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Monbulk RSL Sub Branch
Book, Paul Ham, Kokoda, 2004
For the first time ever, the compelling story of the infamous Kokoda Track campaign has been told from both sides of the conflict. In a unique and balanced portrayal, renowned journalist Paul Ham recounts both the Australian and Japanese perspectives of the events on the hellish Papuan jungle trail where thousands fought and died during World War II. Based on extensive research in Australia and Japan, and including previously unpublished documents, Kokoda intimately relates the stories of ordinary soldiers in 'the world's worst killing field', and examines the role of commanders in sending ill-equipped, unqualified Australian troops into battles that resulted in near 100 per cent casualty rates. It was a war without mercy, fought back and forth along 90 miles (145 km) of river crossings, steep inclines and precipitous descents, with both sides wracked by hunger and disease, and terrified of falling into enemy hands. Defeat was unthinkable: the Australian soldier was fighting for his homeland against an unyielding aggressor; the Japanese ordered to fight to the death in a bid to conquer 'Greater East AsiaIndex, bib, ill, p.602.non-fictionFor the first time ever, the compelling story of the infamous Kokoda Track campaign has been told from both sides of the conflict. In a unique and balanced portrayal, renowned journalist Paul Ham recounts both the Australian and Japanese perspectives of the events on the hellish Papuan jungle trail where thousands fought and died during World War II. Based on extensive research in Australia and Japan, and including previously unpublished documents, Kokoda intimately relates the stories of ordinary soldiers in 'the world's worst killing field', and examines the role of commanders in sending ill-equipped, unqualified Australian troops into battles that resulted in near 100 per cent casualty rates. It was a war without mercy, fought back and forth along 90 miles (145 km) of river crossings, steep inclines and precipitous descents, with both sides wracked by hunger and disease, and terrified of falling into enemy hands. Defeat was unthinkable: the Australian soldier was fighting for his homeland against an unyielding aggressor; the Japanese ordered to fight to the death in a bid to conquer 'Greater East Asiaworld war 1939 – 1945 – campaigns – kokoda, world war 1939-1945 - campaigns - south west pacific -
Geoffrey Kaye Museum of Anaesthetic History
Pugh's inhaler - replica
Replica of original glass ether inhaler used by Dr William Russ Pugh in Launceston in 1847. William Russ Pugh is credited with being the first person in Australia to administer ether as anaesthesia. Pugh created his own ether inhaler based on a report in the London Illustrated News, dated January 1847. The paper reached Pugh in May and by June he had already designed, made and used the ether inhaler. On 7 June 1847 he performed two surgeries using anaesthesia. He also had a journalist present to record the event.The main container comprises an inverted funnel shaped glass jar that is connected to the top glass globe via an etched glass valve. Sea sponges are located within the glass vessel and the woven cloth tube is connected to the base of the glass container. inhaler, anaesthesia, william russ pugh, replica, glass, sea sponge, ether, launceston, illustrated london news, lady howden, dr john belisario, dr gwen wilson -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck, 1908
The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn -
National Vietnam Veterans Museum (NVVM)
Book, Berman, Larry, Perfect Spy: The Incredible Double Life of Pham Xuan An, Time Magazine Reporter and Vietnamese Communist Agent agent (Copy 3), 2007
During the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colenel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army.HardcoverDuring the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colenel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army. 1927-2006, vietnam war, 1961-1975 -- secret service -- vietnam (democratic republic), journalists -- vietnam (democratic republic) -- biography, pham xuan an -
National Vietnam Veterans Museum (NVVM)
Book, Bowden, Tim, One Crowded Hour: Neil Davis Combat Cameraman 1934-1985. (Copy 3), 1987
Tim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cine cameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.Tim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cine cameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.journalists - australia - biography, davis, neil , 1934-1985 -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, Australia's Vietnam: Myth vs History (Copy 1), 2019
When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airportsWhen journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, vietnam war, 1961-1975 -- personal narratives, australian, national service -- australia -- history -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, Australia's Vietnam, Myth vs History (Copy 3), 2019
When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airportsWhen journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, australian, vietnam war, 1961-1975 -- personal narratives, national service -- australia -- history. -
National Vietnam Veterans Museum (NVVM)
Book - Too Bold To Die: The Making of Australian War Heroes, McPhedran, Ian, 2013
Award-winning journalist and bestselling author Ian McPhedran uncovers compelling stories of extreme bravery in action from WW2 to today.non-fictionAward-winning journalist and bestselling author Ian McPhedran uncovers compelling stories of extreme bravery in action from WW2 to today.bravery, medals, heroes -
National Vietnam Veterans Museum (NVVM)
Book, Live from the battlefield: from Vietnam to Baghdad: 35 Years in the world's war zones (Copy 2), 1994
non-fictionwar correspondents - new zealand - biography, journalists - new zealand - biography -
National Vietnam Veterans Museum (NVVM)
Book, Hallin, Daniel C, The "Uncensored War": The Media and Vietnam
A rigorous look at media coverage abd performance. This is a book worth reading.A rigorous look at media coverage abd performance. This is a book worth reading.vietnamese conflict, 1961-1975 -journalists, press - united states - history -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, Australia's Vietnam, Myth vs History (Copy 2), 2019
When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airportsWhen journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, vietnam war, 1961-1975 -- personal narratives, australian., national service -- australia -- history. -
National Vietnam Veterans Museum (NVVM)
Book, Brown, Malcolm and MacGladrie, Stuar and Sutton, Candace, You're Leaving Tomorrow: Conscripts and Correspondents caught up in the Vietnam War (Copy 2), 2007
three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book/three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book/ 1961-1975 - participation - australian, vietnam war, 1961-1975 - journalists -
National Vietnam Veterans Museum (NVVM)
Book, Burrowes, John, Frontline Report: A Journalist's Notebook
John Burrowes has worked on newspapers since leaving school, broken only by service in the Parachute Brigade.John Burrowes has worked on newspapers since leaving school, broken only by service in the Parachute Brigade.vietnam war 1961-1975 - journalists, parachute brigade -
National Vietnam Veterans Museum (NVVM)
Book, Berman, Larry, Perfect spy: The Incredible Double Life of Pham Xuan An, Time Magazine Reporter & Vietnamese Communist Agent (Copy 1), 2007
During the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colonel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army.PaperbackDuring the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colonel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army. 1927-2006, vietnam war, 1961-1975 -- secret service -- vietnam (democratic republic), journalists -- vietnam (democratic republic) -- biography, pham xuan an -
National Vietnam Veterans Museum (NVVM)
Book, Berman, Larry, Perfect Spy: The incredible Double Life of Pham Xuan An, Time Magazine Reporter & Vietnamese Communist Agent (Copy 2), 2007
During the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colenel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army.HardcoverDuring the Vietnam War, Time reporter Pham Xuan An befriended everyone who was anyone in Saigon, including American journalists such as David Halberstam and Neil Sheehan, the CIA's William Colby, and the legendary Colenel Edward Lansdale - not to mention the most influential members of the South Vietnamese government and army. pham, xuan an, 1927-2006, vietnam war, 1961-1975 -- secret service -- vietnam (democratic republic), journalists -- vietnam (democratic republic) -- biography -
National Vietnam Veterans Museum (NVVM)
Book, Jensen-Stevenson, Monica and Stevenson, William, Kiss The Boys Goodbye: How the United States betrayed its own POW's in Vietnam
The story began in 1985, when award-winning journalist Monika Jenson-Stenevson came to investigate the case of Bobby Garwood, an ex-marine who escaped from Vietnam in 1979 and claimed to have seen countless Americans still in captivity there. Garwood claimed he had been a prisoner of war, but the American government disagreed - and promptly convicted him of collaboration with the enemy. Kiss the Boys Goodbye reveals a devasting scandal and provides startling evidence that the American government, right up to its highest echelons, knows - and has always known - that American POWs were left behind at the end of the war.The story began in 1985, when award-winning journalist Monika Jenson-Stenevson came to investigate the case of Bobby Garwood, an ex-marine who escaped from Vietnam in 1979 and claimed to have seen countless Americans still in captivity there. Garwood claimed he had been a prisoner of war, but the American government disagreed - and promptly convicted him of collaboration with the enemy. Kiss the Boys Goodbye reveals a devasting scandal and provides startling evidence that the American government, right up to its highest echelons, knows - and has always known - that American POWs were left behind at the end of the war.vietnam war, 1961-1975 - prisoners and prisons, prisoners of war - united states, bobby garwood, american government -
National Vietnam Veterans Museum (NVVM)
Book, Arnett, Peter, Live from the battlefield: from Vietnam to Baghdad: 35 Years in the world's war zones (Copy 1)
Peter Arnett is an international correspondent for CNN. He is the winner of the Pulitzer Prize, the George Polk memorial Award, the President's Award for lifetime achievement from the Overseas Press Club, three Sigma Delta Chi awards for foreign correspondence from the Professional Society of Journalists, an Emmy award from the national Academy of Television Arts and Sciences, three ACE awards from the National Cable Television Association and many other honours.Peter Arnett is an international correspondent for CNN. He is the winner of the Pulitzer Prize, the George Polk memorial Award, the President's Award for lifetime achievement from the Overseas Press Club, three Sigma Delta Chi awards for foreign correspondence from the Professional Society of Journalists, an Emmy award from the national Academy of Television Arts and Sciences, three ACE awards from the National Cable Television Association and many other honours.war correspondents - new zealand - biography, journalists - new zealand - biography, vietnam, baghdad -
National Vietnam Veterans Museum (NVVM)
Book, Brown, Malcolm, MacGladrie, Stuart and Sutton, Candace, You're Leaving Tomorrow: Conscripts and correspondents caught up in the Vietnam War (Copy 1), 2007
Three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book.Three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book. 1961-1975 - participation - australian, vietnam war, 1961-1975 - journalists -
National Vietnam Veterans Museum (NVVM)
Book, Karnow, Stanley, Vietnam: A History: The First Complete Account of Vietnam at War (Copy 3)
A journalist looking back learns - or ought to learn - that his dispatches from the field were temporal and limited, as befits the nature of his occupation.A journalist looking back learns - or ought to learn - that his dispatches from the field were temporal and limited, as befits the nature of his occupation.vietnam war, 1961-1975 - united states -
National Vietnam Veterans Museum (NVVM)
Book, Bowden, Tim, One Crowded Hour: Neil Davis Combat Cameraman 1934-1985 (Copy 1), 1987
Tim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.non-fictionTim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.journalists - australia - biography, davis, neil , 1934-1985 -
National Vietnam Veterans Museum (NVVM)
Book, Bowden, Tim, One Crowded Hour: Neil Davis Combat Cameraman 1934 - 1985. (Copy 2), 1987
Tim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.Tim Bowden's One Crowded Hour is the best selling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in South East Asia. Always at the battle front, he brought enduring images of the full horror of modern war. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok. journalists - australia - biography, davis, neil , 1934-1985 -
National Vietnam Veterans Museum (NVVM)
Book, Karnow, Stanley, Vietnam: A History: The First Complete Account of Vietnam at War (Copy 1)
A journalist looking back learns - or ought to learn - that his dispatches from the field were temporal and limited, as befits the nature of his occupation.A journalist looking back learns - or ought to learn - that his dispatches from the field were temporal and limited, as befits the nature of his occupation.vietnam war, 1961-1975 - united states -
National Vietnam Veterans Museum (NVVM)
Book, Pilger, John, Heroes
John Pilger was born and educated in Sydney, Australia. He has been a war correspondent, film-maker and playwright. He has written from many countries for the London Daily Mirror, the New Statesman and the New York Times. He has twice won British journalism's highest award, that of Journalist of the Year, for his work in Vietnam and Cambodia. Among a number of other awards, he has won International Reporter of the Year and the United Nations Association Medial Peace Prize. His documents, for ATV and Central Television, have one prizes at Chicago, Melbourne and other international film festivals.Paperback has been covered in plasticJohn Pilger was born and educated in Sydney, Australia. He has been a war correspondent, film-maker and playwright. He has written from many countries for the London Daily Mirror, the New Statesman and the New York Times. He has twice won British journalism's highest award, that of Journalist of the Year, for his work in Vietnam and Cambodia. Among a number of other awards, he has won International Reporter of the Year and the United Nations Association Medial Peace Prize. His documents, for ATV and Central Television, have one prizes at Chicago, Melbourne and other international film festivals. journalism - history - 20th century, journalism, 1960-1985 - personal observations, vietnam, cambodia -
Robin Boyd Foundation
Book, Norman Macswan, The Man Who Read The East Wind : A Biography Of Richard Hughes Extraordinary Correspondent, 1982
Hardcover w/ Dust JacketGift tag used as a bookmark "To Patricia dear a happy birthday from Hector & Glenda with loverichard hughes - biography, journalist - australian - biography, walsh st library -
Whitehorse Historical Society Inc.
