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Kiewa Valley Historical Society
Kettle Ceramic, Circa 1950
This electric kettle/Jug is shaped in the style of the Art Deco period 1930's to 1950's (in Australia). It was at the beginning of the wave of creative kitchen ware to stimulate and impress visitors and uplift what used to be a boring kitchen environment.This "art deco" electric kettle is very significant to the Kiewa Valley because it highlight that rural families and areas where in step (fashion wise) to their city "cousins". In the mid 1900's "the fashion" in Australia was (on the whole) always some years behind that of England and Europe. The years after World war II reduced the time lag between the "advanced fashion" of Europe and England and came in step with the emerging modern American fashion. American "film stars" started have their fashion projected onto the silver screens.This electric Fowler ware is a ceramic hot water jug. Its shape is in the "Art Deco" style of the early 1920's.On base "240V - 1650W" below this "AC ONLY" below this "MODEL No. EEJ" "APP. No. N550" below this "JUG BODY BY" under this and in script style "FOWLER WARE" below this "1583"kitchen appliances, tea/coffee preparation, light refreshments, hospitality offerings, art deco styles in appliances -
Kiewa Valley Historical Society
Polisher Floor, Hoover Appliances, Meadowbank
This appliance was a time saving method of cleaning floors. It appeared at a time (after World War II) when the domestic pressures faced by mothers and domestic staff was on the increase. The necessary "working parents" was through necessity becoming part of the "typical" family environment. It was the start of the ever increasing demand, from an economical reason, for both parents to work outside their property. Historically the period of the 1950s was one of extreme changes. It was an era where established role models were under pressure from an ever increasing demand for new and advancing consumerism. Communication levels via radio, newspapers and television was expanding at an ever increasing rate. Relatively isolated rural areas were opening up (post war) to foreign ideologies of consumerism. The basic restraints of "this will be alright mate, she'll do" was under a slow but effective take over. "I can get this done faster by this new whiz bang gadget that I saw on the TV last night!" was the new way to live by.This item is very significant in that it demonstrates the new consumerism at its infant stage of the social changes occurring due to greater communication levels between the rural Australian communities and other advancing communities world wide. The Kiewa Valley residents (mainly from the intermingling of rural and post World War II refugees working at the construction of the Victorian Hydro electricity installations, resulted in this rural area becoming integrated to new ways of living (both socially and economically). Once the attitude of "we have always done it this way mate!" was challenged and overcome, the acceptance of new time saving "gadgets" which started to pour in from foreign markets, the relative isolation of the Kiewa Valley (being mainly psychological entrenched), was over.This hoover electric floor scrubber and polisher has a main base containing two brushes (can be replaced with polishing pads). The two brushes/pads are fastened or removed from the base unit by pulling/pushing the heads from the small hexagonal shaft on the bottom of the machine motor. A pressure sensitive wire is inlaid at the brush/pad end to hold the brush/pad unit onto the shaft. The discs body and main body covering the electric motor are made from sturdy plastic. The rest of the appliance materials i.e. upright handle and the u framed attaching arm are made from lightweight powder coated steel. A small (350mm) red coloured foot switch protrudes from the back of the motor to release the the upright handle from the storage position to the action position.There are two fork shaped brackets on the rear of the handle, for securing the 6.5 metre long electrical cord and plug. There is no on/off switch on the appliance. A small stainless steel "u" framed clip (for hanging the appliance in the vertical position) for cupboard storage. Within the circle of the cleaning brush is stamped "1 above S.A.B.351" and on the opposite side P/No: 5023792". On the main plastic head of the brush discs are "TO CLEAN" and under this "USE ONLY WARM(underlined) WATER AND SOAP" on the opposite side, and within a circle is the Hoover Trademark. On the front of the blue coloured plastic dome covering the electric motor is (on a raised domed shaped plaque (on a red background) Hoover in slanted print from left to right(in a diagonal level)domestic appliances, floor cleaning, electric floor scrubbers and polishers -
Kiewa Valley Historical Society
Book - Non Fiction History, Honour Roll - South Africa 1899 - 1902 Albury-Wodonga and District Residents Who Served In The Boer War, reprinted 03/2008
