Set of three signs that could be affixed to the inside of tramcar windows advising of "Notice to Passengers - Royal Tour - Tramway Arrangements", printed in red and blue on off white semi gloss paper, for the March 1977 Royal Tour - Queen Elizabeth on her silver jubilee tour of Australia. All signed by R. C. Drummond as Traffic Manager. Advised of the time and locations of Suspension of services on 16 March 1977. .1 - Bus services - Bullen to Garden City .2 - Swanston St, Elizabeth St, Flinders St and Collins St. .3 - Bourke and Collins St.trams, tramways, mmtb, royal visit, services

Colour postcard divided back - Biscay Greetings, of an photo looking west along Collins St east of Russell St with SW5 730 on a route 42 westbound. Has the Town Hall and National Mutual building in the background. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1970's. Card No. BG119 has serrated edges. 2637.1 - same photograph, different publisher - "scanscene international" photo by R Bell. - From the Keith Kings Collection.trams, tramways, postcards, collins st, w5 class, tram 730

Agfa Colour slide, cardboard, by Keith Caldwell dated March 1963 with W2 533 northbound in Swanston St, route 8, followed by another tram. A large Royal crown has been positioned in the middle of the intersection with Bourke St along with banners. There are two other crowns over Collins and Flinders St intersection in the view. In the background is the concrete framing for the Royal Mail House building on the corner, Copolovs Furniture and carpet centre, Town Hall Chambers and the Melbourne Town Hall and an ANZ bank. In the distance is St Paul's CathedralIn ink "Swanston St R. Visit Decs Mar 63"trams, tramways, swanston st, royal visit, w2 class, melbourne town hall, route 8, tram 533

Photographs, Black and White, Photo of Elizabeth St, to the north of Collins St looking south towards Flinders St and Flinders St Station. Has a bogie cable trailer in the view, along with other cable trams, horse drawn vehicles and many pedestrians. In the background is Royal Bank, Craig Williamson, Sargent's Cafe and R. White on the corner. The photograph has a serrated edge.In ink on the rear: Keith Kings stamp and number S-A-449 "Melbourne - Elizabeth St, looking south over Collins St. About 1900. Note Bogie Cable Trailer"trams, tramways, elizabeth st, collins st, cable trams

Postcard, yellow bordered, black and white postcard of the intersection of Collins and Elizabeth St showing one cable tram set, many people and a number of horse drawn vehicles. Has the R White building on the south western corner of the intersection. Back has space for name and address, stamp and a message and details of the postcard. Produced by Stewart Postcards SV010. Has "Greetings from Old Melbourne" along the bottom edge. Two copies held.trams, tramways, cable trams, collins st, elizabeth st

Newspaper clippings - "Last Collins St tram tonight" - giving details of the closure, the last car, the crews and replacement services and arrangements. Gripman - M r Atkin and Mr Hindle. Notes no difficult in selling the old rolling stock. Dated 14-9-1929, published in The Herald. Cutting from The Age 15-9-29, titled "Tram Conversion Changes", reporting on the closure of the tram line.In pencil along the top edge "in the Herald 14 Sept 29", In pencil above the heading "Age "15-9-29"trams, tramways, cable trams, closure, collins st, sale of trams, last tram, conversion, tram 1

