Criticism of the state of Albert Park, Melbourne, preparation of a current map, the need for a Master Plan of buildings, plantings, furniture. Criticism of buildings. Suggests a plan to plant and paint.This appears to be a lecture.Typewritten with pencil edit and notes, quarto, 4 pages. (Two copies)Small paper square included with Monday, January 24 calendaralbert park, macrobertson girls high school, planting, building, furniture, robin boyd, manuscript

Speech addresses urban planning, points to Canada and New Zealand as possible exemplars, prophetic predictions for the future (2017) like Archigram and the 'electronic era of the anti-city'; Boyd advocates strongly for high density.Speech for the Australian Planning Institute Jubilee ConferenceTypewritten, quarto, 25 pagesExtra handwritten notessydney, monorails, town planning, australia square, perth, melbourne, bernard evans, canada, new zealand, toronto, montreal, expo 67, archigram, los angeles, robin boyd, manuscript

Discusses the exploitation of architecture in commercial signage; the use of architecture as signage can prove disturbing and a threat to curating an architectural style; argument reads like a reflection on Scott Brown and Venturi's Duck and the Decorated Shed.This is the original manuscript of a presentation to Victorian Employers Federation Franchising Seminar. Discussion of Fishbowl, 11.3.1971. It includes notes for slides.Typewritten. Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies)One copy with annotations in pen and pencilfranchises, franchise buildings, advertising architecture, signage, fishbowl, colonel sanders, robin boyd, manuscript

Boyd praises Reyner Banham's book titled "Los Angeles: The Architecture Of Four Ecologies" published in 1971. Boyd describes Banham's unconventional, positive attitude toward Los Angeles as an architectural love story. Boyd notes that Banham is somewhat idealistic about Los Angeles but declares the book a successful and interesting balance between history and architecture.Original manuscript of an book review published as 'Los Angeles: architectural love story' in "The Sunday Australian" on 04.07.1971.Typewritten (c copy), pencil edits, quarto, 7 pagesreyner banham, los angeles, historian, modern architecture, age of technology, robin boyd, manuscript

This text summarises the differences in architecture and proposes, unlike in other art forms, that architecture has a mainstream which has consistency in it, yet is also ever changing. The term 'modern architecture' is becoming suspect and obsolete. Visual art is inevitably involved with social evolution. It discusses utilitarian and creative architecture. Boyd proposes architecture is between science and art, and that architecture by itself means the architecture of this age.Typewritten, quarto, 11 pages (Note: Mentions the 1960s, possibly implying it was written late 1960s-1970/1971)modern architecture, social evolution, utilitarian architecture, creative architecture, mcluhan era, glutternberg era, henry russell hitchcock, paul rudolph, philip johnson, kenzo tange, archigram, sydney opera house, reston, robin boyd, manuscript

As the title suggests, Boyd explores the concept of Functionalism and questions the decline in popularity of the movement when Functionalism is still intertwined in contemporary design. Boyd challenges R.A.I.A.'s publication 'Australia Outrange' (a book that captures the unaesthetic aspects of Functionalism)The annotations indicate this was a lecture with slides.Typewritten, pencil edits / notes, quarto, 5 pages"Lewis?" Mitchell penciled on top left corner of first page, pencil notes on the left marginfunctionalism, r.a.i.a., australian outrage, max harris, robin boyd, manuscript

Primarily using the Osaka 70 World Expo, Boyd criticises the lack of depth of information of the event and the illusion each country provides for their audience. Boyd makes suggestions for improving audience engagement with the exhibitions and also for a new type of pavilion architecture which utilises the temporary nature of the buildings.Typewritten (c copy), pencil edits /notes, quarto, 6 pages. (Two copies)One copy annotated markers for slides for a talk or lectureosaka expo 70, japan, melbourne, robin boyd, manuscript, ohm2022, ohm2022_31

Drafts of various writings/speeches by Boyd. One page written in blue and red ink appears to be a draft for 'The Value of Expos' (see D112) that is taken in point form. One page written in pencil and green ink appears to be a draft for an article on Australia moving forward to modern architecture after WWII and the potentials of Skyscrapers and prefabricated housing.Handwritten, quarto, 3 pieces: x2 are folded, x1 small paper slip pagesexpo 64, prefabrication, archigram and metabolism, robin boyd, manuscript

Short piece noting that the designs on the 'tails' side of the new decimal currency were created by Australian industrial designer Stuart Devlin, but that Devlin was not credited in publications by the Decimal Currency Board.Typewritten (c copy), quarto, 2 pagesdecimal currency, coins, industrial design, stuart devlin, rmit, colin barrie, industrial design council of australia, robin boyd, manuscript

This is a commentary on the transformation of Bourke Street over 100 years.Note: this does not correspond to the 'Bourke Street' Chapter in 'The Book of Melbourne and Canberra', The Griffin Press, Adelaide 1966 (whereas items D140, D141, D142 correspond to chapters in this book).Typewritten, pencil edits, quarto, 3 pagesmelbourne, bourke st, st patricks, william wardell, harold freedman, robin boyd, manuscript

Discusses Walter Burley Griffin's effect on Australian architectural culture. Also considers his place within the Chicago School more broadly. Boyd believes Griffin to be more human, sensitive, and skillful compared to Frank Lloyd Wright, and laments that Griffin did not build more in Australia.This may be a lecture/talk - there are notes on the back.Handwritten, quarto, 2 pagesAll-caps inscription on the back of 2nd page - possibly a shorthand summary of the talk. Uncertain if this is Boyd's handwriting.walter burley griffin, old parliament house, canberra, louis sullivan, frank lloyd wright, capitol theatre, robin boyd, manuscript

