Wooden shield with emblem gold bordered ship crown, centred with ox head and aboriginal weapons belowPlaque,Aboriginal,Oxleymotto "patience and strength"

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

The story of the Pepper Family and their life on the Mission at Lake Tyers. This strong family have recounted their tales and the history of the area and the lives and control of Aboriginal people.b&w photographs, b&w illustrations, tables, word lists, document reproductionswotjobaluk, kurnai, ramahyuck, gippsland, lake tyers

The Aboriginal Police in the Port Phillip District were LaTrobe?s orderlies. This book contrasts what attracted men to this force in comparison with Mission life.�b&w illustrationsport phillip district, wimmera, lower murray district, gippsland, pentridge stockade, victorian history

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history

AboriginalOlder Gentleman beside tree holing shield and boomerang

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Ceramic form decorated with Aboriginal design by Bill Onus.aboriginal, bill onus, aboriginal enterprise novelties, ceramics

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Wooden plate decorated with Aboriginal design by Bill Onus.Stamped on back "Made in Australia Bill Onus"aboriginal, bill onus, aboriginal enterprise novelties, ceramics

Comprehensive coverage of language in the Western and Central Victorian areas, 1800-1900. Includes detailed language structures and historical details, Aboriginal Protectors and their work are included.maps, b&w illustrations, b&w photographsaboriginal clans, spatial and social organization, dhauwurd wurrung, gundijimara, djab wurrung, dja dja wurrung, djargurd wurrung, gadubanud, girai wurrung, gulidjan, jardwadjali, wada wurrung, wergaia

This edited collection of women's correspondence constitutes an important historical record of the experiences of Aboriginal women during a crucial period of social change. In particular the letters are valuable for the insight they offer into the impact on Aboriginal communities of government legislation and mission policies and the women's assertion of their entitlement to freedom and agency. Written by 81 different women, the letters cover such issues as children, family, religion, land, housing and material assistance.maps, b&w photographsvictorian aboriginal women, correspondence, government policy

Aboriginal mathematics tends to focus on the relationship of numbers rather than quantities. This book shows why numbers were irrelevant to Aborigines and outlines the kind of mathematics that was used.maps, b&w illustrations, b&w photographsnorth east arnhem land, turtle egg mathematics, aboriginal mathematics, aboriginal social life, measuring space, measuring time, flora, fauna

The aim of this work is to provide a full bibliographical listing of all published materials and theses on Aboriginal and Torres Strait Islander languages and linguistics, plus relevant theses and dissertations.linguistics, bibliographies

A4 50 pp booklet, glossy paper, in colour, photographs and print. report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from their Families non-fictionA guide to the findings and recommendations of the National Inquiry into the separation of Aboriginal and Torres Strait Islander children from their families.aborigines, children, administration law

Covers protocols for producing language materials at a local level, rather than major publishing houses. The guide's aim is to encourage positive working relationships between Aboriginal and Torres Strait Islander communities and their consultants.language directories, cultural property, intellectual property

Anonymous Aboriginal - Pilbara regionUntitled totemic design - early 1950's

Anonymous Aboriginal - Pilbara regionUntitled Mythological subject - Early 1950's

This large and very heavy stone was donated by Albert Emphield. Where he found it is unknown, but he worked in the Orbost forest areas and lived at Cabbage Tree Creek.Aboriginal usage, tool manufacture.A large rock of generally oval shape and with a number of flatish surfaces and hole indentations which were identified by archaeologist Dr Joanna Freslov 2.6.2008 as being used by Aboriginal people as a grinding or tool-sharpening stone.aboriginal-grinding-stone

A guide for library staff cataloguing, so tat culturally appropriate terms are used which enable researchers of Aboriginal and Torres Strait Islander issues greater access to information.Glossarysubject headings, thesaurus, aboriginal and torres strait islanders

A consolidated account of the Warrnambool language of the Western District of Victoria based on early sources. It is intended to serve as a convenient reference guide for the Aboriginal people of the Warrnambool area and for all researchers.Maps, tables, word listswarrnambool, bunganditj, buwandik, colac, dhudhuroa, djadjawurrung, eastern kulin, western kulin, kulin, gippsland language, woiwurrung, thagungwurrung, kurnkupanut, language revival, endangered languages

Australia is becoming a living laboratory for research into socio-linguistic/sociology of languages, offering three main fields; aboriginal languages, local varieties of English and immigrant languages in contact with English.Tableslinguistics, sociolinguistics, immigrants

Coloured, illustrated phamphlet produced by Aboriginal Affairs Victoria. Describes features of various artifacts and likely locations. Instructions are given on what to do if they are found. Methods of construction and their importance are discussed.Coloured, illustrated phamphlet produced by Aboriginal Affairs Victoria. Describes features of various artifacts and likely locations.aborigines, stone tools

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

A text outlining Aboriginal life before European settlement.Basic background to traditional Aboriginal life.Soft cover. 112 pages, illus., maps. aborigines, indigenous australians, pre european settlement

This is a book of 48 pages. It has a red cover with black printing. The pages contain printed material and black and white photographs.non-fictionAboriginal words and their English meaningsaustralian aboriginal words and their meaning