Sarah Bird 4th from left (seated) and Edward Pepper on her left (standing). George Bird, 2nd from right (seated). George Bird her great-grandfather and Sarah Bird and Edward Pepper, her grandparents. [from Evelyn Observer and Bourke East Record, morning edition, 18 November 1904, p. 3:] ORANGE BLOSSOM. The marriage of Miss Sarah A. Bird, eldest daughter of Mr George Bird, of "View Hill," Eltham, to Mr Ernest Edward Pepper, of Diamond Creek, was celebrated at the residence of the bride's parents on Wednesday, 9th November, 1904. The ceremony took place at 4 p.m. and was performed by the Rev Percey Knight, B.A., of Alphington. The bride entered the drawing room with her father who gave her away, and the Wedding March, was nicely played by Miss Wild. The bride was prettily dressed in creme voile nicely tucked and gathered, trimmed with guipure lace and silk ruching, sprays of orange blossom, wreath and veil, and she carried a shower bouquet. Her travelling dress was a very pretty blue. The brides-maids were Miss Ethel Barker dressed in pale green voile trimmed with creme guipure lace and silk ruching; and Miss Button in creme voile, guipure lace, silk ruching; both carried pretty bouquets. The groomsmen were Mr Lorimer, of Diamond Creek, and Mr George Bird, brother of the bride. Between forty and fifty relatives and friends partook of a bountifully provided and nicely laid out breakfast. The usual toasts were honored, and congratulations were freely tendered "to the happy couple". The decorations were very tastefully executed by Miss Beatrice Nelson, and Mr Sayers. The evening was very pleasantly spent in singing, recitations, games, and other suitable pastimes, while others "tipped the light fantastic toe". About 10 p.m., "while all was merry as a marriage bell", the bride and bridegroom departed secretly "to cheat surprise and prying eyes". The presents were numerous and handsome:– Parents of the bride, sewing machine; Miss A. Bird, silver breakfast cruet; Miss N. Bird, bread board and knife; Master A. Bird, pair glass dishes; Master R. Bird, pair photo frames; Mr Sayers, tea set; Miss Kidd, silver jam dish and spoon; Miss Wilkinson, carpet; Mr J. Kilpatrick, cheque; Mr W. Kilpatrick, clock; Miss Kilpatrick, silver butter knife; Mr J. H. Kilpatrick, hand painted mirror; Mrs Kerwin, pictures; Mrs Gilsenan, the handsome wedding cake; Mrs Nelson, Japanese occasional table; Misses Nelson, jugs and candlestick; Mrs Bunker, silver cruet stand; Miss Bunker, hand-painted vases; Miss E. Bunker, epergne; Mr E. Bunker, crumb tray and brush; Miss Jessie Gilsenan, cake stand; Mr Harold Gilsenan, auger basin and ornaments; Mr Lorimer, silver breakfast cruet; Mr A. Collins and Miss Jones, epergne; Miss Cassie Sweeney, jardiniere; Miss Ida and Ollie Cooper, silver butter dish; Miss Mills, large vases; Misses M. and F. Shillinglaw, handsome oak clock; Misses C. and E. Shillinglaw, pair large pictures; Mr Lucas and Miss Sutton, silver butter dish and knife, and silver jam dish and spoon; Miss M. and A. Short, teapot, cheese dish, and tumblers; Mr and Mrs J. Anderson, butter dish; Miss Williams, pen tray; Miss Griffiths, vases; Mr I. Hill, cheque; Miss Wild, biscuit barrel; Mr, Mrs and Miss Brown, trifle bowl and crystal jug; Mrs Weller, water jug and glasses; Mrs Hadfield, pair glass dishes and butter dish; Mr and Mrs Blackney, photo frames; Mr Wilson, beaded basket pin cushion; Mr Linsy, cheque; Mrs Linsy, fruit dish; Mrs Stebbing, pair candle sticks; Mrs Blanchard, pictures.Digital copy of framed sepia photographanderson, bird, blanchard, blackney, bunker, collins, cooper, edward ernest pepper, george bird, george bird jnr, gilsenan, griffiths, hadfield, hill, jones, kerwin, kidd, kilpatrick, linsy, mills, nelson, sarah ann bird, sayers, shillinglaw, short, stebbing, sutton, sweeney, view hill, wedding, weller, wild, wilkinson, williams, wilson, brown, lesley mitchell (nee pepper) collection

