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National Wool Museum
Archive - Advertisement, Castlemaine Woollen Mill, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Castlemaine pure virgin wool blankets (mother and daughter)"-and they'll be just as lovely 20 years from now/Castlemaine pure virgin wool blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, australian women's weekly, castlemaine -
National Wool Museum
Archive - Advertisement, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "They're as lovely as ever" (mother and bride to be) Castlemaine blankets"My trousseau blankets were Castlemaine, too, and they're still as lovely as ever"/Castlemaine Pure Virgin Wool Blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, castlemaine, australian women's weekly -
National Wool Museum
Archive - Advertisement, Castlemaine Woollen Mill, 1958
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement Castlemaine blankets "Warm as a summer breeze"Warm as a Summer Breeze/Light as a Floating Cloud/Castlemaine Blankets/Castlemaine-the Aristocrat of Blanketswool, blanket, blanket fever, advertisement, castlemaine, australian women's weekly -
National Wool Museum
Archive - Advertisement, Challenge Woollen Mills, 1961
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Eagley Woollen Mills, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."The wonderful warmth of Eagley (lady in bed)The wonderful warmth of Eagley Pure Wool Blankets/In fascinating colours and intriguing designs/Hygienically wrapped in cellophane/Obtainable from All Leading Stores blanket, blanket fever, wool, eagley woollen mills, advertisement, woman's day -
National Wool Museum
Archive - Advertisement, Eagley Woollen Mills, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." The wonderful warmth of Eagley (Cat on blanket)The wonderful warmth of Eagley Pure Wool Blankets/In fascinating colours and intriguing designs/Hygienically wrapped in cellophane/Obtainable from All Leading Stores blanket, blanket fever, wool, eagley woollen mills, advertisement, woman's day -
National Wool Museum
Archive - Advertisement, Godfrey Hirst, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." In Love for a Lifetime (loving couple)In Love for a Lifetime!/Godfrey Hirst of Geelong/This is the Label to Look For!blankets, blanket fever, wool, godfrey hirst, advertisement, geelong, woman magazine -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1949
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Australia's Most Beautiful Blankets (Lady with Blanket)The Laconia Blanket/Guaranteed All Pure Wool/Australia's Most Beautiful Blankets/Laconia Blankets Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1950
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Blankets 'Made from pure Australian lambs wool (lambs frolicking on grass) Laconia Blankets/Made from pure Australian lambs wool/They Make Goodnight a Certaintyblankets, blanket fever, wool, laconia, advertisement, australian woman's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1951
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'So warm, so soft, so everlasting (lambs frolicking on a pile of blankets)So warm, so soft, so everlasting/Laconia Pure Lambs Wool Blankets/Make Goodnight a Certainty blankets, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1958
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Queen' in white gown, 'Australia's loveliest blankets'Australia's loveliest blankets/Laconia Pure Lamb's Wool Blankets/Make 'Goodnight' a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1959
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Warmth without weight' Sheep with lady wearing blue nightclothesWarmth without weight/Laconia Blankets/100% Pure Lamb's Wool /Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1963
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Makes a Bed' blanket range across two pages Laconia Makes a Bed/Softer, warmer, lovelier for years and years to come/Laconia 100% Pure Lambs' Wool Blankets blanket, blanket fever, wool, laconia, advertisement, the australian women's weekly -