Rough, heavily annotated notes for lecture to be given to a Brisbane audience. Boyd divides modernist architects into a Romantic camp (citing Yamasaki, I.M. Pei, Paul Rudolph, Ed Stone) and a Realist camp (citing Kenzo Tange and the New Brutalists), then proposes a third category of 'Creative Realism' and defines some criteria for this type of architecture.Speech given to students at the University of Queensland 24.6.1962Typewritten, major pencil edits and additions, foolscap, 1 folded pagesExtensive handwritten edits, notes and revisionsminoru yamasaki, i.m. pei, paul rudolph, edward stone, kenzo tange, robin boyd, manuscript

Boyd reviews Mitchell Gordon's Sick Cities. He opens with a scathing description of American urbanism: the skyscraper and the automobile in a fight to the death, and a culture unwilling to engage with a discussion of urbanism. Boyd presents Gordon's book as a non-technical and non-partisan contribution to the new field of American urbanism, focussed on the functional problems (sprawl, traffic, squatting, air pollution) rather than visual ugliness. He commends Gordon's book as 'good, meaty [and] helpful' to city administrators and city lovers everywhere.Book Review (Mitchell Gordon)Typewritten, quarto, 3 pagesScribbled out sections on pages 1, 2 and 3; addition of notes in pages 2 and 3.mitchell gordon, sick cities, urban planning, thomas jefferson, john f. kennedy, the american way, racial segregation, suburban sprawl, air pollution, urbanism, traffic, robin boyd, manuscript

Notes for a talk - how can we solve the problem of sprawl? We have to find our own answers, not solutions provided by others.Talk notesHandwritten (pen), quarto, 1 (folded, part of a page) pageMiss. Swinchatt' written in pencil on back of folded pagevon hertzen, reston, elliston, prefabrication, le corbusier, sprawl, robin boyd, manuscript

Appears to be a talk to architecture students about success and failure in architecture according to whether you are an architect ('a doer') as well as a talker and a writer, and the influence attached to all three.Talk notesHandwritten (pencil), quarto, 2 pagesHandwritten and torn second pagefrank lloyd wright, walter gropius, le corbusier, henry moore, alexander calder, albert einstein, buckminster fuller, robin boyd, manuscript

In what appear to be working notes for his commissioned book ‘New Directions in Japanese Architecture’, Boyd is sourcing journal articles (journal, page numbers and dates) covering the key recent buildings of contemporary Japanese architects.Working notes for his commissioned book ‘New Directions in Japanese Architecture’.Quarto, 1 page, double-sided page of handwritten (pencil) notes.Deletions and notes throughoutnoriaki kurokawa, kenzo tange, kiyonori kikutake, kazuo shinohara, yoshinobu ashihara, koshi kawashima, takeo sato, daiichi kobo, sachio otani, masato otaka, arata isozaki, k. maekawa, tatsuhiko nakajima, hiroshi oe, fumihiko maki, junichiro ishikawa, hiroyuki iwamoto, murano & mori, junzo sakakura, robin boyd

Notes regarding sculptural form of Opera House design and Utzon's professionalism; and relationship with ARUPHandwritten, quarto, 1 page. Over a letter from Travelodge confirming cancellation of reservationjorn utzon, sydney opera house, sydney opera house project, arup, bucky, buckminster fuller, robin boyd, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as D192, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 16 pages (compared to D192, 11 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 7, Boyd begins by discussing the difference in cities, including age, population density and colours across Australia, Europe and America. Boyd discusses individual streets compared to the whole city and how the two are ultimately different and unique. He remarks that in Australia, the word 'city' is used to mean the whole 'complex' of city and suburbs, "a pattern reflecting free personal spending and yet a tight public purse". Boyd references Canberra as the Australian domestic dream come true. "Canberra is genuine Australian". He notes that the making of cities is not just a question of money. It's a question of priorities.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 13 pagesuniversity of the air, design in australia, robin boyd, town planning, zoning, canberra, brasilia, punjab, cities, suburbs, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as item D186, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D186 is the draft version.Typewritten, foolscap, 11 pages, (compared to D186, 16 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript, ohm2022, ohm2022_30

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30

Robin Boyd used these hanging files for personal and professional documents. They are labelled "Puzzle of Architecture & Living in Australia". 'Stegbar", 'Letters", 'Flying Dogtor", 'Publications", 'Crawfords", 'Club", 'The Australian", 'Miscellaneous", "Historical Notes". 'The Aist'n Ugliness", 'Trips", "290 Walsh St", "Car", "insurance", "Foster Parents", "Penleigh & Suzy" and some are untitled. These were kept in a special built in space in the upstairs south shelves.walsh st miscellaneous, robin boyd

Depicted are eight young women all dressed in white tennis uniforms comprising a knee-length skirt, knitted V-neck jumper with two presumably black stripes, a collared white shirt, white socks and white sneakers. The group is posing for the photograph on a tennis court on the grounds of Ruyton Girls' School. Six of the women are standing up, and two of the women are kneeling in the front row and to the right side. All of the women are holding tennis rackets. The earliest documented mention of tennis being played by students at Ruyton Girls' School is at least 1905. The February 1910 edition of The Ruytonian notes "the Ruyton Tennis Club have had a very successful year ... again won the Kia-Ora club pennant; this is the third year in succession, and fifth time altogether." Ruyton are recorded as having played intra-school tennis with Aldworth Girls' Grammar School, Lauriston Girls' School, and Strathearne Presbyterian Girls' School. The third woman from the left in the back row has been identified as Helen Gordon (maiden name Cole).The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Reverse: HELEN GORDON / 1952. / Elaine (?) c Alpin / Elaine Macdonald . / Sally Backhouse /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform

Biography of William Barak, including cultural notes on the Woi wurrung Wurundjeri people.colour photographs, b&w illustrations, document reproductionswoi wurrung, william barak, yarra yarra