Item in the collection re Ron Bollard VX14150, refer Cat No 5919P.Soft cover book. Cover - cardboard, dark brown print on front and back on light brown background. Cover illustration dark brown sketch of a soldier in a trench (Sketch by Walter SEED). 40 pages - cut, plain, off white paper. Illustrated, sepia colour half portrait of "Signaller Tom Skeyhill".books, military history, ww1, anzac, songs

Ludmilla Meilerts, Oil On Board, Botanical Gardens, Circa 1970 Ludmilla Meilerts (1908 - 1997), Botanical Gardens, Melbourne, an impressive work painted with bold brushstrokes and a vivid colourful palette which typifies the artists work. ​ Born in Riga,Latvia in 1908 - After displaying an early talent for art she studied at The Latvian Academy Of Fine Arts graduating in 1940. Later that year she married Otto Meilerts, an Economist, and they moved to Stuttgart, Germany to avoid living under Soviet occupation and then emigrated to Australia in 1948 settling in Melbourne. She worked as a nurse's aid and in a clothing factory to fund the further development of her artistic career achieving considerable early success with her colourful work encompassing portraiture, florals and city and landscapes. She particularly like painting dockland scenes. She was a member of The Victorian Artists Society (VAS) and The Melbourne Society Of Woman Painters And Sculptors. ​ Major prizes include The Dunlop Prize in 1952, Gosford Art prize 1971, Camberwell 1973, VAS Purstitz Gold Medal 1982. She is represented in The State Galleries of Victoria, NSW, Tasmania and Western Australia as well as several regional Galleries.​ ​Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint)still life, female artists, women, women artists

The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush

Victorian Railways uniform jacket in navy blue woollen cloth. It has straight sleeves, a standing collar with brown piping and rounded fronts. There are two set- in pockets on the fronts and a breast pocket in the right front lining. The body is lined with a glazed black twill and the sleeves with cream cotton with a longitudinal brown pinstripe. The three pockets are lined with heavy tan twill. There are five metal buttons embossed with a crown and "VR". There is a black cotton tape loop inside the collar.In the breast pocket, in purple ink the initials "GL" or "GI". In the right sleeve lining, an unreadable stamp in purple ink. In the left sleeve lining, pencilled "XB 338" or "X13 338". Behind the buttons is engraved " Superior Quality - Silver Plated".costume, male uniform, civilian, george evans collection

Black and white photograph - Grade 1A,1960"Attached to photograph" Back Row- L to R: Steven Brown, ?, ?, ?, ?, ?, ?, ?, Neville Barnes, Stewart Brown, ?. 2nd Row- L to R: ?, Denise James, ?, Rhonda Catt, ?, ?, ?, ?, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, ?, ?, Margaret Findlay, Lynda Green,, ?, Greg Shallenburger. Front Row- L to R: ?, Malcolm Jones, ?, ?, ?, Greg Hume, ?, ?, ?, ?, ?, ?. Teacher:

Identified by Mrs Surman as the Linton football team in about 1900. Mrs Surman also identified names of players, which are inscribed on the back of the photograph. Guernseys were apparently hand-knitted at this time, mostly by the players' mothers. They were all in team colours, blue and white, but had different patterns. (This information given by Mrs Stella Surman in a 1991 interview. Interview recorded on CD - see Registration no. 2019-212.)Original sepia photograph of a group of men wearing football guernseys. Guernseys have different patterns (mostly variations on vertical stripes) and most are laced at the front."Jack Brown / about 1900 / L to R / H Roberts, R Nicol, Ben Cornish, Catton, Jack Hogan, Pearly Power, J Mitchell, H Catton /Jim Hogan, A Nicol, P Crane, B Angus, W McMillan, Tony Cunningham / Mick Cunningham, -?- , Whitecross, Jack Cunningham, J Brown".linton football club, jack brown, h. roberts, r. nicol, a. nicol, ben cornish, h. catton, jack hogan, jim hogan, "pearey" power, j. mitchell, p. crane (craine), b. angus, w. mcmillan, tony cunningham, mick cunningham, jack cunningham, whitecross

This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe. A piece of soft glass would be added to the mouth, then the double collar would be formed. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, rough surface, uneven colour. Crude, applied mouth with double collar; wide straight upper, ring lower. Slightly bulbous neck. Shoulder seam. Body tapers inward towards base and has smooth ripples. Shallow base with wide heel. No obvious pontil mark. Sediment inside bottle. Glass is scratched in places. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle

Victorian egg board (VEB) official opening - Thursday 2 August 1979 Three cards a official invitation to opening - white card with brown printing b VEB official Oening response card - yellow card with brown printing c VEB official opening Directional Map - yellow card with brown printing

Loggers from Brown's Mill, Kinglake use a hand saw to remove bark and split a tree trunk after its felling in the Kinglake forest. Circa 1923.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kinglake, browns mill, logging, loggers, lumber trade, brown's mill, kingake national park, forest, bush

Reports of three awards - one to Arthur Boyd (arts), Prof D H Pike (humanities) and Prof R Hanbury-Brown (sciences) made by Britannica Australia.S and date handwrittenwalsh st library

This paper roll holder would have been used in a retail premises. Large brown paper rolls were able to be cut to any length for wrapping goods.Two wooden bevelled pieces, narrow piece on top wider piece on bottom with steel support ends and moveable centre piece screwed to wood pieces. Steel ends have "U" shaped holder in inside at centre.Steel ends have two raised diamond patterns. "24in CLARENCE 24in"shops, george evans collection

FIRE BRIGADE MEMBERS. L-R D. DOWIE, BILL GALLOWAY, FRANK BROWN, BOB MILGATE, TOM MITCHELL, NED SPARKS, G.MORELAND, RON MCKENZIE.SEPIA PHOTOGRAPHS OF MEMBERS OF CLUNES FIRE BRIGADE ATTENDING FIRE BRIGADES DEMONSTRATION IN BALLARAT 1920.local history, photography, photographs, fire brigade.

Dennys Lascelles Limited, Annual Meeting of Shareholders, Chairmen's Address, 1957. Centenary meeting, includes Dennys Lascelles, Centenary Review (1957) by Philip H Brown.Dennys Lascelles Limited, Annual Meeting of Shareholders, Chairmen's Address, 1957.wool brokering wool sales export - wool, dennys, lascelles limited, wool brokering, wool sales, export - wool

Park Orchards Community Centre extensions and official opening by Bob Halverston, Federal member for Warrandyte. Also Neil Brown and Kate Healey, President of Committee of Management.

This is a passenger ticket for the Screw Steamship "Otway".It was built in 1872 at Glasgow for the Warrnambool Steam Packet Company. She traded to and from the Western Ports until 1878.when she was sold for the Melbourne West Australian trade. She was broken up at Sydney in 1924. The Warrnambool Steam Packet Company commenced in 1868 and operated on the Western Ports run using the ships "Edina", "Rob Roy", "Otway", " Nelson" and "Julia Percy".In 1878 it became the Western Steam Navigation Company which operated until 1896. There is no information available on the passenger James Gilligan This item which may come from the old Warrnambool Museum is of considerable interest as a rare memento of steam travel to and from the Western Ports in the 19th century. Warrnambool was an important port at that time and this item is part of our marine history. This is a receipt for a passenger's ticket to travel to Belfast ( Port Fairy) on the Screw Steamship "Otway" in 1875. It is pasted on a brown background and enclosed in a glass covered brown wooden frame.There is string at the back for hanging the item. The Warrnambool Steam Navigation Company Limited Received from Jas Gilligan Ten Shillings for a steerage passage to Belfast 1875ship "otway", warrnambool, warrnambool steam navigation company

Brown wooden frame with glass front & cardboard backing. Sepia photo of soldier in uniform - jacket, peaked cap, seated with arms folded. Photo on white background with tan / brown striped border. In black texta on back: “Stan Philps ? Ron Phelps?” Handwritten on bottom RHS: “Swiss? Melbourne”photographs, framed

of local significanceNews Article- Wally Hammond and the Unknown Soldier. Brown T E WW1 outline records (3 pages) Brown Clarence WW1 Service record and Menin Gate story (2 pages)

People in ancient civilisations smoked pipes during various healing and religious ceremonies. By the end of the 15th century, after tobacco was discovered in America, smoking had become a common pastime for everyday people. From that time, tobacco pipes were fashioned from many materials ranging from gold and silver to corn cobs and clay. A popular material was meerschaum, an expensive, soft, white stone from Turkey. In the 1820s, French craftsmen carved pipes out of the wood from the growth on the root of a Mediterranean White Heath. This material became increasingly popular due to its durable, heat-resistant qualities. The growth was called ‘bruyere’, now anglicised to ‘briar’ wood. Bakelite was the first plastic made from synthetic components. It was developed by Leo Baekeland of New York in 1907. The material was heat-resistant and could be moulded into any shape and hardened to keep its shape. This invention greatly impacted the industrial world and the products available to the domestic market, making more objects available at reduced cost.This smoker's tobacco pipe symbolises one of the leisure activities of the early 20th century that has continued into modern times. The shape and materials of the pipe represent a point in time in the evolution of tobacco pipes, including the revolutionary impact that the 1900s invention of Bakelite had on objects available in the domestic and industrial markets.Smoker's tobacco pipe; a round brown wooden pipe bowl joined to a dark brown mouthpiece. The French pipe's bowl is made from briar wood, and its mouthpiece is Bakelite. There is an inscription on the pipe."French Briar Pipe"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, smoker's pipe, tobacco pipe, briar wood pipe, wooden pipe, smoking, french pipe, bakelite, smoker's equipment

J T Brown General Broker 9 Queen St Melbourne notepaper dated 14th Dec 1891 re dividend on 100 shares to be given to bearer signed J T brown.bendigo, industry, cohn bros brewery

