Local Newspaper Dated 3/5/1945 - Special - My War Part 52 Local Newspaper dated 3/5/1945 - Special - My War Part 2 reporting on World War 2 EventsLocal Newspaper Dated 3/5/1945 - Special - My War Part 52 Delay Will Not Be Long - Butchers Of Belsen - Tarakan: Costly for Diggersdelay will not be long - butchers of belsen - tarakan: costly for diggers, world war 2, newspaper

John and Val revisiting the site where they were internees in Camp 3 A during WW2.Colour photograph of a John and Val Fortuna sitting on the remains of a structure at Camp 3 in 1995internment camp 3, italian internees camp 3, john fortuna, val fortuna

Shows the layout of Camp 3. Larger duplicate of photograph in file.Black and white photograph of Camp 3 from up on a hill. Shows fence, guard tower and huts.camp 3

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/2 St Johns Parade, Kew by Margaret Picken.3/2 ST JOHNS PDE., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/2 st johns parade - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/82 Studley Park Road, Kew by Margaret Picken.3/82 STUDLEY PARK RD., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/82 studley park road - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/11-13 Weir Street, Kew by Margaret Picken.3/11-13 WEIR ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/11-13 weir street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1-3/71 Wellington Street, Kew by Margaret Picken.1-3/71 WELLINGTON ST., KEW / MARGARET PICKEN ~2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1-3/71 wellington street - kew (vic)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 + 2 / 3 Findon Crescent, Kew by Margaret Picken.1 + 2 / 3 FINDON CRES., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 + 2 / 3 findon crescent - kew (vic).

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/178-180 Auburn Road, Hawthorn by Margaret Picken.3/178-180 Auburn Rd, Haw, Margaret Picken '93. Woodards - Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/ 63 Campbell Grove, Hawthorn East by Margaret Picken.3/63 Campbell Rd, Haw E, Margaret Picken '91. Woodards - C'well. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/ 68 Campbell Grove, Hawthorn East by Margaret Picken.3/68 Campbell Rd, Haw E, Marg Picken '87. Woodards - Camberwell. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Three volumes. Dark Blue hard covers with dust jackets Author MajGen RR McNicoll CBE. .1) Ubique the royal Australian Engineers 1835-1902 "the colonial Engineers." Blue and While dust jacket with soldier in red and navy uniform standing with sword in right hand 203 PP .2) The Royal Engineers 1902 - 1919 " Making and Breaking." 232 PP. Author Maj Gen RR McNicoll CBE, cream and sepia coloured dust jacket photograph of the building of Watson's Rer Anzac Cove June 1915. .3) The Royal Australian Engineers 1919 -1945 "Teeth and Tail." 432 PP Author Maj Gen RR McNicoll CBE AM. Cream and Sepia coloured dust jacket photograph of sappers disarming anti vehicle mines near Derna, Cyremaica 1941..1) .2) .3) Donated by the Batham Family written in ink on title pages,books, military history

Photograph of Lil Kuhnle walking through the remains of Camp 3. Copy of photograph original held by R & L. Kuhnle. Duplicate copy on foam.Black and white photograph of a lady remains of Internment Camp 3 site.on back: Lil Kuhnle - internment camp siteinternment camp remains, kuhnle l, dean clark

Camp 3 casualty station. The hospital is fairly high (metre +) of the ground. Probably an annex hospital to the main camp 1. Also larger print.Black and white photograph of the hospital, camp 3, with Gerda Kuebler on the steps. camp 3, gerda kuebler, camp 3 hospital

Photograph depicts the teachers and children in Camp 3. All were internees during WW2.Sepia photograph of 3 men with a group of children standing in front of them. A hut is at the back of them.camp 3 teachers, camp 3 children

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 265x183 Inscription: 3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORN3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORNartist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Calico brought from Palestine and embroidered in camp 3 by 14 year old Anne Marie Treftz (now Mrs Anne Marie Reugg)Calico tray cloth, embroidered in many colours, around the 4 edges with scenes depicting the progressive exodus of the Templers from Palestine to Australia by bus, train, camel, and super liner the Queen Elizabeth. Sydney Harbour Bridge, Army personnel and unique Australian fauna. In the centre is an embroidered map of Australia. Around the map are the words: Tatura Camp 3 1942 VictoriaAround the Map of Australia- words Tatura- Camp 3- 1942- Victoriatatura, tray cloth, treftz, anne marie, palestine, kazenwadel, kurt, camp 3, reugg, templers, handcrafts, embroidery, manchester, table, linen

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/312-316 Barkers Road, Hawthorn by Margaret Picken.Unit 3/312-316 Barkers Road, Haw, Margaret Picken '89. Woodards - Kew.artist - margaret picken 1950-

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed