Colour Slide: Aerial View of Grampians Showing both Ranges and the Valley grampians

Colour Slide: Aerial View of Lake Bellfield Looking Up the Valleygrampians, lake bellfield

Ariel View looking up the Valley athte COnstruction of Lake Bellfieldgrampians, lake bellfield

Ariel View of Lake Bellfied looking down the valley showing the wallgrampians

Black and white photo of Aerial View of Site for Nunawading Civic Centre.nunawading civic centre

Colour photograph of Pine View, the home of Vince Gervasoni, of Yandoit Creek.yandoit creek, yandoit, pine view, vince gervasoni

Artist impression of the new building for Vision Australia's office in Macaulay Road, Kensington in 2009.4 digital files depicting artists view of Macaulay Road officevision australia, macaulay road kensington

Black and white photograph. View adjacent to the Croquet Lawn. Bench on the grass.175 in coloured pencil on reversegarden view, croquet lawn

historic, fire, towerView from Mount Buninyong Tower, with Ann Beggs Sunter and unknown.mount buninyong, fire tower

Colour Slide: Aerial View of Grampians Valley with lake Bellfield in the distancegrampians, lake bellfield

View taken 1908 looking south over 'Kalorama', home of Ellis and Eliza Jeeves, across the valley towards the falls.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.View taken 1908 of valley looking south over “Kalorama” towards the falls. House right of “Kalorama” was Paynter’s “Iona” on Lot 29. Faintly below line of Barber’s Road above “Kalorama” is Logan’s house on Lot 28. House against orchard was Pimm’s later Prince’s Lot 19. Big trees on right were on Price’s Lot 18 and were between Tosari Rd and Rosemont Cres. It was FROM one of these being cut up in 1931 that the round length log weighing ½ a ton got away from the splitters and raced down the hill in bounces, one of which cleared Barber’s Rd and Logan’s house in leaping from the fence line above the road.kalorama, paynter, iona, barbers road, ellis jeeves

Printed below photograph, "View of the Dandenongs from Lot 11. This view is observed from almost every lot". Written on back of a photograph, "Photo taken from sub. div. plan land sales. Charm View Estate, Heathmont, 1926?" Another copy reads, "Mullers orchard, Heathmont. Taken from cnr. Canterbury and Dickasons Rds. Looking east - 1926".

Postcard size coloured photograph"Written on back of photograph" View of Ringwood looking from Laughnans Road,-circa 1960's

Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "View south from 184 Progress to Scenic Crescent, Eltham North 1970"alistair knox design, eltham north, hellemon, houses, progress road, scenic crescent

Written on back of photograph, "E648. 8/1/82. View of goods intake section 'Target'".

Typed below photograph, "A Panorama of Ringwood" and written on back of photograph, "Mountain View estate circular".

Illustration - set of two photos that have been glued to a sheet of lined paper. .1 - Top illustration - of L 105, letter M&MTB, route Number 2 - titled "New Central Entrance bogie car Exterior View" .2 - Lower illustration of the interior of the tram - showing bellcords, doors, 3 + 2 seating, seat panels, strap hangers, light fittings, wood panelling, windows, MMTB logos and window lifters - titled "New Bogie car - interior view". Source of the images unknown. See Reg Item 3558 for another print within an album and 7415 for a photo of one of the saloons. trams, tramways, mmtb, new trams, l class, interiors, fittings, tram l 105

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Ballan’.; Views of Victoria (General Series) No.35; Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Township of Ballan is situated near the Bullarook Forest, and is distant about twenty miles from Ballarat. It is chiefly a small agricultural town, but it has become notable of late owing to its Mineral Springs, of which there are several in the neighbourhood. The most important one is owned by Messrs. Joske & Co., who supply the public with this delightful beverage.’ nicholas caire (1837-1918), ballan, bullarook forest, mineral water, ballan mineral springs, post and rail fence

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Omeo’ : Views of Victoria (General Series) No.44 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is the most remote Township in the Colony of Victoria, being about 250 miles distant from Melbourne. It is situated on the Australian Alps, near Mt. Livingstone. The bed of the River, which is seen on the right-hand side of the picture, is one of the sources of the Mitchell River, which empties itself in the Gipps Land Lakes. This Township is frequently covered with snow in winter time, owing to its being several thousand feet above the level of the sea.’ nicholas caire (1837-1918), omeo (vic), gippsland, mount livingstone, australian alps

Photo showing Powder Monkey working at Devil's Elbow near Eastern Viewg.o.r., devil's elbow, eastern view, powder monkey

Colour photograph of oblique aerial view centred on Eltham Shire Offices, 1994eltham shire office, eltham library, main road, eltham, aerial photograph

View of Ballarat Towards Mount Warrenheip from the Ballarat School of Mines, 2015smb campus, federation university, mount warrenheip

black and white photograph: Aerial view of Mt Helen campus from the north mount helen campus, mount helen campus aerial, student residences, p building, f building, g building, l building, mt helen library, union building, u building, e.j. barker library, aerial

Coloured photograph of front view of Museum showing two windows and front door.schwerkolt cottage & museum complex, nunawading & district historical society

Framed Colour Photograph - View of the city and highway from western suburbs 1985

The Old Colonists' Hall opened in 1887.View down Lydiard Street North from the verandah of the Old Colonists' Hall.ballarat old colonists' club, ballarat old colonists' hall, balcony, lydiard street

Photograph taken by a staff member of the main entry of the Kooyong building, with 'Wicking Centre' signage. vision australia, buildings, john wicking, janet wicking

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View on the upper Buckland River’ : Views of Victoria (General Series) No.46 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buckland River is situated near the western extremity of the Australian Alps, and forms one of the sources of the Ovens River. Its watercourse is very shallow, except in flood time. Our illustration is taken on the upper portion of the River, near Reeve’s dam.’nicholas caire (1837-1918), buckland river (vic), landscape photography - victoria