Print depicts Jesus in his metaphorical role as a 'shepherd' of 'sheep'. Common type of Catholic devotional picture.Print - "Christ with Sheep"Giovannisheep - art, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)

Linocut print on paper. Printer's Proof.'P/P' in bottom left under printed section, 'MARKS OF A PRINTMAKER (BODY PARTS I) centred under printed area, signed along bottom right edge. linocut, line, cultural reference, pattern, hands, making

The poem, "Mallacoota", as in this copy, does not appear to be noted in any of the lists of poems attributed to Henry Lawson. NOTE: Information provided by David Williams on 13/12/2021 is that "this poem in your collection is by Edward Harrington (indeed not Lawson)". Edward P Harrington (1895-1966) was born in Shepparton, served in Palestine in W W I with the 4th Light Horse Regiment, tried farming, but his lifelong passion was for story-telling through poetry. He is described as the 'last bush balladist' in Australia, and was a close friend of E J Brady and John Shaw Neilson. It was likely that he came to Mallacoota as a guest of E J Brady who had a camp for writers and poets there. He produced 5 collections of verse: Songs of War and Peace; Boundary Bend and Other Ballads; My Old Black Billy and other Songs of the Australian Outback; The Kerrigan Boys and other Australian Verses; and Swagless Swaggie and Other Ballads.His "Mallacoota" poem is printed in the Swagless Swaggie collection (1957). https://adb.anu.edu.au/biography/harrington-edward-philip-10431 Poetry associated with a place in East Gippsland. A copy of a printed poem titled "Mallacoota" with unknown author. It is pasted onto a cardboard backing. Although attributed to Henry Lawson in this printed copy, information is that it is by Edward Harrington.poem - edward harrington - bush balladist - mallacoota

Newspaper clipping from The Age, dated 25-6-2008 1 - Editorial titled "Propping up private operators won't help public transport" - looks at the history of privatisation or franchising, the consolidation of operators, growth in transport demand the lack of oversight, public interest and the lack of penalties on poor performance. 2 - Article by Clay Lucas, Analysis & Debate - The Fine Print" about the issue of new tender documents that had been leaked, issues of over crowding, potential bidders, fines for poor performance, fare evasion. Quotes John Brumby, Lynne Kosky, Terry Mulder and Greg Barber.trams, tramways, franchising, yarra trams, tenders, public transport, railways, privatisation

RMS Orcades was a British built ocean liner that served on the UK-Australia route as a Royal Mail Ship from 1937-1939. Orcades was requisitioned by the British government as a troopship in 1939. It was torpedoed and sunk in October 1942 with the loss of 48 lives. The next Orcades was the first new purpose-built vessel to enter the Australian migrant trade after the Second World War and made over 55 voyages to Australia between 1948 and 1972.The significance of this painting is that it was presented as a commemoration of the 50th anniversary of the end of the second world war by the Scullin Australia Remembers Committee in 1995.Framed and signed print of ship "Orcades". Print measures 22 x 30 cm. Print is signed "Peter Jones '95".On back of frame "No.9 Orcades to Asia Peter Jones". orcades, world war ii, scullin australia remembers committee, prints, peter jones

Orbost Aero Club began in 1969 with Basil Dowie as Chair, David Nixon as Secretary/Treasurer. The group went into recess from 1977-1991 closing in 1997. The mid 1960s were boom years in flying training in Australia and the number of Aero Clubs grew rapidly. The Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years particularly for patient transfer by aerial ambulance. The Orbost Aero Club Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years.Two souvenir programs and one advertising flyer. 2406.27 is a souvenir program for the Orbost Captain Cook Bi-Centenary Air Show 1970. It is purple print on a white background. It has seven folded glossy pages and cost 20c. On the cover is a photograph of a small plane. 2406.28 is a flyer for the Captain Cook Bi-Centenary Air Show, Sunday, April 19th 1970. It is black print on a pink background, 2406.29 is a souvenir program for Morwell Aero Pageant, Monday, January 30, 1950. Cost 3/-. No 4216. It is a grey/brown coloured card folder with black print.2406.28 - on back - Bruce Ham......(?) Yarram Tiger Moth orbost-aero-club captain-cook-bicentenary

Identify card issued by RAAF to Frederick Gardner DAVEY who held the rank of Sargeant at the date of issued. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Cream, folded, identity card with RAAF watermarks. Black / white photo of owner, Frederick Gardner DAVEY. Instructions for use of the printed on back of card. Printed in black type on cover: No 654 AX ROYAL AUSTRALIAN AIR FIRCE OFFICIAL IDENTITY CARD (For All Ranks) R.A.A.F. Forma 120A Personal details handwritten in black ink on inside of proforma.identification, raaf, all ranks

An abstract figure lies horizontally in the centre of flat and patterned fields of colour. The figure comprises of white, blue and burgundy. The colours in the background comprise of layers of green, blue, dark rose and dark green, which combine to make fields of maroon, aqua, dark green and textured dark blue. Mounted in brown matt, framed in silver painted wooden frame, with red undercoat showing through areas of wear.Front: J Courier (lower left) Reclining figure (lower right) (pencil). Back: Artist J Courier 368 Toorak Rd Sth Yarra. Title: Reclining figure. Price $90 framed, $70 un-framed.abstract, figure, print, nude

This is a copy of a print originally published in 1774 by James Bretherton (British, active 1755–1799), after Henry William Bunbury (British, 1750–1811). Antiscorbutic pills were intended to prevent, or cure, scurvy. Black and white print, framed. Scene depicts two male 'quack' doctors (at image left) arguing over the relative merits of their antiscorbutic pills. The two men appear to have set up business directly opposite each other in the street, as a sign on the upper left of the image reads 'Dr WALKER'S/VERITABLE/ANTISCORBUTIC/PILLS/Beware of Impostors.' whilst a sign on the upper right of the image, directly opposite, reads 'TRUE/ANTISCORBUTIC/PILLS.' Directly behind the two men arguing, two dogs can be seen fighting each other. To the right of the men, the two wives of the doctors are also having a violent altercation, and to their right, two cats have their backs arched and are hissing at each other. There is a shield emblem resembling a coat of arms 'hanging' from the top centre of the image. The shield features images of two ducks, above the phrase 'QUACK QUACK QUACK'. Title for image is printed at bottom centre of image and reads 'MUTUAL ACCUSATION./Publish'd by Bretherton Ed. January 1774'. Text printed below image to the left of the title reads 'When once you've told and can't recall a Lye/Boldly, percist in't or your Fame will die.' (sic) Text printed below image to the right of the title reads 'Learn this ye Wives, with unrelenting Claws/Or right or wrong, Afsert your husbands cause.' (sic). Small text printed below bottom left corner of image reads 'Mr Bunbury del.' Small text printed below bottom right corner of image reads 'Js Bretherton f.'. Print is mounted on card and housed in a gold coloured wooden frame. A sticker for Gibson's Auctioneers is attached to the bottom right of the front of the frame, printed with the number '67'. There are two small auction house stickers stuck to the back of the frame of the work, as well as a sticker for the framer of the piece, Artist Framing Services. Two sets of D-rings and two wires have been attached to the back of the frame for hanging.

CEMA Art Collection Winner of 1962 Portland Art Society Art Prize for the category Drawing or Print.The print is an abstract depiction of a waterfall in shades of brown, black, blue, green and cream. The brown, blue and cream are used to create the background while the black and green provide the work with texture through the use of line. The work has a simple wooden frame with white mount and glass.Front: Robert Grieve Grampians Waterfall 9/18 61 (bottom of work, lead pencil) Back: 1962 (top left, lead pencil)cema, portland artists society, local history, portland, grampians

Illustrated book. Front cover has a black and white photograph of a nurse in military uniform (Pearl Lottie Trayhurn) main title in red and subsidiary tile in white overprinted on this photo. Author's name printed in black at bottom. Main title printed in red on spine along with authors name and publisher's mark printed in black. The back cover has a photograph of a civilian nurse in uniform (Pearl Lottie Trayhurn, Paramatta Hospital) the back cover also has a summary of the booknon-fictionA history of the Australian nurses who served in the 1914-1918 conflict. Also includes history of nursing in Australia pre federation, the Boer War, and the influenza pandemicmilitary nursing-australia-history, world war 1914-1918-nursing, boer war-nursing, colonial history-australia-nursing, nurses