VX35607 PTE F. A. LEITH, VX39281 CPL A. W. DENNIS, VX 37785 CPL E F EAMES, VX40454 K. JINKINS, VX32720 D S BARTON, VX40633 COOK J. WALLWONK, CAPT GREVILLE, DRIVER SPROULL (GIPPSLAND), DRIVER KEENE (NSW), VX25134 PTE N. SPEARS, VX49884 BATMAN TICH HENDERSON, VX45176 H.S. COLLINS, VX45671 DRIVER L.W. GARRIE, VX47945 CPL H.B. O'CONNOR, VX42129 F. NASH, VX 39092 F.J. GILES, VX40003 CPL R. JOHNSON, VX25874 H.E. DOIG, VX27236 C.H. DEMILLO, MESS ORDERLY MICK HEARNEE, SGT L. ATKINSON, SGT BIGGS (VICTORIA), VX 39296 A.V. BLACK, SGT GILES (China & New Guinea), VX 26561 W.J. HIPE, VX 43532 E.P. OGIET, J.H. McKINNON, VX35133 O.A. JOYCE.Sketch - In centre in black ink is a sketch of a soldier in uniform with helmet, back pack & rifle with fixed bayonet in L hand . Khaki background. Plastic coated with white cardboard backingWritten at top: “2/5 Field Hygiene Section AIF Malaya” Written underneath: Names & numbers of Section Members2/5th field hygiene section, malaya, ww2, memorabilia

PREMIERSHIP 1958 .1 BLACK AND WHITE PHOTOGRAPH OF CLUNES FOOTBALL TEAM. PREMIERS CLUNES FOOTBALL LEAGUE 1958 MOUNTED ON CARDBOARD .2 COPY OF PHOTOGRAPHPRINTED UNDER THE BLACK AND WHITE PHOTO; BACK ROW - W HUDSON, D COULTON, D FINNIS, N MILLGATE, J CLARKE, W JONES, R MILLGATE, D PEARSE, T FRASER, T COON, K SENOY, J MCLENNAN, J HIGGINS, I MAHER MIDDLE ROW - E STEART, J MITCHELL, R JONES, K STEART, R ANDREWS, I LEISCHMAN, F COLLINS, B BELL, R FLYNN, R FAWCETT, K OULTEN, A STEART, K RIDLEY FRONT ROW - B ANDREWS, G MCLENNAN, R DOLAN, L QUINTON local history, photographs, sport, football

The reports were produced and readily distributed annually to a number of organisational stakeholders and included reports from the Committee, Chaplain, extracts of letters, Ladies auxiliary and a list of subscribers. In the Argus (Melbourne, Vic. : 1848 - 1957), Saturday 24 February 1900, page 15: VICTORIAN SEAMEN'S MISSION The annual meeting of the Victorian Seamen's Mission was held in the institute at Port Melbourne last night. There was a fair attendance, the large proportion being ladies, and the chair was occupied by Sir Frederick Sargood MLC. Mr Hugh R Reid, the president of the institute, was also president. The annual report, which was lead and adopted, stated that the Seamen's Institute at Port Melbourne, and also the Sailors' Rest at Williamstown, had sustained their reputation for usefulness and attractiveness. The attendances had been very large at each place and 114 seamen had taken the pledge at the Port Melbourne Institute. Regreat was felt that owing to the preliminary steps having met with opposition in Parliament the building of the long contemplated additional institute near the Melbourne wharves was deferred but the project had not been abandoned. Large parcels of literature had been distributed gratuitiously among ships' crews and the concerts held for the entertainment of seamen had been very successful. The mission had been in existence for over 40 years. It aimed at promoting the temporal and spiritual welfare of seamen. It had been the means of completely eradicating "crimping" and the sailors' "boarding masters" curie, and otherwise removing many of the abuses which still exist in other ports. The Chairman, in moving the adoption of the report and balance sheet, referred to the great benefits which seamen derived from the institute. He was particularly struck by the fact that during the past year close on 2,000 letters had been written by visiting seamen from the institute namely, 1,720 at Port Melbourne, and 261 at Williamstown. It was also a very note-worthy feature, which perhaps the residents of Williamstown might be able to explain that, whilst out of 49,567 attendances at the Port Melbourne institute 114 had taken the pledge there, there was not a single instance on record of the pledge having been taken at the Sailors' Rest, Williamstown, out of 8,218 attendances. (Laughter) Referring to the projected new institute near the wharves, he was amazed to find that its construction had been, according to the report, orefused by some of the labour members. He did not know the details of the matter, but was of opinion that there was no institution more deserving of the support of labour members than the one advocated. In his opinion, the representatives of labour should disown the action of their delegates in Parliament in this matter. (Cheers ) Selections of vocal and instrumental music were given during the evening.These reports were produced annually and include a number of smaller reports from the Executive Committee, Chaplain and auxiliary. They sometimes included photographs and a list of subscribers and amounts pledged. These reports provide an organisational overview as well as many stories of the people who populated the Mission to Seafarers.Handwritten in ink on top right hand corner: "F T Derham [indecipherable]" Handwritten in ink on bottom left hand corner: "Melbourne Sailors' Home" Cover back page written in black ink: W. Siddley Esq. / 529 Collins Street / Melbourneannual report, 1899, victorian seamen's mission, port melbourne, williamstown, sailors' rest, seamen's mission, mission to seafarers, seamen's institute, sailors' home, f.t. derham, reverend ebenezer james, whc darvall, frederick sargood, hugh r. reid, administrative document-annual report

