A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarenicholas j caire, photographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, victoria

HistoricalTwo small soft covered books, includes black and white photos.Reg. 944 was presented to Phillip Island Historical Society by Jean Herkes in memory of her husband William Halford Herkes (Hal) 18.12.1904-25.6.1991. Cowes, Feb 5 1992. etc. Based on Georgina Oswin's diaries written from 1881-1910.georgina oswin, diaries, oswin family, mornington peninsula, victoria, phillip island, melbourne, genealogy, mary karney, jean herkes

Illustrations selected from book showing views of "The Station Plenty" (Yallambie), the Bakewell family home, illustrated by Edward La Trobe Bateman, an artist and garden designer.Photocopy of illustrations from book, 6 pages. 2 copies.yallambie, bakewell family, plenty station, edward la trobe bateman

Covers the period from migration of the Willis family to Van Diemen's Land in 1823, later to squatting on the Plenty River area in 1837 at Lower Plenty and Mernda and afterwards in the Western District4 p., text and col. photographs. Also, later version August 2022.willis family, plenty river, lower plenty

Geographical area of around 35 sq. kilometres marked with physical features such as major roads, rivers, vegetation and properties, with contemporary notes on landowners, descriptions and comments on the land and its development. Bounded by Shire of Diamond Valley to the North, Darebin Creek to the West and Plenty River to the East.Black an white sketch map on white paperheidelberg, heidelberg - maps

Geographical area of around 35 sq. kilometres marked with physical features such as major roads, rivers, vegetation and properties, with contemporary notes on landowners, descriptions and comments on the land and its development. Bounded by Shire of Diamond Valley to the North, Darebin Creek to the West and Plenty River to the EastBlack and white sketch map on white paperheidelberg, heidelberg - maps

Geographical area of around 35 sq. kilometres marked with physical features such as major roads, vegetation and properties, with locations and notes of the increasing number of farms, gardens orchards and vineyards which had become established in addition to pastoral runs. Bounded by Shire of Diamond Valley to the North, Darebin Creek to the West and Plenty River to the East.Black and white sketch map on white paperheidelberg, heidelberg - maps

Geographical area of c. 35 sq. kilometres marked with physical features such as major roads, rivers, vegetation and properties, with locations and notes on the increasing number of farms, orchards and vineyards that had been developed in addition to pastoral runs. Bounded by Shire of Diamond Valley to the North, Darebin Creek to the West, and Plenty River to the East.Black and white sketch on white paper. Second copy 600 x 430 cm printed in black on semi-opaque paperheidelberg, heidelberg - maps

Geographical area of around 35 sq. kilometres marked with physical features such as major roads, railways (new extension to Eltham), rivers and properties, also housing sub-divisions and community facilities such as hospitals, parks and sporting reserves and indications of new small scale industries such as dairying. Bounded by Shire of Diamond Valley to the North, Darebin Creek to the West and Plenty River to the East. Black and white sketch map on white paperheidelberg, heidelberg - maps

An illustrated history of war memorials and monuments in Australia.522p., illus.war memorials, monuments

Report prepared by Loder and Bayly and Marilyn McBriar on behalf of City of Heidelberg and Heidelberg Heritage Advisory Committee. Area covered is from Darebin Parklands in the south to Plenty River at Yallambie in the north. Revised 1987.This study identifies neighbourhood character, documents past development and the capacity of the environment for future development with particular emphasis on the river precincts - Plenty River, Yarra River and Darebin Creek.Part three of set of three books. Paperback, 333 pages, Illus., maps. 2 copies.Stamps: Yarra Plenty Regional Library Service, and, Withdrawnheidelberg, macleod, heidelberg heritage advisory committee, marilyn mcbriar, plenty river, yarra river, darebin creek

Roll of 35mm colour negative film, 1 strip (2 frames)Fuji 200houses

Colour photographeltham, alistair knox park, art, classical landscape, cliff burtt, sculptures

Heritage Excursion - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre

"Laughing Waters has been a source of inspiration for many artists and designers, and was a natural extension of the dynamic art and lifestyle movement that began in the 1930s at Montsalvat. It was also an important site in the development of the Melbourne art scene in the 1960s and '70s, especially the earth building movement known as the Eltham Style. Since 2001 more than eighty artists have been in residence at Laughing Waters in Birrarung House and Riverbend. Their experiences and art making are woven together with Wurundjeri, European and family histories to create an evocative account of a special place in a bushy outer suburb of Melbourne." -- back cover. Eltham District Historical Society is acknowledged in the Acknowledgments section of this book.264 pages : illustrations, maps, portraits ISBN 9780994486707laughing waters, eltham, yarra river, artists, killeavey, mud bricks

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)shire of eltham

Paperback; 301 p. : ill., ports., maps ; 21 x 30 cm.ISBN 0646106198 [signed by author on title page]sugarloaf mountain

Iron sculpture by Cliff Burtt welcomes visitors to the Gateway of Eltham. It was constructed of Corten Steel in 1994 and won the Eltham Public Art Award in 1996. “Award winning sculptor, Cliff Burtt, often references the geometry of architectural forms in his bold, minimalist public sculptures. In this corten steel work the repeated arches of the temples of antiquity are in dialogue with the nearby spans of the railway trestle bridge that cuts through the Eltham parkland. The formality of the architecture is offset by the organic sweeps of the top profile of the work, which playfully acknowledges the hilly topography of the region” – Highlights from the Nillumbik Art Collection Two colour photographs of iron sculptureclassical landscape, sculptures, art, parks, alistair knox park, eltham, cliff burtt, public art

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarephotographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, nicholas john caire, victoria

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria

Black and White photograph of a man sitting on grass, with a post and rail fence in the backgroundchatham family archive,

Unframed painting showing a camp scene in hilly terrain. betty brown, ballarat technical art school, alumni

Index, notes, ill, p.640.non-fictionAfter the slaughter of the First World War, Australians embarked on a remarkable programme of war memorial construction. These memorials, large and small, stand everywhere in the Australian landscape. They embody what Australians have wanted to say about the service and death of their compatriots in overseas wars. They express pride, grief, and perceptions of God, empire and nation, becoming the holy sites of a new civil and nationalist religion -- the cult of Anzac." "In this moving and beautifully written book, award-winning historian Ken Inglis traces the development of the Anzac cult, as well as looking at those who rejected it. Sacred Places also examines a paradox: why, as Australia's wars recede in memory, have these memorials and what they stand for become more cherished than ever? In this updated third edition, that question is pursued into the first decade of a new century.war memorials - australia, soldiers memorials - australia

l.l., red oil, "1C. (letters chipped) Morris./60".painting, sheep, lambs, family, animals, baby, parents

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Mack Jost Bequest, 2018

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1992.oil on composition boardSigned, lower rightrobert dickerson, the antipodeans, redfern

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Victorian Regional Galleries Art Foundation Trust Fund, 1990