Port Melbourne Historical & Preservation Society
Book, Public Works Committee, Borough of Sandridge, Municipal Council of Sandridge - Public Works Committee Minutes, 18560 - 1862
Volume of minutes of Public Works Committee of Sandridge Council dated 20.9.1860Title on labellocal government - borough of sandridge, engineering - roads streets lanes and footpaths, engineering - fences, engineering - canals and drainage, engineering - bridges, fishermans bend, built environment - civic, transport - horse, utilities - gas, sandridge lagoon, mission to seafarers, emerald hill, fire and fire services, william morley, joseph weaver allen, thomas swallow, samuel george isaacs, frederick poolman, robert byrne, john murphy -
Port Melbourne Historical & Preservation Society
Book, Hackney Carriage Committee, Borough of Sandridge, Municipal Council of Sandridge - Hackney Carriage Committee Minutes, 1860 - 1877
Volume of minutes of three meetings of the Sandridge Borough Council Hackney Carriage Committee. 27.03.1861 - 09.09.1861local government - borough of sandridge, transport - horse, joseph weaver allen, robert byrne, william morley, thomas swallow -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Document - Record, Harness Horse, Petite Evander
Stephen Spark compiled horses performance records starting in 1983 on his typewriter. Petite Evander raced from 1974 (3yo) through to 1977 then raced in US and 7 starts in EUR from 1977 until 1981 (10yo). Inducted into the New Zealand Trotting Hall of Fame in 1993. US Aged Trotting Mare of the Year in 1978. Career: 45 wins 26 seconds 26 thirds 185 starts.Typed document in black and red ink.harness racing, australasian harness racing, horse career, performance records, bendigo harness racing club, bhrc, petite evander, jw langdon, john langdon, f weaver jnr, frank weaver jnr -
The Mrs Aeneas Gunn Memorial Library
Book, Charles Dickens, Hard Times
Coketown is dominated by the figure of Mr Thomas Gradgrind, school headmaster and model of Utilitarian success. Feeding both his pupils and family with facts, he bans fancy and wonder from any young minds. As a consequence his obedient daughter Louisa marries the loveless businessman and 'bully of humanity' Mr Bounderby, and his son Tom rebels to become embroiled in gambling and robbery. And, as their fortunes cross with those of free-spirited circus girl Sissy Jupe and victimized weaver Stephen Blackpool, Gradgrind is eventually forced to recognize the value of the human heart in an age of materialism and machinery.p.284.fictionCoketown is dominated by the figure of Mr Thomas Gradgrind, school headmaster and model of Utilitarian success. Feeding both his pupils and family with facts, he bans fancy and wonder from any young minds. As a consequence his obedient daughter Louisa marries the loveless businessman and 'bully of humanity' Mr Bounderby, and his son Tom rebels to become embroiled in gambling and robbery. And, as their fortunes cross with those of free-spirited circus girl Sissy Jupe and victimized weaver Stephen Blackpool, Gradgrind is eventually forced to recognize the value of the human heart in an age of materialism and machinery. english fiction, charles dickens 1812-1870 -
Whitehorse Historical Society Inc.
Article, Heritage Festival, 21/04/1999 12:00:00 AM
Three articles on Schwerkolt Cottage and Museum Complex Open day, 25 April 1999,Three articles on Schwerkolt Cottage and Museum Complex Open day, 25 April 1999, part of the Victorian Heritage Festival.Three articles on Schwerkolt Cottage and Museum Complex Open day, 25 April 1999,victorian heritage festival, schwerkolt cottage & museum complex, koonung woodturners, scott, david, tymms, pat, box hill spinners and weavers, lavis, andrew, durham, norm, service clubs, rotary club of forest hill -
Port Melbourne Historical & Preservation Society
Book, Municipal Council of Sandridge - Notices of Motion, 1860 - 1877
Volume of notices of motion for Sandridge Municipal Council meetings. Motions are numbered and name of mover is also included. Date range 1860 - 1877.local government - municipal district of sandridge, local government - borough of sandridge, edward clark, town clerks, mayors, alexander ebling aitken, joseph weaver allen, robert byrne, irwin walter brinton, thomas day burroughs, william cruikshank, edward james crockford, henry charles curtis, robert walter carrick, henry glynn, william hutcheson gresham, samuel george isaacs, albert joseph johnson, edward joyce, james kelly, william morley, william thomas may, john garred newman, frederick poolman, andrew plummer, john pickles, andrew ross, robert rea, thomas swallow, colin turnbull, william francis westall, william weatherston[e], frederick williams, romulus dethridge, henry george slade hammond -
Vision Australia
Administrative record - Text, Vision Australia 2006-2007 annual report, 2007
Annual report providing overview of activities and achievements including: the addition of the Royal Blind Foundation of Queensland, opening of an office in Darwin, achieving the highest ever ratings for Carols by Candlelight and winning the National Employer of the Year award.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, kevin murfitt, gerard menses, katerina skilros, robin sands, helen robbins, nastasia campanella, david eveleigh, ted thorburn, nick carter, brenda murray, chris edwards, joe hockey, delta goodrem, janine cullen, cathy pepper, graham dawson, stephen jolley, arthur chawner, caitlin mcmorrow, maureen davenport, jean weaver, shirley meyers, joshua green, ryan green, matthew green, carolyn moncrief, camille fong lim, dianne spalding, ron mccallum, deborah randich, michael simpson, christine harding, trish egan, greg hempenstall, tim evans, paul bunker, jennifer gibbons, owen van der wall, keith barton, paul gleeson, timothy griffiths, tony hanmer, renae johnston, jan lovie-kitchin, ross mccol, theresa smith-ruig, tony clarke -
Vision Australia
Administrative record - Text, Vision Australia 2015-2016 Annual Report, 2016
Annual report providing overview of activities and achievements including: rollout of NDIS and MAC, farewell to Dr Kevin Murfitt and Nick Carter, movement of centres in Bendigo, Wollongong and Canberra, new centres in Epping and Townsville, extension of Indoor Mobility and Safety Training Centre at SEDA, ratification of Marrakesh Treaty, increase in taxi subsidy scheme in NSW, and advocacy of tactile marking on bank notes.1 volume with illustrations providing overview of organisational achievementsvision australia, corporation records, sophie weaver, scarlet weaver, saxon weaver, james norquay, chris page, ron hooton, andrew moffat, caroline lane, david steeds, olivia chan, debbie king, joshua campbell, sarah hocking, cameron hocking, archer hocking, hong mei qiao, lizzey d'sylva-clark, neslihan sari, barry watts, chloe ross, scarlett ross, mackenzie savva, jane britt, emily jacotine, june smith -
Murrumbeena Cricket Club
Photograph, 1977-78 1st XI Premiership, c. 1978
Photograph of 1977-78 1st XI premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, peter way, david hardham, leigh hardham, simon goold, daryl weaver, john heggen, brian fitts, richard blaze, jeff graham, david healy, jim whitelaw, alan graham -
Glen Eira Historical Society
Document - CHURCH OF CHRIST, NORTH ROAD AND ARNOTT STREET, ORMOND
This file contains 3 items: 1/A program for the 50th anniversary of Ormond Church of Christ dated 29/06/1975. 2/A Diamond Jubilee book for Ormond Church of Christ dated 23/06/1985. 3/A 75 years of witness book of Ormond Community Church of Christ from 1925-2000. It chronicles the church’s activities and progress by year.ormond, ormond church of christ, henrichsen e.c., hutchings brother, hutchings sister, lyall r., pratt c., lintott brother, lumley brother, ring brother, tuck brother, blair sister, olliver sister, ring sister, tuck sister, goddard elsie, hanaker sister, bowen-jones sister, kershaw brother, kershaw sister, merrin r. brother, moore sister, mcclelland i. brother, mcclelland i. sister, nesbit brother, oliver brother, oliver sister, oliver p. sister, paynter j. sister, ring sister, ring