Written history of the township of Kyabram, covering squatters, the reform movement, churches, hospitals etc.Red hard cover. Cover design by Anne Bossence. Dust jacket green, white and brown. Title and author in black print. Drawing of a water wheel in green and brown. Back cover whitebossence w, kyabram, kyabram reform movement, kyabram churches, kyabram hospitals, kyabram squatters

Ladies "Two Piece Gown with Bustle & Parasol . Green in colour.. Skirt has Bustle with a bow falling from the waistline. Skirt is lined with brown material and has brown trim around the hemline.stawell clothing material

Brown booklet bound with 2 staples. Three hole-punch holes along left side. Brown text on cover with red text on inside cover and white pages with black text within.Front: ".... Small Arms Training / Volume 1, Pamphlet No. 7 / 303-inch Machine Gun / Part 1 - Mechanical Subjects / 1942 / .... MODIFIED FOR AUSTRALIA / GENERAL HEADQUARTERS (AUST.) / May 1942 / By Authority: Victorian Railways Printing Works, North Melbourne / 2242/42"small arms training, booklet, soldiers handbook, wwii, 303 machine gun

Condensing 100 years of Otway history the author tries to give an insight into the thoughts and ways of the settlers in opening the western Otway Ranges. It gives some indication of the mental pressure, hand-in-hand with the physical stress, as a settler cleared the land and made a living for his family. It covers how the rail link brought in the timber mills and their workers which made timber the main industry of that era, and covers the changes that took place in the 1930s as the mills closed down and the district raised crops, dairying and grazing.The Otways that I knew. Ronald Charles 'Corker' Brown. 1st ed. Corker Brown; np; 1993. 216 p.; illus; maps. Soft cover. ISBN 0 646 16798 7otway ranges; corker brown; otway lighthouse; aborigines; beech forest; farming; grazing; crops; railways; roads; timber;

Built c 1889. The current Church of Christ is on the left. One of the foundation families was that of Mr and Mrs John Woodhead, who owned the land from Union Road to Warrigal Road and from Canterbury to Bona Vista Avenue in 1885. Mr Woodhead built 'Kirkland' in Union Road - in 1889/90. The land for the church was given by Mr Woodhead. Photograph taken in 1990.A coloured photograph of a weatherboard building with two windows at the front with brown painted surrounds, and a brown painted wooden door. There is a path leading to the door and looks to be a building on each side. There is a large tree in the background.Church of Christ/ Surrey Avenuekirkland, house names, union road, surrey hills, warrigal road, canterbury road, bona vista avenue, (mr) john woodhead, church of christ, churches

Local Government Act 1915 (N0. 2) and Rating on Unimproved Values Act 1915, together with Table of Sections Consolidated. Table of Cases and Index.Faded red-brown cloth cover with mid-brown leather spine and corners, worn at extremities, some staining to leather spine. Front hinge broken but not detached.449 pp. Fair condition.Various calculations pencilled inside back cover.local government law, kilmore court house library

This was the first-time winning the "C" grade band competition at Tanunda, S.A. as well as representing Victoria in that competition.There were five new bands participating in the Tanunda, South Australia Band Competition in October 1928, and the Nhill Brass Band under the direction of Mr. James Davis had the honor of representing Victoria. The band participated in the competition despite there being an influenza epidemic before they left. This was the first-time winning the "C" grade competition at Tanunda,S.A. as well as representing Victoria in that competition.Photograph attached to the center of brown colored picture card, with border, title and names inscribed. Pictured are 29 members of the Nhill Brass Band with instruments, plus their manager far left and President far right, in 1928 the year the band won the "C" Grade Tanunda S.A. Band Competition.WINNERS "C" GRADE CHAMPIONSHIP. TANUNDA S.A. 1928 D. Kent, J. Turner, G. Taylor, S. Perry, T. Butterworth, F. Jenkins, G. Diwell, H. Fritch, I. Schultz. H. Harris (Manager), S. Lambert, G. Eardley, E. Westphalin, T. Brown, C. Dalitz, E. Davis, R. Goldworthy, G. Johnston, R. Schultz, J. McLachlan (President). A. Schultz, L. Wade, H. Wilson, A. Davis (Bandmaster), G. Bourdon, N. Holt, Fraser, J. McCarthy. C. Storer, L. Brooks (Secretary).nhill brass band, band competition - south australia, nhill - competition - winners - music - band, d. kent, j. turner, g. taylor, s. perry, t. butterworth, f. jenkins, g. diwell, h. fritch, i. schultz., h. harris (manager), s. lambert, g. eardley, e. westphalin, t. brown, c. dalitz, e. davis, r. goldworthy, g. johnston, r. schultz, j. mclachlan (president)., a. schultz, l. wade, h. wilson, a. davis (bandmaster), g. bourdon, n. holt, fraser, j. mccarthy., c. storer, l. brooks (secretary).