Historical information of soldiers from the Albury-Wodonga district who fought in the Boer War in South Africa 1899 - 1902. In 1996 the then curator for the 8/13 VMR Museum, the Hon Colonel John Neale, commissioned the author to research a group of returned servicemen and women from the Boer War and had lived within 100 km radius of the Albury/Wodonga townships.The Boer War was the second war in South Africa and was the result of heavy taxes and non voting rights of the local white Boer population. Colonial forces including the Australian Light Horse contingent where called upon by England to overthrow the rebellion. This War was the first engagement of Australian troops fighting on foreign soil.This Honour Roll details the pay rates, the battle highlights, weapons used and maps covering the first Australian contingent of soldiers who fought in the Transvaal (Boer War).. Listed are the names of those soldiers who lived within 100klms of Albury and Wodonga.The soldiers are listed by Location, Rank, Initial,Name and Unit. The significance of both the War and those who served in it is two fold. Firstly it demonstrates that the tie between the Colonial outreaches of England's Empire to "the Motherland" were extremely strong at this point in time. This union remained strong up until the middle of World War II when England could not help Australia to defend itself against possible invasion by Japan. The alliance between Australia and the United States of America replaced the British/Australian pact. Secondly the attitude of, and the high degree of horsemanship of those from the Albury and Wodonga area. The degree of adaptability, by these servicemen, to suit the environment in which they fought provided the first real insight into the Australian psyche "of those living and surviving on the harsh Australian outback"This book has a bright red soft cover and is bound with bright yellow tape. There is a drawing of two Australian soldiers on the front, one on horsebackAuthor's complimentary inscription "To Mount Beauty Museum with compliments" signed Ian R Docking history, boer war, ex-servicemen and women, albury and wodonga -
Kiewa Valley Historical Society
Photograph Tournapull, Tournapull C Scraper/Single Bucket, circa 1950
The machinery in this photo shows a Tournapull C earth moving machine, one of many during this period Circa 1950 - 1960s when hydro electricity powered turbines were being constructed in both the Victoria and New South Wales Alps. This was Australia's answer to a non polluting supply of electricity for a fast growing city population. It was at this time that air pollution from coal powered furnaces was becoming more and more under attack by health authorities.This item is part of a visual account of the construction of dams and hydro electricity facilities during the early 1950s. It was the beginning of the environmental push not to allow the degrading of Australian Alpine regions. Air pollution of the major cities and the increase in power demands of both industries and population within them required an alternative pollution free alternative electricity supply. These for runners of Hydro electricity generators required both large supplies of machinery and human resources. This construction phase within the region brought not only tradesmen but also unskilled workers to an area which had mainly had farming and mining activities. It was the catalyst for the creation of the smaller towns/villages e.g. Bogong Village, Mount Beauty and Bright.Black and white photograph on Kodak Xtralite II paper.(gloss)paper marking on back Kodak Xtralite II papermining, hydro electricity, victorian alps, construction camps, earth moving machines, secv -
Kiewa Valley Historical Society
Photograph Junction Dam, Photo Junction Dam and Bogong Village in Background, circa 1950s
This item clearly shows the conditions covering both working conditions and housing in the construction of the Junction Dam in the 1940s. Working conditions were extreme and health and safety legislation was at its infancy. The residential buildings were intended to last only for the period of construction, however greater demand for longevity as a tourist haven prevailedThis photo of the construction of the Junction Dam, with The Bogong village as backdrop, details the harsh conditions faced by construction workers, building dams and villages to accommodate workers in the 1940s to the 1950s. Australia at this period in time, experienced a surge of population (influx of World War II refugees), which was the catalyst for developing and undergoing an enormous hydroelectricity program for the Alpine regions, both in Victoria and New South Wales. This program was initiated to supply electricity to the major southern Australian cities of Adelaide, Melbourne and Sydney. It was thought that these developments would reduce, if not eliminate, the requirement for coal driven power stations. However time has demonstrated that these power stations have not matched the demand required by the industries and the populations of the major urban and cities.Black and white photo of original photo with a flashlight reflection in the bottom centre. The photo is on Kodak XtraLife II paper. The paper is semi gloss.This photo is of the construction of the Junction Dam Wall with the Bogong Townshiip in the background.Back of photo is printed " Kodak XtraLite II paperdam construction, bogong village, alpine development, junction dam -
Kiewa Valley Historical Society
Photograph Clover Dam, Clover Dam Circa 1940, circa 1940s to 1950s