minnie, ring reynold, ring robbie, richards sister, small sister, smedley sister, scott brother, scott sister, taylor sister, telfer brother, telfer sister, theyer mrs., theyer miss., yewdall v., yewdall f., linttot mrs., lumley mr., ring mr., tuck mr., blair mrs., oliver mrs., ring mrs., tuck mrs., yewdall mrs., mcclelland mr., yewdall mr., thomson w.j., kershaw mr., taylor mr., mcclelland mrs., oliver mr., pioneers, ring mrs., veal mrs., oliver mrs., smail mrs., brown mrs., yates mrs., lumley mrs., knight mrs., hannaker mrs., hooper miss, merrin mrs., tuck mrs., smith mrs., henry mrs., bartlett mrs., johnson mrs., vautier mrs., mulroney mrs., bethany nursery school, murrumbeena, oakleigh, ward clive, henry edna, weaver edna, moorabbin hospital, north road, bambra road, mckenzie r., cole g., ghys p., jacques b., kay d., knee b., streader c., kilgour p., stibbe g.o., cannon p.r., hunt a., stibbe b., crittle w., yewdall sister, yewdall brother, mcclelland brother, thomson w.j. brother, taylor brother, brown sister, bartlett sister, hannaker sister, henry sister, hooper sister, johnson sister, knight sister, lumley sister, merrin sister, mclelland sister, smail sister, smith sister, theyer sister, meyer sister, veal sister, yates sister, clay w.h., clay l., withers a.b., baker s.r., andrews g.j., mcnaughton k.a., lang c.l., mcdowell w.w., martin j.k., vautier r.w., buckingham f.e., mansell d.w., randall e.h., garros n., mckenzie r.c., barker l.f., mathieson g.w., clayden c.p., cole brother, keneley brother, knee brother, alabaster brother, hood brother, hunt brother, kay brother, kilgour brother, manson brother, parker brother, towns brother, canns sister, houzego sister, grant sister, keneley sister, knee sister, mulroney sister, mcmillan sister, streader sister, young sister, hunt sister, whittaker brother, ennor sister, manson sister, ryall brother, alabaster j., beazley f., whittaker b., flanders g., north l., skews n., cole p., knee i., beazley bev., bradley n.w., cole d., keneley r., alabaster r., hood h., kay j., knee a.j., wannan john, wannan jennifer, arnott street, walsh street, hutchings mr., hutchings mrs., andrews sister, burton may, briggs b., bevan sister, brown brother, fisher brother, faragher l., streader d., mcdonald i., mcmillan d., cannon p., cannon h., mcquatter s., mcqualter s., kwong d., wittick r., mcdonald a., w.a. o’donnell pty ltd., williams louis r., henrichsen e.c., mayor of caulfield, shaw h.h., shaw w.g., drayton r., killmier e.r., stibbe glen, stibbe betty, stibbe ian, stibbe michelle, nicholls road, cannon peter, cannon helen, randall e.r., westwood j., langford f., white a.e., williams e.l., jones a.r., gray m., heath b., mullen i., van lean a., holt r., stevens d., fechner k., leake k., tippet i., tunks b., wilson d., bannon g., alabaster r.l., bishop j., faragher m., hunt l., reeves o., swankie m., cann b., ennor e., roper j., nash n., ryall d., kappa sigma pi, phi beta pi, clubs and associations, bethany close, webb j.e., lang c.l., skewes home, claire street, mckinnon, bethany nursing school, bentleigh east, j. bond and timms mission, thorpe jack, ormond station, ormond railway station, avery allan, aurelia, langford frank, drayton r., moorabbin town hall, hunt lindsay, whittaker john, deuble greg, gauson bill, beavis colin, pell norman, mansell david, niven alan, ormond road, ormond community church of christ, risson anthony, risson bronwyn, avery allan, avery liliane, cannon p.r., adamson m., bainbridge b., larkham j., moore j., bauer p., longmuir p., dodd m., uldrich m., thistlewaite a., english c., avery a., risson a., westwood t., langford f., white a.e., williams e.l., jones a.r., gray m., heath b., mullen i., van lean a., holt r., stevens d., fechner k., leake k., tippet i., tunks b., wilson d., bannon g., religious structures and establishments, religious groups, church groups, congregations (religious), monuments and memorials, clergy, baptisms, funerals, choirs, church festivals, rites and ceremonies, festivals and celebrations, paralysis epidemic, organs, manses -
Glen Eira Historical Society
Article - MURRUMBEENA SPINNERS
This file contains four items pertaining to the Murrumbeena Spinners: 1/A printout of an article from the Caulfield Contact, dated 12/12/1986, noting the various community groups, such as the Spinners, that participated during the Murrumbeena Day – part of the Caulfield Festival. Contains three black-and-white photographs: one of five members of the Spinners – Evelyn Townley, Jan Knight, Dot Picot, Joy Barton and Jill Wylie – engaged in weaving; one of another member – Val Woolard – engaged in weaving; and one of members of the Country Women’s Association – Doreen Chapman, Beattie Burns, Nancy Rose and Margaret Mann – displaying their work. 2/A page identifying the persons featured in the first two photographs on the following page, and specifying the photographs’ context. 3/A page to which are attached three black-and-white photographs. The first is of members of the Spinners – who are identified in the previous item – standing in front of Murrumbeena House. The second is a printed copy of the first. The third is of Murrumbeena House itself, sans the Spinners. 4/A file note written by Anne Kilpatrick recording source of photographs and information, with contact details for Heather Poppenbeek for any future research.murrumbeena spinners, murrumbeena house, community groups, community houses, picot dot, barton joy, wylie jill, woolard val, warren jeanette, poppenbeek heather, dipnall merle, dynan judy, weaving, weavers, caulfield contact, murrumbeena day, caulfield festival, festival and celebrations, townley evelyn, knight jan, dimock liz, farr beryl, country women’s association, chapman doreen, burns beattie, rose nancy, mann margaret, ryan brenda, sherlock pam, tanner lorna, mansell mary, handweavers and spinners guild, millroy, dunbar margaret, kilpatrick anne -
Glen Eira Historical Society
Letter - MURRUMBEENA FOOTBALL CLUB
This file contains 2 items: 1/A letter to Caulf Historical Society, requesting any history of Murrumbeena Football Club, from R. Gould. Reply from T.J. Hart advising that no information on the club is held by the society. 2/A fifty page book on the history of Murrumbeena Football Club, from foundation in 1927 to 1976. Includes 7 team photocopied photographs and one of the pavilion after completion in 1922, book written by R. Gould.gould ross, murrumbeena football club, football, football clubs, ‘dick’s horse paddock’, butchers, murrumbeena, great dandenong road, murrumbeena road, n.r. cooper, market gardens, orchards, carnegie rovers, oakleigh juniors, oakleigh district junior, football association, committees of management, murrumbeena junior football club, dick r., armstrong j., silverman dr. i., phillips r. cr., mudge les, truman v., bristow l., richardson , truman t., robertson, carnegie rovers, bentleigh, oakleigh juniors, ted pelling’s horse stables, stables, kangaroo road, moore george, armstrong fred, tinsley roy, naylor reg, ward bill, hunter mr., cox mr., scivenor mr., marian mr., wilde mr., townley mr., mudge mr., hay mr , ferguson mr., wilde wal, pelling e., watkins e., giles mr., young mr., paterson mr., reid mr., ross mr., walker mr., lyre mr., cannon mr., ronaldson tom, pearson , hall , collaghan jack, dennis, wlash, cannon, rickets, ferguson, wotes, hay, washbrooke, wilde , phillipson, welch, brown, cox, sharp, thomas, palmer, harris e., dick a., caulfield-dandenong, junior football association, metropolitan amateurs, pavilions, caulfield city council, murrumbeena amateurs, miss football queen, ralph miss, welch vic, emmins ‘titch’ g., bone r., havell, ellis r. (bob), pew t., stock a., riley wal, harris ‘codger’ roy, biddington j., nicholson a., bernes a.c., healey g., riley w., summerfield d., lee e., harris j., bass j., denning j., phillips c., king f., weatheral n.w., stewart s., rolfe h., dalgleish s., malone l., simpson e., kain a., rennie w., sloan a., painter e., bernes c., biddington g., parker c., willmott n., murrumbeena cricket club, corbett, murrumbeena districts, holden ‘rusty’, crundy, dean, taylor, bourke, moore, stewart, hause, clarke, gear, page, rowe bill, mathers alf, awards, farrell r., oakley r., escott l., callaghan t., mathers r., andrew j., halfpenny j., howland w., m -
