54 pagesFacsimile editionpublication, facsimile, health, honey, medicinal value, beechworth honey, publication, facsimile, health, honey, medicinal value, beechworth honey

p.65.fictionFictional conversations in the context of the Second World warworld war 1939-1945 - fiction, imaginary conversations

His time in Vietnam, April '65 - Dec. '65 & March '67 - March '68.behind the wire, denis macneall

By H F Powell Superintendent and Secretary of the Victorian School for Deaf Children 1965 33cmHx20.5cmW, 54 pages

Ill, p.54.non-fictionA history of the Royal Australian Engineers during the second world war world war 1939-1945 - engineering and construction, world war 1939 - 1945 - regimental histories

ill, p.54.non-fictionA brief historical survey of the origin and development of railways in New South Wales between 1855 and 1880.railroad operations - new south wales - history, railroad construction - new south wales - history

Ill, p.54.non-fictionA book of questions relating toTransport matterstransport questions, new south wales transport

ill, p.54.non-fictionA history of transport in Australia, road, rail, air and sea.transport - australia - history, transport - australia - history - pictorial

ill, p.54.non-fictionA hand book with information for sending freight by rail in New South Wales in railroad - freight - new south wales, railroads - new south wales - australia

ill, p.54.non-fictionA pictorial history of steam trains in Queensland in the 1960s.railroads - queensland - history, locomotives - queensland - history

ill, p.54.non-fictionA pictorial history of steam locomotive operations on the New South Wales Railways especially around the Newcastle area.railroad steam locomotives - new south wales - history, railroad operations - new south wales - history

ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. [other references: Sunbury Art Society Inc. Oct-Nov 2012] HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Print of the sailing ship Loch Ard by artist Philip J. Gray, 1993. Depicts the Loch Ard in full sail at sea, figures on deck. Limited Edition number 54/925. Print is adhered to a piece of chipboard and is stamped by the framer, Ian's Picture Framing of Warrnambool.Signature of "Philip J. Gray" , "54/925" Stamped on back "IAN'S PICTURE FRAMING, 48 KEPLER STREET, WARRNAMBOOL 3280, PH: (055) 628 022, FAX: (055) 628 145"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, print, philip j. gray

Ill, p.65non-fictionA history of the artistic endeavors of the van Eyck brothers dutch painters, art history - netherlands

Request from Chas Price to T.R.B. Morton & Son for valuation of Lots 63, 64 & 65 Cooks Estate, Cook Road, Mitcham for mortgage purposes and if a good security for the advancement of 300 pounds. Copy of T.R.B. Morton & Son valuation of land and cottage of 400 pounds.Request from Chas Price to T.R.B. Morton & Son for valuation of Lots 63, 64 & 65 Cooks Estate, Cook Road, Mitcham cooks estate, lots 63, 64, 65, cook road, mitcham, t. r. b. morton & son, price, charles s., ponsford, warne, (mrs)

Waterfall is known as Bridal Veil and is on the Wonderland/Pinnacle walk. The photo is typical of those produced by 'Victorian Railways' for tourism.Photo shows a young woman standing beside a waterfall. A rock overhang appears at top of photo with rock rubble and reeds in foreground.No.65scenery, waterfalls

Withdrawn book from Yarra Plenty Regional Library. Comprehensive report including names of office bearers, life members, premiership teams, committee position reports, coach reports, captain reports and statistics for each grade, trophy winners and more covering the 1983 / 1984 cricket season. A rare significant snapshot of history documenting activities of the Lower Plenty Cricket Club in its 1983/84 season.Perfect bound, 54 p.Copy includes library "not for loan" and classification stickerslower plenty, cricket

A booklet containing cataloguing supplements.A4, 54 pages, stapled, Front cover: Sue Barnett (in her writing)cataloguing supplements, thesaurus, catalguing

Ill, maps, p.54.non-fictionA history of the Sorrento tramwaytramways - sorrento, trams - sorrento - history

ill, maps, p.65.non-fictionThe Light Railway Research Society of Australia's book on the Rocky Bluff to Denmark timber Tramway in Queensland.light railways - australia - history, railroad operations - australia - history

ill, maps, p.65.non-fictionA lineside guide and history of the Morwell to Mirboo North Railway in Gippsland Victoria. Issued on the occasion of the running of the 'Last Train' between Morwell and Mirboo North prior to closure of the line on the 22nd June 1974.railroad construction - victoria - history, railroads -- victoria -- gippsland -- history

ill, maps, p.65.non-fictionA history of the Victorian Railway's line to Numurkah and its branch line to Picola in Victoria.railroad construction - victoria - history, numurkah -- railways -- history

ill, maps, p.65.A history of the narrow gauge 3'6" and broad gauge 5'3" railways in South-East South Australia centered on Naracoorte and Mt Gambier.railway construction - australia, narrow gauge railroads - south australia - history

Australia 1913 - 1986Linocut s.54 44/50Signed and dated , edition . Inscribed 'To Bob and Bev'