As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) implemented the conversion strategy from mainly brown coal supply to hydro - electricity. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. This dam was constructed to supply water to feed four turbines (62 mega watts) at the West Kiewa Power Station. This was at the forefront of sustainable "Green" energy. Costs associated with power supplies is still a major incentive of governments, however environmentally friendly alternatives such as wind and nuclear have also made inroads. The Kiewa valley and its surrounding alpine catchment were looked at(Victorian State Government), from the beginning of the twentieth century as a source of alternate power for an every increasing demand for electricity by growing population and heavy industrial ares within Melbourne City and State regions. Construction of dams, such as Clover Dam provided the large quantity holding areas of water required to turn the turbines at the various power stations to provide the electricity needed. The impact of these controls by moderating water run off from the alpine regions is beneficial in reducing flooding from thawing of snow on the alps. This by-product allows agriculture and grazing to be less vulnerable to seasonal flooding thereby resulting in a more stable annual production level.Reproduction (scanned) of a black and white photo of Clover Dam circa 1940. The paper used is KodakXtraLife II paperThe reverse side of photo " KodakXtraLife II paperdams, pondage, hydro electricity, power stations, clover dam, secv -
Kiewa Valley Historical Society
Bag Camera, circa 1920s
... , England and its colonies. It was well before the post World War II ...This item was manufactured in a period where the cheapest containers for portable equipment was canvas. The market place for cheap cameras was still restricted to European, England and its colonies. It was well before the post World War II explosion of the Asian manufacturing juggernaut.This item shows one of the most popular avenues of not only bringing new "modern" age equipment into the Kiewa Valley but also providing the local market with actual overseas inexpensive merchandise. It was a time when the new European fashion and "new age" equipment took years to permeate into regional Australia. The world, through Australia eyes, was still a very large planet and supply of "modern" lifestyle equipment emphasised the geographic isolation of Australia. Post World War II emigrants and an increasing flow of tourists to Australia provided the contact needed by rural settlements to open up not only their social contacts but lifestyle activities.Canvas, yellow, cream in color and with a weave pattern on the external side. It has stitched brown laminated fabric boarders containing all ends and corners. A flap opening top fastened on one side by a large press stud (15mm). A brown coloured leather carry strap (adjustable and 10mm wide) fasted at either of the longitudinal ends of the bag.camera, case photography, hobby, personal equipment -
Kiewa Valley Historical Society
Whistle Penny, circa 1950s
This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music -
Kiewa Valley Historical Society
Camera Box Brownie Folding, Six 20 Folding Brownie KodetteII, Circa 1948 to late 1970s
This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets. -
Kiewa Valley Historical Society
Book - Reference Countryside, The Australian Countryside in Pictures, circa 1950s
... of post World War II rural Australia. The strong heritage link ...This book is a "snapshot" in time (1950s) detailing life in Australia covering a time when a "man's word and handshake" were his moral and quasi legal bond, and the now relative defunct saying "smoko" (having a "time out" from work for a cigarette and tea or coffee). The book spans an era where the male was still the "head" of the family even though for a majority of families the women took on the many "male only" roles during the World War II period. This shift in the leadership of the family hierarchy is mentioned, so ever slightly, (not to offend the still predominant macho male image) in both rural and city environments. The effects of the war, and later the push for women's emancipation and equality in both family, social, workplace and political areas of life, since this book was published, is now finally resolved. However there are still some sections of the recent migrate population where this male dominance is causing a few problems.The significance of this book is not only because it was donated by Mrs C. Roper ( from the Roper Family, a pioneer Kiewa Valley and surrounding Region family - originally beef cattle graziers) but also a Kiewa Valley resident and family, experiencing the shift in the social and economical life of post World War II rural Australia. The strong heritage link to this region of many families still residing within its boundaries, is a clear affirmation of the bond that the Kiewa Valley and its Regions have upon family unity. This unity within the rural environment is something that is attracting more and more families from sometimes alienating city life.This printed coloured sketched, or painted paper sleeve of the book is freely wrapped over a dark red hard cover. Into the front of the cover is pressed a standing pose of a farmer with long sleeves rolled up over his elbows. Behind him and to the right are what appears to be three sacks of wheat and next to him is a merino sheep. To the left and down are two dogs one with a fox in its jaws. The book contains 240 pages, 300 illustrations in gravure and 25 pictures in full colour. The inside fly leaf is a colour photograph of a rural scene with dirt road running in the centre and to the left a farm house and a five bay open storage barnOn the tittle page is a signature "C Roper"country life, australian "outback", rural industries, life on the land, swag-man of the bush -
Kiewa Valley Historical Society
Journal - Reference, Mountain Work and Walks 1945-48,The Joy of Being Alive, circa 1950s
This journal detailing the author and friends walks and observations together with black and white photographs of the Kiewa Valley and the Bogong high plains regions during various "walks during the years 1945 to 1948. These walks were undertaken during the various Hydro - electricity generating plants and infra structures were being installed. It relays how the walker and adventurer enjoyed the pristine Alpine regions of Victoria. The wilderness and higher sense of adventure encountered by the author and his "walking party" is now no longer that intense. The isolation of the region was, at that time, still a barrier for the casual adventurer and required a dedication of the "pioneer" mountain walker.The significance of this journal is that both the photographs and accounts of those intrepid adventurers walking throughout the Victorian Alps and the Bogong High Plains details the countryside in one of the remaining years of relative pristine and minimal "tourist" developed regions of rural Victorian. The necessity of greater electrical power supply to the rapidly growing demand from cities and larger towns, post World War II immigration, had resulted in drastic changes to the infrastructure of the Victorian Alpine regions and particularly the Kiewa Valley. The photographs and the written accounts of the "adventurers" in this journal presents the last phases of the " Australian rough outback environment" and also the typical "bush wise" city/town dweller that although lived in towns and cities still had the adventurers heart of their fore fathers.This item has been photocopied by the author of his journal, consisting 27 pages of A4 size paper. A covering letter by the author is at the front of this loose leafed journal. The journal is bound in a yellow plastic cover with spirals. At the back is a 2 page biography of Myrtle Emily (Grigg) Deamer 1922-2006, then a photo of Meg with baby Bryn and son Tony followed by a letter from David BottomleyThe author's correspondence and covering letter has his signature "D Bottomley"alpine country, bush walking, bogong mountain, alpine adventures -
Kiewa Valley Historical Society
Atlas Australian Commonwealth, Philips' Australian Commonwealth Atlas, 1944
This atlas, printed in 1944, details not only the geographic and political boundaries of the world as it was at that time but also the snap shot of life of the time. This snap shot in time covers the major Australian cities, the major farming, grazing, industrial and sporting/recreational activities. Also there are snap shots of similar activities from other global areas. The period also covered World War II, detailed by a photo of "shell making", munitions, required by Australian soldiers. The great political and territorial changes made as a result of World War II can be clearly identified for example , Israel (the Jewish homeland). The various prewar colonies of major European nations.This atlas was used by children of a Kiewa Valley family and shows the value and the general educational exposure that these children had at this time. The rural setting and within the backdrop of a world war did not severely alter the life style of children in this region. The "news reels" shown in cinemas of cities and larger towns were the only visual realisations of major events of global significance available to these children. The information provided by this atlas allowed students to glimpse at what the "outside world" was. The majority of these students would possibly never see these regions for themselves. The great communication facilities of the late 1900s and beyond, was still only science fiction.This atlas has a thick (350 g/m) red cardboard cover with bold black lettering and shading. The cover is set out within a shield like frame. The shield is held up by two square markings, each with a four part circular pattern and a cord entwining two pendulum structures ending with a bowl figure at the bottom. There is a semi circular form enclosing a printed book contents list. The inside cover has the atlas title and contents and the publisher details. The atlas contain 56 pages of world and Australian maps, vegetation and rainfall maps. Within this atlas there are 27 double sided pages of black and white photographs depicting life styles, buildings, landscapes and prominent and significant to Australia males from 1652 to 1944. The pages are of approximately 200 g/m and have the yellow aged appearance.On front cover "Philips' Australian COMMONWEALTH ATLAS" and underneath "Containing" underneath "60 PHYSICAL, POLITICAL AND ECONOMIC MAPS". Publisher George Philip & Son, Limited 32 Fleet Street, London E.C. 4. Inside cover are: written, in freehand and in ink the following names and dates; "J.Muller Form V 1945", "L L Muller Form IV 1946", "N.J. Muller Form I + II + III 1948 +49 + 50" and "D Muller Form I 1949". also handwritten and in pencil is "Peter Leslie". On the last page is a small freehand sketch of Australia in biro.1940s school curriculum, rural education, 1940s atlas, australian atlas -
Kiewa Valley Historical Society
Jar/ Demi John Stone Ware, Circa 1860
This kiln glazed container for liquid's, was the type used in the 1700's to mid 1900's to contain fluids mainly for human consumption which needed to retain liquid that could be affected by sunlight and or required to be maintained at a cooler temperatures. Ginger beer and other "brews" for human consumption were the prime target. The ability to refill these vessels were of the utmost importance to the consumer. Over time these containers were reduced in size and produced for "special" liquids e.g. alcoholic Port. This Demi John stone ware was manufactured in Tamworth (England) and imported into Australia during a period when the majority of "quality" domestic items were sourced from "the Mother Country" and the ties between the still "colonial" outpost were very strong. This bondage remained longer in rural communities than in the cities. The "multi-culturalism of the post World War II era resulted in the lessening of the earlier ties. The growing of nationalism, the Aussie evolution, was brought about by the increased social and business/commercial interactions between Australia and the United States of America, post World War II.This container(jug) is very significant to the Kiewa Valley, a rural region that required these type of liquid storage vessels, especially in the late 1800's to the mid 1900's. These were times when household refrigeration, if available, would be from the "block ice" coolers or "cool" storage nooks and crannies within farmhouse locations.This large "stone ware" glazed Demi John, alias Carboy has a capacity of over 20 litres. It has a conical smooth lipped neck top with a wide, flat(three to four finger) carry and poring handle. The top third portion of the jug is caramel in colour and the bottom a darker cream. It has a manufacturer's seal stamped into the surface before glazing. This item would have been corked and then sealed (air tight) with wax.manufacturer's seal "GEORGE SKEY WILNECOTE TAMWORTH"household liquid jar container, 1800's food storage, kiln fired glazed pottery -
Kiewa Valley Historical Society
Mincer Meat, early to mid 1900's
This cast iron kitchen appliance was made in England in the early 1900's and shipped to the "colony" Australia. This was before World War II and the "growing up" of a colony to an independent member of "the British Commonwealth". It was a period when most appliances (be they household) where manufactured in England and shipped to Australian ports. It was not until the late 1960's that the Asian manufacturing giant woke up and started to dominate the market palce.This domestic kitchen appliance is very significant to the Kiewa Valley because it highlights the "made at home" period when food processing was made "in house" due to inability to source food from specialised shops e.g. the butcher or slaughter houses. It was a period before mass food processing factories were established and roads constructed up to the standard for distribution to semi remote regions such as Kiewa Valley was in the beginning of the 1900's.This cast iron (malleable iron) mincer for meat products has a large "funnel" to direct "chunks" of meat to the grinding "wheels". These "star" shaped wheels with "teeth" of three different cutting surfaces (fine, medium and coarse) provide for texture types of the final meat product. The meat is placed into the "loading" funnel and push downwards(gravity feed) through the mincing chamber and out through the front side. There is a long "screw worm" which is rotated by turning the handle. The appliance is table mounted by a vice "G" screw on clamp (hand operated). "BEATRICE No. 3" and "MADE IN ENGLAND", "P 3181"household cast iron appliances, food processors -
Kiewa Valley Historical Society
Box Starch, Pre decimal currency date(14th February 1966)
This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances. -
Kiewa Valley Historical Society
Box Linen Thread, early to mid 1900's
This box which once contained linen thread manufactured in Scotland and labelled "British" manufacture" was used for the repair/manufacture of clothing by professional seamstresses and those wives required to "do" repair stitching of family clothes. This box was manufactured in a period when the title "United Kingdom" was used (late 1700's early 1900's) to describe the union of Britain and Scotland. The label however can be misleading as the"British Manufacture" thread was manufactured in Scotland. The broad term "British Manufacture" was used for the benefit of those in the "colonies" of Australia and New Zealand, during a period when the "coined" phrase "best of British, or British best" was synonymous to "top quality". After World War II the need for "cheaper products" was more persuasive than the quality of the product. In rural areas this shift to cheaper "non British" goods was at a slower rate than in the cities. Goods such as clothing manufactured or altered by seamstresses were regarded as of a higher standard and therefor the use of linen thread from "Britain" was a sign of quality and reliability.This box which contained linen thread, "British" made, is very significant to the Kiewa Valley because it demonstrates the conditions under which households in the late 1800's and early 1900's evolved from a "domestic repair /replacement" of damaged clothing to a consumer of recycled and shop bought clothing and linen. The ability of semi isolated rural based families to purchase "off the rack" clothing was severely affected by weather, long distance over dirt roads(poorly serviced) to large towns(shops), horse/cart or slower driven cars. The purchasing of clothing was, on the whole, from trading house "mail order" consignment orders.This red paper covered box has a white covered lid (top) with black print detailing the manufacturer and contents. This box contained 150 yds of linen thread 2 cord. A small added note pasted on one side "USUAL TWIST (s)" describing the thread's appearance. Two semicircular "finger" holes on two sides of the lid permit easier removal of the lid from the base.On the top lid: "W.&J. KNOX'S" below this a crest with latin motive "MOVEO ET PROFICIOR" English translation "I proceed and am more prosperous" encircling an open winged falcon. below this "LINEN THREAD", "2 CORD." "WARRANTED" "150 Yds." Made from Flax." British Manufacture". On one side "DRABS SOFT FINISH" within a shield "KNOX'S TWO CORD 150 YARDS 30" next to this a trade mark "W & J KNOX below this "made in KILBIRNIE, SCOTLAND"thread, cord. flax, box container, linen thread, seamstress items, cardboard box -
Kiewa Valley Historical Society
Pot Boiler, circa early 1900s
This cast iron "boiler" was produced by one of the largest foundries in England during the late 1700's and onwards. These products were "shipped to the far realms of the "British Empire". This source was one of the only ones available to the early settlers in Australia until the mid 1900's. The catch cry of those "early " times was "the best of British" which was ingrained into the early (Australian) settler's iron and cast iron purchasing mind set. It was not until after World War II did that mindset change, when both American and Asian based manufacturers' products were accepted by the Australian consumer. The city based consumer embraced the swing a lot earlier than the more "traditional" rural consumer. This cast iron 8 gallon "boiler" is very significant to the Kiewa Valley not only that large "boilers" were used to "boil" clothes clean, over an open flame source, but also because it demonstrates one of the most important "rural" mores founded by the "early" settlers in this region. That more was the very "close" tie to "Mother England" and the "establishment". The social and "family" values from the "English" way of life was ingrained until well past the day of the "Australian Federation". It was not until the friendly "American soldier" invasion during World War II that the "Empire" bondage was being eroded away. The transition from the good "rural war cry" of "Australia prospers off the sheep's back" was slipping away and the industrial monolith started its challenge. This change was the slowest in semi remote rural centres such as the Kiewa Valley. The "old English" values lingered on until the mid 1900's.This large (8 gallons) cast iron boiler is oval in shape and has a cast iron (swivel) carrying handle. The handle has a "bend" in the centre position to allow hook and straight type rods to facilitate the positioning of a "hot" boiler. This boiler would have been used over an open fire or placed on top of "coals". On the top rim and evenly spaced between the fixed handle joins is a slightly semi curved balancing/control lip.At the bottom (underneath) "CLARK & Co. PATENT", Below this a six star triangle with the letter "C" in the middle.. On the opposite end "BEST QUALITY" and underneath "8 Gall s"camp fire cooking utensils, hot plate, cast iron cooking and boiling appliance, drovers kitchen -
Kiewa Valley Historical Society
Necklace Silver Lover's Knot, circa late 1800's
This "lovers" necklace is made from Sterling Silver and was imported into "the Colony" before the Australian Federation was enacted. This was a time when very close "bondage" between Australia and England was shown by the amount of "quality" products that were purchased, and the motto "Best of British" was truly still entwined in all aspects of rural live, from "British" mores and values "inherited from the "colonial days". It was only after World War II (when Britain could not help to defend Australia from the Japanese) that these long held mores were, through generations and generations, that the USA and Asian markets and goods replaced the "old" ties.This ladies silver necklace is very significant to the Kiewa Valley because it demonstrates the "rural" mores and values at a time(1800's to mid 1900's) when the "gap" between city and rural mores was very pronounced. That gap was maintain only through the degree of "isolation" (communication and physical interactions) between the two major types of "communities" and the evolving mores which each of them were going through. The social structure was just as pronounced in rural areas as it was in the cities. Fine jewelry was a "sparkling" affirmation of status and "wealth". The rural sectors had very wealthy sectors before the World Wars, when "Australia" was riding "on the sheep's back", but the increased mineral wealth exports and "big" industry of the cities started to forge ahead.This necklace is made from sterling silver and has four double bar and six lover's knots coupled to a silver chain. There is one silver double bar missing and may have been removed to reduce the length of the necklace. Sterling silver Hallmarks and Makers marks are stamped on the links and the clasp. The meaning of the horizontal twin bars have not yet been interpreted .Hall marks "PWC" and "AA"necklace, jewellery, sterling silver, lovers knot -
Yendon History Group
School photograph of Queen Elizabeth II, 1954 (estimated)
Coloured photograph of QE II, in a white wooden frame, which used to hang in Yendon State School. Photo probably taken in 1954 during her visit to Australia. She is wearing a yellow dress (photo now faded), a sheer stole, long white gloves, a sprig of wattle on her right shoulder and a blue sash over her left shoulder. She is waving with her right hand.noneroyal visit 1954, yendon state school, yendon public school, elizabeth ii, photograph of queen -
Bendigo Military Museum
Book - BOOKS, C E W Bean - Vol I et al, Official History of Australia in the War of 1914-18 (13 volumes), 1939
Red buckram hard copy, gold text on covers, black & white photos & illustrations. .1) Vol I The Story of ANZAC, 662 pages .2) Vol II The Story of ANZAC, 975 pages .3) Vol III The AIF in France 1916, 1036 pages .4) Vol IV The AIF in France 1917, 1030 pages .5) Vol V The AIF in France 1918, 825 pages .6) Vol VI The AIF in France: May 1918, 1099 pages .7) Vol VII Sinai and Palestine, 844 pages .8) Vol VIII The Australian Flying Corps, 493 pages .9) Vol IX The Royal Australian Navy, 649 pages .10) Vol X The Australians at Rabaul, 412 pages .11) Vol XI Australia During The War, 922 pages .12) Vol XII Photographic Record of the War, 753 pages .13) Vol XIII Photographic Record of the War, 753 pagesbooks, military history -
Bendigo Military Museum
Book - BOOKS, 1), .2) & .7) Gavin Long et al, Australians in the War of 1939-1945 . Series One. Army, 1) 1952; .2) 1953; .3) 1966; .4) 1957; .5) 1963; .6) 1961; .7) 1963
.3) A Lee, 27 Alamein Court, Golden Square, Bendigo.Red buckram covers with loose paper & plastic covers. White text on loose covers. Black & white photos & illustrations. .1) Vol I The Benghazi, 336 pages .2) Vol II Greece, Crete and Syria, 587 pages .3) Vol III Tobruk and El Alamein, 854 pages .4) Vol IV The Japanese Thrust, 715 pages .5) Vol V South-West Pacific Area - First Year, 655 pages .6) Vol VI The New Guinea Offensives, 851 pages .7) Vol VII The Final Campaigns, 667 pagesbooks, military history -
Bendigo Military Museum
Book - BOOKS, 1) Douglas Gillison et al, Australians in the War of 1939-1945. Series Three. Air, 1) 1962; .2) 1957; .3) 1954; .4) 1963
Mid blue buckram hard covers with blue plastic covered dust jackets. Titles on front covers & spines except Vol III due to front of dust jacket missing. Illustrated with black & white photos & maps. .1) Vol I Royal Australian Air Force 1939-1942, 786 pages .2) Vol II Air War Against Japan 1939-1945, 533 pages .3) Vol III Air War Against Germany & Italy 1939-1943, 731 pages .4) Vol IV Air Power Over Europe 1944-1945, 539 pagesbooks, military history - airforce -
Bendigo Military Museum
Book - BOOKS, 1) & .2) Paul Hasluck et al, Australia in the War of 1939 -1945. Series 4 Civil, 1970
Mid green buckram covers with light green dust jackets, several with plastic. Titles on front & spines. Illustrated with black & white photos & drawings. .1) Vol I The Government and the People 1939-1941,644 pages .2) Vol II The Government and the People 1942 -1945, 771 pages .3) Vol IV War Economy 1942 -1945, 817 pages .4) Vol V The role of Science and Industry, 738 pagesbooks - history, politics -
Bendigo Military Museum
Book - BOOKS, Allan S Walker, Australia in the War of 1939 -1945. Series 5 Medical, 1) & .2) 1956; .3) 1957; .4) 1961
Medium red buckram covers with dark maroon plastic covered dust jackets. .2) Dust jacket is lighter shade of puce. Titles on front & spines. Illustrated with photos & maps. .1) Vol I Clinical Problems of War, 726 pages .2) Vol II Middle East and Far East, 701 pages .3) Vol III The Island Campaigns, 426 pages .4) Vol IV Medical Services of the RAN and RAAF, 574 pages.3) Fly leaf stamped in ink, oval shape: Returned Services League Memorial Hall Bendigobooks - history, military, medical -
Bendigo Military Museum
Book - BOOKS, Charles Meetsing, Pictorial History of Australia at War 1939-45, 1959
Books - green buckram cover, gold text on spine, black & white photos throughout. .1) Volume I - 256 pages .2) Volume II - 255 pages .3) Volume III - 256 pages .4) Volume IV - 256 pages .5) Volume V - 256 pagesbooks, miltary, history -
Bendigo Military Museum
Literary work - BOOK SET, Australian War Memorial Set of 20, 1) 1919; .2) & .6) 1942; .3) & .12) 1943; .4), .7), 8), &.16) 1953; .5), .9) & .14) 1945; .10) 1941; .11) & .20) 1954. .13) & .14) 1944;
Set of Books commonly called 'As You Were' from WW1 and WW2. Green cloth. .1) Australia in Palestine (WWI) Book, hard cover, cardboard in centre of cover is silhouette of a Light Horseman & horse. Print is black ink, 153 pages. Illustrated with photos, drawings & maps. .2) These Eagles. Story of the RAAF at War. Book, green hard buckram cover, 200 pages. Front cover has black print with outline drawing of an eagle. Illustrated with photos, drawings. .3) RAAF Log - The RAAF at War. Book, green buckram hard cover. Front has profile of a pilot, black print, 200 pages, illustrated with photos, maps. paintings & drawings. .4) RAAF SAAG - The RAAF at War. Front cover has drawing of 2 Fighter Pilots in black ink, black print. 200 pages, illustrated with photos, drawings & paintings. Book, green buckram hard cover. Front cover has drawing of 2 Fighter pilots, black print, 200 pages, photos, drawings & paintings. .5) Victory Roll - The RAAF at War. Book, green buckram, black print, 200 pages, photos, drawings & charts. .6) HMAS Green buckram hard cloth cover, cloth cover with black text. 200 pages, black & white print, black text on white paper. .7) HMAS Mk II. Book, green buckram hard cover, black & white text on white paper. 200 pages, illustrated colour prints. .8) HMAS Mk III Book , green buckram hard cover, black text on white paper. 200 pages, illustrated colour prints. .9) HMAS Mk IV Book, green buckram hard cover, black text on white paper. Illustrated colour prints. .10) Active Service with Australia in the Middle East. Book, green buckram hard cover, black text on white paper, 129 pages. .11) Soldering on the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 200 pages. Rising Sun badge at bottom right hand corner. Illustrated with black & white photos, paintings, maps & drawings. .12) Khaki & Green with the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 204 pages. Front cover has a layout of words khaki & green, 2nd tone in light yellow. Illustrated with black & white photos, paintings, & drawings. .13) Jungle Warfare with the Australian Army in the South West Pacific. Book, brown buckram hard cover, light brown ink. Image at bottom of Australian soldier in jungle, 208 pages. Illustrated with photos, paintings, maps & drawings. .14) Stand Easy. After the Defeat of Japan, 1945. Book, light green buckram hard cover, black text on white paper, 208 pages. Image of soldier, both arms outstretched, smiling. Illustrated with photos, maps, paintings, & drawings. .15 On Guard with the Volunteer Defence Corps. Book, green & black buckram hard cover, black text on white paper, 172 pages. Illustrated with colour prints, & black & white photos. .16) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1946. Book, green buckram hard cover, tan & black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .17) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1947. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .18) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1948. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .19) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1949. Book, green buckram hard cover, green text on white paper, red & green diagram, 194 pages. Illustrated with black & white photos & colour prints. .20) Signals. Story of the Australian Corps of Signals. Book, green buckram hard cover, black text on white paper, 196 pages. In the corner of the front cover is the badge with motif of the Australian Corps of Signals. Illustrated with photos & drawings..1) 4214 TPR J E Neilson Year 1919 F E Addlem 1962 .books-military, museums, history -
Bendigo Military Museum
Book, Australia Post, White Ensign 1939 - 1945: The Navy Goes to War, 1993
... classes of RAN & Merchant Navy ships during World War II books ...Documents the roles of various classes of RAN & Merchant Navy ships during World War IIBook, blue illustrated hard cover. Title in blue & purple letters. No dust cover. Illustrated end papers. Colour & black & white illustrations. 40 pages with cut edges.Opposite title page: Donated by Marg Andreabooks, military, navy -
Bendigo Military Museum
Book, Courage and Service Project, Courage and Service - Chinese Australians and World War II, c.1999
... goldfields BOOK Book Courage and Service - Chinese Australians ...Book, soft white cover with black cloth binding over glued spine. On front are 3 black & white photos of Chinese Australians who served with Australian forces in WWII. 54 pages.On title page: To Bendigo RSL, President and Members with thanks for your support and very best wishes Diana Giese April 199books, military history, chinese -
Bendigo Military Museum
Book, Gerard Punt with cooperation of NAJEX Historian Jack Epstein, Australian Jewry's Book of Honour in World War II
Book, hard cover, paper brown. Dust cover cream & brown, photograph of soldier playing bugle. Title in black print. 225 cut pages, illustrated & black & white photographs.Victorian Association of Jewish Ex-Servicemen and Women (VAJEX) Dear Bill, in appreciation of your address to VAJEX Remembrance Night Dinner 20.11.94, Sol Rose, President. Walter Jona, Patron & President (Past) Dinner Chairman.books, military, history, jewry -
Bendigo Military Museum
Souvenir - HMAS BANNERS, c.WWII
... .1) "HMAS Australia - DAKARI-1, DAKARI-II, CORAL SEA...) scroll under shield. .1) "HMAS Australia - DAKARI-1, DAKARI-II ....1) Triangular light blue felt wool banner (or pendant) yellow, white print with State emblems on shield (Australia). .2) Triangular dark blue felt wool banner (or pendant) with crown over shield, 'W' figure & lions head (x3) scroll under shield..1) "HMAS Australia - DAKARI-1, DAKARI-II, CORAL SEA, SOLOMON IS, ARAWE, C.GLOUCESTER" .2) "HMAS SHROPSHIRE - FLOREAT SALORIA" (on scroll)flags - military, naval, hmas