"Havoc! War Cartoons by Armstrong" The Argus/August 1 to December 2, 1939/Two shillings. This book contains a permanent record of the cartoons of the 4 months from August 1 to December 2, 1939.Soft cover book. Cover - paper, dark brown and red print on front cover. Illustrated - grey and dark brown cartoon of a skull. 48 pages, cut, plain, off white paper, black and white, grey cartoon illustrations.book, history, ww2, cartoons

.1) Property of Howard M DAY. .2) A digest of happenings in Australia 1940 - 1945, distributed by the Red Cross. Both items issued to Howard Maxwell DAY VX31282, 2nd AIF. Refer Reg No 92.2 for service details also 87, 88, 89, 90..1) Red leatherette covered book, 128 pages. Titled The Australian Soldier's Pocket Book. .2) Soft covered green book, 96 pages. Titled While You Were Away. books - military, diaries, documents - notebooks

The All Australian Memorial (Victorian Edition) A Historical Record of National Effort During The Great War. Australians Roll of Honour 1914 - 1916, Heroes and Helpers.Hard cardboard cover, dark red buckram, gold print on front & spine. Australian Commonwealth Military Forces badge on front. 158 cut, gold page edges, beige pages. Black / white / sepia photos, drawings, maps & portraits. Many photos mounted on cardboard mounts. Fold out photos & maps. Flyleaf & end papers are dark brown. Dedication page.Dedication page contains a card & printed portrait photo & information on Allan SCHWENNESEN “SCHWENNESEN A W, L-Cpl D Coy; 5th Batt; s. of Henry and Harriet Schwennesen 13 Arthur-St; Bendigo b. at Petersburg, S.Aust Sept 30 1897; educ. Talbot SS; clerk; enl. Bendigo, April 25, 1915 War Service; Gallipoli (Landing Evacuation); France”book, memorial, all australian

Brown & beige part buckram (on spine) cover. Purple print on cover & red & purple colour patch. Black & white photos, 132 pages.With the compliments of the Twenty Second Battalion AIF Associationbooks, military history

Walter Joseph Constantine Baldwin. Refer 1527.4. The book was an edition that came out during the war and had future updates with individual photos in the back. The volume listed all Victorians up until early 1916 who served.Black leather-looking cover with gold lettering and illustration of a rising sun with crown. Photo pasted on first page.Pasted inside front cover "BALDWIN, Walter JC No 1617 Dvr "C" Coy 38th Batt Transport Div 10th Brigade / Son of George and Elizabeth BALDWIN, 11th Street Mildura / Born at Yanac-a-Yanac July 20 1889 Educated Yanac-a-Yanac & Nichol's Point, Mildura SS Horticulturalist; enl Mildura Feb 1916. Emb June 1916. Service France, Belgium."books-history, military, all australian, baldwin, 38th bn

Collection of Newspaper Clippings from a Scrap Book 1960 - 1973Photo showing a "killier" wave in the background of a young man posing for a photo being taken by his girlfriend Dianne Gregson. The man on the rock was killed by the wave.robert laughton, dianne gregson, santo fraschilla, the blowhole phillip island, jean jamieson

Collection of newspaper clippings from a Scrap Book 1960 - 1973An article about a young man posing for a photo while a man on a rock in the background was about to die when taken by a "killer" wave at The Blowhole near The Nobbies Phillip Island.the blowhole phillip island, robert laughton, dianne gregson, santo fraschilla, jean jamieson

Policy provided by the Australian Temperance and General Mutual Life Assurance Society Limited (T & G) for $4,000.00. Life assured: Norman Thomas Colvin, Grantee Norman Fletcher Colvin, 01/05/1967. Annexure informs of the death of N. F. Colvin on 05/02/1972, Probate being granted to Marie Dulcie Colvin on 05/12/1972.3 double-sided pages, with annexure, folded twice. Black print on white papercolvin family

This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print Slide 35mmsepp, shire of eltham pioneers photograph collection, eltham, dalton street, jarrold cottage, main road, maria street, village pond, white cloud cottage

Looking south along Maria Street (now Main Road, Eltham) from the John Street intersection, showing the Evelyn Hotel with its two storey "Ball Room", the kerosene road lamp marks the intersection of Pitt and Maria streets. Cross Reference Photo No.(s): SEPP_0626 (Scarce House) The Scarce house can be seen to the right of the Hostelry.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, evelyn hotel, john street, main road, maria street, hostelry

This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagedrapery store, eltham, sepp, shire of eltham pioneers photograph collection, main road, maria street

This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imageshire of eltham pioneers photograph collection, orchardist's homestead, eltham, sepp

In June 1953 , Elizabeth II was crowned Queen of the United Kingdom, Canada, Australia, New Zealand, South Africa, Ceylon (now Sri Lanka), and Pakistan, and became the Head of the Commonwealth. Her Majesty Queen Elizabeth the Second and His Royal Highness the Duke of Edinburgh visited Victoria from 24th February to 9th March, 1954. The Argus was a morning daily newspaper, established in 1846 and closing in 1957. On 28 July 1952, The Argus became the first newspaper in the world to publish colour photographs in a daily paper. A large contingent of 160 students in a convoy of six school buses left the Orbost post Office at 6.a.m. to "Join in Acclaiming Our Gracious Queen" in Sale. An estimated 35,000 Gippslanders welcomed the Her Majesty, the Queen and the Duke of Edinburgh. (info. from S.R.M. March 2, 10, 1954. A three guinea prize was offered for an essay on the royal visit. This item reflects the interest in the royal family to Australians at this time as well as the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II.A hard covered book of 77 pp. The front cover is black with "E11R" in gold print. It is a pictorial story of Queen Elizabeth 11's visit to Victoria in 1954 - 24 February - 9 March.book-the-queen-in-victoria royalty

p.398.non-fictionExplores the idea that the war of 1914-1918 continues and will shape the world in the 20th centurymodern history - 20th century, politics - 20th century

Year book for the 1954 school year. Contains staff, prefects, house and school captains, sports results and team photographs, scholarship recipients and student work.Black and white printed publication. Buff cover printed in red and black. 40 p.: ill.williamstown high school, 1954, high tide, year books.