Newspaper - Article, Obituary, 24/08/1993
Obituary and death notice for Graham Walsh, former Sun news and Herald photographer and Mayor of Nunawading.walsh, graham a, australian journalists association, australian labor party, city of nunawading -
Whitehorse Historical Society Inc.
Article, Medal for an ex-journalist, 2009
Eugenia Moraitis, a presenter and executive producer of the Greek language program on SBS was awarded the medal of Australia (OAM) in the Queen's Birthday honours.Eugenia Moraitis, a presenter and executive producer of the Greek language program on SBS was awarded the medal of Australia (OAM) in the Queen's Birthday honours. She is a Forest Hill resident (photo)Eugenia Moraitis, a presenter and executive producer of the Greek language program on SBS was awarded the medal of Australia (OAM) in the Queen's Birthday honours. moraitis, eugenia, sbs -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Writing Compendium, ca. 1940's
Compendium used for correspondence during WW2This may have belonged to noted war correspondent and journalist Denis Ashton Warner 1917-2012. See notes section.Brown leather writing compendium containing two Japanese occupation $100 notes, three postcards, one newspaper clipping and 34 photographs of various subjects.Six of the photographs have writing on the back in two different hands. The postcard of a young woman is also inscriped.world war 2, ww2, second world war, postcards, photographs, military, japanese currency -
Ballarat Heritage Services
Photograph - Image, David Syme
David Syme (1827-1908) was a newspaper proprietor who was born on 2 October 1827 at North Berwick, Scotland. Early in 1851, he went via Cape Horn to California seeking gold. By mid-1852 he was in Melbourne, and in the next three years prospected with some success on Ballarat, Bendigo, Castlemaine and Beechworth diggings. In 1855 he lost a possible fortune at Egerton near Ballarat when a promising claim was jumped. Ebenezer Syme bought the insolvent Melbourne Age for £2000, and invited David Syme to take up a share. In September 1856 Syme put up some cash and his contracting business to obtain a half-share. He helped to manage the paper but returned to contracting late in 1857. When Ebenezer retired in 1859 Syme reluctantly returned to the business, and on Ebenezer's death next year he began his fifty-year career as publisher and editor of the Age. (C. E. Sayers, 'Syme, David (1827–1908)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/syme-david-4679/text7741, published first in hardcopy 1976, accessed online 25 August 2019._Reproducation of a image of David Syme.david syme, portrait, the age, journalist -
Ballarat Heritage Services
Photograph - Image, David Syme, 1934
David Syme (1827-1908) was a newspaper proprietor who was born on 2 October 1827 at North Berwick, Scotland. Early in 1851, he went via Cape Horn to California seeking gold. By mid-1852 he was in Melbourne, and in the next three years prospected with some success on Ballarat, Bendigo, Castlemaine and Beechworth diggings. In 1855 he lost a possible fortune at Egerton near Ballarat when a promising claim was jumped. Ebenezer Syme bought the insolvent Melbourne Age for £2000, and invited David Syme to take up a share. In September 1856 Syme put up some cash and his contracting business to obtain a half-share. He helped to manage the paper but returned to contracting late in 1857. When Ebenezer retired in 1859 Syme reluctantly returned to the business, and on Ebenezer's death next year he began his fifty-year career as publisher and editor of the Age. (C. E. Sayers, 'Syme, David (1827–1908)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/syme-david-4679/text7741, published first in hardcopy 1976, accessed online 25 August 2019._Reproducation of a image of David Syme.david syme, portrait, the age, journalist -
Kew Historical Society Inc
Photograph, The Noble family, c.1890
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A compelling group of family portraits. Members of the family were to achieve important roles as managers, journalists and writers.Framed and gazed albumen silver print of Mr and Frederick Warner Mrs Noble in the garden of their home in Coburg (sic) with their three children. There are minor losses to the gesso and paint of the original frame. Later labels to rear include: "Mr Noble, Mrs Noble’. ‘Frederick, Winifred, Wilfred"noble family, charnwood (coburg), station street (coburg)