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

This book was compiled by Thomas Gartlan with the aim of providing a written history of the National Servicemen's Association of Australia Victorian Branch (Inc) Geelong and District Sub-Branch 1988-2008.This is an original book, there is a Heritage Page and the signatures of past President's, State and Sub Branch Patrons.An oblong book, thick yellow cardboard cover, 90 white pages.The book was printed by Deakin University, Logistics Division Print Services, 2008nsaa, geelong & district sub branch, thomas gartlan

Illustrated book with brown and cream cover. Title, editors name, and an illustration of a gramophone are printed in brown on the front cover. Also on the front cover is a brown and white photo of a man and woman riding camels in front of the Sphinx: Olive " airing herself around the Pyramids in lieu of pay" accompanied by Dr John Kneebone. Title is also printed in brown on the spine. On the back cover are printed extracts from the book, along with two small photographs, one is of the front of an envelope, the other is a photograph of Olive Haynes in uniform 1915non-fictionA collection of letters and diary extracts written by Olive Haynes, between 1914 and 1918. This book gives an invaluable insight into the experiences of an Australian Army nurse whose service saw her minister to casualties from some of Australia's most significant campaigns during World War Oneolive l.c.hayes, world war 1914-1918 - medical care, world war 1914-1918-hospitals, australian army nurses, nurse

Rev. Daniel J. Draper (1810 - 1866). Arrived in Australia in 1820 where he worked for ten years in NSW and Vic before going to SA where he worked for the next 20 years. He built the Pirie Street Methodist Church. He left SA in 1855 returning to Victoria where, in 1859, he was elected President of the Australian Conference. Rev Draper returned to England in 1865 where he was appointed representative to the British Conference from Australia. He set out to return to Australia with his wife on the SS London in 1866 which almost immediately ran into a storm and all but 19 passengers died. Black and white etched head and shoulders portrait of Rev. Daniel Draper who is looking to his left. It is printed on buff paper and has a signed inscription."Victoria Printed & Published by J. W. Pearsen & Co. 67 Collins St. East Melbourne" "Yours most truly D. J. Draper."rev daniel james draper methodist minister, methodist minister, draper memorial methodist church gilbert st adelaide, representartive to the british conference from australia 1865, president of the australian methodist conference

The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916

Painting courtesy of John Bastock.Colour print of HMAS Sydney 1918 at sea. Launching a Sopwith aeroplane from a flying off platform atop her 6 inch gun turret. There is another ship in background visible RHS past bow of the Sydney. Print is No 3 in a series of 25. Mounted with white border with gold metal frame, masonite backing & wire hanging strap. Printed RHS bottom on border under print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY” Printed RHS bottom corner on print: “John Bastock”print, ran, anniversary, 75th

Lithographic print of a "David Sowden & Sons Patent Loom No 75." Among items from Yarra Falls Mill.Lithographic print of a "David Sowden & Sons Patent Loom No 75."textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Linocut print. Printer's Proof'P/P' in bottom left below printed section, 'ULMAI' in centre, signed along bottom right edge of paper.culture, pattern, linocut

Illustrated book with white cover and brown print. Title and authors name are printed on the front cover along with a brown and white photograph of a white-haired man in uniform (Sir William Drogo Montagu, 7th Duke of Manchester, founder of St John Ambulance Association). Title and author's name are also printed on spine. A coloured photo of a man wearing glasses and the uniform of St John Ambulance (the author Allan Mawdsley) and information about the authornon-fictionA history of St John volunteer first aid service in Victoria. Includes information about the Knights Hospitaller of the Order of St John, and the founding of the St john Ambulance Association in England in 1877st john ambulance australia (victoria)-history, knights of malta, first aid, volunteer workers in ambulance service

Two uniformed soldiers, Bill Henderson and Trish Ferguson having a drink.A coloured image of two soldiers in uniform having a drink outside. print, bill henderson, trish ferguson, nui dat, 1970

"Narrative of the service history of the Fifth (Victorian) Infantry Battalion 1st AIF". "A remarkable testimony of their sacrifice in the First World War".Hard cover with dust cover. Hard cover, cardboard with black coloured buckraw, red print on front and spine. Front - illustrated - silhouette drawing of soldier in uniform Back - black and white photograph of 2 soldiers on camel back. Small black over red rectangular colour patch front and back 342 pages, cut, plain, white. Illustrated black and white photographs, portraits, maps and documents.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941-1943) Association Inc. www.39battalion.com"books, military, history, wwi