Year book for the 1955 school year. Contains staff list, prefects, house, school and sport captains, scholarship recipients, team photographs, student work.Black and white printed publication. Buff cover printed in red and black. 40 p.: ill.williamstown high school, 1955, high tide, year books.

Contains drawings and impressions of the Western Front by Australian artist Sergt. Penleigh Boyd. Electrical and mechanical Mining Co. AIFwalsh st library

Hardcover, No Dust Jacket"Mandy Boyd, 158 Riversdale Rd, Camberwell" Inside front coverchildren's adventure story, walsh st library

Black and white photograph. Man standing beside a pear tree in the Orchard, a sheet has been hung behind the tree enabling the branch structure to be clearly seen.On reverse, "Pear Pruning Farrell."pear tree, orchard, pruning demonstration, farrell

Original photograph in the Jim Crow Ranges (around Daylesford)/ A person and horse can be located in the centre of the photograph, and a timber bridge in the background. jim crow ranges, daylesford, bridge, trestle bridge, horse, nicholas caire

Original photograph of a bridge at Sailors' Creek, near Daylesford. daylesford, bridge, nicholas caire, sailors' creek

A landscape including Sailors' Falls, near Daylesforddaylesford, nicholas caire, sailors' creek falls, sailors' falls

A newsletter produced on a regular basis by Melbourne Legacy for Junior Legatees, containing news, stories and messages including articles by current and retired members of the committee and executive as well as contributions from Legatee’s themselves. Articles include ‘Home Exercises for Girls’ Letters to the Editor and advice from the Legatee Doctor about sunburn and other health issues. It includes details of education classes, events, functions, holidays and news from the residences.Records the work done by Melbourne Legacy to care for children of servicemen who were either dead or no longer able to care for families. Also records social conditions of the times. Newspaper style newsletter of the Junior Legatee of between four and six pages. 00009.1, Vol 1, No 1, September 1, 1937 00009.2, Vol 1, No 2, September 15, 1937 00009.3, Vol 1, No 3, September 29, 1937 00009.4, Vol 1, No 4, October 13, 1937 00009.5, Vol 1, No 5, October 27, 1937 00009.6, Vol 1, No 6, November 24, 1937 00009.7, Vol 1, No 7, December 22, 1937. Became Legacy Newsletter in August 1942newsletter, activities

95-page booklet distributed by the R.A.A.F. in Australia to returned servicemen at the end of the Second World War. The booklet contains text, illustrations and photographs. It covers topics such as: sport, politics, total war, allied troops came, big news stories, seasons and crops, landmarks changed, notable deaths, wartime slang, how money was raised, an outline history of the war etc..australia - second world war 1939-1945, australia -- history -- 1939-1945, australia -- politics and government -- 1939-1945.

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board‘The subject of this illustration is situated in one of the wildest and most romantic places in the Gipps Land ranges, about midway between Mount Munday and Mount Juliet. The foliage in this locality is very luxuriant, comprising mostly Fern Trees which are interwoven with various descriptions of grasses and stunted Fern leaves. Beneath this mass of vegetation flows a branch of the Contentment Creek.’landscape photography - victoria, nicholas caire, ferngrove - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardPrinted inscription on reverse: A fifty-mile drive from Melbourne, via Lilydale, will bring the traveller to the township of Fernshawe. On nearing the entrance to the town, the scenery becomes most enchanting. In the distance can be seen the summit of Mount Munday. The ridge of trees in the middleground forms part of the foot of the Black Spur. The building in the foreground is the residence of the only Government Official, who represents the various titles of Post-master, State School Teacher, Registrar, &c.landscape photography - australia - 19th century, nicholas caire

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardInscription on reverse: ‘In the distance among the foliage can be seen the New Bridge across the River Watt. Previous to its erection, the only means of crossing over to the township was across the fallen trees, which are of prodigious dimensions. The River, as may be seen, is very rapid, and, though shallow, it contains a great quantity of fish of a somewhat moderate size.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.21 / ‘Scene near the Yarra Flats’ / Albumen silver photograph mounted on board.Inscription on reverse: ‘The scenery in the vicinity of the Yarra Flats is of a very varied character. In some places the River winds its way through flat open country, with scarcely a shrub on its banks; and in others the scenery is of the wildest description. The stream being impeded in its course by fallen timber, is not so rapid here as at other places. The present illustration is a characteristic one of the above place.’nicholas caire, australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series), No.22 / ‘Fern Bridge Gully, Black Spur’ / Albumen silver photograph mounted on boardInscription on reverse: 'Fern Bridge Gully is situated near the summit of the Black Spur, about two miles from Fernshawe. Here the foliage is exceedingly dense, so much so as to exclude daylight in many places. This stream has derived its name from the fact of the Bridge having been constructed of large massive fern tree. The stream which flows beneath the Bridge is one of the sources of the River Watt.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography