Showing 2021 items matching "the place between"
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Flagstaff Hill Maritime Museum and Village
Postcard - Postcard Folder, scenes, George Rose, Rose Stereographic Company, Rose Series Picturesque Views of Warrnambool Australia, 1880-1942
GEORGE ROSE 1861-1942: - George Rose was a well-known Victorian photographer, famous for his late 19th and early 20th century photography. He was born in Clunes, Victoria, and was in his 20th year when he founded Rose Stereograph Company in 1880. He took the opportunity of a popular trend of the times to produce stereographs, pairs of almost duplicate photographs that appeared in 3D when viewed in a handheld stereo viewer. By the 1920s, these lost their popularity, so he used his photographic skills to produce cards and postcards of scenes and people. The twelve photographs in the Rose postcard folders include locations connected to other items in our Collection, including the Valentine postcard folder in this set. The photographs are titled: - . The Avenue and War Memorial. Warrnambool. Vic. . The Blow-hole. Thunder Point. Warrnambool. Vic. . Botanical Gardens. Warrnambool. Vic. . Eagle Rock. Warrnambool. Vic. . The New Concrete Bridge and Breakwater. Warrnambool. Vic. . Liebig Street. Warrnambool. Vic. . Looking to Thunder Point. Warrnambool. Vic. . The Beach. Warrnambool. Vic. . Hopkins Falls. Warrnambool. Vic. . Shelly Beach. Warrnambool. Vic. . The Mouth of the Hopkins River. Warrnambool. Vic. . Panorama of Warrnambool, Vic. [Kepler Street towards Presbyterian Church on Spence St] The photographs in this postcard folder were taken between 1880 and 1942 by the renowned Victorian photographer George Rose. The locations match photographs and postcards in our collection that were taken at different times. A comparison between them shows the changes over time in the land and bay, the buildings and other structures, transportation and even the fashions of the times, building the story of our local history.Postcard folder, Rose Series, blue cover. One of a set of three containing images of Warrnambool and district before 1942. Green folder, textured cardboard folder containing a Z-folded strip of white matte photographic paper with six black and white photographs on each side. Titles are printed below the images. The folder is secured by placing two tabs into two slots on the back cover to hold the cover in place and create an envelope shape. Three horizontal lines are printed on the front for the receiver’s address. There is a logo of a long-stemmed rose on the left side and inscriptions on the front cover. The lithograph photographs were taken between 1880 and 1942 by well-known Victorian photographer George Rose and published by Rose Stereograph Company of Armadale, Victoria. The folder contains scenes of popular areas at Warrnambool and nearby locations including Lady Bay, the Port of Warrnambool, the Warrnambool Breakwater, the Viaduct, the Merri River Footbridge, the Hopkins River Mouth, and Proudfoot’s and the Fanny Nelson/Flett boathouses. Image: [Rose with rosebud and leaves] Printed: "Rose Series / Picturesque Views of / WARRNAMBOOL / AUSTRALIA" "PUBLISHED BY / ROSE STEREOGRAPH CO / ARMADALE. VIC." flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards -
Ithacan Historical Society
Photograph, George Andreatou, Conference of expatriates, 17 July 1976
The photograph was taken at a conference of expatriate Ithacan Greeks which took place in Vathi, Ithaca on 17 July 1976. Stathi Raftopoulos attended the conference and is seated at the table, second from the right.A conference of expatriate Ithacan Greeks indicates the close ties which remained between the Ithacans who remained in Greece and those who had settled in other countries. Many Greeks who settled in Melbourne in the early years of last century were from Ithaca. A black and white photograph of seven men and a lady sitting around a table at a meeting in a hall. There is an audience of fourteen people sitting on chairs. The speaker is barely visible in the extreme LHS of the photographThe details of the photographer and the event have been stamped on the back of the photograph in Greek. -
Ithacan Historical Society
Photograph, c 1960s
A black and white photograph of a group of men in suits gathered around a table which is set with food and drinks. The celebration is taking place min the lounge or dining room of a house. A young boy is standing in the front between two older men. A priest is standing behind him. A large oval framed photograph is on the wall behind the group and three photographs are displayed on the mantle piece.unknown, celebration, gathering -
Ithacan Historical Society
Photograph, Greek soldiers, 1913
The two men, Spiros Raftopoulos and Ioannis Metaxas, joined the army to fight in the Balkan Wars which involved two conflicts that took place in the Balkan Peninsula between 1912 and 1913. In the first conflict Greece, Bulgaria, Romania and Serbia defeated the Ottoman Empire in the First Balkan War; in the second conflict Bulgaria unsuccessfully contested the distribution by its former allies of territory taken from the Turks during the First Balkan War. A number of Greeks who had emigrated to Australia and other parts of the world returned to Greece to fight in those wars.The men returning to fight for the country of their birth were motivated by their patriotism. Even though they had sought a new life in another country they felt strongly the need to return to their homeland to join the struggle. A black and white photograph of two soldiers dressed in Greek army uniform which was worn in the early years of the twentieth century. The two men are holding rifles and have a load of bullets strapped across their shoulders. The original photograph was mounted on fawn and dark green board.A strip of paper has been stuck across the bottom of the photograph with the names of the two men written in Greek and English. S.RAFTOPOULOS AND K. METAXIS IN THE ARMY 1913. -
Ithacan Historical Society
Photograph, Wedding in Ithaca, c1930s
The wedding of Diamando and Yianni Raftopoulos (Bourlotos)which took place on the island of Ithaca. Kalypso Sofianos (nee Raftopoulos) can be seen standing between the priest and the bridegroom.The Greek Orthodox wedding is filled with symbolism. The stefana or wedding crowns, joined by a ribbon, symbolize the unity of the couple. The crowning ceremony establishes the couple as the King and Queen of their home, which they rule with wisdom, justice, and integrity. The stefana also denote the crown of martyrdom, since every true marriage involves self-sacrifice on both sides.A faded black and white photograph of a Greek wedding. The young boy in the foreground is carrying candles and the wedding crowns that will be worn by the bride and groom during the wedding ceremony and the candles. The priest and the bride and possibly the groom or bride's father are standing behind the young boy. -
Ithacan Historical Society
Photograph, 1960s
The girls' destination was Greece, to visit their parents' place of birth - a trip that many Australian-born of Greek parentage have made. They were on board the Ellinis which was part of the Chandris Shipping Line, a Greek shipping company founded in 1960 that plied between Greece and Australia during the 60s transporting migrants to Australia and returning to Europe with holiday makers. Pictured are cousins Penelope Kallinikos (left) and Athena Sikiotis (third from left).A black and white photograph of four happy young women standing in a crowd with three of the crew, one of whom is the captain of the 'Ellinis' of the Chandris Line. A crowd of people are behind them. Poppy Billiter is standing on the LHS of the group.billeter -
Old Colonists' Association of Ballarat Inc.
Ceremonial object - Trowel, William Bennett, Silver Trowel, c1887
The silver trowel was used for the laying of the foundation stone of the Ballarat Old Colonists' Hall. It was donated to the Old Colonists' Associaiton in 1906. The Old Colonists' Association minutes noted 'Mrs Murray handed to the Secretary the silver trowel presented to the late President on the occasion of the laying of the foundation stone of the Hall.' The silver trowel was used for the laying of the foundation stone of the Ballarat Old Colonists' Hall. It was donated to the Old Colonists' Associaiton in 1906. The Old Colonists' Association minutes noted 'Mrs Murray handed to the Secretary the silver trowel presented to the late President on the occasion of the laying of the foundation stone of the Hall.' "THE OLD COLONISTS' HALL. The foundation-stone of the building to be erected by the Old Identities’ Association, in Lydiard street, was next laid with the usual ceremonies. This was immediately adjoining the foundation-stone of the Mining Exchange building. Mr J. Graham presented Mr Murray with a silver trowel, bearing the following inscription:—“ Queen Victoria’s Jubilee. Presented to J. P. Murray, Esq., president of the Old Colonists’ Association, on the occasion of his laying the foundation stone of their new hall, Ballarat, 21st June, 1887.” Mr Graham said he thought the pioneers of such a city were quite right in erecting a building that would be a home for them while they lived, and a memorial of them when they were no more. Mr J. Fraser, secretary, read the followin'- report:— “Mr Chairman, ladies, and gentlemen,—The bottle about to be deposited under this foundation contains documents in which are written particulars of the founding of the Old Colonists' Association at Ballarat; its financial and numerical position at the present time, the names of its officers and committee of management for the current term: a complete list of the names of its members, a copy of the rules and regulations of the association: copies of The Star, Evening Star, Courier, and Ballarat Advertiser newspapers, programme of to-day's proceedings as far as they relate to the laying of the foundation-stone, together with a brief summary of the aims and objects of this philanthropic institution. That the nature of these objects are considered worthy of encouragement and support is amply proved when we see on the Association's roll of membership the names of so many of our most prominent citizens and public men, "and from the fact that the Government of the colony have recognised the just claim of the old colonists'of Ballarat to be placed in possession of this valuable and central site, upon which to erect a building that will, be a credit to them and an ornament to the city, and which will enable them to still further extend the sphere of their benevolence and usefulness iu this district. The following is a copy of the signed and sealed memorial document:—*The foundation-stone of the hall of the Old Colonists’ Association of Ballarat; was laid on Her Majesty Queen Victoria's Jubilee Day,- Tuesday, 21st June, 1887, by John Paul Murray, Esq., J.P., president of the association. Under the foundation stone is deposited a copy of the constitution and rules of the association, the names of the officers, and a complete list of the names of ail the members to date; also a copy each of The Star, Courier, Evening Post, and the Advertiser, local newspapers. At this date the association numbers 319 members—accumulated funds, £203 10s 3d. The land upon which the hall is to he erected was granted by the Government to the association for that, purpose. (Signed) John P. Murray, President; W. B. Perry, Samuel Delpratt, Vice-presidents; Daniel Fern, Treasurer; John Fraser, Secretary. Committee—J. W. Graham, J. W. Lee, James M'Merkin, Andrew Lister, James Ward. Trustees—J. W. Graham, Wm. Irwin, John M'Cafferty ” Mr Murray said he was proud to lay the foundation stone of this building. The association was started in I883, and he might say they were a purely philanthropic institution. They formed an association whose creed was to assist one another in every shape and form. They had now 319 members, and were daily increasing in number.-. They were very fairly off as regarded their financial position. With respect to the objects of the association, they were to form a bond of brotherhood among those whose past experience in commercial or in mining pursuits so intimately associated them with the early history of the goldfields; men, to whose indomitable energy and perseverance Ballarat and other mining centres in the colony were so largely indebted for their development and commercial prosperity. Some of whose names were also closely identified with the memorable and sanguinary struggle 'for freedom and constitutional liberty in 1883. Their object was, further, to gather together within one fold those who survive those stirring times, to meet occasionally in friendly and social intercourse; to relieve their brethren who were overtaken by sickness or affliction; to provide the shelter of a home for those Pioneers of the goldfields whom the reverses of fortune had deprived of the means of procuring the comforts of life in their declining years; to assist the widow and succor the orphan; to mutually cheer and support each other in their temporary troubles and vicissitudes as they journeyed onward to the grave; and lastly, to tender a tribute of respect to the memory of a departed brother, by following his remains to their final resting place. Such were some of the principal objects of the “ Old Colonists' Association.” It was an institution for the good of their fellow man, and he hoped it would be successful, he hoped that the young people who came after them would appreciate what the Old Colonists had left them. He hoped they would all assist in making the institution one that would he worthy of the place. He would hand a small donation to the secretary, and hoped others would do the same. (Cheers.) The secretary, amid cheering, announced that the cheque handed over by Mr Murray was for £2O. Archdeacon Julius, who was asked to speak, said nothing could have been more fitting than the laying of the foundation-stone of the Old Identities’ Association on the Queen's Jubilee. They were a link between the past of 50 years gone by and today. Many of them remembered well enough perhaps the time when it took a man five and twenty minutes to light his pipe with tinder and steel, and when the small boys went, up the chimneys to sweep them. (Laughter.) They were building something now that people would look upon in years to come, and speak of in connection with the Old Colonists, if the young men were' half as good as their fathers they would be uncommon good fellows, and he did not think they would be. (Laughter, and interjection.) ''An old fellow said it was very true, and he knew it. (Laughter.) The Old Identities would agree with him to a man. (Laughter.) If the young men walked in their steps Ballarat in another 50 years would be 50 percent, better than it was now. There was not a man there that wished that more strongly, than 'he’ did. The Old Identities were laying this stone on the jubilee day of Her Majesty, and there never sat on the throne a worthier or nobler Queen than she who held her jubilee that day. There was not a man present, whatever his views of government may be, who did not say “God bless our Queen.” (Cheers.) The proceedings closed with the singing of the National Anthem and cheers for the Queen. (Ballarat Star, 23 June 1887)Silver trowel used during the laying of a foundation Stone for the Ballarat Old Colonists' Association building in Lydiard Street North, Ballarat.ballarat old colonists' association, ballarat old colonists' club, trowel, silver trowel, foundation stone, mrs j. murray, william bennett, j. fraser, john murray, w. lee, william irwin, john m'cafferty, john mccafferty -
Kew Historical Society Inc
Clothing - Ivory silk and tulle bridesmaid's outfit, 1874
This bridesmaid's dress was owned and first worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses -
Kew Historical Society Inc
Clothing - Grey silk wedding dress, 1842
This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. MEASUREMENTS (MM): GIRTH - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. VERTICAL - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. HORIZONTAL - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Nhill and District Historical Society Inc.
Book - Starting Again, In Search of a Home by Gillian Bouras, 1999
For some, home is not simply a matter of place. Gillian Bouras comes and goes between London, where she spends long periods, and the village in the Peloponnese to which she migrated nearly twenty years ago. Unable to settle in either England or Greece, her life is one of perpetual journey, of constant goodbyes and starting again. Even in Australia, where she was born and raised, she feels like an outsider. This journal deals with the complexity of finding your place in the world. Insightful and always engaging, Bouras explores the divide that exists between cultures, between the past and the present, between those who shut the world out and those who too readily let it in.non-fictionFor some, home is not simply a matter of place. Gillian Bouras comes and goes between London, where she spends long periods, and the village in the Peloponnese to which she migrated nearly twenty years ago. Unable to settle in either England or Greece, her life is one of perpetual journey, of constant goodbyes and starting again. Even in Australia, where she was born and raised, she feels like an outsider. This journal deals with the complexity of finding your place in the world. Insightful and always engaging, Bouras explores the divide that exists between cultures, between the past and the present, between those who shut the world out and those who too readily let it in.bouras gillian - 1945 - diaries, australian - diaries, women immigrants, social life and customs, cultural assimilation, greek australians, biography & autobiography, psychology, social science, customs & traditions, emigration & immigration, personal memoirs -
Alfred Hospital Nurses League - Nursing History Collection
Book - Illustrated book, Marilyn Lake 1949, Double time, women in Victoria,150 years, 1985
... on Australian history, focusing on women's place, relationships between ...This book explores the experiences of women in Victoria over 150 years, highlighting their diverse roles in public and private life. It features more than fifty women, from convicts to nuns, actresses to soldiers, settlers to writers, and housewives to political activists, showcasing their social and personal diversity. The book emphasizes the home's importance, alongside the marketplace, and examines the significance of both reproduction and production. It provides a new perspective on Australian history, focusing on women's place, relationships between public and private life, paid and unpaid work, and the intersection of politics and gender.Illustrated book with white front cover that has four coloured illustrations of women in various activities. Title and authors' names are printed in red ink, along with a book description in black ink on the front cover along with publisher's logo and four red lines. Abbreviated title, underlined, in white ink, and authors names in black ink are printed on an orange background on the spine along with the publisher's logo. The back cover has a summary of the book printed in orange, along with another three illustrations of women, publisher's logo and 'Victoria 150 ' logo on a yellow background.non-fictionThis book explores the experiences of women in Victoria over 150 years, highlighting their diverse roles in public and private life. It features more than fifty women, from convicts to nuns, actresses to soldiers, settlers to writers, and housewives to political activists, showcasing their social and personal diversity. The book emphasizes the home's importance, alongside the marketplace, and examines the significance of both reproduction and production. It provides a new perspective on Australian history, focusing on women's place, relationships between public and private life, paid and unpaid work, and the intersection of politics and gender. women-victoria-history-19th century, women-victoria-history=20th century, women-victoria-social conditions