Souvenir Programme from the Councils of the Municipalities of the City of Caulfield and the Town of Brighton for a Public Demonstration to be held on Sat 3rd August 1918 at 3 o'clock for the proposed Avenues of Honour to be planted in memory of fallen WWI soldiers. From Honour Roll Display 2019 interpretation panel - Brighton-Caulfield Avenue of Honour It is hard to imagine but a grand arboreal Avenue of Honour once lined parts of North Road, McMillan Street and Point Nepean Road (now Nepean Highway). The Avenue of Honour was a distinctly Australian phenomenon with hundreds being constructed throughout Australia during and following World War One, most of these in Victoria. Consisting of tree lined streets with each tree representing a solider, the Avenue of Honour signalled a more egalitarian approach to commemoration where rank was not a consideration. Arguably the most famous Avenue of Honour in Victoria still exists at Ballarat. Stretching for nearly 22 kilometres, the entrance to the Avenue is marked by the imposing Arch of Victory. Smaller in scale, the Brighton-Caulfield Avenue of Honour was dedicated to the ‘memory of (Brighton and Caulfield’s) kith and kin who came from (the) district and who died in the Great War’. A joint project between the neighbouring Councils, the idea was first reported in The Argus on 1 July 1918. Plans moved along quickly and on 3 August 1918 the Governor of Victoria Arthur Stanley planted the first Australian flowering gum. The next of kin were then invited to plant trees for lost sons, brothers, uncles, nephews and husbands. In all, over 400 trees were planted. Intensely personal, the Avenue also acted as a focus of grief and remembrance for the wider community. For many years, the annual civic Anzac Day service was held at the Avenue on Point Nepean Road, near Glen Huntly Road, Elsternwick. The service was moved to Caulfield Park upon the completion of the Cenotaph in 1930. Due to road widening and disease the last original tree was replaced in the 1980s, however a plaque in Caulfield Park records the Avenue’s plantation. Commemorative booklet, grey cover with text printed on the grey textured paper cover and an image of four trees and a wreath. Image of a kookaburra on the back. Inside, 28 numbered pages with b/w text and photographic images including a transparent paper representation of the proposed Avenues of Honour on Brighton Road and Point Nepean Road. Souvenir programme for a Public Demonstration for the Avenues of Honour as detailed on the front.city of caufield, world war one, first world war, anzac, remembrance, town of brighton, brighton, caulfield, avenue of honour

Illustrated book with green cover. Title and authors name are printed in white and black ink on front cover and spine. The VPNG logo is also printed on the front cover and spine. On the front cover is a black and white photo: "The theatre sister" by Julian Smith FRACS (1873-1947). On the back cover is information about the author, a summary of the book and the VPNG logo.non-fictionA history of the first fifty years of the Victorian Perioperative Nurses Group, as specialty group of the ANF and its aims to promote the professional, educational, recreational and economic interests of its members.victorian perioperative nurses group-history, operating room nurses-victoria-history, operating room nursing-history

Coloured Print of Marco Polo. 257 mm X 230 mm Sh 180 Ships M - R.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, marco polo, print

Paper relief printSigned and dated lower right beneath composition "J. Taylor 1973" Edition and title inscribed in lower left below print, 2/25 "Negative Yellow"

Reproduction print of "Flora, a Spanish Sheep at Buckingham Palace,1849 ", a watercolour by Frederick Keyl (1823-1871), presented to the National Wool Museum by HRH Queen Elizabeth 11, April 28th, 1988.Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. "Flora, a Spanish Sheep at Buckingham Palace,1849 ", print inside presentation folder from HRH Elzabeth II.ER/PRESENTED/ TO THE/ NATIONAL WOOL CENTRE/ GEELONG/ BY/ HER MAGESTY THE QUEEN/ 28TH APRIL 1988 "ER"

Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial

15th Annual Carnival of Returned Soldiers Association of Rutherglen A.L. Grantham President / Messrs P.R. Fullerton, J. Briggs VPs / Secretary J. Small, Ass. Sec. W. CollierGrey-blue paper cover, 8 pages, Sun Print. Printed for the R.S.A. of Rutherglen"Rutherglen Returned Soldiers Association / 15th Annual Carnival" RSL Badge.returned soldiers' association, rsa, sporting events