Glen Eira Historical Society
Article - Murrumbeena Cricket Club
MURRUMBEENA CRICKET CLUB HISTORY (1890-2005) by David Hardham, thirty-four pages printed from computer of the history of the Club, with photographs and accounts of major players and figures, dated January 2005. MURRUMBEENA CRICKET CLUB HISTORY by David Hardham, fifteen pages printed from computer of the history of the Club, dated October 2002. No photographs. Also includes a CD, submitted by David Hardham, with the text of the 2002 history, and photograph of THE PETER ROBERTSON OVAL sign Large and small black and white photocopies of photograph of THE PETER ROBERTSON OVAL sign, with persons standing underneath, no date but possibly from late 1930s Collection of EPHEMERA TO ADD TO MURRUMBEENA CRICKET CLUB’S FILE, THEIR CENTENARY CELEBRATIONS, 21/11/2010. Includes invitation to attend dinner, with information about payment options and sales of club memorabilia. Murrumbeena Cricket Club, Inc Annual Report, Season 2002-2003, foutry-eight page pamphlet with historical lists of office bearers, and results of matches in 2002-2003. Includes lists of RECORDED NOTABLE PERFORMANCES, FROM SEASON 1945-55 by John Dennis, Club Historian ‘BEENA QUINELLA clipping from Caulfield/Port Phillip Leader, 17/05/2010, an recent match SEVEN UP FOR POYAS AS SAINTS HAVE THEIR WAY WITH MORDI, clipping from Caulfield/Port Phillip Leader, 24/05/2011, includes recent match by Murrumbeena, and VAMPIRES RISE, SAINTS DRAINED, clipping from Caulfield/Port Phillip Leader, 31/05/2011, notes that MURRUMBEENA HAD THE BYE. Paul Amy, IT’S BEENS TOP TON, clipping from Caulfield/Port Phillip Leader, 16/11/2010, article on forthcoming Club 100th Anniversary Dinner, with photograph of Club STALWARTS David Hartham, Don McDermott and Leigh Hardham. Paul Amy, SIR DONS LAST STAND, clipping from Caulfield/Port Phillip Leader. 13/03/2012, on Don McDermott, member of the Club for sixty years, includes photograph PORT’S DAY KIN FINDS FORM WITH CLASSY CENTURY, from Glen Eira/Port Phillip Leader, 06/11/2012, includes recent match by Murrumbeena against Chelsea Brad Beitzel, WICKETS FALL BUT PORT STILL A CHANCE, clipping from Glen Eira/Port Phillip Leader, 26/02/2013, notes recent match by Murrumbeena against Cheltenham FOUR DAY MATCH SHOULD YIELD A RESULT, clipping from Glen Era/Port Phillip Leader, 19/03/2013, notes loss in match by Murrumbeena to Brighton Districtmurrumbeena cricket club, murrumbeena, sporting clubs, cricket clubs, armstrong j.r., riley t.j., robertson p.t., watson j.f., glenie f., armstrong f., backman e.r., bristowe l.l., moore r., ridgeway j.j., schrape f., walker t., wolsley e., forscutt a., whelan f., rundell c.m., berry j., gilbert j.j., watson a.j., kirk t.e., schrape a.j., mcalister j.w., watson e.a., williams v.j., hardham m.f., hindmarsh j., stevens b.t., macwhirter j.c., harbour n.l., mcdermott j.a., watson k.g., graham a.m., johnston d.c., white p.o., mcdermott r.e.s., pugh g.h., trevethan w.j., macwhirter d.j., blaze r.e., healy d.l., hidson p.e., way p.j., hardham d.m., mcdermott d.a., dennis j.r., hardham. l.a., wilkinson d.j., graham j.e., gifford s., goold s.c., walker i.l., harbour mrs e., newton p.s., weaver d.a., fielder j.g., hay g.i., paton a., hay s.j., bailes j., gray j., dutton w., gray r., martin s., martin j., horton m., pugh v., west j., day e.j., wilde w.j., watson j.f., watson a.j., hanna r., butler w.g., wanliss t.n., cooke a.r., coghill r.g., ryan g.m., parker r.j., hayes h.j., hay p.g., de laine g., thompson h., dick r.l., rees v., burns g.m., crook mr., day w.e., cooper h., day e.j., mudge l.v., wilde w.j., cooper a.k., pellissier m.t., hardham mrs g.l., blum p.a., allamby d., smale r., mark j., hancock s., kivell d., fitts b., murphy d., roach a., walker w., jayasuriya k., driver w., gilbert j.a., hiland p., vandersluys m., singelton w., mcnabb j., taylor b., burne n. -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills