coat-of-arms below on throat. Inscription along right side of stem: MADE IN CANADA, followed by patent details. On left side of stem: SPRING DRIVE SHAFT. Materials: Wood, Nylon, String, Metal, Ink, Glue, Lacquer, Leather, Cloth tape, Adhesive tapetennis

A Davis Classic II tennis racquet, with string whipping around shoulders and ribbon whipping around shaft, and leather handle grip with patterned perforations. Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on reverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on obverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, String, Leather, Adhesive tape, Paint, Rubber, Ribbon, Fibreglasstennis

A Dunlop Maxply tennis racquet (.1), with plastic ribbon whipping around shoulders and shaft, and 'Eternyl' polyamide (nylon) stringing. On the obverse, the Dunlop Maxply trademark features across base of head and throat. Dunlop logo in arrowhead device features across base of head, on reverse. Dynamic 'D' trademark features on red butt cover. Racquet head cover (.2) features white Dunlop logo upon burgundy background. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Cloth, Metal, Plastic, Paint, Synthetic materialtennis

Two-part object. (1) A Dunlop 'Lady Maxply Fort' model tennis racquet, with whipping on shoulders & shaft, handle wrapped in Dunlop-branded leather, and a plastic butt cap impressed with manufacturer logo. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Wilson branded strings. Handle has original plastic packaging wrap. (2) White vinyl racquet head cover with silver zipper, and printed with manufacturer logo and name in blue & red. Materials: Wood, Vinyl, Adhesive tape, Leather, Ink, Plastic, Painttennis

A Wright & Ditson 'Championship Red Ribbon' tennis racquet. String whipping around shoulders and around base of throat. Racquet model name 'RED RIBBON' , printed along throat on obverse and model name 'CHAMPIONSHIP' printed across throat on reverse. Manufacturer name and place of manufacture printed on right side of shaft. Octagonal fine-grooved handle , with leather end wrap and butt cap. On butt cap is printed 'HIGH QUALITY/JC HIGGINS/TRADEMARK/SPORTING GOODS'. Net strung in diagonal formation. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Stringtennis

A Wright & Ditson 'WLS Blue Streak' tennis racquet. String whipping around shoulders and base of throat. Racquet model name 'BLUE STREAK', printed along throat on obverse and model name 'WLS' printed as lightning bolts across throat on reverse. Around the 'WLS' emblem there are three circular designs with 'SR/Co' (retailer name) contained within each. Manufacturer name and place of manufacture printed on right side of shaft. Octagonal fine-grooved handle, with leather end wrap. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Stringtennis

A Spalding 'Tournament' model tennis racquet, featuring vinyl stringing, leather wrapped grip and plastic butt cap. Manufacter's 'star within a circle' logo features on throat and butt cap. Model name printed on right shoulder on both sides. Manufacturer logo printed on butt cap. Manufacturer name printed along shaft on both sides. Wilson Championship brand printed on net strings. Blue sticker on handgrip says 'INSPECTED BY/2'. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, String, Adhesive tape, Fibre, Paint, Plastictennis

Handwritten notes on the Old Chum Co. Ref. M. D. Early History of Old Chum & The Old Chum Coy. Notes mention the popularity and locality of the mine. The shaft being well timbered. List of dates, tons of ore and the ounces of gold obtained from it, Dividends paid, Mine worked by steam. Engine 18 H. P. 13 in dia cylinders. No pumps, mine perfectly dry. No crushing battery. Mine crushed at Endeavour and the 'Fortuna'. Keeping 3 batteries going altogether. Mine registered 16/6/1871. Notes prepared by Albert Richardson.document, gold, old chum mine, old chum mine, notes on the old chum mine, endeavour, fortuna, m d early history of old chum & the old chum coy

Bituminous coal is the most common type of coal, abundantly found in ancient coal deposits which can be dated back millions of years. Often referred to as soft or black coal, this specimen exhibits a high carbon content, ranging from 76-86%. It also holds a relatively high energy density (27 MJ/kg) meaning that it releases significant amounts of energy when burned. Bituminous coal is most commonly used for electricity generation, as well as in the production of steel. This particular piece of coal was collected as part of the Geological Survey of Victoria in the nineteenth century. It originates from Cape Paterson, a seaside village located in South Gippsland, Victoria (located on Bunurong Country). The discovery of bituminous coal in this locality was first made in 1826 by explorer William Hovell. More discoveries were gradually made over the following decades and in 1859 the Victorian Coal Company commenced the first active coal mining operations in the state by sinking a number of shafts and bores near the area of Cape Paterson. Evidence of this coal-focused past can be found today at the State Coal Mine Museum in the nearby town of Wonthaggi. This specimen is significant as it was collected from the locality of Cape Paterson in Victoria, an area that has since become historically instrumental in the mining of coal and other substances in the state of Victoria. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A solid hand-sized piece of bituminous coal with a shiny black-grey surface and jagged edges.Existing Label: BITUMINOUS COAL / Locality: Cape / Patterson, VIC. burke museum, beechworth, geological, geological specimen, state coal mine museum, wonthaggi coal mine, victorian coal company, bituminous coal, coal victoria, coal energy generation, william hovell, cape paterson, coal specimen

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Workmen working inside one of the tunnels. 2-Workman drilling in West Kiewa Tunnel 3-Junction Dam wall construction 4&5-2B&W photographs Kiewa House residents ready to go to a ball in Mt Beauty 6-Workmen warming up in front of a fire at No 1 bench 7-Workmen being hauled in at No 4 P.S Shaft 8-No 4 Power Station – Drilling 9-Workmen eating a hot meal in the tunnel. 10-2 photographs (a)Pretty Valley camp showing workman’s huts and construction materials & (b)Worker in Langford Gap Basalt Hill Tunnel face 11-Tunnel entrance (unlabelled) with rail tracks in foreground 12- Workmen drilling at No 1 Head race tunnel-Drilling face 13- No 1 Power Station 14-Workmen at the entrance to one of the SECV tunnels under construction 1-SECV number at bottom of picture Half obscured possibly K8461 Page number 53 2-In West Kiewa Tunnel Page number 54 3- Construction of Junction Dam wall – approximately 1941 Page number 55 4&5- Residents of Kiewa House at Bogong ready to go to the ball at Mt Beauty-1946. Handwritten on a copy of the photo on opposite page Mrs Lorna Crosset filled out the names *Dad was Des Crossett – his daughter is Gael Petcopoulis Greta engaged to John broke it off. Charlie, Rosalind, Bill, Priscilla, Max Lawrence-Dad’s Boss, Mary & Max married, Mary, Kay, Gwen McPherson Mum’s boss, John McCluskey (c) At No. 5 Bench Page number 56 6- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 27.2.51 Time:2.15pm No K6373 Kiewa Hydro Electric Works No. 4 P.S. Shaft – Haulage of men in buckets (b) As above Handwritten at top of photo Appendix 4 page number 57 7- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 6.6.52 Time:… No K7122 Kiewa Hydro Electric Works No. 4 POWER STATION – DRILLING page number 58 8-No markings page number 59 9-(a)Handwritten under photograph Approx. 1948/49 (b) STATE ELECTRICITY COMMISSION OF VICTORIA Date: 28.10.54 Time:.. No K7860 Kiewa Hydro Electric Works LANGFORD GAP BASALT HILL TUNNEL FACE Page number 49 10-(a) No markings 11- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 20.3.52 Time: No K6979 Kiewa Hydro Electric Works No. 1 HEAD RACE TUNNEL – DRILLING FACE (E.E.E. CONTRACT) ‘The Frenchies’ (E.E.E) as they were affectionately known Page number 50 12-31.5.56 No. 1 Power Station Aggregate Stock Piles. Page number 51 13&14-No markings Page number 52 secv; kiewa hydro electric scheme; bogong; mt beauty; construction area

Black and white image - very faded - of miners from the New Red White and Blue Mine, and North Deborah Mine. Men are standing in front of large mullock heaps, sitting in front and standing on slope of mullock heap behind. Very large group of men dressed in working clothes. On top of image in biro New Red, White and Blue North Blue, 2 and 3 Blue, 1923 On back of image: written in biro are names of men. New Red White and Blue Consolidated Mining Co., North Red White and Blue No. 2 north of main shaft, No. 3 Blue, south of main shaft, Quart Hill, Adams Road. Names of miners written in back in pen: (no order given) New Red, White and Blue Consolidated Mining Co., North Red, White and Blue No 2 north of main shaft, No 3 Blue South of Main Shaft, Quartz Hill, Adams Road, (Golden Square). Mine managers: W Brimacombe, Fred Woods, Bob O'Brien, John Saunders, George Kinsgley, Jim Arthur, Bill Bren, Charle Cheetham, Tom Rowe (Snr), Grimshaw Hayes. Underground managers - shift bosses Bill Crosman, Steve Rothenberger, Tom Turner, Jim Chapman, Snowy Read, Jim Poole, J Champman, Bil Leggo, Gus Vlaminck, Biven Shelton, Ted Connors. (Photo) Phil Lanyon, Jack Plant, Jim Plant, Tom Turner, Tom Rowe (Sen) Bob O'Brien, Jim Buller, Arthur Webster, C. Neeman, Jack Craven, Peter Millar, Engine Driver Fred Watson, P Hopley, Jim Purdy, Jack Bottom, George Ross, Dave Rigbye, Gill Dupey, Fred Smith, Er Smith, Dick Plowright, Charlie Rickards, H. Stevenson, Sal Smith, Bill Harris, Frank Greig, C. Reid, Bill Leggo, Jim Poole, George Moore, W. Webb, Windy Hurst Shaft repairing: Harry Shelton, Bil Beveridge, Ted Porter, Joe? Harry Pollard, W. Polglase, Dave Lyke, Bill Del, W. Boland, Jack Hosking, Polshaw, Pomp Davidson, Jim Lesley, Dan Scully, Cliff Barton, George Barton, Tom Crowther, Bill?, Jack Hosking, Ern Rushmeyer, George Hocking, W. Benbow, Joe Hocking, Jim Jose, Jack Jose, Herb Bill, Dick Arthur, Taff Hocking, Charlie Dean, pat Doyle, Peter Doyle, Bob Davey, Roger Trewarne, Wilf Watson, Bill Hatfield, Dick Lanyon, Hughie Atherton, Ashley Rigbye, John Purdy, Bill Watson, Jim Watson, Perce Johnson, Russ Champan, W. McNamara, W. Nievandt, E. Jobe, Bill Yates, Yate McBeth, Alex Eadie, Jim Eadie, Jorgensens, Leo Atherton, Ted Comners, 2 Battery: Mears, Bill Dewar, Dave Luke, Allan Arthur. Deutchman, Les Balle, Perce Balle, Bob Hunter, Ray Jackson, Cec Waterman, George Randall, Ted Porter, Yate McBeth, W. Lamont, D. Rigbye, J. Purdy Platman North Blue 14 years (7.7.1920 - 1.11.1940) Engine Drivers: Fred Watson, Jack Plant, Harry Hanson, Anthony Hall, Jack Botton, Harry Nicholas, John Teasdale.bendigo, mining, red white and blue

Climax geared locomotive No. 1694 in active service on special occasions - stored at Emerald Station A Miraculous Survivor Climax locomotive No.1694 is a miraculous survivor of a rare breed of steam locomotive. For about 100 years from the mid-1850s sawn timber was carted from Victorian sawmills to the nearest railway station by timber tramway. These tramways were generally very rough, steeply graded, sharply curved, and of narrow gauge. Many had wooden rails, and horses provided haulage. The better ones used steam locomotives. In all about fifty steam locomotives are known to have worked on Victorian timber tramways. These locomotives were usually somewhat peculiar - made to cope with arduous, rough conditions, rather than speed. Climax locomotive No.1694 is the only one of these locomotives to survive intact. It was built in 1928 by the Climax Manufacturing Company, Corry, Pennsylvania, USA, for the Forests Commission of Victoria. The distinctive feature of the Climax locomotive is that the cylinders do not directly connect to the driving wheels. Instead they drive a cross shaft near the centre of the locomotive. From there the drive is transmitted to the small driving wheels through rotating shafts, universal joints, and bevel gears. The driving wheels are mounted in two four-wheel bogies so that they can easily follow sharp curves in the track. None of these features are found in normal steam locomotives. The result is a locomotive that is extremely powerful for its size, and that will cope with sharp curves and steep grades with ease. But this is at the cost of speed, Climax locomotive No.1694 is just about flat-out at 13 km/h (8 mph). Climax Locomotive Built in 1928 for the Forests Commission of Victoria and painted all-over black with the name CLIMAX painted on the sides of the cab in white block letters, this locomotive was issued to the Tyers Valley tramway which branched off the Moe to Walhalla line at Collins Siding. This locomotive was withdrawn from service in 1949 following the closure of the tramway and in 1950 it travelled from Tyers Junction to Collins Siding to Erica where it remained stored until 1965. Loaned to the Puffing Billy Preservation Society for its Steam Museum, it was taken to Menzies Creek in 1965 where it remained until 1982 when the Emerald Tourist Railway Board bought it and transferred it to Belgrave for restoration. It was returned to service for special use on the Belgrave to Gembrook line in 1988 painted in its original all-over black livery, except that the word “Climax” on the sides of the cab was now painted in the style of the Climax Manufacturing Co., a style that this locomotive had never carried.Historical - Industrial railway - Forests Commission of Victoria, Timber Logging Climax Locomotive Climax geared Steam locomotive made of steel and wrought iron Climax 1694climax locomotive works, climax, geared steam locomotive, puffing billy, climax locomotive no. 1694, steam locomotive

Typed copy of the Bendigo Gold Fields , collected and arranged by V. R. Dwyer, 1968. On front cover: Australian Gold Production Bendigo Gold Field. Image of tin dish washing. Cover has an image of two people tin dish washing. Notes include a brief history of gold in Australia, Bendigo Goldfield yields, Bendigo Gold Nuggets, Victorian Nuggets, gold prices, yield for the years 1851 to 1890, lines of reef, mine shafts and depth, location, public buildings and organisations and mines listed for each reef. Typed copy of this document is held in Folder 130, number 3621.18.cottage, miners, mining in bendigo, bendigo gold fields index, v r dwyer, strzelecki, edward hargreaves, thomas hancock, henry frenchman, wittscheibe, ballerstedt, fortuna villa, george lansell, the rocks, victoria nugget, dascombe nugget, welcome stranger, welcome nugget, canadian nugget, sarah sands, lady hotham, maryborough, heron nugget, blanche barkley, vicount canterbury, precious nugget, poseidon, gold prices, gold yield 1851 - 1890, location of shafts, mechanics institute, old masonic hall, court, st killians, forrest st methodist church, hospital, baptist church, bendigo gas company, st andrews presbyterian church, bendigo benevolent home, railway, st marys church of england, bendigo m p building society, st pausl church of england, high school, city family hotel, fire brigade, b u f s dispensary, synagogue, beehive store, school of mines, bendigo miners association, st marys convent, dr backhaus, st mathews long gully, salvation army, post office, art gallery, sacred heart cathedral, eaglehawk town hall

File memo, from D.F. Evans, 3 August, 1983 re Central Deborah Tourist Mine Study, discussing the report from John Reynolds now lodged in the Preston Library. Main aspects of concern in report to Bendigo Mining NL are: 1. Proposal to redevelop shaft and establish tourist access 2. Calculation of volume of water in old flooded workings in North Deborah, Deborah, South Deborah and Deborah No. 2 mines 3. Volume of water involved in dewatering Central Deborah to 90m below the surface 4. Long term pumping reate required to control groundwater influx, estimated to be 90,500 gallons/day.bendigo, gold mining, central deborah gold mine, central deborah gold mine, dewatering, ground water, mining, bendigo mining nl

Reports to Directors of Snowball Gully Gold Mining Co re Mining Details and Winding Up (sale); 1. 10 pages of details of mining progress (shaft sinking, drives etc) in the period 1905 - 1907 submitted by D Gummell, Manager; 2. Two pages listing the tools and implements on the mine when closed with attached letter to Directors (31/10/1907) submitted by D Gummell, Manager. Note: comment by Ralph Birrell on this second document (19/3/2013) - he observes that the sale of ''68 drills'' on the submitted list indicates that at this mine in 1905/07 they were still using drills and hammers.document, gold, snowball gully gold mining company, snowball gully gold mining company. d. gummell. ralph birrell.

Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo

A Wright & Ditson 'Mercer Beasley Signature Model' tennis racquet. Lower head painted white, throat painted black. Leather and braiding reinforcements around shoulders and around base of throat. Racquet model name, manufacturer name and words 'FIBRE/SEALED/THROAT' printed across throat on obverse and reverse. Manufacturer trademark printed on shaft on reverse and obverse. Handle spiral-wrapped with leather grip, with plastic tape sealing top of grip. Leather end wrap. White butt cloth featuring manufacturer initials. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis

A Wright & Ditson 'All American' model composite wood racquet with open throat and octagonal handle. Spiral-wrapped perforated grip tape sealed at ends with plastic tape. Striped plastic reinforcement at top of grip. Striped plastic reinforcements and white paint around shoulders. Green painted section on shaft with gold writing on obverse: WRIGHT & DITSON/CHAMPIONSHIP QUALITY and on reverse is manufacturer's name and icon. Manufacturer's name and racquet model also printed in cursive script across base of head on both sides of racquet. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Nylon, Plastic, Painttennis

Handwritten notes on the Red White & Blue Extended and the Central Napoleon. ?, ? Mine, A?as mine, Kennington forest. Red White & Blue Extended 1891 - 1918, Calls 11,000 pounds, 125 ozs. Worked for short time in 1942. Ceased operations in 1942. Legal Man. - J Stanistreet, Manager - J Laurie, No Production. Closed during Second World War. Central Napoleon Production 1935 - 1942. Produced 21,517 tons for 3750 ozs. Coy. Was formed in 1934. Calls 23,266 pound 2 shillings and 6 pence. Dividends - No records. Sill of Shaft 853'. 68''. Notes prepared by Albert Richardson.document, gold, red white & blue extended, red white & blue extended, central napoleon, kennington forest, j stanistreet, j laurie