Other number 03612.2Black and white photograph of 1920 Football Club Premiership team . R Fraser, J. Lee, C Vize, T Carstairs, D Carstairs, H Todd, W Todd, B Beyer umpire. W Bell, A Allen, A Carstairs, T Beyer Capt. P Henning, W Henning, T Collins,V Carstairs, L Devitt, L Williams, E Harbeck Lakes Entrance Victoria sports, football

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath

Illustrated book with dust jacket. Both book cover and dustjacket have a blue background with title and author's name printed in white on front and spine. An illustration of an entrance to a building is printed in white on the front of both book and dust jacketnon-fictionA history of British hospitals of the status of health, health care and the development of hospitals in Britain from the Middle Ages, up to the beginnings of the National Health Service in 1948.hospitals-great britain-history, british health care

The Freedom of Entry to the City was an honour conferred by the Bendigo City Council to the Army Survey Regiment in 1970. 1977 was the second time the unit exercised its freedom of marching into the city with swords drawn, bayonets fixed and drums beating. The honour is usually bestowed upon local regiments, in recognition of their dedicated service, and it is common for military units to periodically exercise their freedom by arranging a parade through the city. Led by the Regiment’s CO – LTCOL Bob Skitch, the unit marched down View St in the CBD, along Pall Mall and up Gaol Rd to the Queen Elizabeth II Oval. The ceremonial parade followed with a march past the guests of honour, the Mayor of Bendigo and military dignitaries. The parade concluded after formal inspections of the troops. The Regiment also exercised its Freedom of Entry with anniversary parades in 1980, 1985, 1990 and 1995.This photograph of the Army Survey Regiment was taken on the occasion of the Freedom of Entry to the City of Bendigo March in 1977. The photo was printed on photographic paper and scanned at 200 dpi. It is part of the Army Survey Regiment’s Collection. .1 - Photo, black & white, 1977. Female Contingent salutes on the march past the dais. Right file L to R: PTE Chris Meharg, CPL Di Chalmers, LCPL Lynn Johnson, PTE Debbie Brown, PTE Le-anne (Smallshaw) Shirley, PTE Janet (Chopping) Justin, PTE Deirdre Moorrees, CPL Sue (Lang) Spath, WO1 Marj Knight, LT Dianne (Norling) Harris CSC. Centre and left file L to R: SSGT Pat Lumsden - obscured, PTE Karen (Carmichael) Gloster, PTE Kerry (Brown) Collins- obscured, PTE Terry Martin, PTE Laurel (Ryant) Staley – obscured, PTE Tracey (Beckwith) Phillips, PTE Marrianne (Van De Zee) De Groot- obscured. Personnel are named on a digital copy of this photo.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

Photograph of W7 class tram 1004 westbound in Collins Street approaching Swanston Street displaying destination "City Spencer St route 11". The photograph looks westward, showing a long length of Collins Street with numerous trams and motor vehicles including a taxi. The trams are fitted with side lights from the early 1970s and most trees are without leavesYields information about trams and traffic in Melbourne CBD. Black and white photograph with nothing on rearfnptt, r class, plenty road, preston, span poles, track loop, melbourne and metropolitan tramways board, fnptt number 1, tram number 151

Sepia toned photograph football team Premiers 1920 L to R R Fraser, J Lee, C Vize, T Carstairs H Todd, W Todd, P Beyer Umpire Second Row W Bell, Allen, A Carstairs, T Beyer Capt., B Henning, W Henning, T Collins President John Coatesports, football, clubs